Beauty and the Beast 1991 premiere
Sunday November 10th, El Capitan Theatre 6838 Hollywood Blvd, Los Angeles, CA 90028
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Paige O'Hara's an American actress, singer & painter. She was born on May 10, 1956 in Ft. Lauderdale, Florida as Donna Paige Helmintoller. She's best known as the voice of Belle in Beauty and the Beast (1991).
She started receiving acting lessons around 4 & singing lessons around 12. She enrolled at a performing arts high school, aspiring for a professional career as an actor & singer. She has cited American actress & singer Judy Garland as an inspiration for her career choice.
She started out as a theatrical actress, making her Broadway debut in 1983. She played the role of singer & dancer Ellie May Chipley in a revival of Show Boat, which depicts the life of fictional show-woman Magnolia "Nolie" Hawks over a 40-year period, from her 1st performances to her retirement. From 1985-1987, she played the roles of actress Alice Nutting, disappearance victim Edwin Drood & private investigator Dick Datchery in the The Mystery of Edwin Drood. In 1988, she appeared in the musical's 1st national tour. Other notable roles include Ado Annie Carnes in a 1986 revival of Oklahoma!.
In 1989, Walt Disney Animation Studios started production of Beauty and the Beast (1991). She learned about the upcoming film production from a newspaper article & applied for a voice role. She competed against 500 other applicants & was chosen for the lead role of Belle. The design team of the film had modeled Belle's appearance on Judy Garland so the casting crew wanted an actress & singer whose tone was reminiscent of her. She was thought to offer a decent artistic impression of Garland's style & had considerable experience in stage musicals, making her ideal for the role. After its release in 1991, she gained worldwide fame for voice acting.
In 1993, she joined the cast of the animated TV series The Legend of Prince Valiant (1991). She voiced Princess Aleta of the Misty Isles, a warrior woman who serves as a love interest for Valiant.
In 1995, she played Fantine in productions of Les Misérables. In 1996, she played protagonist Peter Pan in a revival of the musical Peter Pan.
She voiced Belle again in the direct-to-video film Beauty and the Beast: The Enchanted Christmas (1997) & the direct-to-video anthology film Belle's Magical World (1998). In 1999, Disney released the compilation film Belle's Tales of Friendship (1999), which had a live-action Belle presenting animated tales. The live-action Belle was played by Lynsey McLeod but she voiced Belle for an animated segment featuring a brand new story. In 2000, she voiced Belle in the video games Disney's Beauty and the Beast: Magical Ballroom (2000), Kingdom Hearts II (2005) & Kingdom Hearts II: Final Mix+ (2007).
In 2007, she played the soap opera character Angela in a story-w/in-a-story featured in the film Enchanted (2007).
In 2011, she received a Disney Legend Award, honoring her for her contributions to Disney productions over the past 20 years. That same year, she stepped down from her role as the official voice of Belle. Her voice had changed considerably over 2 decades, so she could no longer match her original voice. It was announced that she would continue to work as a painter for Disney Fine Art & make promotional appearances for Disney. In 2018, she reprised the role of Belle in Ralph Breaks the Internet (2018).
She has now mostly retired from acting though she continues to enjoy fame through voice acting in popular productions.- Actress
- Producer
- Executive
Angela Lansbury was born in 1925 into a prominent family of the upper middle class living in the Regent's Park neighborhood of London. Her father was socialist politician Edgar Isaac Lansbury (1887-1935), a member of both the Communist Party of Great Britain (CPGB) and the Labour Party. Edgar served as Honorary Treasurer of the East London Federation of Suffragettes (term 1915), and Mayor of Poplar (term 1924-1925). He was the second Communist mayor in British history, the first being Joe Vaughan (1878-1938). Lansbury's mother was Irish film actress Moyna Macgill (1895-1975), originally from Belfast. During the first five years of Angela's life, the Lansbury family lived in a flat located in Poplar. In 1930, they moved to a house located in the Mill Hill neighborhood of north London. They spend their weekends vacationing in a farm located in Berrick Salome, a village in South Oxfordshire.
In 1935, Edgar Lansbury died from stomach cancer. Angela reportedly retreated into "playing characters", as a coping mechanism to deal with the loss. The widowed Moyna Macgill soon became engaged to Leckie Forbes, a Scottish colonel. Moyna moved into his house in Hampstead.
From 1934 to 1939, Angela was a student at South Hampstead High School. During these years, she became interested in films.. She regularly visited the local cinema, and imagined herself in various roles. Angela learned how to play the piano, and received a musical education at the Ritman School of Dancing.
In 1940, Lansbury started her acting education at the Webber Douglas School of Singing and Dramatic Art, located in Kensington, West London. She made her theatrical debut in the school's production of the play "Mary of Scotland" (1933) by Maxwell Anderson (1888-1959). The play depicted the life of Mary, Queen of Scots (1542-1587, reigned 1542-1567), and Lansbury played one of the queen's ladies-in-waiting.
Also in 1940, Lansbury's paternal grandfather, George Lansbury, died from stomach cancer. When the Blitz started, Moyna Macgill had reasons to fear for the safety of her family and few remaining ties to England. Macgill moved to the United States to escape the Blitz, taking her three youngest children with her. Isolde was already a married adult, and was left behind in England.
Macgill secured financial sponsorship from American businessman Charles T. Smith. She and her children (including Angela) moved into Smith's house in Mahopac, New York, a hamlet in Putnam County. Lansbury was interested in continuing her studies, and secured a scholarship from the American Theatre Wing. From 1940 to 1942, Lansbury studied acting at the Feagin School of Dramatic Art, located in New York City. She appeared in performances organized by the school.
In 1942, Lansbury moved with her family to a flat located in Morton Street, Greenwich Village. She soon followed her mother in her theatrical tour of Canada. Lansbury secured her first paying job in Montreal, singing at the nightclub Samovar Club for a payment of 60 dollars per week. Lansbury was 16 years old at the time, but lied about her age and claimed to be 19 in order to be hired.
Lansbury returned to New York City in August, 1942, but Moyna Macgill soon moved herself and her family again. The family moved to Los Angeles, where Moyna was interested in resurrecting her film career. Their first home there was a bungalow in Laurel Canyon, a neighborhood in the Hollywood Hills.
Lansbury helped financially support her family by working for the Bullocks Wilshire department store in Los Angeles. Her weekly wages were only 28 dollars, but she had a secure income while her mother was unemployed. Through her mother, Lansbury was introduced to screenwriter John Van Druten (1901-1957), who had recently completed his script of "Gaslight" (1944). He suggested that young Lansbury would be perfect for the role of Nancy Oliver, the film's conniving cockney maid. This helped secure Lansbury's first film role at the age of 17, and a seven-year contract with the film studio Metro-Goldwyn-Mayer. She earned 500 dollars per week, and chose to continue using her own name instead of a stage name.
In 1945, Lansbury married actor Richard Cromwell (1910-1960), who was 15 years older than she. The troubled marriage ended in a divorce in 1946. The former spouses remained friends until Cromwell's death.
In 1946, Lansbury started a romantic relationship with aspiring actor Peter Shaw (1918-2003), who was 7 years older than her. Shaw had recently ended his relationship with actress Joan Crawford (c. 1908-1977). The new couple started living together, while planning marriage. They wanted to be married in the United Kingdom, but the Church of England refused to marry two divorcees. They were married in 1949, in a Church of Scotland ceremony at St. Columba's Church, located in Knightsbridge, London. After their return to the United States, they settled into Lansbury's home in Rustic Canyon, Malibu. In 1951, both Lansbury and Shaw became naturalized citizens of the United States, while retaining their British citizenship.
