List of all people nominated for an Oscar and a Razzie
People who have won both:
Faye Dunaway (#9)
Laurence Olivier (#13)
Marlon Brando (#14)
Michael Cimino (#23)
David Shire (#34)
John Barry (#36)
Blake Edwards (#40)
Irwin Allen (#52)
Prince (#61)
Elmer Bernstein (#72)
Al Pacino (#78)
Jerry Goldsmith (#82)
Liza Minnelli (#103)
George Lucas (#106)
Alan Menken (#119)
Kevin Costner (#124)
Jim Wilson (#132)
Sherry Lansing (#144)
Steve Tisch (#153)
Brad Pitt (#169)
Frank Marshall (#172)
James Cameron (#184)
Kim Basinger (#186)
Brian Helgeland (#187)
Jon Voight (#190)
Gerald R. Molen (#191)
Eric Roth (#192)
Roberto Benigni (#194)
Leonardo DiCaprio (#202)
Ben Affleck (#203)
Brian Grazer (#206)
Bruce Cohen (#208)
Kevin Kline (#209)
Stevie Wonder (#213)
Roger Christian (#215)
Will Smith (#219)
Charlton Heston (#227)
Richard D. Zanuck (#230)
Sofia Coppola (#244)
Halle Berry (#252)
Robert Zemeckis (#254)
Nicole Kidman (#257)
Sandra Bullock (#281)
Bill Condon (#292)
Charles Roven (#299)
Gore Verbinski (#303)
Mel Gibson (#310)
Eddie Redmayne (#317)
Jared Leto (#326)
Chris Terrio (#329)
Peter Farrelly (#337)
Charles B. Wessler (#338)
Adam McKay (#342)
Tom Hooper (#347)
Tyler Perry (#357)
Dede Gardner (#377)
Jeremy Kleiner (#378)
Tom Hanks (#380)
Faye Dunaway (#9)
Laurence Olivier (#13)
Marlon Brando (#14)
Michael Cimino (#23)
David Shire (#34)
John Barry (#36)
Blake Edwards (#40)
Irwin Allen (#52)
Prince (#61)
Elmer Bernstein (#72)
Al Pacino (#78)
Jerry Goldsmith (#82)
Liza Minnelli (#103)
George Lucas (#106)
Alan Menken (#119)
Kevin Costner (#124)
Jim Wilson (#132)
Sherry Lansing (#144)
Steve Tisch (#153)
Brad Pitt (#169)
Frank Marshall (#172)
James Cameron (#184)
Kim Basinger (#186)
Brian Helgeland (#187)
Jon Voight (#190)
Gerald R. Molen (#191)
Eric Roth (#192)
Roberto Benigni (#194)
Leonardo DiCaprio (#202)
Ben Affleck (#203)
Brian Grazer (#206)
Bruce Cohen (#208)
Kevin Kline (#209)
Stevie Wonder (#213)
Roger Christian (#215)
Will Smith (#219)
Charlton Heston (#227)
Richard D. Zanuck (#230)
Sofia Coppola (#244)
Halle Berry (#252)
Robert Zemeckis (#254)
Nicole Kidman (#257)
Sandra Bullock (#281)
Bill Condon (#292)
Charles Roven (#299)
Gore Verbinski (#303)
Mel Gibson (#310)
Eddie Redmayne (#317)
Jared Leto (#326)
Chris Terrio (#329)
Peter Farrelly (#337)
Charles B. Wessler (#338)
Adam McKay (#342)
Tom Hooper (#347)
Tyler Perry (#357)
Dede Gardner (#377)
Jeremy Kleiner (#378)
Tom Hanks (#380)
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385 people
- Producer
- Writer
- Actor
Steve Shagan was born on 25 October 1927 in New York City, New York, USA. He was a producer and writer, known for Save the Tiger (1973), Primal Fear (1996) and The Formula (1980). He died on 30 November 2015 in Los Angeles, California, USA.1927 - 2015 (aged 88)
OSCARS:
Nominations:
Best Original Screenplay - Save the Tiger (1973)
Best Adapted Screenplay - Voyage of the Damned (1976)
RAZZIES:
Nominations:
Worst Picture - The Formula (1980)
Worst Screenplay - The Formula (1980)- Director
- Editor
- Producer
John G. Avildsen was born on 21 December 1935 in Oak Park, Illinois, USA. He was a director and editor, known for Rocky (1976), The Karate Kid Part III (1989) and Rocky V (1990). He was married to Tracy Brooks Swope and Marie Olga Maturevich. He died on 16 June 2017 in Los Angeles, California, USA.1935 - 2017 (aged 81)
OSCARS:
Wins:
Best Director - Rocky (1976)
Nominations:
Best Documentary Short Film - Traveling Hopefully (1982)
RAZZIES:
Nominations:
Worst Director - The Formula (1980)
Worst Director - The Karate Kid Part III (1989)
Worst Director - Rocky V (1990)- Director
- Writer
- Producer
Friedkin's mother was an operating room nurse. His father was a merchant seaman, semi-pro softball player and ultimately sold clothes in a men's discount chain. Ultimately, his father never earned more than $50/week in his whole life and died indigent. Eventually young Will became infatuated with Orson Welles after seeing Citizen Kane (1941). He went to work for WGN TV immediately after graduating from high school where he started making documentaries, one of which won the Golden Gate Award at the 1962 San Francisco film festival. In 1965, he moved to Hollywood and immediately started directing TV shows, including an episode of the The Alfred Hitchcock Hour (1962); Hitchcock infamously chastised him for not wearing a tie.1935 - 2023 (aged 87)
OSCARS:
Wins:
Best Director - The French Connection (1971)
Nominations:
Best Director - The Exorcist (1973)
RAZZIES:
Nominations:
Worst Director - Cruising (1980)
Worst Screenplay - Cruising (1980)- Director
- Producer
- Writer
Richard firmly established his credentials with such epics as The Vikings (1958) , 20,000 Leagues Under the Sea (1954) and Barabbas (1961) and also proved to be a master of intimate drama with Compulsion (1959) , which won Cannes Festival awards for the male stars. He won an Academy Award for one of his earliest films - a documentary Design for Death (1947) . In 1947 the rapidly rising director met Stanley Kramer and Carl Foreman who hired him for their first film together So This Is New York (1948) , One of his most memorable accomplishments 20,000 Leagues Under the Sea (1954) which grossed well over $25 million since it's release in 1953.1916 - 2006 (aged 89)
OSCARS:
Wins:
Best Documentary Feature - Design for Death (1947)
RAZZIES:
Nominations:
Worst Director - The Jazz Singer (1980)- Director
- Writer
- Producer
Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films.
Jack Kubrick's decision to give his son a camera for his thirteenth birthday would be an even wiser move: Kubrick became an avid photographer, and would often make trips around New York taking photographs which he would develop in a friend's darkroom. After selling an unsolicited photograph to Look Magazine, Kubrick began to associate with their staff photographers, and at the age of seventeen was offered a job as an apprentice photographer.
In the next few years, Kubrick had regular assignments for "Look", and would become a voracious movie-goer. Together with friend Alexander Singer, Kubrick planned a move into film, and in 1950 sank his savings into making the documentary Day of the Fight (1951). This was followed by several short commissioned documentaries (Flying Padre (1951), and (The Seafarers (1953), but by attracting investors and hustling chess games in Central Park, Kubrick was able to make Fear and Desire (1952) in California.
Filming this movie was not a happy experience; Kubrick's marriage to high school sweetheart Toba Metz did not survive the shooting. Despite mixed reviews for the film itself, Kubrick received good notices for his obvious directorial talents. Kubrick's next two films Killer's Kiss (1955) and The Killing (1956) brought him to the attention of Hollywood, and in 1957 he directed Kirk Douglas in Paths of Glory (1957). Douglas later called upon Kubrick to take over the production of Spartacus (1960), by some accounts hoping that Kubrick would be daunted by the scale of the project and would thus be accommodating. This was not the case, however: Kubrick took charge of the project, imposing his ideas and standards on the film. Many crew members were upset by his style: cinematographer Russell Metty complained to producers that Kubrick was taking over his job. Kubrick's response was to tell him to sit there and do nothing. Metty complied, and ironically was awarded the Academy Award for his cinematography.
Kubrick's next project was to direct Marlon Brando in One-Eyed Jacks (1961), but negotiations broke down and Brando himself ended up directing the film himself. Disenchanted with Hollywood and after another failed marriage, Kubrick moved permanently to England, from where he would make all of his subsequent films. Despite having obtained a pilot's license, Kubrick was rumored to be afraid of flying.
Kubrick's first UK film was Lolita (1962), which was carefully constructed and guided so as to not offend the censorship boards which at the time had the power to severely damage the commercial success of a film. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) was a big risk for Kubrick; before this, "nuclear" was not considered a subject for comedy. Originally written as a drama, Kubrick decided that too many of the ideas he had written were just too funny to be taken seriously. The film's critical and commercial success allowed Kubrick the financial and artistic freedom to work on any project he desired. Around this time, Kubrick's focus diversified and he would always have several projects in various stages of development: "Blue Moon" (a story about Hollywood's first pornographic feature film), "Napoleon" (an epic historical biography, abandoned after studio losses on similar projects), "Wartime Lies" (based on the novel by Louis Begley), and "Rhapsody" (a psycho-sexual thriller).
The next film he completed was a collaboration with sci-fi author Arthur C. Clarke. 2001: A Space Odyssey (1968) is hailed by many as the best ever made; an instant cult favorite, it has set the standard and tone for many science fiction films that followed. Kubrick followed this with A Clockwork Orange (1971), which rivaled Lolita (1962) for the controversy it generated - this time not only for its portrayal of sex, but also of violence. Barry Lyndon (1975) would prove a turning point in both his professional and private lives. His unrelenting demands of commitment and perfection of cast and crew had by now become legendary. Actors would be required to perform dozens of takes with no breaks. Filming a story in Ireland involving military, Kubrick received reports that the IRA had declared him a possible target. Production was promptly moved out of the country, and Kubrick's desire for privacy and security resulted in him being considered a recluse ever since.
Having turned down directing a sequel to The Exorcist (1973), Kubrick made his own horror film: The Shining (1980). Again, rumors circulated of demands made upon actors and crew. Stephen King (whose novel the film was based upon) reportedly didn't like Kubrick's adaptation (indeed, he would later write his own screenplay which was filmed as The Shining (1997).)
Kubrick's subsequent work has been well spaced: it was seven years before Full Metal Jacket (1987) was released. By this time, Kubrick was married with children and had extensively remodeled his house. Seen by one critic as the dark side to the humanist story of Platoon (1986), Full Metal Jacket (1987) continued Kubrick's legacy of solid critical acclaim, and profit at the box office.
In the 1990s, Kubrick began an on-again/off-again collaboration with Brian Aldiss on a new science fiction film called "Artificial Intelligence (AI)", but progress was very slow, and was backgrounded until special effects technology was up to the standard the Kubrick wanted.
Kubrick returned to his in-development projects, but encountered a number of problems: "Napoleon" was completely dead, and "Wartime Lies" (now called "The Aryan Papers") was abandoned when Steven Spielberg announced he would direct Schindler's List (1993), which covered much of the same material.
While pre-production work on "AI" crawled along, Kubrick combined "Rhapsody" and "Blue Movie" and officially announced his next project as Eyes Wide Shut (1999), starring the then-married Tom Cruise and Nicole Kidman. After two years of production under unprecedented security and privacy, the film was released to a typically polarized critical and public reception; Kubrick claimed it was his best film to date.
Special effects technology had matured rapidly in the meantime, and Kubrick immediately began active work on A.I. Artificial Intelligence (2001), but tragically suffered a fatal heart attack in his sleep on March 7th, 1999.
After Kubrick's death, Spielberg revealed that the two of them were friends that frequently communicated discreetly about the art of filmmaking; both had a large degree of mutual respect for each other's work. "AI" was frequently discussed; Kubrick even suggested that Spielberg should direct it as it was more his type of project. Based on this relationship, Spielberg took over as the film's director and completed the last Kubrick project.
How much of Kubrick's vision remains in the finished project -- and what he would think of the film as eventually released -- will be the final great unanswerable mysteries in the life of this talented and private filmmaker.1928 - 1999 (aged 70)
OSCARS:
Wins:
Best Visual Effects - 2001: A Space Odyssey (1968)
Nominations:
Best Picture - Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Best Director - Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Best Adapted Screenplay - Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
Best Director - 2001: A Space Odyssey (1968)
Best Original Screenplay - 2001: A Space Odyssey (1968)
Best Picture - A Clockwork Orange (1971)
Best Director - A Clockwork Orange (1971)
Best Adapted Screenplay - A Clockwork Orange (1971)
Best Picture - Barry Lyndon (1975)
Best Director - Barry Lyndon (1975)
Best Adapted Screenplay - Barry Lyndon (1975)
Best Adapted Screenplay - Full Metal Jacket (1987)
RAZZIES:
Nominations:
Worst Director - The Shining (1980)- Actor
- Producer
- Additional Crew
Michael Caine was born as Maurice Joseph Micklewhite in London, to Ellen (née Burchell), a cook, and Maurice Micklewhite Sr., a fish-market porter. He had a younger brother, Stanley Caine, and an older maternal half-brother named David Burchell. He left school at age 15 and took a series of working-class jobs before joining the British army and serving in Korea during the Korean War, where he saw combat. Upon his return to England, he gravitated toward the theater and got a job as an assistant stage manager. He adopted the name of Caine on the advice of his agent, taking it from a marquee that advertised The Caine Mutiny (1954). In the years that followed, he worked in more than 100 television dramas, with repertory companies throughout England and eventually in the stage hit "The Long and the Short and the Tall".
Zulu (1964), the epic retelling of a historic 19th-century battle in South Africa between British soldiers and Zulu warriors, brought Caine to international attention. Instead of being typecast as a low-ranking Cockney soldier, he played a snobbish, aristocratic officer. Although "Zulu" was a major success, it was the role of Harry Palmer in The Ipcress File (1965) and the title role in Alfie (1966) that made Caine a star of the first magnitude. He epitomized the new breed of actor in mid-1960s England, the working-class bloke with glasses and a down-home accent. However, after initially starring in some excellent films, particularly in the 1960s, including Gambit (1966), Funeral in Berlin (1966), Play Dirty (1969), Battle of Britain (1969), Too Late the Hero (1970), The Last Valley (1971) and especially Get Carter (1971), he seemed to take on roles in below-average films, simply for the money he could by then command.
However, there were some gems amongst the dross. He gave a magnificent performance opposite Sean Connery in The Man Who Would Be King (1975) and turned in a solid one as a German colonel in The Eagle Has Landed (1976). Educating Rita (1983), Blame It on Rio (1984) and Hannah and Her Sisters (1986) (for which he won his first Oscar) were highlights of the 1980s, while more recently Little Voice (1998), The Cider House Rules (1999) (his second Oscar) and Last Orders (2001) have been widely acclaimed. Caine played Nigel Powers in the parody sequel Austin Powers in Goldmember (2002), and Alfred Pennyworth in Christopher Nolan's Dark Knight trilogy. He appeared in several other of Nolan's films including The Prestige (2006), Inception (2010) and Interstellar (2014). He also appeared as a supporting character in Alfonso Cuarón's Children of Men (2006) and Pixar's sequel Cars 2 (2011).
As of 2015, films in which Caine has starred have grossed over $7.4 billion worldwide. He is ranked the ninth highest grossing box office star. Caine is one of several actors nominated for an Academy Award for acting every decade from five consecutive decades (the other being Laurence Olivier and Meryl Streep). He was appointed Commander of the Order of the British Empire in the 1992 Birthday Honours, and was knighted by Queen Elizabeth II in the 2000 Birthday Honours in recognition for his contributions to the cinema.
Caine has been married twice. First to actress Patricia Haines from 1954 to 1958. They had a daughter, Dominique, in 1957. A bachelor for some dozen-plus years after the divorce, he was romantically linked to Edina Ronay (for three years), Nancy Sinatra, Natalie Wood, Candice Bergen, Bianca Jagger, Françoise Pascal and Jill St. John. In 1971 he met his second wife, fashion model Shakira Caine (née Baksh), and they married in 1973, six months before their daughter Natasha was born. The couple has three grandchildren, and in 2023, they celebrated their 50th wedding anniversary.1933 -
OSCARS:
Wins:
Best Supporting Actor - Hannah and Her Sisters (1986)
Best Supporting Actor - The Cider House Rules (1999)
Nominations:
Best Actor - Alfie (1966)
Best Actor - Sleuth (1972)
Best Actor - Educating Rita (1983)
Best Actor - The Quiet American (2002)
RAZZIES:
Nominations:
Worst Actor - Dressed to Kill (1980) and The Island (1980)
Worst Supporting Actor - Jaws: The Revenge (1987)- Actor
- Producer
- Director
Cleft-chinned, steely-eyed and virile star of international cinema who rose from being "the ragman's son" (the name of his best-selling 1988 autobiography) to become a bona fide superstar, Kirk Douglas, also known as Issur Danielovitch Demsky, was born on December 9, 1916 in Amsterdam, New York. His parents, Bryna (Sanglel) and Herschel Danielovitch, were Jewish immigrants from Chavusy, Mahilyow Voblast (now in Belarus). Although growing up in a poor ghetto, Douglas was a fine student and a keen athlete and wrestled competitively during his time at St. Lawrence University. Professional wrestling helped pay for his studies as did working on the side as a waiter and a bellboy. However, he soon identified an acting scholarship as a way out of his meager existence, and was sufficiently talented to gain entry into the American Academy of Dramatic Arts. He made his Broadway debut in "Spring Again" before his career was interrupted by World War II. He joining the United States Navy in 1941, and then after the end of hostilities in 1945, returned to the theater and some radio work. On the insistence of ex-classmate Lauren Bacall, movie producer Hal B. Wallis screen-tested Douglas and cast him in the lead role in The Strange Love of Martha Ivers (1946). His performance received rave reviews and further work quickly followed, including an appearance in the low-key drama I Walk Alone (1947), the first time he worked alongside fellow future screen legend Burt Lancaster. Such was the strong chemistry between the two that they appeared in seven films together, including the dynamic western Gunfight at the O.K. Corral (1957), the John Frankenheimer political thriller Seven Days in May (1964) and their final pairing in the gangster comedy Tough Guys (1986). Douglas once said about his good friend: "I've finally gotten away from Burt Lancaster. My luck has changed for the better. I've got nice-looking girls in my films now."