Meanwhile, Lansbury continued appearing in MGM films. She appeared in 11 MGM films between 1945 and 1952. MGM at times loaned Lansbury to other film studios. She appeared in United Artists' "The Private Affairs of Bel Ami" (1947), and Paramount Pictures' "Samson and Delilah" (1949). In 1948, Lansbury made her debut in radio roles, followed by her television debut in 1950.
In 1952, Lansbury requested the termination of her contract with MGM, instead of its renewal. She felt unsatisfied with her film career as an MGM contract player. She then joined the East Coast touring productions of two former Broadway plays. By 1953, Lansbury had two children of her own and was also raising a stepson. She and her family moved into a larger house, located on San Vincente Boulevard in Santa Monica. In 1959, she and her family moved into a house in Malibu. The married couple were able to send their children to a local public school.
Meanwhile she continued her film career as a freelance actress, but continued to be cast in middle-aged roles. She regained her A-picture actress through well-received roles in the drama film "The Long, Hot Summer" (1958) and the comedy film "The Reluctant Debutante" (1958). She also appeared regularly in television roles, and became a regular on game show "Pantomime Quiz" (1947-1959).
In 1957, Lansbury made her Broadway debut in a performance of "Hotel Paradiso". The play was an adaptation of the 1894 "L'Hôtel du libre échange" ("Free Exchange Hotel"), written by Maurice Desvallières (1857-1926) and Georges Feydeau (1862-1921). Lansbury's role as "Marcel Cat" was critically well received. She continued appearing in Broadway over the next several years, most notably cast as the verbally abusive mother in "A Taste of Honey". She was cast as the mother of co-star Joan Plowright (1929-), who was only four years younger.
In the early 1960s, Lansbury was cast as an overbearing mother in "Blue Hawaii" (1961). The role of her son was played by Elvis Presley (1935-1977), who was only 10 years than her. The film was a box office hit, it finished as the 10th-top-grossing film of 1961 and 14th for 1962 on the "Variety" national box office survey. It gained Lansbury renewed fame, at a difficult point of her career.
Lansbury gained critical praise for a sympathetic role in the drama film "The Dark at the Top of the Stairs" (1960), and the role of a manipulative mother in the drama film "All Fall Down" (1962). Based on her success in "All Fall Down", she was cast in a similar role in the Cold War-themed thriller "The Manchurian Candidate" (1962). She was cast as Eleanor Iselin, the mother of her co-star Laurence Harvey (1928-1973), who was only 3 years younger than she. This turned out to be one of the most memorable roles in her career. She received critical acclaim and was nominated for a third time for the Academy Award for Best Supporting Actress. The award was instead won by Patty Duke (1946-2016).
Lansbury made a comeback in the starring role of Mame Dennis in the musical "Mame" (1966), by Jerome Lawrence (1915-2004) and Robert Edwin Lee (1918-1994). The play was an adaptation of the novel "Auntie Mame: An Irreverent Escapade" (1955) by Patrick Dennis (1921-1976), and focused on the life and ideas of eccentric bohemian Mame Dennis. The musical received critical and popular praise, and Lansbury won her first Tony Award for Best Leading Actress in a Musical. Lansbury gained significant fame from her success, becoming a "superstar".
Her newfound fame led to other high-profile appearances by Lansbury. She starred in a musical performance at the 1968 Academy Awards ceremony, and co-hosted the 1968 Tony Awards. The Hasty Pudding Club, a social club for Harvard students. elected her "Woman of the Year" in 1968.
Lansbury's next theatrical success was in 1969 "The Madwoman of Chaillot" (1945) by Jean Giraudoux (1882-1944). The play concerns an eccentric Parisian woman's struggles with authority figures. Lansbury was cast in the starring role of 75-year-old Countess Aurelia, despite her actual age of 44. The show was well received and lasted for 132 performances. Lansbury won her second Tony Award for this role.
In 1970, Lansbury's Malibu home was destroyed in a brush fire. Lansbury and her husband decided to buy Knockmourne Glebe, an 1820s Irish farmhouse, located near the village of Conna in rural County Cork.
Her film career reached a new height. She was cast in the starring role of benevolent witch Eglantine Price in Disney's fantasy film "Bedknobs and Broomsticks" (1971). The film was a box-office hit; it was critically well received, and introduced Lansbury to a wider audience of children and families.
In 1972, Lansbury returned to the British stage, performing in London's West End with the Royal Shakespeare Company. In 1973, Lansbury appeared in the role of Rose in London performances of the musical "Gypsy" (1959) by Arthur Laurents. It was quite successful. In 1974, "Gypsy" went on tour in the United States. with the same cast. For her role, Lanbury won the Sarah Siddons Award and her third Tony Award. The musical had its second tour in 1975.
Tired from musicals. Lansbury next sought Shakespearean roles in the United Kingdom. From 1975 to 1976, she appeared as Queen Gertrude in the National Theatre Company's production of Hamlet. In November 1975, Lansbury's mother Moyna Macgill died at the age of 79. Lansbury arranged for her mother's remains to be cremated, and the ashes scattered near her own County Cork home.
In 1976, Lansbury returned to the American stage. In 1978, Lansbury temporarily replaced Constance Towers (1933-) in the starring role of Anna Leonowens (1831-1915) in The King and I. While Towers was on a break from the role, Lansbury appeared in 24 performances.
In 1978, Lansbury appeared in her first film role in seven years, as the novelist and murder victim Salome Otterbourne in the mystery film "Death on the Nile" (1978). The film was an adaptation of the 1937 novel by Agatha Christie (1890-1976); Otterbourne was loosely based on real-life novelist Elinor Glyn (1864-1943). The film was a modest box-office hit, and Lansbury befriended her co-star Bette Davis (1908-1989).
In 1979, Lansbury was cast in the role of meat pie seller Mrs. Lovett in the musical "Sweeney Todd: The Demon Barber of Fleet Street" (1979), by Stephen Sondheim and Hugh Wheeler (1912-1987). The musical was loosely based on the penny dreadful serial novel "The String of Pearls: A Domestic Romance" (1846-1847), which first depicted fictional serial killer Sweeney Todd. Lansbury remained in the role for 14 months, and was then replaced by Dorothy Loudon (1925-2003). Lansbury won her fourth Tony Award for this role. She returned to the role for 10 months in 1980.
Lansbury's next prominent film role was that of Miss Froy in "The Lady Vanishes" (1979), a remake of the 1938 film directed by Alfred Hitchcock (1899-1980). She was next cast in the role of amateur sleuth Miss Jane Marple in the mystery film "The Mirror Crack'd" (1980), an adaptation of the novel "The Mirror Crack'd from Side to Side" (1962) by Agatha Christie. The novel was loosely inspired by the life of Gene Tierney (1920-1991). The film was a modest commercial success. There were plans for at least two sequels, but they ended in development hell.
In 1982, Lansbury was inducted into the American Theatre Hall of Fame, She appeared at the time in the new play "A Little Family Business" and a revival of "Mame", but both shows were commercial failures. In film, Lansbury voiced the witch Mommy Fortuna in the animated fantasy film "The Last Unicorn" (1982). The film was critically well received, but was not a box-office hit.
Lansbury played Ruth in the musical comedy "The Pirates of Penzance" (1983), a film adaptation of the 1879 comic opera by William Schwenck Gilbert (1836-1911) and Arthur Sullivan (1842-1900). The film was a box office bomb, earning about 695,000 dollars.
Lansbury's next film role was that of Granny in the gothic fantasy film "The Company of Wolves" (1984), based on a 1979 short story by Angela Carter (1940-1992). Lansbury was cast as the grandmother of protagonist Rosaleen (played by Sarah Patterson), in a tale featuring werewolves and shape-shifting. The film was critically well received, but barely broke even at the box office.
At about that time, Lansbury appeared regularly in television films and mini-series. Her most prominent television role was that of Jessica Fletcher in the detective series "Murder, She Wrote" (1984-1996). Jessica was depicted as a successful mystery novelist from Maine who encounters and solves many murders. The character was considered an American counterpart to Miss Marple. The series followed the "whodunit" format and mostly avoided depictions of violence or gore.
The series was considered a television landmark for having an older female character as the protagonist. It was aimed primarily at middle-aged audiences, but also attracted both younger viewers and senior citizen viewers. Ratings remained high for most of its run. Lansbury rejected pressure from network executives to put her character in a relationship, as she believed that Fletcher should remain a strong single female.
In 1989, Lansbury co-founded the production company Corymore Productions, which started co-producing the television series with Universal Television. This allowed Lansbury to have more creative input on the series. She was appointed an executive producer. By the time the series ended in 1996, it tied with the original "Hawaii Five-O" (1968-1980) as the longest-running detective drama series in television history.
Her popularity from "Murder, She Wrote" made Lansbury a much-sought figure for advertisers. She appeared in advertisements and infomercials for Bufferin, MasterCard and the Beatrix Potter Company.
Lansbury's highest-profile film role in decades was voicing the character of singing teapot Mrs. Potts in Disney's animated fantasy film "Beauty and the Beast" (1991). Lansbury performed the film's title song, which won the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song, and the Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.
During the late 1980s and 1990s, Lansbury lived most of the year in California. In 1991, she had Corymore House, a farmhouse at Ballywilliam, County Cork, built as her new family home. She spend Christmases and summers there.
Following the end of "Murder, She Wrote", Lansbury returned to a career as a theatrical actress. She temporarily retired from the stage in 2001, to take care of her husband Peter Shaw, whose health was failing. Shaw died in 2003, from congestive heart failure at the couple's Brentwood, California home. Their marriage had lasted for 54 years (1949-2003).
Lansbury felt at the time that she could not take on any more major acting roles, but that she could still make cameos. She moved back to New York City in 2006, buying a condominium in Manhattan. Her first prominent film role in years was that of Aunt Adelaide in the fantasy film "Nanny McPhee" (2005). She credits her performance in the film with pulling her out of depression, a state of mind which had lasted since her husband's death.
Lansbury returned to performing on the Broadway stage in 2007, after an absence of 23 years. In 2009, she won her fifth Tony Award. She shared the record for most Tony Award victories with Julie Harris (1925-2013). In the 2010s, she continued regularly appearing in theatrical performances. In 2014, she returned to the London stage, after an absence of nearly 40 years.
In 2015, Lansbury received her first Olivier Award for Best Supporting Actress. At age 89, she was among the oldest first-time winners. Also in 2015, November 2015 was awarded the Oscar Hammerstein Award for Lifetime Achievement in Musical Theatre.
In 2017, she was cast as Aunt March in the mini-series "Little Women". The mini-series was an adaptation of the 1868-1869 novel of the same name by Louisa May Alcott (1832-1888). The series lasted for 3 episodes, and was critically well received.
In 2018, Lansbury gained her next film role in Disney's fantasy film "Mary Poppins Returns" (2018), a sequel to "Mary Poppins". Lansbury was cast in the role of the Balloon Lady, a kindly old woman who sells balloons at the park. The films was a commercial hit, earning about 350 million dollars at the worldwide box office.
In 2019, Lansbury performed at a one-night benefit staging of Oscar Wilde's play "The Importance of Being Earnest" (1895). a farce satirizing Victorian morals. She was cast in the role of society lady Lady Bracknell, mother to Gwendolen Fairfax.
By 2020, Lansbury was 95 years old, one of the oldest-living actresses. She has never retired from acting, and remains a popular icon.- Actor
- Director
- Soundtrack
Robby Benson is an American writer, director, composer, lyricist, actor, professor of film, filmmaker and novelist. He began his career in the theater, (Oliver, The King and I); on Broadway (co-starring in Zelda, The Rothschilds and Joseph Papp's The Pirates of Penzance, where he met and fell in love with the great, Karla DeVito!); Benson wrote the libretto and composed the music for the musical that opened in NYC at The Historic Cherry Lane Theatre (Open Heart), and wrote the best-selling novel, "Who Stole The Funny?" (HarperCollins), along with the medical memoir, "I'm Not Dead... Yet". Benson was nominated for a Golden Globe (one of several) for his second film, "Jeremy" which also won an award at the Cannes Film Festival. He sold his first screenplay to Warner Brothers at 18 years-old entitled, "One on One". He has starred in such films as One on One, Ode To Billie Joe, Ice Castles, Jeremy (Golden Globe nominee) Tribute, Harry and Son, Running Brave, The Chosen, Die Laughing (wrote screenplay & music), Walk Proud (scored the film as well), The End, Lucky Lady, Death Be Not Proud (Golden Globe nominee), The Last of Mrs. Lincoln, and Our Town among a few. He also wrote and directed the feature film, 'Modern Love' and composed the score for Straight Outta Tompkins and co-wrote the hit song in The Breakfast Club ("We are Not Alone" - the iconic John Hughes film - the scene where the kids dance in the library) with his wife and loving partner of 40 years, the great Karla DeVito! Benson and DeVito have received RIAA Gold Records, including Nobody Makes Me Crazy, which was covered by Diana Ross; Benson has also written scores for feature films. Benson also voiced 'Beast" in Disney's Academy Award nominated 'Beauty and the Beast." In television, Benson has exec. produced and directed over one hundred episodes of Network shows: from one-hour single camera to 30-minute sitcoms including many top ten shows such as Ellen, Friends, Dharma & Greg, Jesse, The Naked Truth, Two Guys, A Girl and a Pizza Place, Sabrina The Teenage Witch (also directed the pilot), Dream On (nominated Best Director/Single Camera), Muddling Through, Good Advice, Monty, Evening Shade and many more. Robby Benson has been a professor of film production at several universities for 20 years. At NYU's famed Tisch School of the Arts in the Maurice Kanbar Institute of Film and Television, Benson received the honor of being nominated for both NYU's Distinguished Teaching Award in 2006, and the David Payne-Carter Award for Teaching Excellence in 2010. Robby is currently developing his second theatrical musical, "I Hear A Song!"- Actor
- Director
- Additional Crew
David Ogden Stiers was born in Peoria, Illinois, to Margaret Elizabeth (Ogden) and Kenneth Truman Stiers. He moved with his family to Eugene, Oregon, where he graduated from North Eugene High School in 1960. At the age of twenty, he was offered $200 to join the company of the Santa Clara Shakespeare Festival for three months. He ended up staying for seven years, in due course playing both King Lear and Richard III. In 1969, he moved to New York to study drama at Juilliard where he also trained his voice as a dramatic baritone. He joined the Houseman City Center Acting Company at its outset, working on such productions as The Beggar's Opera, Measure for Measure, The Hostage and the hit Broadway musical The Magic Show for which he created the character 'Feldman the Magnificent'. He lent his voice to animated films, with Lilo & Stitch (2002) being his 25th theatrically-released Disney animated film. He was also an avid fan of classical music and conducted a number of orchestras, including the Yaquina Chamber Orchestra in Newport, Oregon, where was the principal guest conductor.