After appearing in "I Walk Alone," Douglas scored his first Oscar nomination playing the untrustworthy and opportunistic boxer Midge Kelly in the gripping Champion (1949). The quality of his work continued to garner the attention of critics and he was again nominated for Oscars for his role as a film producer in The Bad and the Beautiful (1952) and as tortured painter Vincent van Gogh in Lust for Life (1956), both directed by Vincente Minnelli. In 1955, Douglas launched his own production company, Bryna Productions, the company behind two pivotal film roles in his career. The first was as French army officer Col. Dax in director Stanley Kubrick's brilliant anti-war epic Paths of Glory (1957). Douglas reunited with Kubrick for yet another epic, the magnificent Spartacus (1960). The film also marked a key turning point in the life of screenwriter Dalton Trumbo, who had been blacklisted during the McCarthy "Red Scare" hysteria in the 1950s. At Douglas' insistence, Trumbo was given on-screen credit for his contributions, which began the dissolution of the infamous blacklisting policies begun almost a decade previously that had destroyed so many careers and lives.
Douglas remained busy throughout the 1960s, starring in many films. He played a rebellious modern-day cowboy in Lonely Are the Brave (1962), acted alongside John Wayne in the World War II story In Harm's Way (1965), again with The Duke in a drama about the Israeli fight for independence, Cast a Giant Shadow (1966), and once more with Wayne in the tongue-in-cheek western The War Wagon (1967). Additionally in 1963, he starred in an onstage production of Ken Kesey's "One Flew Over the Cuckoo's Nest," but despite his keen interest, no Hollywood studio could be convinced to bring the story to the screen. However, the rights remained with the Douglas clan, and Kirk's talented son Michael Douglas finally filmed the tale in 1975, starring Jack Nicholson. Into the 1970s, Douglas wasn't as busy as previous years; however, he starred in some unusual vehicles, including alongside a young Arnold Schwarzenegger in the loopy western comedy The Villain (1979), then with Farrah Fawcett in the sci-fi thriller Saturn 3 (1980) and then he traveled to Australia for the horse opera/drama The Man from Snowy River (1982).
Unknown to many, Kirk has long been involved in humanitarian causes and has been a Goodwill Ambassador for the US State Department since 1963. His efforts were rewarded with the Presidential Medal of Freedom (1981), and with the Jefferson Award (1983). Furthermore, the French honored him with the Chevalier of the Legion of Honor. More recognition followed for his work with the American Cinema Award (1987), the German Golden Kamera Award (1987), The National Board of Reviews Career Achievement Award (1989), an honorary Academy Award (1995), Recipient of the American Film Institute's Lifetime Achievement Award (1999) and the UCLA Medal of Honor (2002). Despite a helicopter crash and a stroke suffered in the 1990s, he remained active and continued to appear in front of the camera. Until his passing on February 5 2020 at the age of 103, he and Olivia de Havilland were the last surviving major stars from the Golden Years of Hollywood.1916 - 2020 (aged 103)
OSCARS:
Wins:
Academy Honorary Award (1995)
Nominations:
Best Actor - Champion (1949)
Best Actor - The Bad and the Beautiful (1952)
Best Actor - Lust for Life (1956)
RAZZIES:
Nominations:
Worst Actor - Saturn 3 (1980)- Actor
- Producer
- Writer
Richard Dreyfuss is an American leading man, who has played his fair share of irritating pests and brash, ambitious hustlers.
He was born Richard Stephen Dreyfus in Brooklyn, New York, to Geraldine (Robbins), an activist, and Norman Dreyfus, a restaurateur and attorney. His paternal grandparents were Austro-Hungarian Jewish immigrants, and his mother's family was Russian Jewish.
Richard worked his way up through bit parts (The Graduate (1967), for one) and TV before gaining attention with his portrayal of Baby Face Nelson in John Milius' Dillinger (1973). He gained prominence as a college-bound young man in American Graffiti (1973) and as a nervy Jewish kid with high hopes in The Apprenticeship of Duddy Kravitz (1974). By the latter part of the 1970s Dreyfuss was established as a major star, playing leads (and alter-egos) for Steven Spielberg in two of the top-grossing films of the that decade: Jaws (1975) and Close Encounters of the Third Kind (1977). He won a Best Actor Oscar in his first romantic lead as an out-of-work actor in The Goodbye Girl (1977). Dreyfuss also produced and starred in the entertaining private eye movie The Big Fix (1978). After a brief lull in the early 1980s, a well-publicized drug problem and a string of box-office disappointments (The Competition (1980), Whose Life Is It Anyway? (1981), The Buddy System (1984)), a clean and sober Dreyfuss re-established himself in the mid-'80s as one of Hollywood's more engaging leads. He co-starred with Bette Midler and Nick Nolte in Paul Mazursky's popular Down and Out in Beverly Hills (1986). That same year he provided the narration and appeared in the opening and closing "bookends" of Rob Reiner's nostalgic Stand by Me (1986). He quickly followed that with Nuts (1987) opposite Barbra Streisand, Barry Levinson's Tin Men (1987) in a memorable teaming with Danny DeVito, and Stakeout (1987) with Emilio Estevez. Dreyfuss continued working steadily through the end of the 1980s and into the 1990s, most notably in Mazursky's farce Moon Over Parador (1988), Spielberg's Always (1989), Postcards from the Edge (1990) and Rosencrantz & Guildenstern Are Dead (1990). He appeared as a member of an ensemble that included Holly Hunter, Gena Rowlands and Danny Aiello in the romantic comedy Once Around (1991) and as a pop psychiatrist, the author of several successful self-help books, who is driven to the edge by nutcase Bill Murray in the popular comedy What About Bob? (1991). Dreyfuss has also remained active in the theater ("Death and Maiden", 1992) and on TV. In his next project he starred the thriller Silent Fall (1994) with John Lithgow and Linda Hamilton, being the film debut of Liv Tyler, Steven Tyler's daughter (Aerosmith's lead vocals). Just later Dreyfuss made Another Stakeout (1993), sequel of Stakeout (1987) where was team again with Emilio Estevez accompanied of Rosie O'Donnell, the adaptation of Neil Simon's play Lost in Yonkers (1993) and followed with a supporting turn as the querulous political opponent in The American President (1995). Dreyfuss received some of the best notices of his career as a determined, inspiring music teacher coping with a deaf son and the demands of his career in Mr. Holland's Opus (1995). Closing the 20th century he was in Sidney Lumet's Night Falls on Manhattan (1996) with Andy Garcia, the crime comedy Mad Dog Time (1996) as the mob boss Vic, the screwball comedy Krippendorf's Tribe (1998) about an anthropologist who creates a false lost New Guinea tribe for not losing his job in the university, TV movie Lansky (1999) about the infamous mob boss to end, the too TV movie Fail Safe (2000) playing The President, and The Crew (2000), about four older mobsters retired in Miami, partnering with Hollywood legends Burt Reynolds, Dan Hedaya and Seymour Cassel.
His start in the 21st century was with the adaption of Luis Sepúlveda's novel The Old Man Who Read Love Stories (2001), playing an old man to must to hunt a female jaguar turned crazy. It was followed by the supporting apparition in the comedy Who Is Cletis Tout? (2001) and another TV movie about 1981 Ronald Reagan's shooting The Day Reagan Was Shot (2001). After the short-lived TV series The Education of Max Bickford (2001) about a teacher in a women's college where his daughter is student, Dreyfuss returned to cinema in Silver City (2004) and the box-office bomb Poseidon (2006) with Kurt Russell, Emmy Rossum and Josh Lucas. Playing former vice-president Dick Cheney in the Oliver Stone's biopic W. (2008) and Irv, the cunning tourist in Greece turned in assistant of a troubled tour guide in My Life in Ruins (2009), Dreyfuss participated in low-budget productions as Leaves of Grass (2009) and The Lightkeepers (2009), for making a cameo in the wild and crazy Piranha 3D (2010) about prehistoric men-eater piranhas that make a bloodbath in a spring break. Returning to first line playing evil Alexander Dunning in the actioner RED (2010), his further productions included Paranoia (2013) as Liam Hemsworth's father partnering Harrison Ford and Gary Oldman, road movie Cas & Dylan (2013) opposites Tatiana Maslany and the biopic TV mini-series Madoff (2016) about the infamous multi-billion-dollar and hustler Bernie Madoff. Tireless and always implied in new projects, Dreyfuss played George, the funny online date of Candice Bergen in Book Club (2018), the comedy and road movie The Last Laugh (2019) with Chevy Chase, and the set in wilderness thriller Daughter of the Wolf (2019) with Gina Carano and Brendan Fehr. Making his 73rd birthday in 2020, Dreyfuss is an example of talent, diversity and love for his work, touching not only all the genres in cinema but leaving an unforgettable footprint at any of them.1947 -
OSCARS:
Wins:
Best Actor - The Goodbye Girl (1977)
Nominations:
Best Actor - Mr. Holland's Opus (1995)
RAZZIES:
Nominations:
Worst Actor - The Competition (1980)- Actress
- Producer
- Director
An icy, elegant blonde with a knack for playing complex and strong-willed female leads, enormously popular actress Faye Dunaway starred in several films which defined what many would come to call Hollywood's "second Golden Age." During her tenure at the top of the box office, she was a more than capable match for some of the biggest macho stars of the 1970s. Then an overwrought turn in the disastrous biopic Mommie Dearest (1981) effectively derailed her career - but, at the same time, made her a bit of a camp favorite in the gay community - though she's been afforded infrequent opportunities worthy of her talent since that unfortunate halt.
Born prematurely on Jan. 14, 1941 in Bascom, FL, Dorothy Faye Dunaway was the daughter of MacDowell Dunaway, Jr., a career Army officer, and his wife, Grace April Smith. After a stint as a teenaged beauty queen in Florida, she intended to pursue education at the University of Florida, but switched to acting, earning her degree from Boston University in 1962. She was given the enviable task of choosing between a Fulbright Scholarship to the London Academy of Music and Dramatic Arts or a role in the Broadway production of "A Man For All Seasons" as a member of the American National Theatre and Academy. She picked the latter, enjoying a fruitful stage career for the next two years, which was capped by appearances in "After the Fall" and "Hogan's Goat." The latter - an off-Broadway production in 1967 - required Dunaway to tumble down a flight of steps in every performance, earning her a screen debut in the wan counterculture comedy The Happening (1967). Just five months after its release, however, she was wowing audiences across the country as Depression-era bank robber Bonnie Parker in Arthur Penn's controversial Bonnie and Clyde (1967). Her turn as the naïve but trigger-happy and sexually aggressive Parker earned her Academy Award and Golden Globe nominations, and provided a direct route to the front of the line for Hollywood leading ladies in an unbelievably short amount of time.
Dunaway followed this success with another hit, The Thomas Crown Affair (1968), in which her coolly sensual insurance investigator generated considerable sparks with playboy and jewel thief Steve McQueen. She then bounced between arthouse efforts like Puzzle of a Downfall Child (1970), directed by her ex-boyfriend, photographer Jerry Schatzberg, and the revisionist Western 'Doc' (1971), as well as big-budget efforts like Little Big Man (1970), which cast her as a predatory preacher's wife with designs on Dustin Hoffman's reluctant Native American hero. Dunaway also balanced these projects with several well-regarded theatrical productions, including a 1972-73 stint as Blanche Du Bois in "A Streetcar Named Desire," and notable TV-movies like The Woman I Love (1972), which cast her as the Duchess of Windsor, and TV broadcasts of Hogan's Goat (1971) and After the Fall (1974). But her turn as the duplicitous Lady De Winter in Richard Lester's splashy, slapstick take on The Three Musketeers (1973) and its sequel The Four Musketeers: Milady's Revenge (1974) preceded a long period of critical and box office hits, starting with her masterful performance in Chinatown (1974).
Dunaway's turn as Evelyn Mulwray, the mysterious woman who draws detective Jake Gittes (Jack Nicholson) into a dark and complicated web of murder, incest, and catastrophic business deals, seemed the epitome of every femme fatale to ever stride across a chiaroscuro-lit scene in classic noir. But Dunaway also found the horribly wounded core of her character as well, and turned Evelyn from a pastiche to a full-blown and emotionally resonant human being. Critics and award groups rushed to nominate Dunaway for the role, and she netted her second Academy Award nod, as well as Golden Globe and BAFTA nominations. Dunaway had fought hard for her performance - her battles with director Roman Polanski were no secret - but sadly, she lost the Oscar to Ellen Burstyn for Alice Doesn't Live Here Anymore (1974). However, it would be Dunaway's performance which stood the test of time.
High-gloss turns in The Towering Inferno (1974) and Sydney Pollack's political thriller Three Days of the Condor (1975) preceded one of her best television performances; that of Depression-era radio preacher Aimee Semple MacPherson in The Disappearance of Aimee (1976). Even more startling was her sterling role in Network (1976), Paddy Chayefsky's blistering take on the television industry. Dunaway pulled out all the stops as an executive on the rise who stops at nothing to advance her career - even bedding veteran producer William Holden. Critics again rose in unison to praise Dunaway, and she finally netted an Oscar for the role, as well as a Golden Globe.
Surprisingly, Dunaway's career began to falter after her Oscar win. She was effective as a fashion photographer who experiences disturbing visions in Eyes of Laura Mars (1978), but was wasted in thankless roles as the dissatisfied ex of washed-up boxer Jon Voight in The Champ (1979) and wife to Frank Sinatra's detective in The First Deadly Sin (1980). And then came Mommie Dearest (1981), director Frank Perry's biopic of actress Joan Crawford based on the tell-all book by her daughter Christina Crawford. Crawford herself had praised Dunaway in the early stages of her career, and while some critics gave positive reviews to her performance - in particular, the extent to which she physically transformed herself into Crawford - most fixated on the hysterical dialogue and garish scenes of child abuse. Clips of Dunaway as Crawford bellowing "No more wire hangers!" became immediate laugh-getters on late-night television, and a substantial gay following rose up in response to the film's high camp value. Dunaway, however, found none of the response amusing, and later admitted her regret in taking the role. Whether laughable or pure genius, no one could deny that Dunaway threw her everything into the role. The film's continued cult success proved she had succeeded in becoming Crawford.
The fallout from "Mommie Dearest" obscured Dunaway's follow-up projects, which included the title role in the TV-movie Evita Peron (1981) and a return to Broadway in 1982's "The Curse of an Aching Heart". Discouraged, she moved to London with her second husband, photographer Terry O'Neill, who had also served as a producer on "Mommie Dearest." For the next few years, Dunaway appeared sporadically in films, most of which underscored her newly minted status as a camp icon. The Wicked Lady (1983) was an absurd, near-softcore period drama by Michael Winner, with Dunaway as an 18th-century highway robber. Fans of her early dramatic work were similarly aghast by her turn as a shrieking witch battling Helen Slater's Girl of Steel in Supergirl (1984). Only a Golden Globe-winning appearance in the cumbersome miniseries Ellis Island (1984) offered any respite from the negative press which now continued to follow her.
Dunaway returned to the United States in 1987 following her divorce from O'Neill, and attempted to rebuild her career and reputation by appearing in several independent dramas. She was widely praised for her performance as a once-glamorous woman felled by alcohol in Barbet Schroeder's Barfly (1987), and served as executive producer and star of Cold Sassy Tree (1989), a TV adaptation of the popular novel by Olive Ann Burns about an independent-minded woman who romances a recently widowed store owner (Richard Widmark). Dunaway was exceptionally busy for the remainder of the decade in both major Hollywood features and independent fare, though her strong women now occasionally sported an unfortunate shrill side. She was Robert Duvall's frosty wife in the dystopian thriller The Handmaid's Tale (1990) and contributed a vocal cameo as Evelyn Mulwray in The Two Jakes (1990), the ill-fated sequel to "Chinatown". Other notable performances came as the unhappy wife of psychiatrist Marlon Brando in Don Juan DeMarco (1994), as the daughter of imprisoned Klansman Gene Hackman in The Chamber (1996), and as a bartender caught in the middle of a hostage standoff in Kevin Spacey's Albino Alligator (1996). She later received Screen Actors Guild and Golden Globe nominations as the matron of a wealthy Jewish family in turmoil in The Twilight of the Golds (1996). Perhaps her best turn of the decade was as a seductive murderess who attempts to sway the unflappable Lt. Columbo (Peter Falk) in It's All in the Game (1993), which earned her a 1994 Emmy. She won her third Golden Globe as modeling agency head Wilhelmina Cooper in the biopic Gia (1998), starring Angelina Jolie as doomed model Gia Carangi.
The 1990s were also not without incident for Dunaway. She was embroiled in an ugly lawsuit against Andrew Lloyd Webber after he closed a Los Angeles production of his musical version of "Sunset Blvd." with claims that she was unable to sing to his standards. The suit was later settled out of court for an undisclosed sum. A national tour of Terrence McNally's "Master Class", about the legendary opera diva Maria Callas, ended with her involvement in a suit over legal rights to the play. The project was expected to become her next great film role but remained uncompleted more than a decade after the 1996 tour. Her attempt at sitcom stardom in It Had to Be You (1993), co-starring Robert Urich, was met with universal disinterest, and the project was announced as being retooled without Dunaway prior to its cancellation.
Dunaway's schedule remained busy from 2000 onward, mostly in television and small independent features. She co-starred with Mark Wahlberg and Joaquin Phoenix as the wife of career criminal James Caan in The Yards (2000), then made her directorial debut with the short The Yellow Bird (2001), based on the play by Tennessee Williams. Younger audiences had their first taste of Dunaway's particular star power as Ian Somerhalder's mother in The Rules of Attraction (2002), Roger Avary's amped-up adaptation of the Bret Easton Ellis novel, before Dunaway turned up the heat as a merciless celebrity judge on the reality series The Starlet (2005).