His other theatrical work included performances with the Committee Revue and Theatre, the San Francisco Actor's Workshop, The Old Globe Theatre Festival in San Diego and at the Pasadena Playhouse in Love Letters with Meredith Baxter. As a drama instructor, he worked at Santa Clara University and also taught improvisation at Harvard. In addition to his long-running role in M*A*S*H (1972), Stiers' work on television also included the excellent mini-series North & South: Book 1, North & South (1985), North & South: Book 2, Love & War (1986), The First Olympics: Athens 1896 (1984) and roles in such productions as Anatomy of an Illness (1984), The Bad Seed (1985), J. Edgar Hoover (1987), The Final Days (1989), Father Damien: The Leper Priest (1980) and Mrs. Delafield Wants to Marry (1986). Among his screen credits were The Accidental Tourist (1988), The Man with One Red Shoe (1985), Creator (1985), Harry's War (1981), Magic (1978) and Oh, God! (1977).
Above all, the prodigious talent that was David Ogden Stiers will be most fondly remembered as the pompous, ever-so articulate Major Charles Emerson Winchester III in M*A*S*H. He had found that taking on the role was -- from the beginning -- an easy choice. Stiers saw and loved the movie version. Moreover, he had a fond regard of fellow actor Harry Morgan (who played the character of Colonel Potter) as a kind of fatherly role model. In retrospect, Stiers viewed his experiences with the show as a career highlight, saying "No matter how much you read about the M*A*S*H company, the evolution of it, the quite beautiful human stance it takes, you will not know how much it means ". In his spare time on the set he often annoyed the security guards by skateboarding at 25 miles an hour and "cheerfully thumbing his nose at them".
David died of bladder cancer on March 3, 2018, in Newport, Oregon. He was 75.- Producer
- Writer
- Director
Roy Edward Disney began working for the Walt Disney Company as an assistant film editor on the True-Life Adventure film in 1954. In 1967, he was elected to the Board of Directors of the company. In 1984, he returned to the company as vice chairman of the board, and head of the animation department. On October 16, 1998, in a surprise presentation made at the newly unveiled Disney Legends Plaza at the company's headquarters, Disney Chairman and CEO Michael Eisner presented him with the prestigious Disney Legends Award.- Writer
- Additional Crew
- Producer
Linda Woolverton was born in Long Beach, California, graduating from high school in 1969 and having been an honors student in her schools theater program. She enrolled at California State University, Long Beach, graduating with a BFA in Theater Arts in 1973. She worked full-time for a year in the entertainment division at Disneyland, and began working toward her Masters Degree in Theater for Children at California State Fullerton, while working as a substitute teacher.
Upon the completion of her Masters Degree in 1976, she formed her own children's theater company. She wrote, directed and performed all over California in churches, malls, schools, and local theaters. She also began in 1979, to work as a coach to children acting in commercials. In 1980 she began working as a development executive for CBS, concentrating on both children's and late-night programming.
In 1984 she began working as a children's television writer, penning scripts for shows such as Star Wars: Ewoks (1985), The Real Ghostbusters (1986), Alvin & the Chipmunks (1983) and DuckTales (2017). She also had two young adult novels published: Starwind and Running Before the Wind.
When one of her novels caught the attention of a Disney executive, she was hired to write the script for the animated motion picture Beauty and the Beast (1991). Upon its release in 1991, Beauty and the Beast (1991) became the first animated film to be nominated for Best Picture at the Academy Awards.
Woolverton also co-wrote the script for The Lion King (1994) and Homeward Bound: The Incredible Journey (1993). She also adapted the script of Beauty and the Beast for the stage, which opened to critical acclaim on Broadway in Spring 1994, and was later nominated for a Tony Award for Best Book in a Musical. She also wrote the book for Disney's third Broadway production 'Aida.- Producer
- Writer
- Executive
For four decades, Michael Eisner has been a leader in the American entertainment industry. He began his career at ABC, overseeing shows including Happy Days, Barney Miller, and Roots. He became president of Paramount Pictures in 1976, turning out hit films including Raiders of the Lost Ark, Saturday Night Fever, and Grease. IN 1984 Michael assumed the position of Chairman and CEO of The Walt Disney Company and, in the ensuing 21 years, transformed it from a film and theme park company worth $1.8 billion into a global media empire now valued at over $170 billion. In 2005, Michael founded The Tornante Company, a privately held media & entertainment holding company. Today Tornante owns Topps, Inc., Portsmouth Football Club in England, and has a large and growing television division, including ownership of BoJack Horseman and Tucca and Bertie for Netflix, as well as Undone for Amazon. He and his wife, Jane, founded The Eisner Foundation in 1996 and recently focused the foundation on inter-generational solutions. He was born on March 7, 1942 in New York and later attended Lawrenceville School and Denison University. He and Jane have three sons, Breck, Eric and Anders and three daughters-in-law, plus nine grandchildren.- Music Department
- Composer
- Producer
Alan Menken is an American composer, songwriter, music conductor, director and record producer.
Menken is best known for his scores and songs for films produced by Walt Disney Animation Studios. His scores and songs for The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) have each won him two Academy Awards. He also composed the scores and songs for Little Shop of Horrors (1987), Newsies (1992), The Hunchback of Notre Dame (1996), Hercules (1997), Home on the Range (2004), Enchanted (2007), Tangled (2010), among others.
He is also known for his work in musical theatre for Broadway and elsewhere. Some of these are based on his Disney films, but other stage hits include Little Shop of Horrors (1982), A Christmas Carol (1994) and Sister Act (2009).
Menken has collaborated with such lyricists as Lynn Ahrens, Howard Ashman, Jack Feldman, Tim Rice, Glenn Slater, Stephen Schwartz and David Zippel. With eight Academy Award wins, Menken is the second most prolific Oscar winner in the music categories after Alfred Newman, who has 9 Oscars. He has also won 11 Grammy Awards, a Tony Award, Emmy Award, 7 Golden Globe Awards and many other honors.- Music Department
- Writer
- Producer
A prolific lyricist and librettist, Tim Rice was born in Amersham, Buckinghamshire. He was educated at Aldwickbury School in Hertfordshire, St Albans School and finally Lancing College. He briefly attended Sorbonne Université. He was considering a legal career around the time that he met Andrew Lloyd Webber in 1965. Three years later, the two young men composed a 20-minute pop oratorio that would eventually become "Joseph and the Amazing Technicolor Dreamcoat". The piece was premiered on 1st March 1968 at the Colet Court School in the City of London. During the following months, Rice and Webber lengthened the oratorio to 30 minutes, and a record album of "Joseph" (with Rice singing the role of "Pharaoh") was made at the end of 1968.
Remaining in partnership with Webber, his next project was "Jesus Christ Superstar". Introduced to the public as a concept album in 1970, the opera propelled Rice and Webber to international stardom. Staged versions appeared the following year, and their popularity led to the film Jesus Christ Superstar (1973).
Following "Superstar", Rice and Webber returned to their previous project and expanded it into (more or less) its finalised form. The concept album for "Joseph and the Amazing Technicolor Dreamcoat" was released in 1974.
Inexplicably eclipsed by his collaborator, Rice may never have received the acclaim that he deserved for his contributions to the partnership. The death-throws of the Rice-Webber collaboration produced a third opera, called "Evita". Its concept album was released in 1976.
Rice continued on with a piece called "Blondel", which appeared in 1983. Set to music by Stephen Oliver, "Blondel" was arguably the most comic and witty of Rice's major works. The opera "Chess" followed, with its concept album arriving in 1984. Former ABBA songwriters Björn Ulvaeus and Benny Andersson provided the music for "Chess", and the concept album was an international hit. "Chess" was staged in London in 1986 with great success, but the 1988 Broadway production was radically revised without Rice's knowledge or permission, and it was quickly shut down.
In 1987 Rice was asked by Freddie Mercury and Mike Moran to write lyrics for Freddie's album with Montserrat Caballé "Barcelona", released in 1988, one entitled "The Fallen Priest" and the other "The Golden Boy".
In 1991, he was hired to finish the lyrics for the Walt Disney film Aladdin (1992). Disney subsequently teamed him with Elton John for The Lion King (1994). Rice also composed additional lyrics for the stage version of Disney's film Beauty and the Beast (1991), which opened on Broadway in 1994. A stage version of The Lion King (1994) opened on Broadway in 1997, as he was working with Elton John on two new projects - "Aida", which opened on Broadway in 2000, and the Dreamworks film The Road to El Dorado (2000).
The 1991 to 2000 period also saw a flurry of activity for Tim Rice's earlier works. Major revival productions of "Joseph and the Amazing Technicolor Dreamcoat" and "Jesus Christ Superstar" were staged in many parts of the world. Additionally, there was the film Evita (1996), as well as the video-films Joseph and the Amazing Technicolour Dreamcoat (1991), and Jesus Christ Superstar (2000).
Apart from theatre and film, Rice has written recurring columns for UK newspapers, as well as having shown up regularly on BBC Radio and Television. In 1973, he founded a cricket side - The Heartaches - for which he serves as a manager as well as a player. He also makes regular contributions to various cricket magazines. He continues to have projects in development for the theatre and for film. Most anxiously awaited - especially by audiences in Canada and the United States - is, perhaps, a revival of the authentic 1986 London version of "Chess".- Actor
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Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.- Actor
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Robin McLaurin Williams was born on Saturday, July 21st, 1951, in Chicago, Illinois, a great-great-grandson of Mississippi Governor and Senator, Anselm J. McLaurin. His mother, Laurie McLaurin (née Janin), was a former model from Mississippi, and his father, Robert Fitzgerald Williams, was a Ford Motor Company executive from Indiana. Williams had English, German, French, Welsh, Irish, and Scottish ancestry.
Robin briefly studied political science at Claremont Men's College and theater at College of Marin before enrolling at The Juilliard School to focus on theater. After leaving Juilliard, he performed in nightclubs where he was discovered for the role of "Mork, from Ork", in an episode of Happy Days (1974). The episode, My Favorite Orkan (1978), led to his famous spin-off weekly TV series, Mork & Mindy (1978). He made his feature starring debut playing the title role in Popeye (1980), directed by Robert Altman.
Williams' continuous comedies and wild comic talents involved a great deal of improvisation, following in the footsteps of his idol Jonathan Winters. Williams also proved to be an effective dramatic actor, receiving Academy Award nominations for Best Actor in a Leading Role in Good Morning, Vietnam (1987), Dead Poets Society (1989), and The Fisher King (1991), before winning the Academy Award for Best Actor in a Supporting Role in Good Will Hunting (1997).
During the 1990s, Williams became a beloved hero to children the world over for his roles in a string of hit family-oriented films, including Hook (1991), FernGully: The Last Rainforest (1992), Aladdin (1992), Mrs. Doubtfire (1993), Jumanji (1995), Flubber (1997), and Bicentennial Man (1999). He continued entertaining children and families into the 21st century with his work in Robots (2005), Happy Feet (2006), Night at the Museum (2006), Night at the Museum: Battle of the Smithsonian (2009), Happy Feet Two (2011), and Night at the Museum: Secret of the Tomb (2014). Other more adult-oriented films for which Williams received acclaim include The World According to Garp (1982), Moscow on the Hudson (1984), Awakenings (1990), The Birdcage (1996), Insomnia (2002), One Hour Photo (2002), World's Greatest Dad (2009), and Boulevard (2014).
On Monday, August 11th, 2014, Robin Williams was found dead at his home in Tiburon, California USA, the victim of an apparent suicide, according to the Marin County Sheriff's Office. A 911 call was received at 11:55 a.m. PDT, firefighters and paramedics arrived at his home at 12:00 p.m. PDT, and he was pronounced dead at 12:02 p.m. PDT.- Actor
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Timothy Allen Dick was born on June 13, 1953, in Denver, Colorado, to Martha Katherine (Fox) and Gerald M. Dick. His father, a real estate salesman, was killed in a collision with a drunk driver while driving his family home from a University of Colorado football game, when Tim was eleven years old. His mother, a community service worker, remarried her high school sweetheart, an Episcopalian deacon, two years after Tim's father's death. He was raised with his many siblings and step-siblings. When Tim was young, his family moved to Birmingham, Michigan.
In high school, his favorite subject was shop, of course, and after high school, he attended Western Michigan University and graduated with a degree in Television Production in 1975. In 1978, he was arrested on drug charges and spent two years in jail. Upon his release, he had a new outlook on life and on a dare from a friend, started his comedy career at the Comedy Castle in Detroit. Later, he went on to do several cable specials, including, Comedy's Dirtiest Dozen (1988) and Tim Allen: Men Are Pigs (1990). In 1991, he became the star of his own hit television series on ABC called Home Improvement (1991). While continuing to film his television series throughout most of the 1990s, he starred in a string of blockbuster movies, including The Santa Clause (1994), Toy Story (1995), Toy Story 2 (1999) and Galaxy Quest (1999). In August 1996, he developed and unveiled his own signature line of power tools, manufactured by Ryobi. On top of all that, he has his own racing team, Tim Allen/Saleen RRRRacing. In May 1999, he ended his series Home Improvement (1991) after eight seasons and in 2001, he filmed such movies as Big Trouble (2002) and Joe Somebody (2001).- Actor
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Chevy Chase was born Cornelius Crane Chase on October 8, 1943 in Lower Manhattan, New York, to Cathalene Parker (Browning), a concert pianist and librettist, and Edward Tinsley "Ned" Chase, an editor and writer. His parents both came from prominent families, and his grandfathers were artist and illustrator Edward Leigh Chase and Admiral Miles Browning. His recent ancestry includes English, Scottish, Irish, and German.
His grandmother gave him the nickname "Chevy" when he was two years old. Chase was a cast member of Saturday Night Live (1975) from its debut until 1976, and then embarked on a highly successful movie career. He scored in the 1980s with hits such as Caddyshack (1980), Vacation (1983) and its sequels, Fletch (1985) and Fletch Lives (1989). All his films show his talent for deadpan comedy. Sadly, his career generally worsened through the 1990s, starring in disappointments such as the mediocre Memoirs of an Invisible Man (1992), and Cops and Robbersons (1994). More recently, Community (2009) marked a return for him, as he played a regular role for the first four seasons.- Actress
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Blonde, buoyant Donna Mills began acting in local amateur and professional productions in her home town of Chicago. Donna made her Broadway bow as a harem girl in Woody Allen's play "Don't Drink the Water," then played recurring roles on the Manhattan-based TV soap operas The Secret Storm (1954) and Love Is a Many Splendored Thing (1967). Her first film was The Incident (1967), a hard-hitting drama which co-starred fellow up-and-comers Martin Sheen and Beau Bridges. After playing Clint Eastwood's imperiled girlfriend in the cult thriller Play Misty for Me (1971), Mills guest-starred on numerous top-rated series and carved a niche for herself in made-for-TV movies, usually typecast as a damsel in distress. On the big screen, she scored another coup when she acted with Don Stroud in Murph the Surf (1975). Donna forever altered her on-screen image from trembling helplessness to calculating truculence in the role of Abby Cunningham Ewing, second wife of Dallas (1978) "black sheep" Gary Ewing (Ted Shackelford), in the nighttime serial Knots Landing (1979); coincidentally, Mills had co-starred with J. R. Ewing himself (aka Larry Hagman) on the short-lived sitcom The Good Life (1971). Three times she won the Soap Opera Digest Award for Outstanding Villainess: 1986, '88, and '89. She also earned a Soap Opera Digest nomination for Outstanding Actress in a Leading Role on a Prime Time Serial. After nine years as Abby, Mills decided to leave the long-running hit in pursuit of other opportunities. She continued to headline a range of television films, several of which she produced, often highlighting important social issues. These including Outback Bound (1988), The World's Oldest Living Bridesmaid (1990), Runaway Father (1991), In My Daughter's Name (1992) and My Name Is Kate (1994). Mills returned to Knots Landing for its final episode in 1993, and again for the reunion miniseries Knots Landing: Back to the Cul-de-Sac (1997). In between she had a brief recurring guest role as Jane Mancini (Josie Bissett)'s mother on Melrose Place (1992). In 2014, Donna joined ABC's General Hospital (1963) as yet another wealthy troublemaker, Madeline Reeves. For this role, she won the Daytime Emmy Award for Outstanding Guest Performer in a Drama Series. Donna has since appeared in the feature films Joy (2015) and Nope (2022), and starred in the reality show Queens of Drama (2015).