Dunaway penned her memoirs, Looking For Gatsby, in 1995, one year before receiving her star on the Hollywood Walk of Fame. Attached throughout her professional career to intriguing men ranging from Lenny Bruce to Marcello Mastroianni, she was twice married; her first husband was singer Peter Wolf of the popular seventies rock group, The J. Geils Band. Liam O'Neill, her son by second husband Terry, followed in her footsteps with minor acting roles beginning in 2004. His father later dropped a bombshell in 2003 by revealing that Liam was not their biological son, but was adopted - a claim that Dunaway had previously denied.
A series of occasional roles in little-seen films followed, but Dunaway was unexpectedly thrust back into the public eye at the 2017 Academy Awards. Reunited with Warren Beatty on the occasion of the 50th anniversary of "Bonnie and Clyde," the pair were tapped to present the Best Picture award to close the night. Before proceeding onstage, Beatty was mistakenly handed a backup envelope for Best Actress in a Leading Role, which had already been won by Emma Stone for La La Land (2016). Unsure what to do when he opened the envelope and discovered the error, Beatty stalled for time and showed the card to Dunaway; misunderstanding his intent, the actress announced that the Best Picture Oscar went to "La La Land." During producer Jordan Horowitz's acceptance speech, he was informed that the actual Best Picture winner was Moonlight (2016). During the onstage chaos that ensued, Beatty delivered a heartfelt explanation and apology for the snafu while undergoing good-natured ribbing from host Jimmy Kimmel.
After her break from acting and the memorable Oscars moment, Dunaway is now back in the saddle as an actress working more frequently in her 70s. Over the past year, she has appeared in three films, starring in The Bye Bye Man (2017), The Case for Christ (2017), and Inconceivable (2017), with more projects expected to be on the way. The icon also fronts Gucci's summer 2018 ad campaign for their Sylvie handbag and has a Broadway show scheduled for 2019.1941 -
OSCARS:
Wins:
Best Actress - Network (1976)
Nominations:
Best Actress - Bonnie and Clyde (1967)
Best Actress - Chinatown (1974)
RAZZIES:
Wins:
Worst Actress - Mommie Dearest (1981)
Worst Supporting Actress - The Temp (1993)
Nominations:
Worst Actress - The First Deadly Sin (1980)
Worst Actress - The Wicked Lady (1983)
Worst Actress - Supergirl (1984)
Worst Actress of the Decade (1989)
Worst Supporting Actress - The Chamber (1996) and Dunston Checks In (1996)
Worst Supporting Actress - Albino Alligator (1996)- Actress
- Director
- Producer
Sondra Locke was born May 28, 1944 as Sandra Louise Smith, in Shelbyville, Tennessee, a quiet little town about 60 miles southeast of Nashville. She was the daughter of Raymond Smith, a military man stationed at nearby Tullahoma, and Pauline Bayne. Smith departed the scene before Sondra's birth. In 1945, her mother wed William B. Elkins, and together they had a son, Donald, on April 26, 1946. The short union ended in divorce. In 1948, Bayne remarried. Alfred Locke bestowed his surname on Pauline's children and raised them as his own. Sondra's stepfather was a carpenter; her mother worked in a pencil factory. For the smart, fanciful Locke, "My childhood felt as if I had been dropped off at an extended summer camp from which I was waiting to be picked up." The bright girl loved to read, which puzzled her simple mother, who was always pushing her to spend more time outside. Sondra's happiest moments occurred on weekend visits to the local movie theater.
Locke was a cheerleader in junior high and graduated valedictorian of Shelbyville Mills' 1957-1958 eighth grade class. At Shelbyville Central High School, the "classroom was the one place where I felt like I had a chance to prove myself and I continued to excel. I felt safe there and I liked it." Her best friend was classmate Gordon Anderson, the son of a teacher, whose family had relocated to the area from Arkansas around 1953. He was a fey young man, who shared many of Sondra's fanciful hopes about the future and was her collaborator in devising harmless ways to make their lives in Shelbyville more magical. One of the duo's frequent activities was making home movies with Gordon's Super 8 camera.
When Gordon attended Middle Tennessee State University (in Murfreesboro, about 30 miles from Nashville) in 1962, Sondra enrolled there too. Upon completing freshman year, Sondra had a blowup with her mother, left home, and did not return to college. Instead, she worked in Nashville as a promotions assistant for WSM-TV, with occasional modeling and voiceover work. While in Nashville, Locke began acting in community theater as a member of Circle Players Inc. Along the way she dated George Crook, a cameraman from WSM, and Brad Crandall, head of the station's public relations department. She also enjoyed a romance with law student Gary Gober, whom she had been in plays with. Meanwhile, Gordon revealed to her that he was homosexual. He went off to Manhattan to study acting and, for a while, had a lover there. Anderson was talented but unfocused about his theater craft and eventually returned to Tennessee. Because of Locke's spiritual kinship with Anderson, she and Gordon decided to wed. The mixed-orientation couple were married at First Presbyterian Church in Nashville on September 25, 1967. (Reputedly, the marriage was never consummated.)
If Gordon was unable to launch his own acting career, he had no such problems igniting Sondra's. Months before their wedding, he learned that Warner Bros. was holding a nationwide search for a young actress to play a key role in the screen adaptation of Carson McCullers' novel The Heart Is a Lonely Hunter (1968). Anderson helped Locke research the part of Mick, a teenage waif in a southern town who befriends a suicidal deaf-mute (Alan Arkin) boarding at the house where she lives. For the audition, in Birmingham, Alabama, Gordon bleached her eyebrows, bound her bosom and carefully fixed her hair, makeup and outfit so that she would instantly impress casting agents. The ploy succeeded, and, after several callbacks, Locke -- who lied about her age to seem younger -- was hired. The movie was released in the summer of 1968 and earned respectful reviews from critics, although many filmgoers found the picture too arty. Sondra was Oscar-nominated for her sensitive portrayal.
Next, Sondra moved to Los Angeles, with Gordon in tow. She hoped to parlay her Academy Award nomination into further movie assignments. The big-eyed, wiry bottle blonde found it difficult to win choice roles, making her accept lesser projects, the most famous of which was Willard (1971), a film about marauding rats. Cover Me Babe (1970), A Reflection of Fear (1972) and The Second Coming of Suzanne (1974) faded into cinematic obscurity. In the lattermost, Locke played a Christ figure and had torrid love scenes with Paul Sand. Episodic television provided steadier acting opportunities: the anthology program Night Gallery (1969) and dramatic series including The F.B.I. (1965), Cannon (1971), Kung Fu (1972) and Barnaby Jones (1973). Thanks in part to the limited media of the time, she was able to maintain the ruse of younger age, which no doubt extended her shelf-life amid professional lulls. It was in 1972 that she first met rising kingpin Clint Eastwood when he was preparing to direct his second feature film, Breezy (1973). For the title role, Locke was passed over in favor of nine-years-younger Kay Lenz.
For half of the 1970s, the Andersons resided at West Hollywood's Andalusia condominium complex whilst seeing other people. For a time, Sondra was involved with Bruce Davison, her co-star from Willard (1971). While working on the teleplay Gondola (1974), she gained a new boyfriend, sandy-haired actor Bo Hopkins. He was once divorced and shared her penchant for falsifying birthdates. In the spring of 1974, she visited the set of Hopkins' current project, The Killer Elite (1975), and networked with composer Jerry Fielding, who was about to score a new Western showcase for Clint Eastwood. The Outlaw Josey Wales (1976) had a role that Locke thought could revitalize her career. This time, Eastwood was responsive and hired the 31-year-old to play his romantic interest. In early October 1975, the complementary pair fell hard for each other on location in Page, Arizona. "We were almost living together from the very first days of the film," Locke remembered. Besotted Clint confided he'd never been in love before and wrote a poem for his new mate: "She made me monogamous." This serially philandering megastar was 14 years her senior and a foot taller than she.
The Outlaw Josey Wales (1976) was indeed a hit, with Sondra sparking a flurry of interest among male viewers as virtually nonspeaking eye candy. Yet she stopped pursuing film roles on her own initiative to assume wifely duties, appearing on the big screen exclusively in Eastwood-controlled projects thereon. The sole exception to this was The Shadow of Chikara (1977), an Arkansas-lensed Western with burly Joe Don Baker. (The home invasion thriller Death Game (1977), though released after Locke and Eastwood became an item, was actually shot in 1974.) "Clint wanted me to work only with him," she said. "He didn't like the idea of me being away from him."
Over the next few years, Locke had two abortions from her relationship with Eastwood. In 1979, she underwent a tubal ligation at UCLA to prevent further pregnancies. She and Clint settled into a $1.12 million, seven-bedroom Spanish-style Bel-Air mansion originally built in 1931, which she spent months renovating and decorating, and which she believed would be hers for life. She continued to spend platonic time with Gordon, whom she never divorced, nurtured by their spiritual relationship. Gordon moved in and out of gay relationships, and sometimes he and a boyfriend would socialize with Clint and Sondra. As for the professional side of things, Locke and Eastwood reteamed for his action opus The Gauntlet (1977), slapstick adventure-comedy Every Which Way But Loose (1978), its sequel Any Which Way You Can (1980), the quirky satire Bronco Billy (1980) and the fourth, darkest, most ambitious "Dirty Harry" vehicle, Sudden Impact (1983). All were stellar box office performers and cemented the twosome as filmdom's most visible couple.
During this period, Sondra took a few TV roles when Clint was starring in a movie that had no part for her to play (such as Escape from Alcatraz (1979) or Firefox (1982)). The first time she worked apart from him for any length of time since The Shadow of Chikara (1977) in 1976 was Rosie: The Rosemary Clooney Story (1982). (Rosemary Clooney personally asked Locke to star in the CBS biopic on the strength of her performance in Bronco Billy (1980).) She later made an appearance on Britain's Tales of the Unexpected (1979) series. For the most part, however, she found herself sitting on the sidelines waiting for Eastwood to cast her in something.
By the mid-1980s, Sondra, over 40 but still refusing to admit it, was acutely aware that in Hollywood terms her leading lady days were just about finished. She had long been interested in film directing and had observed carefully how Eastwood and others directed the pictures she was in. With his blessing, she found a property that intrigued her and that his Malpaso production company would package, and developed it into a project for Warner Bros. She made Ratboy (1986), but despite good reviews, the film received scant distribution. In retrospect, Locke concluded that her exertion of authority over the project caused her longtime paramour to turn away from her, to find someone who was more compliant. (In an unpublicized affair with stewardess Jacelyn Reeves, Eastwood sired two legally fatherless children born in 1986 and 1988, in Monterey -- an "evil betrayal" Locke was unaware of.)
The showdown between Sondra and Clint occurred on December 29, 1988 at their mountain hideaway in Sun Valley, Idaho. After an unpleasant screaming match, Eastwood suggested Locke go back to Los Angeles. She sensed their relationship had passed a point of reconciliation, a fact confirmed when she scarcely saw Eastwood in subsequent months and when industry friends they knew in common shunned her. As she admitted later, "In my head I guess I knew it was over, but in my heart Clint and I were still not severed." On April 10, 1989, while she was directing a demanding sequence in a new police procedural, Impulse (1990), Eastwood had the locks changed on their house in Bel-Air. He also ordered her possessions to be boxed and put in storage. A letter addressed to "Mrs. Gordon Anderson," imperatively telling her not to come home, was delivered to her lawful husband's doorstep. When Gordon telephoned Sondra on the set and read her the letter, she fainted dead away in front of the cast and crew.
On April 26, 1989, Sondra filed a palimony lawsuit against her domestic partner of 14 years. Her "brazenness" in taking on the powerful Eastwood amazed and shocked Tinseltown and titillated the public. Her action sought unspecified damages and an equal division of the property she and Eastwood had acquired during their relationship. Locke asked for title to the Bel-Air home they had shared and to the Crescent Heights (West Hollywood) place Eastwood had purchased in 1982 (in which Gordon lived). The closed hearing was held on May 31, 1989, before a private judge. Before any court decision could be made, a private settlement was reached between the parties. Locke received $450,000, the Crescent Heights property, and a $1.5 million multiyear development-directing pact at Warner Bros. In return, she dropped her suit. By then, the fall of 1990, she was happy to end the hassle. (In the past months she had been diagnosed with cancer, undergone a double mastectomy, and endured chemotherapy.)
For the next three years Locke submitted over 30 projects to Warner Bros., but none received a green light to move ahead. Moreover, the studio refused to assign her to direct any of their in-house projects. In the mid-1990s, Sondra discovered evidence that Eastwood had arranged to reimburse Warner Bros. for her three-year studio contract -- a matter that he had never mentioned to her. It became obvious that the studio's negative professional attitude toward her had little or nothing to do with her directing or project-finding abilities. On June 5, 1995, Locke sued Eastwood again, alleging fraud and breach of fiduciary duty. She claimed that Clint's behind-the-scene actions had sent a message "to the film industry and the world at large ... that Locke was not to be taken seriously." (According to Sondra's lawyer, the situation was Clint's "way of terminating the earlier palimony suit.")
While Locke's case was revving up at the Burbank Courthouse, Eastwood begged her to settle. On September 24, 1996 -- the morning jurors were set to begin a second day of deliberation -- Sondra announced her decision to drop her suit against Clint for an undisclosed monetary reward. One contingency was laid down: she would not reveal the settlement amount. The jubilant plaintiff said, "This was never about money. It was about my fighting for my professional rights." According to the victor, "I didn't enjoy it. But sometimes you have to do things you don't enjoy." Locke added, "In this business, people get so accustomed to being abused, they just accept the abuse and say, 'Well, that's just the way it is.' Well, it isn't."
But Locke was not finished. She had a pending action against Warner Bros. for allegedly harming her career by agreeing to the sham movie-directing deal that Eastwood had purportedly engineered. On May 24, 1999, just as jury selection was beginning (and four days before Locke turned 55), the studio reached an out-of-court settlement with Sondra.
In the decade following her courtroom saga, Sondra did not direct another movie. She did make a brief return to acting with cameo roles in back-to-back low-budget independent features, The Prophet's Game (2000) and Clean and Narrow (2000), both of which failed to secure a theatrical release. In 2001, she sold her home in the Hollywood Hills and moved to another part of L.A. After interim flings with producer Hawk Koch and John F. Kennedy's nephew Robert Shriver, she had a live-in relationship with one of the physicians who had treated her during her cancer siege. Dr. Scott Cunneen, described by Locke as "Herculean," was 17 years her junior, his mother only three years older than Sondra. She eventually split up with him.
In 2016, preceded by a protracted absence from the public eye, trade press reported that Locke would come out of retirement to co-star in Alan Rudolph's Ray Meets Helen (2017) opposite Keith Carradine. The film was booked for a limited run in spring 2018. No longer able to hide her true year of birth in the post-internet era, Sondra was playing a romantic lead at the unheard of age of 74.
Locke died on November 3, 2018, of cardiac arrest stemming from metastatic breast cancer. It was not publicized until mid-December. The mysterious six-week delay raised a lot of eyebrows, especially since the belated news leaked opening day of the latest Eastwood blockbuster, The Mule (2018). According to a death certificate obtained by the media, her cancer had returned in 2015 and spread to her bones. Locke's remains were cremated at Westwood (Village) Mortuary and the ashes entrusted to her husband of 51 years. Rosanna Arquette, Frances Fisher and Evan Rachel Wood were among the celebrities who paid tribute. Despite the acrimony that followed the collapse of her famous relationship, Locke will be long remembered for her prominent roles in some of Eastwood's most popular works -- and perhaps dichotomously, as a pioneer for the rights of independent working women.1944 - 2018 (aged 74)
OSCARS:
Nominations:
Best Supporting Actress - The Heart Is a Lonely Hunter (1968)
RAZZIES:
Nominations:
Worst Actress - Bronco Billy (1980)
Worst Actress - Ratboy (1986)- Valerie Ritchie Perrine is an American actress and model. For her role as Honey Bruce in the 1974 film Lenny, she won the BAFTA Award for Most Promising Newcomer to Leading Film Roles, the Cannes Film Festival Award for Best Actress, and was nominated for the Academy Award for Best Actress. Her other film appearances include Superman (1978), The Electric Horseman (1979), and Superman II (1980).1943 -
OSCARS:
Nominations:
Best Actress - Lenny (1974)
RAZZIES:
Nominations:
Worst Actress - Can't Stop the Music (1980) - Actress
- Producer
- Director
Talia Rose Shire is an American actress who played roles as Connie Corleone in The Godfather films and Adrian Balboa in the Rocky series. For her work in The Godfather Part II and Rocky, Shire was nominated for Academy Awards for Best Supporting Actress and Best Actress, respectively, and for the Golden Globe Award for Best Actress in a Drama for her role in Rocky.1946 -
OSCARS:
Nominations:
Best Supporting Actress - The Godfather Part II (1974)
Best Actress - Rocky (1976)
RAZZIES:
Nominations:
Worst Actress - Windows (1980)
Worst Supporting Actress - Rocky IV (1985)
Worst Actress - Rocky V (1990)- Actor
- Producer
- Director
Laurence Olivier could speak William Shakespeare's lines as naturally as if he were "actually thinking them", said English playwright Charles Bennett, who met Olivier in 1927. Laurence Kerr Olivier was born in Dorking, Surrey, England, to Agnes Louise (Crookenden) and Gerard Kerr Olivier, a High Anglican priest. His surname came from a great-great-grandfather who was of French Huguenot origin.