Donna has long been a supporter of various political and human rights causes, including Easter Seals, Women in Film, and ECO (Earth Communications Office). Unmarried, she adopted a daughter, Chloe, in 1994. She lives in Beverly Hills with her longtime boyfriend, Larry Gilman. She was previously in a long-term relationship with Richard Holland.- Actor
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Oscar-winning character actor Martin Landau was born on June 20, 1928, in Brooklyn, New York. At age 17, he was hired by the New York Daily News to work in the promotions department before he became a staff cartoonist and illustrator. In his five years on the paper, he served as the illustrator for Billy Rose's "Pitching Horseshoes" column. He also worked for cartoonist Gus Edson on "The Gumps" comic strip. Landau's major ambition was to act and, in 1951, he made his stage debut in "Detective Story" at the Peaks Island Playhouse in Peaks Island, Maine. He made his off-Broadway debut that year in "First Love".
Landau was one of 2,000 applicants who auditioned for Lee Strasberg's Actors Studio in 1955; only he and Steve McQueen were accepted. Landau was a friend of James Dean and McQueen, in a conversation with Landau, mentioned that he knew Dean and had met Landau. When Landau asked where they had met, McQueen informed him he had seen Landau riding on the back of Dean's motorcycle into the New York City garage where he worked as a mechanic.
Landau acted during the mid-1950s in the television anthologies Playhouse 90 (1956), Studio One (1948), The Philco Television Playhouse (1948), Kraft Theatre (1947), Goodyear Playhouse (1951), and Omnibus (1952). He began making a name for himself after replacing star Franchot Tone in the 1956 off-Broadway revival of Anton Chekhov's "Uncle Vanya," a famous production that helped put off-Broadway on the New York theatrical map.
In 1957, he made a well-received Broadway debut in the play "Middle of the Night." As part of the touring company with star Edward G. Robinson, he made it to the West Coast. He made his movie debut in Pork Chop Hill (1959), but scored on film as the heavy in Alfred Hitchcock's classic thriller North by Northwest (1959), in which he was shot on top of Mount Rushmore while sadistically stepping on the fingers of Cary Grant, who was holding on for dear life to the cliff face. He also appeared in the blockbuster Cleopatra (1963), the most expensive film ever made up to that time, which nearly scuttled 20th Century-Fox and engendered one of the great public scandals, the Elizabeth Taylor-Richard Burton love affair that overshadowed the film itself. Despite the difficulties with the film, Landau's memorable portrayal in the key role of Rufio was highly favored by the audience and instantly catapulted his popularity.
In 1963, Landau played memorable roles in two episodes of the science-fiction anthology series The Outer Limits (1963), The Bellero Shield (1964), and The Man Who Was Never Born (1963). He was Gene Roddenberry's first choice to play Mr. Spock on Star Trek (1966), but the role went to Leonard Nimoy, who later replaced Landau on Mission: Impossible (1966), the show that really made Landau famous. Landau originally was not meant to be a regular on the series, which co-starred his wife Barbara Bain, whom he had married in 1957. His character, Rollin Hand, was supposed to make occasional, recurring appearances, on Mission: Impossible (1966), but when the producers had problems with star Steven Hill, Landau was used to take up the slack. Landau's characterization was so well-received and so popular with the audience, he was made a regular. Landau received Emmy nominations as Outstanding Lead Actor in a Drama Series for each of the three seasons he appeared. In 1968, he won the Golden Globe award as Best Male TV Star.
Eventually, he quit the series in 1969 after a salary dispute when the new star, Peter Graves, was given a contract that paid him more than Landau, whose own contract stated he would have parity with any other actor on the show who made more than he did. The producers refused to budge and he and Bain, who had become the first actress in the history of television to be awarded three consecutive Emmy Awards (1967-69) while on the show, left the series, ostensibly to pursue careers in the movies. The move actually held back their careers, and Mission: Impossible (1966) went on for another four years with other actors.
Landau appeared in support of Sidney Poitier in They Call Me Mister Tibbs! (1970), the less-successful sequel to the Oscar-winning In the Heat of the Night (1967), but it did not generate more work of a similar caliber. He starred in the television movie Welcome Home, Johnny Bristol (1972) on CBS, playing a prisoner of war returning to the United States from Vietnam. The following year, he shot a pilot for NBC for a proposed show, "Savage." Though it was directed by emerging wunderkind Steven Spielberg, NBC did not pick up the show. Needing work, Landau and Bain moved to England to play the leading roles in the syndicated science-fiction series Space: 1999 (1975).
Landau's and Bain's careers stalled after Space: 1999 (1975) went out of production, and they were reduced to taking parts in the television movie The Harlem Globetrotters on Gilligan's Island (1981). It was the nadir of both their careers, and Bain's acting days and their marriage were soon over. Landau, one of the most talented character actors in Hollywood, and one not without recognition, had bottomed out career-wise. In 1983, he was stuck in low-budget sci-fi and horror movies such as The Being (1981), a role far beneath his talent.
His career renaissance got off to a slow start with a recurring role in the NBC sitcom Buffalo Bill (1983), starring Dabney Coleman. On Broadway, he took over the title role in the revival of "Dracula" and went on the road with the national touring company. Finally, his career renaissance began to gather momentum when Francis Ford Coppola cast him in a critical supporting role in his Tucker: The Man and His Dream (1988), for which Landau was nominated for an Academy Award as Best Supporting Actor. He won his second Golden Globe for the role. The next year, he received his second consecutive Best Supporting Actor Oscar nomination for his superb turn as the adulterous husband in Woody Allen's Crimes and Misdemeanors (1989). He followed this up by playing famed Nazi hunter Simon Wiesenthal in the TNT movie Max and Helen (1990). However, the summit of his post-Mission: Impossible (1966) career was about to be scaled. He portrayed Bela Lugosi in Tim Burton's biopic Ed Wood (1994) and won glowing reviews. For his performance, he won the Best Supporting Actor Oscar. Martin Landau, the superb character actor, finally had been recognized with his profession's ultimate award. His performance, which also won him his third Golden Globe, garnered numerous awards in addition to the Oscar and Golden Globe, including top honors from the New York Film Critics Circle and the National Society of Film Critics. Landau continued to play a wide variety of roles in motion pictures and on television, turning in a superb performance in a supporting role in The Majestic (2001). He received his fourth Emmy nomination in 2004 as Outstanding Guest Actor in a Drama Series for Without a Trace (2002).
Martin Landau was honored with his own star on the Hollywood Walk of Fame, located at 6801 Hollywood Boulevard.
Martin Landau died in Los Angeles, California on July 15, 2017.- Actress
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Pia Zadora was born on 4 May 1954 in Hoboken, New Jersey, USA. She is an actress, known for The Lonely Lady (1983), Butterfly (1981) and Voyage of the Rock Aliens (1984). She has been married to Michael Jeffries since 7 January 2006. She was previously married to Jonathan Kaufer and Meshulam Riklis.- Actor
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Tom Bosley was born on 1 October 1927 in Chicago, Illinois, USA. He was an actor, known for Happy Days (1974), The Back-up Plan (2010) and Yours, Mine and Ours (1968). He was married to Patricia Carr and Jean Eliot. He died on 19 October 2010 in Rancho Mirage, California, USA.- Actress
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Esther Jane Williams was born on August 8, 1921 in Inglewood, California. Her youth was spent as a teenage swimming champion and she won three United States National championships. She eventually was spotted by a MGM talent scout while working in a Los Angeles department store. She made her film debut with MGM in an "Andy Hardy" picture called Andy Hardy's Double Life (1942). She became Mickey Rooney's love interest in the movie, and her character was called Sheila Brooks. Following this movie, stardom was not far away. MGM created a special sub-genre for her known as "Aqua Musicals". Her first swimming role was in Bathing Beauty (1944). This was a simple movie compared to her later big splashes such as Million Dollar Mermaid (1952), co-starring Victor Mature and Walter Pidgeon. Esther Williams was often called "America's Mermaid", as it appeared that she could stay underwater forever!
Following the decline of the once lucrative MGM aqua musical, she attempted dramatic roles. The Unguarded Moment (1956), is one example of this new found dramatic confidence. It co-starred George Nader and John Saxon. Also, The Big Show (1961), co-starring Cliff Robertson and Robert Vaughn was another dramatic role. Overall, Esther's acting skills were limited and, as a musical star in the audience's eyes, she was unsuccessful. She retired from the movie industry in the 1960s, returning as a star guest in That's Entertainment! III (1994) discussing her appearance in MGM films. She certainly is recognized today for bringing enjoyment, escapism and entertainment on the big screen and has also a highly successful business in swimwear. Occasional television work discussing her contribution to the film industry is a treat for her fans from time to time.
Esther Williams died at age 91 in her sleep on June 6, 2013 in her home in Los Angeles, California.- Actress
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Alfre Woodard was born on November 8, 1952 in Tulsa, Oklahoma, the youngest of three children of Constance, a homemaker, and Marion H. Woodard, an interior designer. She was named by her godmother, who claimed she saw a vision of Alfre's name written out in gold letters. A former high school cheerleader and track star, she got the acting bug after being persuaded to audition for a school play by a nun at her school. She went on to study acting at Boston University and enjoyed a brief stint on Broadway before moving to Los Angeles, California. She got her first break in Remember My Name (1978) which also starred Jeff Goldblum. She lives in Santa Monica, California with her husband, writer Roderick M. Spencer, and their two adopted children: Mavis and Duncan. She was named one of the Most Beautiful People in America by People Magazine.- Writer
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Francine Joy "Fran" Drescher was born on September 30, 1957 in Queens, New York City, New York to Sylvia Drescher, a bridal consultant & Mort Drescher, a naval systems analyst. Fran attended Hillcrest High School in New York with another now-famous name, Ray Romano. She was a studious girl and was quite popular. In fact, at age fifteen, she'd met the man she thought she'd spend the rest of her life with. That man was Peter Marc Jacobson. Her first break was in the unforgettable movie, Saturday Night Fever (1977) with John Travolta. She continued to play small roles in movies, until she came up with the idea for The Nanny (1993). She was visiting a friend in England and came up with the plot line. The Nanny (1993) became an instant success, and so did Fran. Since then, she has been in films such as The Beautician and the Beast (1997) (which she also produced) and Picking Up the Pieces (2000) co-starring Woody Allen. Fran has since divorced her husband Jacobson. She is a cancer survivor and an inspiration to women everywhere.- Actress
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Gloria Allred was born on 3 July 1941 in Philadelphia, Pennsylvania, USA. She is an actress and producer, known for Rat Race (2001), John Q (2002) and Race (2008). She was previously married to William Allred and Peyton Huddleston Bray, Jr..- Actress
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From the grand old school of wisecracking, loud and lanky Mary Wickes had few peers while forging a career as a salty scene-stealer. Her abrupt, tell-it-like-it-is demeanor made her a consistent audience favorite on every medium for over six decades. She was particularly adroit in film parts that chided the super rich or exceptionally pious, and was a major chastiser in generation-gap comedies. TV holds a vault full of not-to-be-missed vignettes where she served as a brusque foil to many a top TV comic star. Case in point: who could possibly forget her merciless ballet taskmaster, Madame Lamond, putting Lucille Ball through her rigorous paces at the ballet bar in a classic I Love Lucy (1951) episode?
Unlike the working-class characters she embraced, this veteran character comedienne was actually born Mary Isabelle Wickenhauser on June 13, 1910, in St. Louis, Missouri, the daughter of a well-to-do banker. Of Irish and German heritage, she grew into a society débutante following high school and graduated from Washington University in St. Louis with a degree in political science. She forsook a law career, however, after being encouraged by a college professor to try theater, and she made her debut doing summer stock in Stockbridge, Massachusetts. The rest, as they say, is history.
Prodded on by the encouragement of stage legend Ina Claire whom she met doing summer theater, she transported herself to New York where she quickly earned a walk-on part in the Broadway play "The Farmer Takes a Wife" starring Henry Fonda in 1934. In the show she also understudied The Wizard of Oz (1939)'s "Wicked Witch" Margaret Hamilton, and earned excellent reviews when she went on in the part. Plain and hawkish in looks while noticeably tall and gawky in build, Wickes was certainly smart enough to see that comedy would become her career path and she enjoyed showing off in roles playing much older than she was. New York stage work continued to pour in, and she garnered roles in "Spring Dance" (1936), "Stage Door" (1936), "Hitch Your Wagon" (1937), "Father Malachy's Miracle (1937) and, in an unusual bit of casting, Orson Welles' Mercury Theatre production of "Danton's Death". All the while she kept fine-tuning her acting craft in summer stock.
A series of critically panned plays followed until a huge door opened for her in the form of Miss Preen, the beleaguered nurse to an acid-tongued, wheelchair-bound radio star (played by the hilarious Monty Woolley) in the George S. Kaufman/Moss Hart comedy "The Man Who Came to Dinner"; for once, it was Wickes doing the cowering. The play was the toast of Broadway for two wacky years and she went on tour with it as well. She also become a Kaufman favorite.
Hollywood took notice as well, and when Warner Bros. decided to film the play, it allowed both Wickes and Woolley to recreate their classic roles. The Man Who Came to Dinner (1941), which co-starred Bette Davis and Ann Sheridan, was a grand film hit and Wickes was now officially on board in Hollywood, given plenty of chances to freelance. At Warners she lightened up the proceedings a bit in the Bette Davis tearjerker Now, Voyager (1942) as the nurse to Gladys Cooper. Elsewhere, she traded quips with Lou Costello as a murder suspect in the amusing whodunit Who Done It? (1942); played a WAC in Private Buckaroo (1942) with The Andrews Sisters; and dished out her patented smart-alecky services in both Happy Land (1943) and My Kingdom for a Cook (1943).
Wickes returned to Broadway for a few seasons, often for Kaufman, and did some radio work as well, but returned to Hollywood and played yet another nurse in The Decision of Christopher Blake (1948), a part written especially for her. She appeared with Bette Davis for a third time in June Bride (1948), finding some fine moments playing a magazine editor. Wickes went on to perform yeoman work in On Moonlight Bay (1951) and its sequel, By the Light of the Silvery Moon (1953); I'll See You in My Dreams (1951); White Christmas (1954) and The Music Man (1962), the last as one of the "Pick-A-Little, Talk-A-Little" gossiping housewives of River City.