One of Olivier's earliest successes as a Shakespearean actor on the London stage came in 1935 when he played "Romeo" and "Mercutio" in alternate performances of "Romeo and Juliet" with John Gielgud. A young Englishwoman just beginning her career on the stage fell in love with Olivier's Romeo. In 1937, she was "Ophelia" to his "Hamlet" in a special performance at Kronborg Castle, Elsinore (Helsingør), Denmark. In 1940, she became his second wife after both returned from making films in America that were major box office hits of 1939. His film was Wuthering Heights (1939), her film was Gone with the Wind (1939). Vivien Leigh and Olivier were screen lovers in Fire Over England (1937), 21 Days Together (1940) and That Hamilton Woman (1941).
There was almost a fourth film together in 1944 when Olivier and Leigh traveled to Scotland with Charles C. Bennett to research the real-life story of a Scottish girl accused of murdering her French lover. Bennett recalled that Olivier researched the story "with all the thoroughness of Sherlock Holmes" and "we unearthed evidence, never known or produced at the trial, that would most certainly have sent the young lady to the gallows". The film project was then abandoned. During their two-decade marriage, Olivier and Leigh appeared on the stage in England and America and made films whenever they really needed to make some money.
In 1951, Olivier was working on a screen adaptation of Theodore Dreiser's novel "Sister Carrie" (Carrie (1952)) while Leigh was completing work on the film version of the Tennessee Williams' play, A Streetcar Named Desire (1951). She won her second Oscar for bringing "Blanche DuBois" to the screen. Carrie (1952) was a film that Olivier never talked about. George Hurstwood, a middle-aged married man from Chicago who tricked a young woman into leaving a younger man about to marry her, became a New York street person in the novel. Olivier played him as a somewhat nicer person who didn't fall quite as low. A PBS documentary on Olivier's career broadcast in 1987 covered his first sojourn in Hollywood in the early 1930s with his first wife, Jill Esmond, and noted that her star was higher than his at that time. On film, he was upstaged by his second wife, too, even though the list of films he made is four times as long as hers.
More than half of his film credits come after The Entertainer (1960), which started out as a play in London in 1957. When the play moved across the Atlantic to Broadway in 1958, the role of "Archie Rice"'s daughter was taken over by Joan Plowright, who was also in the film. They married soon after the release of The Entertainer (1960).1907 - 1989 (aged 82)
OSCARS:
Wins:
Academy Honorary Award - Henry V (1944)
Best Actor - Hamlet (1948)
Academy Honorary Award (1978)
Nominations:
Best Actor - Wuthering Heights (1939)
Best Actor - Rebecca (1940)
Best Actor - Henry V (1944)
Best Director - Hamlet (1948)
Best Actor - Richard III (1955)
Best Actor - The Entertainer (1960)
Best Actor - Othello (1965)
Best Actor - Sleuth (1972)
Best Supporting Actor - Marathon Man (1976)
Best Actor - The Boys from Brazil (1978)
RAZZIES:
Wins:
Worst Supporting Actor - The Jazz Singer (1980)
Worst Actor - Inchon (1981)- Actor
- Director
- Writer
Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.1924 - 2004 (aged 80)
OSCARS:
Wins:
Best Actor - On the Waterfront (1954)
Best Actor - The Godfather (1972)
Nominations:
Best Actor - A Streetcar Named Desire (1951)
Best Actor - Viva Zapata! (1952)
Best Actor - Julius Caesar (1953)
Best Actor - Sayonara (1957)
Best Actor - Last Tango in Paris (1972)
Best Supporting Actor - A Dry White Season (1989)
RAZZIES:
Wins:
Worst Supporting Actor - The Island of Dr. Moreau (1996)
Nominations:
Worst Supporting Actor - The Formula (1980)
Worst Supporting Actor - Christopher Columbus: The Discovery (1992)
Worst Screen Combo - The Island of Dr. Moreau (1996)- Writer
- Script and Continuity Department
- Actor
Erich Segal was born on 16 June 1937 in Brooklyn, New York City, New York, USA. He was a writer and actor, known for Love Story (1970), Yellow Submarine (1968) and A Change of Seasons (1980). He was married to Karen Marianne James. He died on 17 January 2010 in London, England, UK.1937 - 2010 (aged 72)
OSCARS:
Nominations:
Best Original Screenplay - Love Story (1970)
RAZZIES:
Nominations:
Worst Screenplay - A Change of Seasons (1980)- Music Department
- Composer
- Soundtrack
George Duning was educated in Cincinnati, Ohio, and during his early 20s played trumpet and piano for the Kay Kyser band, later arranging most of the music for Kyser's popular "Kollege of Musical Knowledge" radio program. It was during the Kyser band's appearance in Carolina Moon (1940) that Duning's work was noticed, leading to a contract with Columbia Pictures.1908 - 2000 (aged 92)
OSCARS:
Nominations:
Best Original Score - Jolson Sings Again (1949)
Best Original Score - No Sad Songs for Me (1950)
Best Original Score - From Here to Eternity (1953)
Best Original Score - Picnic (1955)
Best Original Score - The Eddy Duchin Story (1956)
RAZZIES:
Wins:
Worst Original Song - The Man with Bogart's Face (1980), "The Man with Bogart's Face"- Music Department
- Composer
- Actor
John Farrar was born on 8 November 1946 in Melbourne, Australia. He is a composer and actor, known for Grease (1978), Xanadu (1980) and Flight of the Navigator (1986). He has been married to Pat Carroll since 6 January 1970. They have two children.1946 -
OSCARS:
Nominations:
Best Original Song - Grease (1978), "Hopelessly Devoted to You"
RAZZIES:
Nominations:
Worst Original Song - Xanadu (1980), "Suspended in Time"- Music Department
- Composer
- Actor
Born in Cleveland, Ohio, but brought up in Pennsylvania, where he played the flute in a local band, as a youth, before sending some arrangements to Benny Goodman. Goodman offered him a job and, after serving in WWII, he joined the rearranged Glenn Miller band. In 1952, he was given a two-week assignment at Universal to work on an Bud Abbott and Lou Costello film and ended up staying for six years. Success with The Glenn Miller Story (1954) allowed him to score many other films, helping along the way to change the style of film background music by injecting jazz into the traditional orchestral arrangements of the 1950s. He was nominated for 18 Oscars and won four; in addition, he won 20 Grammys and 2 Emmys, made over 50 albums and had 500 works published. Mancini collaborated extensively with Blake Edwards -- firstly on TV's Peter Gunn (1958), then on Breakfast at Tiffany's (1961), which won him two Oscars; he won further Oscars for the titles song for Days of Wine and Roses (1962) and the score for Victor/Victoria (1982); he will be best-remembered for the theme tune for The Pink Panther (1963).1924 - 1994 (aged 70)
OSCARS:
Wins:
Best Original Score - Breakfast at Tiffany's (1961)
Best Original Song - Breakfast at Tiffany's (1961), "Moon River"
Best Original Song - Days of Wine and Roses (1962), "Days of Wine and Roses"
Best Original Score - Victor/Victoria (1982)
Nominations:
Best Original Score - The Glenn Miller Story (1954)
Best Original Song - Bachelor in Paradise (1961), "Bachelor in Paradise"
Best Original Song - Charade (1963), "Charade"
Best Original Score - The Pink Panther (1963)
Best Original Song - Dear Heart (1964), "Dear Heart"
Best Original Song - The Great Race (1965), "The Sweetheart Tree"
Best Original Score - Darling Lili (1970)
Best Original Score - Sunflower (1970)
Best Original Song - Darling Lili (1970), "Whistling Away in the Dark"
Best Original Song - Sometimes a Great Notion (1971), "All His Children"
Best Original Song - The Pink Panther Strikes Again (1976), "Come to Me"
Best Original Score - 10 (1979)
Best Original Song - 10 (1979), "It's Easy to Say"
Best Original Song - That's Life! (1986), "Life in a Looking Glass"
RAZZIES:
Nominations:
Worst Original Song - A Change of Seasons (1980), "Where Do You Catch the Bus for Tomorrow?"
Worst Original Song - That's Life! (1986), "Life in a Looking Glass"- Music Department
- Writer
- Composer
Prolific songwriter ("Nice 'n' Easy", "Yellow Bird"), composer and author, educated at UCLA and the University of Northern Carolina (BA). During WW II, he wrote and directed Special Services shows, then directed TV shows for CBS in Philadelphia, PA from 1945-1953. He joined ASCAP in 1955 and wrote TV production numbers for Jo Stafford special shows, and songs for Fred Astaire and Marge and Gower Champion. He also wrote songs for revues and night club acts. His stage scores include "That's Life" (Los Angeles), "Ice Capades of 1957" and "Something More!" (Broadway). His chief musical collaborators include his wife Marilyn Bergman , Lew Spence, Norman Luboff, Paul Weston, Sammy Fain and Alex North. His other song compositions include "Cheatin' Billy", "Don't Know Where I'm Goin'", "I've Never Left Your Arms", "Marriage-Go-Round", "Sentimental Baby", "Sleep Warm", "Sogni D'Oro", "That Face", "Baby, The Ball Is Over", "Ol' MacDonald", "That's Him Over There" and "If I Were In Love". His albums include "Never Be Afraid" and "Aesop's Fables".1925 -
OSCARS:
Wins:
Best Original Song - The Thomas Crown Affair (1968), "The Windmills of Your Mind"
Best Original Song - The Way We Were (1973), "The Way We Were"
Best Original Score - Yentl (1983)
Nominations:
Best Original Song - The Happy Ending (1969), "What Are You Doing for the Rest of Your Life?"
Best Original Song - Pieces of Dreams (1970), "Pieces of Dreams"
Best Original Song - Sometimes a Great Notion (1971), "All His Children"
Best Original Song - The Life and Times of Judge Roy Bean (1972), "Marmalade, Molasses & Honey"
Best Original Song - Same Time, Next Year (1978), "The Last Time I Felt Like This"
Best Original Song - The Promise (1979), "I'll Never Say Goodbye"
Best Original Song - Best Friends (1982), "How Do You Keep the Music Playing?"
Best Original Song - Yes, Giorgio (1982), "If I Were in Love"
Best Original Song - Tootsie (1982), "It Might Be You"
Best Original Song - Yentl (1983), "Papa, Can You Hear Me?"
Best Original Song - Yentl (1983), "The Way He Makes Me Feel"
Best Original Song - Shirley Valentine (1989), "The Girl Who Used to Be Me"
Best Original Song - Sabrina (1995), "Moonlight"
RAZZIES:
Nominations:
Worst Original Song - A Change of Seasons (1980), "Where Do You Catch the Bus for Tomorrow?"
Worst Original Song - Author! Author! (1982), "Comin' Home to You"
Worst Musical Score - Yentl (1983)- Music Department
- Writer
- Composer
Prolific songwriter ("Nice 'n' Easy", "Yellow Bird"), composer and author Marilyn Bergman wrote several theme songs for television and songs for revues, night clubs, and films. Joining ASCAP in 1953, her chief musical collaborators included her husband Alan Bergman, Lew Spence, Norman Luboff, Paul Weston, Sammy Fain, and Alex North. Her other song compositions included "Cheatin' Billy", "Don't Know Where I'm Goin'", "I've Never Left Your Arms", "Never Be Afraid", "Outta My Mind", "The Right Approach" (for film), "Marriage-Go-Round" (for film), "Sentimental Baby", "Sleep Warm", "Sogni D'Oro", "That Face", "Baby, the Ball is Over", "Ol' MacDonald", "If I Were in Love" (for film) and "That's Him Over There."1928 - 2022 (aged 93)
OSCARS:
Wins:
Best Original Song - The Thomas Crown Affair (1968), "The Windmills of Your Mind"
Best Original Song - The Way We Were (1973), "The Way We Were"
Best Original Score - Yentl (1983)
Nominations:
Best Original Song - The Happy Ending (1969), "What Are You Doing for the Rest of Your Life?"
Best Original Song - Pieces of Dreams (1970), "Pieces of Dreams"
Best Original Song - Sometimes a Great Notion (1971), "All His Children"
Best Original Song - The Life and Times of Judge Roy Bean (1972), "Marmalade, Molasses & Honey"
Best Original Song - Same Time, Next Year (1978), "The Last Time I Felt Like This"
Best Original Song - The Promise (1979), "I'll Never Say Goodbye"
Best Original Song - Best Friends (1982), "How Do You Keep the Music Playing?"
Best Original Song - Yes, Giorgio (1982), "If I Were in Love"
Best Original Song - Tootsie (1982), "It Might Be You"
Best Original Song - Yentl (1983), "Papa, Can You Hear Me?"
Best Original Song - Yentl (1983), "The Way He Makes Me Feel"
Best Original Song - Shirley Valentine (1989), "The Girl Who Used to Be Me"
Best Original Song - Sabrina (1995), "Moonlight"
RAZZIES:
Nominations:
Worst Original Song - A Change of Seasons (1980), "Where Do You Catch the Bus for Tomorrow?"
Worst Original Song - Author! Author! (1982), "Comin' Home to You"
Worst Musical Score - Yentl (1983)- Actor
- Soundtrack
Born in New York City of humble means, character player James Coco was the son of Feliche, an Italian shoemaker, and Ida (Detestes) Coco. Shining shoes as a youngster with his father, his interest in acting occurred early on as a child. At age 17 he toured with a children's theatre troupe for three years portraying Old King Cole and Hans Brinker. Intensive study with acting guru Uta Hagen led to his Broadway debut at age 29 in "Hotel Paradiso" in 1957, but he earned his first acting award, an Obie, for his performance in the 1961 off-Broadway production of "The Moon in Yellow River". He went on to win a second and third Obie for his performances in the plays "Fragments" (1967) and "The Transfiguration of Benno Blimppie" (1977). Dark, hefty and prematurely balding, he proved to be a natural on the comedy stage and in scores of commercials (notably as Willy the plumber in the Drano ads) throughout the 1960s. Other comedy theater highlights included roles in "Auntie Mame," "Everybody Loves Opal," "A Shot in the Dark," "Bell, Book and Candle" and "You Can't Take It With You".
In the late 60s he formed a strong collaboration with playwright Terrence McNally and appeared in an off-Broadway double-bill of his one-act plays (his one-act was entitled "Witness") in 1968, followed by "Here's Where I Belong" a failed 1968 Broadway musical variation of the Steinbeck play "East of Eden" that closed on opening night. Their most notable alliance occurred the following year with the play "Next," which ran more than 700 performances and earned Coco a Drama Desk award. Sixteen years later, and shortly before Coco's death, the two reunited for the 1985 Manhattan Theatre Club production of "It's Only a Play".
Coco also earned kudos for his work in Neil Simon comedies, and "The Last of the Red Hot Lovers" (1969), which was specifically written for him, earned him a Tony Award nomination as Best Actor. The two later joined forces for a Broadway revival of the musical "Little Me" and the hilarious film comedy spoofs Murder by Death (1976) and The Cheap Detective (1978), in addition to his moving support role as Marsha Mason's depressed gay actor/friend in Only When I Laugh (1981), which garnered his sole Oscar nomination.
Achieving stardom first on stage, Coco's other films were a mixed bag with more misses (Ensign Pulver (1964), Man of La Mancha (1972) (as Sancho Panza), The Wild Party (1975), Scavenger Hunt (1979)) than hits (A New Leaf (1971)). On the TV screen, Coco fronted two short-lived 1970s comedy series, Calucci's Department (1973) and The Dumplings (1976), and also appeared in daytime soaps (The Edge of Night (1956) and "The Guiding Light"). Throughout his career he played an amusing number of characters on such sitcoms as Maude (1972) and Alice (1976) and also played bathos and pathos to great effect, not only winning an Emmy for his dramatic performance on a St. Elsewhere (1982) episode but appearing opposite Doris Roberts as the brittle Van Daan couple in the TV version of The Diary of Anne Frank (1980). One of his last TV assignments was a recurring role on the sitcom "Who's The Boss?" in 1986-1987.
In his last years, Coco received attention for his culinary talents and best-selling cookbooks. The James Coco Diet, an educational book which included chapters on menu planning and behavior modification as well as choice recipes), was just one that he promoted on the talk show circuit. It is probably not a coincidence that he often played characters with extreme food issues. Suffering from obesity (5'10", 250 lbs.) for most his adult life, the talented actor died unexpectedly of a heart attack in New York City in 1987 at the age of 56, and was buried in St. Gertrude's Roman Catholic Cemetery in Colonia, New Jersey.1930 - 1987 (aged 56)
OSCARS:
Nominations:
Best Supporting Actor - Only When I Laugh (1981)
RAZZIES:
Nominations:
Worst Supporting Actor - Only When I Laugh (1981)- Additional Crew
- Production Manager
- Producer
Walter Coblenz was born on 15 August 1928 in Glogau, Germany. He was a production manager and producer, known for All the President's Men (1976), Money Talks (1997) and The Legend of the Lone Ranger (1981). He was married to Rita Bellisle. He died on 16 March 2022 in Los Angeles, California, USA.OSCARS:
Nominations:
Best Picture - All the President's Men (1976)
RAZZIES:
Nominations:
Worst Picture - The Legend of the Lone Ranger (1981)- Director
- Writer
- Producer
Michael Cimino studied architecture and dramatic arts; later he filmed advertisements and documentaries and also wrote scripts until the actor, producer and director Clint Eastwood gave him the opportunity to direct the thriller Thunderbolt and Lightfoot (1974). But his biggest success was The Deer Hunter (1978) which won the Oscar for Best Picture. For another successful film, The Sicilian (1987), he got into trouble with critics when they accused him of portraying as a hero the Italian criminal Salvatore Giuliano.1939 - 2016 (aged 77)
OSCARS:
Wins:
Best Picture - The Deer Hunter (1978)
Best Director - The Deer Hunter (1978)
Nominations:
Best Original Screenplay - The Deer Hunter (1978)
RAZZIES:
Wins:
Worst Director - Heaven's Gate (1980)
Nominations:
Worst Screenplay - Heaven's Gate (1980)
Worst Director - Year of the Dragon (1985)
Worst Screenplay - Year of the Dragon (1985)- Director
- Producer
- Actor
Frank Perry was born on 21 August 1930 in New York City, New York, USA. He was a director and producer, known for Mommie Dearest (1981), David and Lisa (1962) and Last Summer (1969). He was married to Virginia Brush Ford, Barbara Goldsmith and Eleanor Perry. He died on 29 August 1995 in New York City, New York, USA.1930 - 1995 (aged 65)
OSCARS:
Nominations:
Best Director - David and Lisa (1962)
RAZZIES:
Wins:
Worst Screenplay - Mommie Dearest (1981)
Nominations:
Worst Director - Mommie Dearest (1981)- Additional Crew
- Production Designer
- Director
Franco Zeffirelli is an Italian director and producer of operas, films and television. He was also a senator from 1994 until 2001 for the Italian center-right Forza Italia party. Some of his operatic designs and productions have become worldwide classics.