Television roles also began filtering in for Wickes she continued to put her cryptic comedy spin on her harried housekeepers, teachers, servants and other working commoner types. She played second banana to a queue of comedy's best known legends in the 1950s and 1960s, notably Lucille Ball (who was a long-time neighbor and pal off-screen), Danny Thomas, Red Skelton, Bob Hope, Jack Benny, Jimmy Durante, Peter Lind Hayes and Gertrude Berg. Her stellar work with Berg on The Gertrude Berg Show (1961) garnered Wickes an Emmy nomination. Among the Baby Boom generation, she may be best remembered as Miss Cathcart in Dennis the Menace (1959).
In later years her gangly figure filled out a bit as she continued to appear here and there on the small screen in both guest star and series' regular parts. Later in life she enjoyed a bit of a resurgence. Recalled earlier for her Sister Clarissa in the madcap comedy films The Trouble with Angels (1966) and its sequel, Where Angels Go Trouble Follows! (1968), both with Rosalind Russell, She donned the habit again decades later as crabby musical director Sister Mary Lazarus in the box-office smash Sister Act (1992) and its sequel, Sister Act 2: Back in the Habit (1993). She appeared in Postcards from the Edge (1990) as Meryl Streep's grandmother, and in Little Women (1994) as the matriarchal Aunt March. True to form, the last role in which she appeared was voicing the gargoyle "Laverne" in The Hunchback of Notre Dame (1996), which was released after her death.
The never-married Wickes died in 1995 after entering the hospital with respiratory problems. She suffered a broken hip from an accidental fall and complications quickly set in following surgery. She was 85 years young.- Actress
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The lovely, cheery, continuously upbeat All-American mom from the classic Happy Days (1974) TV sitcom had fervent desires of becoming an actress while growing up in her obscure Minnesota town. Born Marian Ross (with an "a") on October 25, 1928, she grew up in her native state and, at one time, worked as a teenage au pair in order to earn money for drama lessons at the MacPhail Center in Minneapolis. The family eventually relocated to San Diego (she was in her late teens) and Marion attended and graduated from Point Loma High School.
Changing her stage moniker to Marion (with an "o") Ross because it read classier to her, the young hopeful enrolled at San Diego State College and appeared in the theater department's various productions. Graduating in 1950, Marion worked in summer theater in and around the San Diego area, including the Old Globe Theatre.
Marion managed to land a Paramount Studio contract with the assist of an old college professor and found a few unbilled parts to play as various actress, tourist and girlfriend types in a variety of films such as The Glenn Miller Story (1954), Secret of the Incas (1954), Sabrina (1954) and Pushover (1954). At the same time, she won a regular role as the Irish maid "Nora" in the Victorian-TV comedy Life with Father (1953) which ran a couple of seasons and was headed by Leon Ames and Lurene Tuttle. This program happened to be the first live color series for network Hollywood TV.
Not your conventional leading lady type, Marion landed slightly larger parts in such movies as The Proud and Profane (1956), Lizzie (1957), Teacher's Pet (1958) and Operation Petticoat (1959), but any and all attempts to move further up the Hollywood film ladder proved a long-lasting frustration.
Marking her Broadway debut in 1958 with a role in "Edwin Booth" starring José Ferrer, Marion nevertheless continued to focus on TV work. Throughout the 1960s, she appeared in a fairly steady amount of shows, both comedies and dramas, including Father Knows Best (1954), Rawhide (1959), Route 66 (1960), The Outer Limits (1963), The Felony Squad (1966) and The Brady Bunch (1969).
By the end of the decade, however, Marion was still disillusioned, but now she was divorced from her husband of 18 years, Freeman Meskimen, and struggling to raise two children. Middle-aged stardom came to her (in her 46th year) with the nostalgic sitcom series Happy Days (1974), which arrived on a wave of 50s popularity triggered by the huge box-office reception to the film American Graffiti (1973). The show starred "Graffiti" lead Ron Howard and co-starred Henry Winkler as "The Fonz". Marion was ideally paired with Tom Bosley, who expertly played her beleaguered hubby. The series became a certifiable hit and Marion's ever-pleasant "Marion Cunningham" the new, slightly blended version of Lucille Ball's ditzy and Barbara Billingsley's pristine perfect moms. Two Emmy nominations came Marion's way during the show's long tenure (ten seasons).
Following the demise of such an exalting hit, many actors often find themselves either resting on their laurels or witnessing a sad decline in their career. Not Marion. She continued to pursue her career assertively and challengingly and the critics kept taking notice. She earned terrific reviews for her recurring The Love Boat (1977) role in 1986, and enjoyed standard guest turns on Night Court (1984), MacGyver (1985), Burke's Law (1963) and (the revived) "Superman".
One of Marion's finest hours on TV occurred with her role as the obstinate, iron-willed Jewish matriarch in the Brooklyn Bridge (1991) series, which neatly deflected any broad, daffy stereotype she might have incurred from her Happy Days (1974) role. Irritating yet ingratiating at the same time, Marion's fine interpretation garnered the veteran actress two more Emmy nominations. Sadly, a lack of viewership triggered an abrupt cancellation and deep disappointment in Marion.
While never making a strong dent in films, an excellent supporting turn for Marion came in the form of her moving portrayal of Shirley MacLaine's loyal housekeeper and confidante in The Evening Star (1996), the long-awaited sequel to the Oscar-winning Terms of Endearment (1983). Critics predicted an Academy Award nomination for the actress but, surprisingly, it did not pan out.
Other films over the years have included Colossus: The Forbin Project (1970); Grand Theft Auto (1977), which starred Happy Days (1974) son Ron Howard (who also made his directorial debut); and, more recently, Music Within (2007) and the silly spoof Superhero Movie (2008).
During her post-"Happy Days" years, Marion reinvigorated her career on the stage. As a result, she earned renewed acclaim and respect for her roles in "Arsenic and Old Lace" (which brought her back to Broadway), "Steel Magnolias", "Long Day's Journey Into Night", "The Glass Menagerie", "Pippin" and "Barefoot in the Park", among others. She also toured with her one-woman show as poet Edna St. Vincent Millay entitled "A Lovely Light".
On TV, Marion found recurring flinty-like roles on That '70s Show (1998) (as Grandma Forman), Touched by an Angel (1994) (a fifth Emmy nomination), The Drew Carey Show (1995), Gilmore Girls (2000) (as Gloria Gilmore), and Brothers & Sisters (2006), as well as guest parts on "Nurse Jackie," "Grey's Anatomy," "Anger Management," "Two and a Half Men," "Hot in Cleveland," "Chasing Life" and "The Odd Couple." Primarily involved in voice work into the millennium, she as provided voices for such animated shows as "Family Guy," "King of the Hill," "Scooby-Doo!" and "Guardians of the Galaxy," while also voicing the recurring roles of Grandma SquarePants in SpongeBob SquarePants (1999) and Mrs. Lopart in Handy Manny (2006).
Into her nonagenarian years and still active, Marion was more recently featured in the old-fashioned comedy/fantasy Angels on Tap (2018). The ever-vital octogenarian continues to reside at her country-style home she calls the "Happy Days Farm" in California's San Fernando Valley.- Actress
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Cathy Rigby was born on 12 December 1952 in Los Alamitos, California, USA. She is an actress, known for Peter Pan (2000), The Six Million Dollar Man (1974) and McKenna Shoots for the Stars (2012). She has been married to Tom McCoy since 11 September 1982. They have two children. She was previously married to Tommy Mason.