He was known for several of the movies he directed, especially the 1968 version of Romeo and Juliet (1968), for which he received an Academy Award nomination. His 1967 version of The Taming of The Shrew (1967) with Elizabeth Taylor and Richard Burton remains the best-known film adaptation of that play as well. His mini-series Jesus of Nazareth (1977) won both national and international acclaim.
In 1999, Zeffirelli received the Crystal Globe award for outstanding artistic contribution to world cinema at the Karlovy Vary International Film Festival. In November 2004, he was awarded an honorary knighthood by the United Kingdom. He was awarded the Premio Colosseo in 2009 by the city of Rome.1923 - 2019 (aged 96)
OSCARS:
Nominations:
Best Director - Romeo and Juliet (1968)
Best Production Design - La Traviata (1982)
RAZZIES:
Nominations:
Worst Director - Endless Love (1981)- Actor
- Producer
- Soundtrack
Two-time Oscar nominee Bruce Dern's tremendous career is made up of playing both modern day heroes and legendary villains. Through decades of lauded performances, Dern has acquired the reputation of being one of the most talented and prolific actors of his generation.
Dern currently appears opposite Kristen Wiig, Allison Janney and his daughter Laura in Apple+ TV's acclaimed comedy series "Palm Royale." He also received critical praise for the last season of the Amazon series "Goliath" opposite Oscar winners Billy Bob Thornton and JK Simmons.
Dern appeared as real-life rancher George Spahn in Quentin Tarantino's 10-time Academy Award nominated "Once Upon a Time in Hollywood." The film also won the Golden Globes & Critics Choice Awards for Best Picture, among others. He also co-starred in the #1 independent film of 2019, "The Peanut Butter Falcon" and he earned rave reviews for Focus Features' "The Mustang." He has recently appeared in several recent independent film projects including "Reminisce," "The Accidental Texan," "Remember Me," "The Artist's Wife," "Emperor," "Badland," "Death in Texas," "Last Call," and "The Gateway."
In 2018, he starred in two high profile independent films - as Joe Kennedy in "Chappaquiddick" and opposite Matthew McConaughey in Sony's "White Boy Rick." In 2017, he appeared with Jane Fonda and Robert Redford in the Netflix film "Our Souls at Night."
On the television side in 2019 - he memorably guested on Showtime's comedy "Black Monday" and was seen in the Stephen King series "Mr. Mercedes" for the AT&T AUDIENCE Network.
In 2015, Dern reteamed with his "Django Unchained" director Quentin Tarantino in the ambitious & critically-acclaimed "The Hateful Eight." In 2013, Dern earned his second Academy Award nomination for his heralded role in Alexander Payne's "Nebraska." That role also garnered him a Best Actor Award from the Cannes Film Festival and the National Board of Review. He was also nominated for a BAFTA, Golden Globe, Independent Spirit Award, Broadcast Film Critics Association Award and Screen Actors Guild Award.
Dern was also nominated for an Emmy in 2011 for his portrayal of polygamist patriarch Frank Harlow in HBO's hit drama "Big Love." A celebrated stage actor, Dern was trained by famed director Elia Kazan at the legendary The Actor's Studio and made his film debut in Kazan's "Wild River" in 1960. In the 60's, Dern also found success as a distinguished television actor. He appeared regularly in contemporary Western TV series, as well as on "Alfred Hitchcock Presents." Mr. Hitchcock was such a fan of Dern's that he cast him in "Marnie" and "Family Plot" (Hitchcock's final film).
Also during the 60's, Dern went on to work with director Roger Corman and appeared in several of his classic and decade defining films including "Wild Angels." He also received critical success during that time for films such as "They Shoot Horses, Don't They?" and "Drive, He Said." Dern goes down in history for his role as Long Hair in "The Cowboys," in which he became the only man ever to kill John Wayne on screen.
Dern went on to star in such classic films like "The King of Marvin Gardens" with Jack Nicholson and Ellen Burstyn as well as playing Tom Buchanan in "The Great Gatsby" (for which he received a Golden Globe nomination). It was his brilliant and powerful performance in Hal Ashby's "Coming Home" that earned him both an Academy Award and Golden Globe nomination.
Dern has starred in over 100 films in his career, including: "Monster," "Hush...Hush, Sweet Charlotte," "Silent Running," "Smile," "Middle Age Crazy," "That Championship Season," "Tattoo," "The 'Burbs," "The Haunting," "All the Pretty Horses," "Masked and Anonymous," "Down in the Valley," "Astronaut Farmer," "The Cake Eaters," "Black Sunday," "After Dark, My Sweet," "Madison," "Diggstown," "Twixt" and "Last Man Standing."
Dern has received several Lifetime Achievement Awards from various film festivals. In 2010, Dern received the prestigious Hollywood Walk of Fame star along with his ex-wife Diane Ladd & daughter Laura Dern, the only family in history to receive their Stars in one ceremony.1936 -
OSCARS:
Nominations:
Best Supporting Actor - Coming Home (1978)
Best Actor - Nebraska (2013)
RAZZIES:
Nominations:
Worst Actor - Tattoo (1981)- Actor
- Producer
- Director
Richard St John Harris was born on October 1, 1930 in Limerick, Ireland, to a farming family, one of nine children born to Mildred (Harty) and Ivan Harris. He attended Crescent College, a Jesuit school, and was an excellent rugby player, with a strong passion for literature. Unfortunately, a bout of tuberculosis as a teenager ended his aspirations to a rugby career, but he became fascinated with the theater and skipped a local dance one night to attend a performance of "Henry IV". He was hooked and went on to learn his craft at the London Academy of Music and Dramatic Art (LAMDA), then spent several years in stage productions. He debuted on screen in Shake Hands with the Devil (1959) and quickly scored regular work in films, including The Wreck of the Mary Deare (1959), The Night Fighters (1960) and a good role as a frustrated Australian bomber pilot in The Guns of Navarone (1961).
However, his breakthrough performance was as the quintessential "angry young man" in the sensational drama This Sporting Life (1963), which scored him an Oscar nomination. He then appeared in the WW II commando tale The Heroes of Telemark (1965) and in the Sam Peckinpah-directed western Major Dundee (1965). He next showed up in Hawaii (1966) and played King Arthur in Camelot (1967), a lackluster adaptation of the famous Broadway play. Better performances followed, among them a role as a reluctant police informer in The Molly Maguires (1970) alongside Sir Sean Connery. Harris took the lead role in the violent western A Man Called Horse (1970), which became something of a cult film and spawned two sequels. As the 1970s progressed, Harris continued to appear regularly on screen; however, the quality of the scripts varied from above average to woeful.
His credits during this period included directing himself as an aging soccer player in The Hero (1970); the western The Deadly Trackers (1973); the big-budget "disaster" film Juggernaut (1974); the strangely-titled crime film 99 and 44/100% Dead! (1974); with Connery again in Robin and Marian (1976); Gulliver's Travels (1977); a part in the Jaws (1975); Orca (1977) and a nice turn as an ill-fated mercenary with Richard Burton and Roger Moore in the popular action film The Wild Geese (1978).
The 1980s kicked off with Harris appearing in the silly Bo Derek vanity production Tarzan the Ape Man (1981) and the remainder of the decade had him appearing in some very forgettable productions. However, the luck of the Irish was once again to shine on Harris's career and he scored rave reviews (and another Oscar nomination) for The Field (1990). He then locked horns with Harrison Ford as an IRA sympathizer in Patriot Games (1992) and got one of his best roles as gunfighter English Bob in the Clint Eastwood western Unforgiven (1992). Harris was firmly back in vogue and rewarded his fans with more wonderful performances in Wrestling Ernest Hemingway (1993); Cry, the Beloved Country (1995); The Great Kandinsky (1995) and This Is the Sea (1997). Further fortune came his way with a strong performance in the blockbuster Gladiator (2000) and he became known to an entirely new generation of film fans as Albus Dumbledore in the mega-successful Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Chamber of Secrets (2002). His final screen role was as "Lucius Sulla" in Caesar (2002).
Harris died of Hodgkin's disease, also known as Hodgkin's lymphoma, in London on October 25, 2002, aged 72.1930 - 2002 (aged 72)
OSCARS:
Nominations:
Best Actor - This Sporting Life (1963)
Best Actor - The Field (1990)
RAZZIES:
Nominations:
Worst Actor - Tarzan the Ape Man (1981)- Actress
- Producer
- Additional Crew
From the age of five, Linda Blair had to get used to the spotlight, first as a child model and then as an actress, when out of 600 applicants she was picked for the role of Regan, the possessed child, in The Exorcist (1973). Linda quickly rose to international fame, won the Golden Globe, and seemed to be set to take the Academy Award for that role, but when it leaked how some parts of the role were not performed by her (the demonic voice was dubbed by Mercedes McCambridge, and eight seconds of a stunt dummy were used) that dream broke, and with that disappointment probably came the first blow to what looked like the beginning of an A-list career.
Over the next few years she had no trouble securing lead roles in a number of pictures, including the highly successful television films Born Innocent (1974) (the #1 TV movie of that year) and Sarah T. - Portrait of a Teenage Alcoholic (1975), as well as the Exorcist sequel Exorcist II: The Heretic (1977). However, when she was peer pressured into buying cocaine at the age of 18, it led to an arrest and subsequent sentencing to three years probation. The much-publicized drug bust caused Linda to be blacklisted in Hollywood, and her career was soon reduced to B-movies and occasional TV guest appearances only.
Although her career never returned to its former glory, Linda proved to be a good sport about embracing the change, and out of the '80s emerged lead roles in two cult classics: the women-in-prison film Chained Heat (1983) and the femme fatale vigilante action film Savage Streets (1984). She continued acting in numerous films throughout the '80s and '90s, including the Exorcist spoof Repossessed (1990). In 1997, she also took to the Broadway stage and starred as "Rizzo" in the revival of "Grease." She received widespread mainstream attention again in the 2000's with the theatrical re-release of the Exorcist, followed by a hosting job on the hit Fox Family TV series Scariest Places on Earth (2000), which ran for six years and followed Linda as she visited notorious "haunted" locations around the world.
Linda was born in St. Louis, Missouri, to Elinore, a real estate agent, and James, an executive headhunter. She has a brother, Jimmy, and a sister, Debbie. Linda has been a Hollywood icon for over 40 years, but it is her first love of animals that has ultimately taken center stage in her life. She now runs the Linda Blair WorldHeart Foundation, a non-profit 501C3 tax deductible organization dedicated to rescuing and rehabilitating abused, neglected, and abandoned animals from the harsh streets of the Los Angeles area, as well as from the overcrowded and overwhelmed city and county animal shelters. She works and lives on the 2-acre rescue sanctuary full-time in California, which was featured on The Today Show in a segment titled "From Devil to Angel." Of course, she also makes frequent appearances at horror fan conventions to celebrate the legacy of The Exorcist (1973) .1959 -
OSCARS:
Nominations:
Best Supporting Actress - The Exorcist (1973)
RAZZIES:
Wins:
Worst Career Achievement Award (1984)
Worst Actress - Night Patrol (1984), Savage Island (1985), and Savage Streets (1984)
Nominations:
Worst Actress - Hell Night (1981)
Worst Actress - Chained Heat (1983)- Music Artist
- Actress
- Producer
Barbra Streisand is an American singer, actress, director and producer and one of the most successful personalities in show business. She is the only person ever to receive all of the following: Oscar, Tony, Emmy, Grammy, Golden Globe, Cable Ace, National Endowment for the Arts, and Peabody awards, as well as the Kennedy Center Honor, American Film Institute's Lifetime Achievement honor and the Film Society of Lincoln Center Chaplin Award.
She was born in Brooklyn, New York, in 1942 to Diana Kind (née Ida Rosen), a singer turned school secretary, and Emanuel Streisand, a high school teacher. Her father died when she was 15 months old. She has a brother, Sheldon, and a half-sister, Roslyn Kind, from their mother's remarriage. As a child she attended the Beis Yakov Jewish School in Brooklyn. She was raised in a middle-class family and grew up dreaming of becoming an actress (or even an actress / conductor, as she happily described her teenage years at one of her concerts).
After a period as a nightclub singer and off-Broadway performer in New York City she began to attract interest and a fan base, thanks to her original and powerful vocal talent. She debuted on Broadway in the 1962 musical comedy "I Can Get It For You Wholesale" by Harold Rome, receiving a Tony Award nomination for Best Supporting Actress and a New York Drama Critics Poll award. The following year she reached great commercial success with her first Columbia Records solo releases, "The Barbra Streisand Album" (multiple Grammy winner, including "Best Album of the Year") and "The Second Barbra Streisand Album" (her first RIAA Gold Album); these albums, mostly devoted to composer Harold Arlen, brought her critical praise and, most of all, public acclaim all over the US. In 1964 she had another smash Broadway hit when she portrayed legendary Broadway star Fanny Brice in "Funny Girl" by Jule Styne and Bob Merrill; the show's main song, "People", became her first hit single and she appeared on the cover of Time magazine. After many TV appearances as a guest on various music and variety shows (such as an episode of The Judy Garland Show (1963), for which she was nominated for an Emmy), she signed an exclusive contract with CBS for a series of annual TV specials. My Name Is Barbra (1965) (which won an Emmy) and Color Me Barbra (1966) were extremely successful.
After a brief London stage period and the birth of her son Jason Gould (with then-husband Elliott Gould), in summer 1967 she gave a memorable free concert in New York City, "A Happening in Central Park", that was filmed and later broadcast (in an edited version) as a TV special; then she flew to Hollywood for her first movie, Funny Girl (1968), a filming of her stage success. The picture, directed by William Wyler, opened in 1968 and became a hit in the US and abroad, making her an international "superstar" and multiple award winner, including the Best Actress Oscar. After a series of screen musicals, such as Gene Kelly's Hello, Dolly! (1969) and Vincente Minnelli's On a Clear Day You Can See Forever (1970), she wanted to try comedies, resulting in such films as The Owl and the Pussycat (1970) and What's Up, Doc? (1972). She turned to dramas and turned out Up the Sandbox (1972) and the classic The Way We Were (1973), directed by Sydney Pollack and co-starring Robert Redford. The song "The Way We Were" (written by Marvin Hamlisch and Alan Bergman and Marilyn Bergman) became one of her biggest hits and most memorable and famous songs.
She returned to TV for a new special conceived as a musical journey covering many world musical styles, Barbra Streisand and Other Musical Instruments (1973), then returned (for contractual reasons) to her Fanny Brice role in a sequel to her hit "Funny Girl" film, Funny Lady (1975), and the next year turned out one of her most personal film projects, A Star Is Born (1976), one of the biggest hits of the year for which she won a Golden Globe for Best Actress and her second Oscar, for the song "Evergreen". Always extremely busy on the discography side, averaging one album a year throughout the '70s and '80s, she had a string of successful singles and albums, such as "You Don't Bring Me Flowers" (duet with Neil Diamond), "Enough is Enough" (with Donna Summer), "The Main Event" (from her film The Main Event (1979) with her friend Ryan O'Neal) and the album "Guilty", written for her by The Bee Gees' Barry Gibb, which sold more than 10 million copies worldwide.
She debuted as a director with the musical drama Yentl (1983), in which she also portrayed a Jewish girl who is forced to pass herself off as a man to pursue her dreams. The movie received generally positive reviews and the beautiful score by Michel Legrand and lyricists Marilyn Bergman and Alan Bergman stands up as one of Streisand's finest musical works. The film received several Oscar nominations, winning in two categories, but she was not nominated as Best Director, which disappointed both her and her fans, many of whom consider this the Academy's biggest "snub".
In 1985 her album "The Broadway Album" was an unexpected runaway success, winning a Grammy Award and helping to introduce a new generation to the world of American musical theater. In 1986 she performed in a memorable concert, after 19 years of stage silence, "One Voice". She returned to the screen in Nuts (1987), a drama directed by Martin Ritt, in the role of a prostitute accused of murder who fights to avoid being labeled "insane" at her trial. In 1991 she appeared in The Prince of Tides (1991), which many consider to be the pinnacle of her screen career, playing a psychiatrist who tries to help a man (Nick Nolte) to find the pieces of his past life. The film received seven Oscar nominations (but again NOT for Best Directing), but she did receive a nomination from the DGA (Directors Guild of America) for Best Director. In 1994 she returned to the stage after 27 years for a series of sold-out concerts (for the televised version of one of these, she won another Emmy).
In the 1990s she broke several personal records: with two #1 albums ("Back to Broadway" in 1993 and "Higher Ground" in 1997) and became the only artist to achieve a #1 album on the Billboard charts in the 1960s, 1970s, 1980s and 1990s (she extended this record into the 21st century in 2009 with the jazz album "Love is the Answer"). In 1996 she starred in her third picture as director, The Mirror Has Two Faces (1996), with Jeff Bridges and Lauren Bacall. The film had a "the girl got the guy" ending, and the same happened to her in real life--the next year she married well known TV actor James Brolin.
In 2000 she focused her career again on concerts ("Timeless") and in 2006-07 with a European tour. She made only two more films--a supporting role as a sex therapist mother in the Ben Stiller comedy Meet the Fockers (2004) and its sequel, Little Fockers (2010), alongside Dustin Hoffman and Robert De Niro. She published a book, "Passion for Design", in 2010 and celebrated her friendship with the Bergmans with an entire album of their songs, "What Matters Most" (2011), that debuted in the top 10.
After a long break from filming, she returned in a starring role for the 2012 holiday season with The Guilt Trip (2012), a mother/son picture co-starring Seth Rogen and directed by Anne Fletcher, and is working on putting together a film version of the well-known Jule Styne musical "Gypsy". In almost 50 years of career, Streisand has contributed to the show business industry in a personal and unique way, collecting a multi-generational fan base; she has a powerful and recognize vocal range, and a raucous and often self-deprecating sense of humor, which doesn't prevent her from showing the serious and dramatic sides of her personality. Her strong political belief in social justice infuses her professional career and personal life, and she makes no bones about what she believes; her willingness to put her money where her mouth is has resulted in some truly vicious attacks by many who hold opposite political views, but that hasn't stopped her from acting on her beliefs. She has been honored with the Humanitarian Award from the Human Rights Campaign, an Honorary Doctorate in Arts and Humanities from Brandeis University in 1995, an Honorary Doctorate of Philosophy from the Hebrew University of Jerusalem in 2013 and the bestowing by the government of France the title of Commander of the Order of Arts and Letters. She supports many humanitarian causes through the Streisand Foundation and has been a dedicated environmentalist for many years; she endowed a chair in environmental studies in 1987 and donated her 24-acre estate to the Santa Monica Mountains Conservancy. In addition, she was the lead founder for the Clinton Climate Change Initiative. This effort brought together a consortium of major cities around the world to drive down greenhouse gas emissions. She is a leading spokesperson and fund-raiser for social and political causes close to her heart and has often dedicated proceeds from her live concert performances to benefit programs she supports.1942 -
OSCARS:
Wins:
Best Actress - Funny Girl (1968)
Best Original Song - A Star Is Born (1976), "Evergreen"
Nominations:
Best Actress - The Way We Were (1973)
Best Picture - The Prince of Tides (1991)
Best Original Song - The Mirror Has Two Faces (1996), "I've Finally Found Someone"
RAZZIES:
Nominations:
Worst Actress - All Night Long (1981)
Worst Actor - Yentl (1983)
Worst Supporting Actress - Little Fockers (2010)
Worst Actress - The Guilt Trip (2012)- Actor
- Producer
- Soundtrack
Ernest Borgnine was born Ermes Effron Borgnino on January 24, 1917 in Hamden, Connecticut. His parents were Anna (Boselli), who had emigrated from Carpi (MO), Italy, and Camillo Borgnino, who had emigrated from Ottiglio (AL), Italy. As an only child, Ernest enjoyed most sports, especially boxing, but took no real interest in acting. At age 18, after graduating from high school in New Haven, and undecided about his future career, he joined the United States Navy, where he stayed for ten years until leaving in 1945. After a few factory jobs, his mother suggested that his forceful personality could make him suitable for a career in acting, and Borgnine promptly enrolled at the Randall School of Drama in Hartford. After completing the course, he joined Robert Porterfield's famous Barter Theatre in Abingdon, Virginia, staying there for four years, undertaking odd jobs and playing every type of role imaginable. His big break came in 1949, when he made his acting debut on Broadway playing a male nurse in "Harvey".
In 1951, Borgnine moved to Los Angeles to pursue a movie career, and made his film debut as Bill Street in The Whistle at Eaton Falls (1951). His career took off in 1953 when he was cast in the role of Sergeant "Fatso" Judson in From Here to Eternity (1953). This memorable performance led to numerous supporting roles as "heavies" in a steady string of dramas and westerns. He played against type in 1955 by securing the lead role of Marty Piletti, a shy and sensitive butcher, in Marty (1955). He won an Academy Award for Best Actor for his performance, despite strong competition from Spencer Tracy, Frank Sinatra, James Dean and James Cagney. Throughout the 1950s, 1960s and 1970s, Borgnine performed memorably in such films as The Catered Affair (1956), Ice Station Zebra (1968) and Emperor of the North (1973). Between 1962 and 1966, he played Lt. Commander Quinton McHale in the popular television series McHale's Navy (1962). In early 1984, he returned to television as Dominic Santini in the action series Airwolf (1984) co-starring Jan-Michael Vincent, and in 1995, he was cast in the comedy series The Single Guy (1995) as doorman Manny Cordoba. He also appeared in several made-for-TV movies.
Ernest Borgnine has often stated that acting was his greatest passion. His amazing 61-year career (1951 - 2012) included appearances in well over 100 feature films and as a regular in three television series, as well as voice-overs in animated films such as All Dogs Go to Heaven 2 (1996), Small Soldiers (1998), and a continued role in the series SpongeBob SquarePants (1999). Between 1973 until his death, Ernest was married to Tova Traesnaes, who heads her own cosmetics company. They lived in Beverly Hills, California, where Ernest assisted his wife between film projects. When not acting, Ernest actively supported numerous charities and spoke tirelessly at benefits throughout the country. He has been awarded several honorary doctorates from colleges across the United States as well as numerous Lifetime Achievement Awards. In 1996, Ernest purchased a bus and traveled across the United States to see the country and meet his many fans. On December 17, 1999, he presented the University of North Alabama with a collection of scripts from his film and television career, due to his long friendship with North Alabama alumnus and actor George Lindsey (died May 6, 2012), who was an artist in residence at North Alabama.
Ernest Borgnine passed away aged 95 on July 8, 2012, at Cedars-Sinai Medical Center in Los Angeles, California, of renal failure. He is survived by his wife Tova, their children and his younger sister Evelyn (1926-2013)1917 - 2012 (aged 95)
OSCARS:
Wins:
Best Actor - Marty (1955)
RAZZIES:
Nominations:
Worst Supporting Actor - Deadly Blessing (1981)- Actress
- Soundtrack
Born in Savannah, Georgia, Scarwid moved to New York at 17 to become an actress. Simultaneously, as an honors student, she graduated from the American Academy of Dramatic Arts and Pace University. She landed some small film and TV roles before her subtle performance in Inside Moves (1980) was nominated for an Oscar, and as Joan Crawford's daughter in Mommie Dearest (1981) - the infamous Razzie. Understated film and TV roles followed. Retired, she lives east of Savannah, Georgia, working with local non-profit organizations and acting workshops.1955 -
OSCARS:
Nominations:
Best Supporting Actress - Inside Moves (1980)
RAZZIES:
Wins:
Worst Supporting Actress - Mommie Dearest (1981)
Nominations:
Worst Supporting Actress - Strange Invaders (1983)
Worst New Star of the Decade (1989)- Actress
- Producer
- Soundtrack
Shirley Knight was an American actress who appeared in more than 180 feature films, television movies, television series, and Broadway productions in her career playing leading and character roles.
She was a member of the Actors Studio. Knight was nominated twice for the Academy Award for Best Supporting Actress: for The Dark at the Top of the Stairs (1960) and Sweet Bird of Youth (1962).
In 1976, Knight won a Tony Award for her performance in Kennedy's Children, a play by Robert Patrick. In later years, she played supporting roles in many films, including Endless Love (1981), As Good as It Gets (1997), Divine Secrets of the Ya-Ya Sisterhood (2002), and Grandma's Boy (2006). For her performances on television, Knight was nominated eight times for a Primetime Emmy Award (winning three), and she received a Golden Globe Award.1936 - 2020 (aged 83)
OSCARS:
Nominations:
Best Supporting Actress - The Dark at the Top of the Stairs (1960)
Best Supporting Actress - Sweet Bird of Youth (1962)
RAZZIES:
Nominations:
Worst Supporting Actress - Endless Love (1981)- Writer
- Soundtrack
Not to be confused with the classical singer of the same name, screen-writer Robert Getchell was born in 1936 in Kansas City, Missouri and studied English at the University of Missouri in Columbia, graduating in 1965. After working as a free-lance writer and reviewer,he penned his first screen-play, 'Alice Doesn't Live Here Anymore', which garnered him an Oscar nomination for best original screen-play of 1974 and gained him a British Film Academy award. He was also instrumental in turning the basic theme into a TV series, 'Alice', which ran intermittently from 1976 to 1981 with Linda Lavin as Alice and Diane Ladd reprising her role as Flo in later episodes. Flo went on to have her own series, also created by Getchell, with Polly Holliday taking over from Ladd. Getchell's recurrent theme in most of his films is the relationship between a parent or parent substitute and a child or young person in trying or dangerous situations, the exceptions being his biopics of country singers 'Bound For Glory', also Oscar-nominated, and 'Sweet Dreams'. His output has not been prolific due to his 'day job.' Since the mid-1990s he has been a teacher of Literature at the University of Missouri and the University of Miami, Ohio.1936 - 2017 (aged 80)
OSCARS:
Nominations:
Best Original Screenplay - Alice Doesn't Live Here Anymore (1974)
Best Adapted Screenplay - Bound for Glory (1976)
RAZZIES:
Wins:
Worst Screenplay - Mommie Dearest (1981)- Music Department
- Composer
- Writer
David Shire was born on 3 July 1937 in Buffalo, New York, USA. He is a composer and writer, known for Zodiac (2007), Short Circuit (1986) and The Taking of Pelham One Two Three (1974). He has been married to Didi Conn since 11 February 1984. They have one child. He was previously married to Talia Shire.1937 -
OSCARS:
Wins:
Best Original Song - Norma Rae (1979), "It Goes Like It Goes"
Nominations:
Best Original Song - The Promise (1979), "I'll Never Say Goodbye"
RAZZIES:
Wins:
Worst Original Song - Paternity (1981), "Baby Talk"
Nominations:
Worst Original Song - Only When I Laugh (1981), "Only When I Laugh"- Composer
- Music Department
- Actor
Musical talent ran in Marvin Hamlisch's family - his father was an accordionist, and at seven Hamlisch was the youngest student ever accepted by Manhattan's Julliard School of Music. Hamlich furthered his education by taking night classes at Queens College and working during the day as a rehearsal pianist for Broadway shows. He eventually began composing songs for stage productions. In 1968 he met film producer Sam Spiegel, resulting in his first film score for The Swimmer (1968) (he had previously written some songs for a low-budget teen epic, Ski Party (1965), but did not do the score for it). Hamlisch became well versed in the very specialized field of film scoring. In addition to scoring films, he ventured into film production as co-producer of The Entertainer (1975). In 1976 he won a Tony award for his scoring of the Broadway show, A Chorus Line (1985).1944 - 2012 (aged 68)
OSCARS:
Wins:
Best Original Score - The Sting (1973)
Best Original Score - The Way We Were (1973)
Best Original Song - The Way We Were (1973), "The Way We Were"
Nominations:
Best Original Song - Kotch (1971), "Life Is What You Make It"
Best Original Score - The Spy Who Loved Me (1977)
Best Original Song - The Spy Who Loved Me (1977), "Nobody Does It Better"
Best Original Song - Same Time, Next Year (1978), "The Last Time I Felt Like This"
Best Original Song - Ice Castles (1978), "Through the Eyes of Love"
Best Original Score - Sophie's Choice (1982)
Best Original Song - A Chorus Line (1985), "Surprise, Surprise"
Best Original Song - Shirley Valentine (1989), "The Girl Who Used to Be Me"
Best Original Song - The Mirror Has Two Faces (1996), "I've Finally Found Someone"
RAZZIES:
Nominations:
Worst Original Song - The Fan (1981), "Hearts, Not Diamonds"- Music Department
- Composer
- Actor
John Barry was born in York, England in 1933, and was the youngest of three children. His father, Jack, owned several local cinemas and by the age of fourteen, Barry was capable of running the projection box on his own - in particular, The Rialto in York. As he was brought up in a cinematic environment, he soon began to assimilate the music which accompanied the films he saw nightly to a point when, even before he'd left St. Peters school, he had decided to become a film music composer. Helped by lessons provided locally on piano and trumpet, followed by the more exacting theory taught by tutors as diverse as Dr Francis Jackson of York Minster and William Russo, formerly arranger to Stan Kenton and His Orchestra, he soon became equipped to embark upon his chosen career, but had no knowledge of how one actually got a start in the business. A three year sojourn in the army as a bandsman combined with his evening stints with local jazz bands gave him the idea to ease this passage by forming a small band of his own. This was how The John Barry Seven came into existence, and Barry successfully launched them during 1957 via a succession of tours and TV appearances. A recording contract with EMI soon followed, and although initial releases made by them failed to chart, Barry's undoubted talent showed enough promise to influence the studio management at Abbey Road in allowing him to make his debut as an arranger and conductor for other artists on the EMI roster.
A chance meeting with a young singer named Adam Faith, whilst both were appearing on astage show version of the innovative BBC TV programme, Six-Five Special (1957), led Barry to recommend Faith for a later BBC TV series, Drumbeat (1959), which was broadcast in 1959. Faith had made two or three commercially unsuccessful records before singer/songwriter Johnny Worth, also appearing on Drumbeat, offered him a song he'd just finished entitled What Do You Want? With the assistance of the JB7 pianist, Les Reed, Barry contrived an arrangement considered suited to Faith's soft vocal delivery, and within weeks, the record was number one. Barry (and Faith) then went from strength to strength; Faith achieving a swift succession of chart hits, with Barry joining him soon afterwards when the Seven, riding high on the wave of the early sixties instrumental boom, scored with Hit & Miss, Walk Don't Run and Black Stockings.
Faith had long harboured ambitions to act even before his first hit record and was offered a part in the up and coming British movie, Wild for Kicks (1960), at that time. As Barry was by then arranging not only his recordings but also his live Drumbeat material, it came as no surprise when the film company asked him to write the score to accompany Faith's big screen debut. It should be emphasised that the film was hardly a cinematic masterpiece. However, it did give Faith a chance to demonstrate his acting potential, and Barry the chance to show just how quickly he'd mastered the technique of film music writing. Although the film and soundtrack album were both commercial successes, further film score offers failed to flood in. On those that did, such as Never Let Go (1960) and The Amorous Mr. Prawn (1962), Barry proved highly inventive, diverse and adaptable and, as a result, built up a reputation as an emerging talent. It was with this in mind that Noel Rogers, of United Artists Music, approached him in the summer of '62, with a view to involving him in the music for the forthcoming James Bond film, Dr. No (1962).
He was also assisted onto the cinematic ladder as a result of a burgeoning relationship with actor/writer turned director Bryan Forbes, who asked him to write a couple of jazz numbers for use in a club scene in Forbes' then latest film, The L-Shaped Room (1962). From this very modest beginning, the couple went on to collaborate on five subsequent films, including the highly acclaimed Seance on a Wet Afternoon (1964), King Rat (1965) and The Whisperers (1967). Other highlights from the sixties included five more Bond films, Zulu (1964), Born Free (1966) (a double Oscar), The Lion in Winter (1968) (another Oscar) and Midnight Cowboy (1969).
In the seventies he scored the cult film Walkabout (1971), The Last Valley (1971), Mary, Queen of Scots (1971) (Oscar nomination), wrote the theme for The Persuaders! (1971), a musical version of Alice's Adventures In Wonderland and the hit musical Billy. Then, in 1974, he made the decision to leave his Thameside penthouse apartment for the peace of a remote villa he was having built in Majorca. He had been living there for about a year, during which time he turned down all film scoring opportunities, until he received an invitation to write the score for the American TV movie, Eleanor and Franklin (1976). In order to accomplish the task, he booked into the Beverly Hills Hotel for six weeks in October 1975. However, during this period, he was also offered Robin and Marian (1976) and King Kong (1976), which caused his stay to be extended. He was eventually to live and work in the hotel for almost a year, as more assignments were offered and accepted. His stay on America's West Coast eventually lasted almost five years, during which time he met and married his wife, Laurie, who lived with him at his Beverly Hills residence. They moved to Oyster Bay, New York and have since split their time between there and a house in Cadogan Square, London.
After adopting a seemingly lower profile towards the end of the seventies, largely due to the relatively obscure nature of the commissions he accepted, the eighties saw John Barry re-emerge once more into the cinematic limelight. This was achieved, not only by continuing to experiment and diversify, but also by mixing larger budget commissions of the calibre of Body Heat (1981), Jagged Edge (1985), Out of Africa (1985) (another Oscar) and The Cotton Club (1984) with smaller ones such as the TV movies, Touched by Love (1980) and Svengali (1983). Other successes included: Somewhere in Time (1980), Frances (1982), three more Bond films, and Peggy Sue Got Married (1986).
After serious illness in the late eighties, Barry returned with yet another Oscar success with Dances with Wolves (1990) and was also nominated for Chaplin (1992). Since then he scored the controversial Indecent Proposal (1993), My Life (1993), Deception (1992), Cry, the Beloved Country (1995) and has made compilation albums for Sony (Moviola and Moviola II) and non-soundtrack albums for Decca ('The Beyondness Of Things' & 'Eternal Echoes').
In the late nineties he made a staggeringly successful return to the concert arena, playing to sell-out audiences at the Royal Albert Hall. Since then he has appeared as a guest conductor at a RAH concert celebrating the life and career of Elizabeth Taylor and made brief appearances at a couple of London concerts dedicated to his music. In 2004 he re-united with Don Black to write his fifth stage musical, Brighton Rock, which enjoyed a limited run at The Almeida Theatre in London.
He continued to appear at concerts of his own music, often making brief appearances at the podium. In November 2007, Christine Albanel, the French Minister for Culture, appointed him Commander in the National Order of Arts and Letters. The award was made at the eighth International Festival Music and Cinema, in Auxerre, France, when, in his honour, a concert of his music also took place.
In August 2008 he was working on a new album, provisionally entitled Seasons, which he has described as "a soundtrack of his life." A new biography, "John Barry: The Man with The Midas Touch", by Geoff Leonard, Pete Walker, and Gareth Bramley, was published in November 2008.
He died following a heart-attack on 30th January 2011, at his home in Oyster Bay, New York.1933 - 2011 (aged 77)
OSCARS:
Wins:
Best Original Score - Born Free (1966)
Best Original Song - Born Free (1966), "Born Free"
Best Original Score - The Lion in Winter (1968)
Best Original Score - Out of Africa (1985)
Best Original Score - Dances with Wolves (1990)
Nominations:
Best Original Score - Mary, Queen of Scots (1971)
Best Original Score - Chaplin (1992)
RAZZIES:
Wins:
Worst Musical Score - The Legend of the Lone Ranger (1981)
Nominations:
Worst Original Song - The Legend of the Lone Ranger (1981), "The Man in the Mask"
Worst Original Song - Indecent Proposal (1993), "In All the Right Places"- Music Department
- Composer
- Writer
Dean Pitchford was born on 29 July 1951 in Honolulu, Hawaii, USA. He is a composer and writer, known for Fame (1980), Footloose (1984) and Chances Are (1989).1951 -
OSCARS:
Wins:
Best Original Song - Fame (1980), "Fame"
Nominations:
Best Original Song - Footloose (1984), "Footloose"
Best Original Song - Footloose (1984), "Let's Hear It for the Boy"
Best Original Song - Chances Are (1989), "After All"
RAZZIES:
Nominations:
Worst Original Song - The Legend of the Lone Ranger (1981), "The Man in the Mask"- Composer
- Soundtrack
- Music Department
Joe Renzetti a native of Philadelphia, PA., Interested in film composing, left for Hollywood and landed a gig doing the music for a new rock n' roll biopic, "The Buddy Holly Story."
There he taught the actors portraying Holly the Crickets to sing and play their instruments. They were then filmed performing live on camera, which was a first for a movie. Joe Renzetti won an Academy Award for "Best Adaptation Score" for "The Buddy Holly Story."
He worked with Anne Bancroft and Mel Brooks on the film "Fatso" featuring Dom DeLuise.
He scored the original "Child's Play," written and directed by Tom Holland, and did a cable series by Tom for FearNet called "Twisted Tails."
Joe Renzetti has collaborated with director Gary Sherman on : "Poltergeist III," "Dead & Buried," "Vice Squad," "Wanted: Dead or Alive," and the TV series "Missing Persons."
Joe supplied the scores for "Frankenhooker" and both "Basket Case 2&3."1941 -
OSCARS:
Wins:
Best Original Score - The Buddy Holly Story (1978)
RAZZIES:
Nominations:
Worst Musical Score - Under the Rainbow (1981)- Music Department
- Composer
- Soundtrack
Ian Fraser was born on 23 August 1933 in Hove, East Sussex, England, UK. He was a composer, known for Scrooge (1970), The Secret of NIMH (1982) and Zorro: The Gay Blade (1981). He was married to Judee Morton. He died on 31 October 2014 in Los Angeles, California, USA.1933 - 2014 (aged 81)
OSCARS:
Nominations:
Best Original Score - Scrooge (1970)
RAZZIES:
Nominations:
Worst Musical Score - Zorro: The Gay Blade (1981)- Writer
- Producer
- Director
Blake Edwards' stepfather's father J. Gordon Edwards was a silent screen director, and his stepfather Jack McEdward was a stage director and movie production manager. Blake acted in a number films, beginning with Ten Gentlemen from West Point (1942) and wrote a number of others, beginning with Panhandle (1948) and including six for director Richard Quine. He created the popular TV series Peter Gunn (1958), Mr. Lucky (1959) and Dante (1960). He directed a diverse body of films, from comedies to dramas to war films to westerns, including such pictures as Operation Petticoat (1959), Breakfast at Tiffany's (1961), Experiment in Terror (1962), Days of Wine and Roses (1962), The Pink Panther (1963) and A Shot in the Dark (1964). After The Great Race (1965) he began fighting with studios. In England he surfaced again with The Return of the Pink Panther (1975), then went back to Hollywood and a real hit, 10 (1979). Victor/Victoria (1982) won him French and Italian awards for Best Foreign Film.1922 - 2010 (aged 88)
OSCARS:
Wins:
Academy Honorary Award (2003)
Nominations:
Best Adapted Screenplay - Victor/Victoria (1982)
RAZZIES:
Wins:
Worst Director - Sunset (1988)
Nominations:
Worst Director - S.O.B. (1981)
Worst Screenplay - S.O.B. (1981)- Producer
- Additional Crew
Soon after World War II he started selling Red Ryder radio scripts written by his Shakespeare professor at Rutgers university. He was soon handling literary talent such as Raymond Chandler and Ben Hecht. He later joined Famous Artists Agency representing Lana Turner, Kirk Douglas, Richard Burton and many others. He resigned in '57 to form Seven Arts Productions with Elliot Hyman and supervised over 50 films including 'Night of the Iguana'and 'Reflections in a Golden Eye'.In 1966 he formed Rastar Productions to produce film versions of Broadway plays such as 'Funny Girl', winning an Oscar nomination for Best Picture, 'The Way We Were', 'Sunshine Boys', 'California Suite' and 'Robin and Marion'.1915 - 2004 (aged 88)
OSCARS:
Wins:
Irving G. Thalberg Memorial Award (1979)
Nominations:
Best Picture - Funny Girl (1968)
Best Picture - The Goodbye Girl (1977)
RAZZIES:
Nominations:
Worst Picture - Annie (1982)- Writer
- Producer
- Additional Crew
Albert Stotland Ruddy is a Canadian-American film and television producer. He is known for producing The Godfather (1972) and Million Dollar Baby (2004), both of which won him the Academy Award for Best Picture, as well as co-creating the CBS sitcom Hogan's Heroes (1965 - 1971). Albert was born to Ruth (ne Ruddy) and Hy Stotland, a Jewish family in Montreal, and raised in New York City and in Miami Beach, Florida, by his mother, Ruth Ruddy Hertz. Ruddy attended Brooklyn Technical High School before earning a scholarship to allow him to study chemical engineering at City College of New York. In 1956, he graduated from the School of Architecture at the University of Southern California.1930 -
OSCARS:
Wins:
Best Picture - The Godfather (1972)
Best Picture - Million Dollar Baby (2004)
RAZZIES:
Nominations:
Worst Picture - Megaforce (1982)
Worst Picture - Cannonball Run II (1984)
Worst Screenplay - Cannonball Run II (1984)- Director
- Writer
- Producer
A former salesman and journalist, Ken Annakin got into the film industry making documentary shorts. His feature debut, Holiday Camp (1947), was a comedy about a Cockney family on vacation. It was made for the Rank Organization and was a modest success, spawning three sequels, all of which he directed. He worked steadily thereafter, mainly in light comedies. One of his more atypical films was the dark thriller Across the Bridge (1957), based on a Graham Greene story about a wealthy businessman who embezzles a million dollars from his company, kills a man who resembles him and steals his identity so he can escape to Mexico. It boasted an acclaimed performance by Rod Steiger as the villain and a distinct "noir" feel to it, unlike anything Annakin had done before (or, for that matter, since).
In the 1960s he was one of several British directors--e.g., Guy Green, John Guillermin--who specialized in turning out all-star, splashy, big-budget European/American co-productions, shot on the Continent. He was one of the directors of the epic World War II spectacle The Longest Day (1962) and went solo on Battle of the Bulge (1965), both of which were financial--if not exactly critical--successes. He also directed Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965), which was less successful. His final film was Genghis Khan: The Story of a Lifetime, a film that was started in 1992 under Annakin's direction but never completed. In 2009 it was restarted again and Annakin was hired to assemble the existing footage for release, but died before completing the job. Italian director Antonio Margheriti finished up and the film was released in 2010.1914 - 2009 (aged 94)
OSCARS:
Nominations:
Best Original Screenplay - Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965)
RAZZIES:
Wins:
Worst Director - The Pirate Movie (1982)- Actor
- Director
- Writer
An eccentric rebel of epic proportions, this Hollywood titan reigned supreme as director, screenwriter and character actor in a career that endured over five decades. The ten-time Oscar-nominated legend was born John Marcellus Huston in Nevada, Missouri, on August 5, 1906. His ancestry was English, Scottish, Scots-Irish, distant German and very remote Portuguese. The age-old story goes that the small town of his birth was won by John's grandfather in a poker game. John's father was the equally magnanimous character actor Walter Huston, and his mother, Rhea Gore, was a newspaperwoman who traveled around the country looking for stories. The only child of the couple, John began performing on stage with his vaudevillian father at age 3. Upon his parents' divorce at age 7, the young boy would take turns traveling around the vaudeville circuit with his father and the country with his mother on reporting excursions. A frail and sickly child, he was once placed in a sanitarium due to both an enlarged heart and kidney ailment. Making a miraculous recovery, he quit school at age 14 to become a full-fledged boxer and eventually won the Amateur Lightweight Boxing Championship of California, winning 22 of 25 bouts. His trademark broken nose was the result of that robust activity.
John married his high school sweetheart, Dorothy Harvey, and also took his first professional stage bow with a leading role off-Broadway entitled "The Triumph of the Egg." He made his Broadway debut that same year with "Ruint" on April 7, 1925, and followed that with another Broadway show "Adam Solitaire" the following November. John soon grew restless with the confines of both his marriage and acting and abandoned both, taking a sojourn to Mexico where he became an officer in the cavalry and expert horseman while writing plays on the sly. Trying to control his wanderlust urges, he subsequently returned to America and attempted newspaper and magazine reporting work in New York by submitting short stories. He was even hired at one point by mogul Samuel Goldwyn Jr. as a screenwriter, but again he grew restless. During this time he also appeared unbilled in a few obligatory films. By 1932 John was on the move again and left for London and Paris where he studied painting and sketching. The promising artist became a homeless beggar during one harrowing point.
Returning again to America in 1933, he played the title role in a production of "Abraham Lincoln," only a few years after father Walter portrayed the part on film for D.W. Griffith. John made a new resolve to hone in on his obvious writing skills and began collaborating on a few scripts for Warner Brothers. He also married again. Warners was so impressed with his talents that he was signed on as both screenwriter and director for the Dashiell Hammett mystery yarn The Maltese Falcon (1941). The movie classic made a superstar out of Humphrey Bogart and is considered by critics and audiences alike--- 65 years after the fact--- to be the greatest detective film ever made. In the meantime John wrote/staged a couple of Broadway plays, and in the aftermath of his mammoth screen success directed bad-girl 'Bette Davis (I)' and good girl Olivia de Havilland in the film melodrama In This Our Life (1942), and three of his "Falcon" stars (Bogart, Mary Astor and Sydney Greenstreet) in the romantic war picture Across the Pacific (1942). During WWII John served as a Signal Corps lieutenant and went on to helm a number of film documentaries for the U.S. government including the controversial Let There Be Light (1980), which father Walter narrated. The end of WWII also saw the end of his second marriage. He married third wife Evelyn Keyes, of "Gone With the Wind" fame, in 1946 but it too lasted a relatively short time. That same year the impulsive and always unpredictable Huston directed Jean-Paul Sartre's experimental play "No Exit" on Broadway. The show was a box-office bust (running less than a month) but nevertheless earned the New York Drama Critics Award as "best foreign play."
Hollywood glory came to him again in association with Bogart and Warner Brothers'. The Treasure of the Sierra Madre (1948), a classic tale of gold, greed and man's inhumanity to man set in Mexico, won John Oscars for both director and screenplay and his father nabbed the "Best Supporting Actor" trophy. John can be glimpsed at the beginning of the movie in a cameo playing a tourist, but he wouldn't act again on film for a decade and a half. With the momentum in his favor, John hung around in Hollywood this time to write and/or direct some of the finest American cinema made including Key Largo (1948) and The African Queen (1951) (both with Bogart), The Asphalt Jungle (1950), The Red Badge of Courage (1951) and Moulin Rouge (1952). Later films, including Moby Dick (1956), The Unforgiven (1960), The Misfits (1961), Freud (1962), The Night of the Iguana (1964) and The Bible in the Beginning... (1966) were, for the most part, well-regarded but certainly not close to the level of his earlier revered work. He also experimented behind-the-camera with color effects and approached topics that most others would not even broach, including homosexuality and psychoanalysis.
An ardent supporter of human rights, he, along with director William Wyler and others, dared to form the Committee for the First Amendment in 1947, which strove to undermine the House Un-American Activities Committee. Disgusted by the Hollywood blacklisting that was killing the careers of many talented folk, he moved to St. Clerans in Ireland and became a citizen there along with his fourth wife, ballet dancer Enrica (Ricki) Soma. The couple had two children, including daughter Anjelica Huston who went on to have an enviable Hollywood career of her own. Huston and wife Ricki split after a son (director Danny Huston) was born to another actress in 1962. They did not divorce, however, and remained estranged until her sudden death in 1969 in a car accident. John subsequently adopted his late wife's child from another union. The ever-impulsive Huston would move yet again to Mexico where he married (1972) and divorced (1977) his fifth and final wife, Celeste Shane.
Huston returned to acting auspiciously with a major role in Otto Preminger's epic film The Cardinal (1963) for which Huston received an Oscar nomination at age 57. From that time forward, he would be glimpsed here and there in a number of colorful, baggy-eyed character roles in both good and bad (some positively abysmal) films that, at the very least, helped finance his passion projects. The former list included outstanding roles in Chinatown (1974) and The Wind and the Lion (1975), while the latter comprised of hammy parts in such awful drek as Candy (1968) and Myra Breckinridge (1970).
Directing daughter Angelica in her inauspicious movie debut, the thoroughly mediocre A Walk with Love and Death (1969), John made up for it 15 years later by directing her to Oscar glory in the mob tale Prizzi's Honor (1985). In the 1970s Huston resurged as a director of quality films with Fat City (1972), The Man Who Would Be King (1975) and Wise Blood (1979). He ended his career on a high note with Under the Volcano (1984), the afore-mentioned Prizzi's Honor (1985) and The Dead (1987). His only certifiable misfire during that era was the elephantine musical version of Annie (1982), though it later became somewhat of a cult favorite among children.
Huston lived the macho, outdoors life, unencumbered by convention or restrictions, and is often compared in style or flamboyancy to an Ernest Hemingway or Orson Welles. He was, in fact, the source of inspiration for Clint Eastwood in the helming of the film White Hunter Black Heart (1990) which chronicled the making of "The African Queen." Illness robbed Huston of a good portion of his twilight years with chronic emphysema the main culprit. As always, however, he continued to work tirelessly while hooked up to an oxygen machine if need be. At the end, the living legend was shooting an acting cameo in the film Mr. North (1988) for his son Danny, making his directorial bow at the time. John became seriously ill with pneumonia and died while on location at the age of 81. This maverick of a man's man who was once called "the eccentric's eccentric" by Paul Newman, left an incredibly rich legacy of work to be enjoyed by film lovers for centuries to come.1906 - 1987 (aged 81)
OSCARS:
Wins:
Best Director - The Treasure of the Sierra Madre (1948)
Best Adapted Screenplay - The Treasure of the Sierra Madre (1948)
Nominations:
Best Original Screenplay - Dr. Ehrlich's Magic Bullet (1940)
Best Adapted Screenplay - The Maltese Falcon (1941)
Best Director - The Asphalt Jungle (1950)
Best Adapted Screenplay - The Asphalt Jungle (1950)
Best Director - The African Queen (1951)
Best Adapted Screenplay - The African Queen (1951)
Best Picture - Moulin Rouge (1952)
Best Director - Moulin Rouge (1952)
Best Adapted Screenplay - Heaven Knows, Mr. Allison (1957)
Best Supporting Actor - The Cardinal (1963)
Best Adapted Screenplay - The Man Who Would Be King (1975)
Best Director - Prizzi's Honor (1985)
RAZZIES:
Nominations:
Worst Director - Annie (1982)- Actress
- Producer
- Director
Mary Tyler Moore was born in Flatbush, Brooklyn, on December 29, 1936. Moore's family relocated to California when she was eight. Her childhood was troubled, due in part to her mother's alcoholism. The eldest of three siblings, she attended a Catholic high school and married upon her graduation, in 1955. Her only child, Richard Meeker Jr., was born soon after.
A dancer at first, Moore's first break in show business was in 1955, as a dancing kitchen appliance - Happy Hotpoint, the Hotpoint Appliance elf, in commercials generally broadcast during the popular sitcom The Adventures of Ozzie and Harriet (1952). She then shifted from dancing to acting and work soon came, at first a number of guest roles on television series, but eventually a recurring role as Sam, Richard Diamond's sultry answering service girl, on Richard Diamond, Private Detective (1956), her performance being particularly notorious because her legs (usually dangling a pump on her toe) were shown instead of her face.
Although these early roles often took advantage of her willowy charms (in particular, her famously-beautiful dancer's legs), Moore's career soon took a more substantive turn as she was cast in two of the most highly regarded comedies in television history, which would air first-run for most of the '60s and '70s. In the first of these, The Dick Van Dyke Show (1961), Moore played Laura Petrie, the charmingly loopy wife of star Dick Van Dyke. The show became famous for its very clever writing and terrific comic ensemble - Moore and her fellow performers received multiple Emmy Awards for their work. Meanwhile, she had divorced her first husband, and married advertising man (and, later, network executive) Grant Tinker.
After the end of The Dick Van Dyke Show (1961), Moore focused on movie-making, co-starring in five between the end of the sitcom and the start of The Mary Tyler Moore Show (1970), including Thoroughly Modern Millie (1967), in which she plays a ditsy aspiring actress, and an inane Elvis Presley vehicle, Change of Habit (1969), in which she plays a nun-to-be and love interest for Presley. Also included in this mixed bag of films was a first-rate television movie, Run a Crooked Mile (1969), which was an early showcase for Moore's considerable talent at dramatic acting.
After trying her hand at movies for a few years, Moore decided, rather reluctantly, to return to television, but on her terms. The result was The Mary Tyler Moore Show (1970), which was produced by MTM Enterprises, a company she had formed with Tinker, and which later went on to produce scores of other television series. Moore starred as Mary Richards, who moves to Minneapolis on the heels of a failed relationship. Mary finds work at the newsroom of WJM-TV, whose news program is the lowest-rated in the city, and establishes fast friendships with her colleagues and her neighbors. The sitcom was a commercial and critical success and for years was a fixture of CBS television's unbeatable Saturday night line-up. Moore and Tinker were determined from the start to make the sitcom a cut above the average, and it certainly was - instead of going for a barrage of gags, the humor took longer to develop and arose out of the interaction between the characters in more realistic situations. This was also one of the earliest television portrayals of a woman who was happy and successful on her own rather than simply being a man's wife. The Mary Tyler Moore Show (1970) is generally included amongst the finest television series ever produced in America.
Moore ended the sitcom in 1977, while it was still on a high point, but found it difficult to flee the beloved Mary Richards persona - her subsequent attempts at television series, variety programs, and specials (such as the mortifying disco-era Mary's Incredible Dream (1976)) usually failed, but even her dramatic work, which is generally excellent, fell under the shadow of Mary Richards. With time, however, her body of dramatic acting came to be recognized on its own, with such memorable work as in Ordinary People (1980), as an aloof WASP mother who not-so-secretly resents her younger son's survival; in Finnegan Begin Again (1985), as a middle-aged widow who finds love with a man whose wife is slowly slipping away, in Lincoln (1988), as the troubled Mary Todd Lincoln, and in Stolen Babies (1993), as an infamous baby smuggler (for which she won her sixth Emmy Award). She also inspired a new appreciation for her famed comic talents in Flirting with Disaster (1996), in which she is hilarious as the resentful adoptive mother of a son who is seeking his birth parents. Moore also acted on Broadway, and she won a Tony Award for her performance in "Whose Life Is It Anyway?"
Widely acknowledged as being much tougher and more high-strung than her iconic image would suggest, Moore had a life with more than the normal share of ups and downs. Both of her siblings predeceased her, her sister Elizabeth of a drug overdose in 1978 and her brother John of cancer in 1991 after a failed attempt at assisted suicide, Moore having been the assistant. Moore's troubled son Richie shot and killed himself in what was officially ruled an accident in 1980. Moore was diagnosed an insulin-dependent diabetic in 1969, and had a bout with alcoholism in the early 1980s. Divorced from Tinker in 1981 after repeated separations and reconciliations, she married physician Robert Levine in 1983. The union with Levine proved to be Moore's longest run in matrimony and her only marriage not to end in divorce. Despite the opening credits of The Mary Tyler Moore Show (1970), in which she throws a package of meat into her shopping cart, Moore was a vegetarian and a proponent of animal rights. She was an active spokesperson for both diabetes issues and animal rights.
On January 25, 2017, Mary Tyler Moore died at age 80 at Greenwich Hospital in Greenwich, Connecticut, from cardiopulmonary arrest complicated by pneumonia after having been placed on a respirator the previous week. She was laid to rest during a private ceremony at Oak Lawn Cemetery in Fairfield, Connecticut.1936 - 2017 (aged 80)
OSCARS:
Nominations:
Best Actress - Ordinary People (1980)
RAZZIES:
Nominations:
Worst Actress - Six Weeks (1982)- Actor
- Writer
- Director
His father, Richard Head Welles, was a well-to-do inventor, his mother, Beatrice (Ives) Welles, a beautiful concert pianist; Orson Welles was gifted in many arts (magic, piano, painting) as a child. When his mother died in 1924 (when he was nine) he traveled the world with his father. He was orphaned at 15 after his father's death in 1930 and became the ward of Dr. Maurice Bernstein of Chicago. In 1931, he graduated from the Todd School in Woodstock, Illinois. He turned down college offers for a sketching tour of Ireland. He tried unsuccessfully to enter the London and Broadway stages, traveling some more in Morocco and Spain, where he fought in the bullring.
Recommendations by Thornton Wilder and Alexander Woollcott got him into Katharine Cornell's road company, with which he made his New York debut as Tybalt in 1934. The same year, he married, directed his first short, and appeared on radio for the first time. He began working with John Houseman and formed the Mercury Theatre with him in 1937. In 1938, they produced "The Mercury Theatre on the Air", famous for its broadcast version of "The War of the Worlds" (intended as a Halloween prank). His first film to be seen by the public was Citizen Kane (1941), a commercial failure losing RKO $150,000, but regarded by many as the best film ever made. Many of his subsequent films were commercial failures and he exiled himself to Europe in 1948.
In 1956, he directed Touch of Evil (1958); it failed in the United States but won a prize at the 1958 Brussels World's Fair. In 1975, in spite of all his box-office failures, he received the American Film Institute's Lifetime Achievement Award, and in 1984, the Directors Guild of America awarded him its highest honor, the D.W. Griffith Award. His reputation as a filmmaker steadily climbed thereafter.1915 - 1985 (aged 70)
OSCARS:
Wins:
Best Original Screenplay - Citizen Kane (1941)
Academy Honorary Award (1970)
Nominations:
Best Director - Citizen Kane (1941)
Best Actor - Citizen Kane (1941)
RAZZIES:
Nominations:
Worst Supporting Actor - Butterfly (1981)- Actress
- Writer
- Producer
Dyan Cannon is the first woman in the history of the Motion Picture Academy to be nominated for Oscars both in front of and behind the camera. Her diligence and determination have been rewarded by many prestigious honors.
She received her first Academy Award nomination for her memorable role as Alice in Bob & Carol & Ted & Alice (1969), opposite Natalie Wood and directed by Paul Mazursky. For her performance, she garnered the coveted New York Film Critics Award.
Dyan received her second Academy Award nomination in the category of Best Live Action Short for writing and directing the 48-minute film, Number One (1976), which she also produced, edited and scored. The New York Times commended the film as one of the best movies ever made concerning children's development.
She received her third Academy Award nomination for her comedic role as Julia Farnsworth, opposite Warren Beatty, in Heaven Can Wait (1978), for which she won the Golden Globe Award from the Hollywood Foreign Press Association. Later that year, she portrayed Sally Stanford in the Emmy Award-nominated biopic Lady of the House (1978) and starred in another comedy hit, Revenge of the Pink Panther (1978), opposite Peter Sellers and directed by Blake Edwards, and was named Female Star of the Year by the Hollywood Women's Press Club.
As the singular force behind the motion picture The End of Innocence (1990), Dyan undertook a triumvirate of tasks as writer, director and star. Dyan's work received amazing reviews from the Los Angeles Times and the New York Times.
Dyan has co-starred on two outstanding prime-time television shows. For several years, she brought her own brand of humor, class and sexiness to the role of Whipper Cone on the Emmy Award-winning series Ally McBeal (1997). She then starred as the vivacious and free-spirited Honey Bernstein-Flynn on NBC's comedy series Three Sisters (2001).
Her filmography is vast and includes TNT's remake of the Warner Bros. classic Christmas in Connecticut (1992), directed by Arnold Schwarzenegger; Author! Author! (1982) opposite Al Pacino; The Last of Sheila (1973), directed by Herbert Ross; two films directed by Sidney Lumet: Deathtrap (1982), co-starring Michael Caine and Christopher Reeve, and The Anderson Tapes (1971), starring Sean Connery; an adaptation of Jacqueline Susann's The Love Machine (1971); Such Good Friends (1971), directed by Otto Preminger; and Honeysuckle Rose (1980), in which she played Willie Nelson's wife and made her debut as a country music singer. She has starred on Broadway and in her own musical stage act at Caesar's Palace in Las Vegas and Harrah's in Lake Tahoe. Dyan co-wrote the title song for Chaka Khan's album, The Woman I Am, with Brenda Russell.
Dyan wanted to take time off from her acting career to write. During the next nine years, she not only collaborated on a Broadway musical, but wrote her memoir, "Dear Cary," which was on the New York Times best seller list three different times spanning four years. A miniseries adaptation of the book, Archie (2023), starring Jason Isaacs and created by Jeff Pope, premiered on ITV and is available for streaming on Amazon Prime Video.
Dyan is recognized as an exceptional motivational speaker for prominent associations and corporations. Children are her passion and most of her work centers around the care and welfare of kids. She is the national spokesperson for the Hemangioma Treatment Foundation, an organization that provides treatment to children all over the world who are afflicted with vascular birthmarks. She is the international executive spokesperson for Operation Lookout, an organization dedicated to recovering missing and exploited children who have been kidnapped from their homes, schools, etc. She has also been national spokesperson for Martin Colette's Wildlife Waystation, an international refuge that rescues and rehabilitates wild and exotic animals, as well as national spokesperson for Big Brothers and Big Sisters of America
In addition, she devotes time and energy to several other charitable organizations such as California's Special Olympics for physically and mentally challenged athletes and also works with recovering addicts weekly.
Dyan is a permanent fixture at the Los Angeles Lakers basketball games.1937 -
OSCARS:
Nominations:
Best Supporting Actress - Bob & Carol & Ted & Alice (1969)
Best Live Action Short Film - Number One (1976)
Best Supporting Actress - Heaven Can Wait (1978)
RAZZIES:
Nominations:
Worst Supporting Actress - Deathtrap (1982)- Music Department
- Composer
- Actor
Dave Grusin was born on 26 June 1934 in Littleton, Colorado, USA. He is a composer and actor, known for The Fabulous Baker Boys (1989), The Firm (1993) and The Graduate (1967). He was previously married to Edith Ruth Price, Sara Jane Tallman and Barbara Jo Davidson.1934 -
OSCARS:
Wins:
Best Original Score - The Milagro Beanfield War (1988)
Nominations:
Best Original Score - Heaven Can Wait (1978)
Best Original Score - The Champ (1979)
Best Original Score - On Golden Pond (1981)
Best Original Song - Tootsie (1982), "It Might Be You"
Best Original Score - The Fabulous Baker Boys (1989)
Best Original Score - Havana (1990)
Best Original Score - The Firm (1993)
RAZZIES:
Nominations:
Worst Original Song - Author! Author! (1982), "Comin' Home to You"- Composer
- Music Department
- Actor
A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialized in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for A Fistful of Dollars (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionized the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies - making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvo's The Battle of Algiers (1966) , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's The Hawks and the Sparrows (1966).1928 - 2020 (aged 91)
OSCARS:
Wins:
Academy Honorary Award (2006)
Best Original Score - The Hateful Eight (2015)
Nominations:
Best Original Score - Days of Heaven (1978)
Best Original Score - The Mission (1986)
Best Original Score - The Untouchables (1987)
Best Original Score - Bugsy (1991)
Best Original Score - Malena (2000)
RAZZIES:
Nominations:
Worst Original Song - Butterfly (1981), "It's Wrong for Me to Love You"
Worst Musical Score - Butterfly (1981)
Worst Musical Score - The Thing (1982)- Music Department
- Actress
- Composer
Singer/songwriter Carol Connors was born as Annette Kleinbard on November 13, 1941 in New Brunswick, New Jersey. Carol began her singing career while still in high school. She was the lead singer of the pop vocal trio The Teddy Bears, who had a number one hit song in 1958 with the lovely pop ballad "To Know Him is to Love Him". Phil Spector specifically wrote the song to showcase Connors' voice. Carol holds the distinction of being the only woman to co-write a hit hot-rod song; she penned "Hey Little Cobra" for The Rip Chords. Connors also co-wrote the sole yuletide hot-rod song "Santa's Got a Cobra" for The Rip Chords. Carol's favorite song that she's written is "With You I'm Born Again", a 1980 hit duet with Billy Preston and Syreeta Wright. Among the songs Connors recorded throughout the 60s are "Go Go G.T.O" (a delightful duet with her sister Cheryl), "Yum Yum Yamaha" and "A Swingin' Summer". Carol is perhaps best known for co-writing "Gonna Fly Now", the rousing Oscar-nominated theme for the hit movie Rocky (1976). Other films Connors has made soundtrack contributions to are Butterfly (1981), Fade to Black (1980), The Earthling (1980), Looking for Mr. Goodbar (1977), The Rescuers (1977) and Orca (1977). Moreover, Carol co-wrote the themes for the TV shows Lifestyles of the Rich and Famous (1984) and Star Search (1983). Connors has performed the national anthem at numerous prestigious events throughout the years. In addition, Carol Connors has been involved in many charities: she's not only a board member of both the Connie Stevens CES Foundation and the Friars Charitable Foundation, but also has been a celebrity ambassador for Childhelp USA since 2001.1941 -
OSCARS:
Nominations:
Best Original Song - Rocky (1976), "Gonna Fly Now"
Best Original Song - The Rescuers (1977), "Someone's Waiting for You"
RAZZIES:
Nominations:
Worst Original Song - Butterfly (1981), "It's Wrong for Me to Love You"- Music Department
- Composer
- Actor
As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...
Born in Flushing, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.
He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.
Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.
The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).
During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.
E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Lester Holt (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).
Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.
In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.1932 -
OSCARS:
Wins:
Best Original Score - Fiddler on the Roof (1971)
Best Original Score - Jaws (1975)
Best Original Score - Star Wars: Episode IV - A New Hope (1977)
Best Original Score - E.T. the Extra-Terrestrial (1982)
Best Original Score - Schindler's List (1993)
Nominations:
Best Original Score - Valley of the Dolls (1967)
Best Original Score - Goodbye, Mr. Chips (1969)
Best Original Score - The Reivers (1969)
Best Original Score - Images (1972)
Best Original Score - The Poseidon Adventure (1972)
Best Original Score - Cinderella Liberty (1973)
Best Original Score - Tom Sawyer (1973)
Best Original Song - Cinderella Liberty (1973), "Nice to Be Around"
Best Original Score - The Towering Inferno (1974)
Best Original Score - Close Encounters of the Third Kind (1977)
Best Original Score - Superman (1978)
Best Original Score - Star Wars: Episode V - The Empire Strikes Back (1980)
Best Original Score - Raiders of the Lost Ark (1981)
Best Original Song - Yes, Giorgio (1982), "If We Were in Love"
Best Original Score - Star Wars: Episode VI - Return of the Jedi (1983)
Best Original Score - Indiana Jones and the Temple of Doom (1984)
Best Original Score - The River (1984)
Best Original Score - Empire of the Sun (1987)
Best Original Score - The Witches of Eastwick (1987)
Best Original Score - The Accidental Tourist (1988)
Best Original Score - Born on the Fourth of July (1989)
Best Original Score - Indiana Jones and the Last Crusade (1989)
Best Original Score - Home Alone (1990)
Best Original Song - Home Alone (1990), "Somewhere in My Memory"
Best Original Score - JFK (1991)
Best Original Song - Hook (1991), "When You're Alone"
Best Original Score - Nixon (1995)
Best Original Score - Sabrina (1995)
Best Original Song - Sabrina (1995), "Moonlight"
Best Original Score - Sleepers (1996)
Best Original Score - Amistad (1997)
Best Original Score - Saving Private Ryan (1998)
Best Original Score - Angela's Ashes (1999)
Best Original Score - The Patriot (2000)
Best Original Score - A.I. Artificial Intelligence (2001)
Best Original Score - Harry Potter and the Sorcerer's Stone (2001)
Best Original Score - Catch Me If You Can (2002)
Best Original Score - Harry Potter and the Prisoner of Azkaban (2004)
Best Original Score - Memoirs of a Geisha (2005)
Best Original Score - Munich (2005)
Best Original Score - The Adventures of Tintin (2011)
Best Original Score - War Horse (2011)
Best Original Score - Lincoln (2012)
Best Original Score - The Book Thief (2013)
Best Original Score - Star Wars: Episode VII - The Force Awakens (2015)
Best Original Score - Star Wars: Episode VIII - The Last Jedi (2017)
Best Original Score - Star Wars: Episode IX - The Rise of Skywalker (2019)
Best Original Score - The Fabelmans (2022)
Best Original Score - Indiana Jones and the Dial of Destiny (2023)
RAZZIES:
Nominations:
Worst Musical Score - Monsignor (1982)- Writer
- Producer
- Director
A graduate of New York's Columbia School of Journalism, Irwin Allen was a magazine editor, the producer/director of a radio show and the owner of an advertising agency before entering film production in the 1950s. His documentary, The Sea Around Us (1953), won an Academy Award. A successful TV series producer (The Time Tunnel (1966), Lost in Space (1965)), Allen was nicknamed "The Master of Disaster" in the 1970s due to the tremendous success of his two special effects-laden epics, The Poseidon Adventure (1972) and The Towering Inferno (1974).1916 - 1991 (aged 75)
OSCARS:
Wins:
Best Documentary Feature - The Sea Around Us (1953)
Nominations:
Best Picture - The Towering Inferno (1974)
RAZZIES:
Wins:
Worst Career Achievement Award (1982)- Actress
- Producer
- Music Department
Naturally brunette/blue-eyed beauty Amy Davis Irving was born in Palo Alto, California. She is the youngest of three children, and the daughter of influential theatrical/television director and producer Jules Irving, and actress Priscilla Pointer. Her father was of Russian Jewish descent, and her mother's ancestry includes English, Scots-Irish, Welsh, Jewish, and German.
Amy was brought up in the world of theater. She was put on stage from the time she was nine-months-old, her father was the director and her mother was the actress, they didn't want baby sitters for their children, so if she wasn't performing, she would stay in the wardrobe department or her mother used to put her in the second row center where she could watch her. And, before she was 10-years-old, she had already worked in several plays. At a young age, Amy Irving was trained at the American Conservatory Theater and Britain's London Academy of Music and Dramatic Arts (L.A.M.A.D.A.). She made her off-Broadway debut at the age of 17 and, from that moment to date, she received critical acclaim, appearing in such plays as: "Heartbreak House" (1983), "The Road to Mecca" (1988), "Broken Glass" (1994), "The Three Sisters" (1997), "The Guys" (2002), "Ghosts" (2002) and "Celadine" (2004), among others.
In 1976, Amy made her film debut, playing "Sue Snell", one of her most unforgettable characters in Stephen King's Carrie (1976), a classic in the horror genre, taken to the big screen by director Brian De Palma. For the next few years, Irving continued working in important films, The Fury (1978), also directed by De Palma, Voices (1979) and The Competition (1980). Later, in 1983, she gave a fine performance as "Hadass", in Barbra Streisand's Yentl (1983); earning an Oscar nomination. Two of her best opportunities arrived in the late 80s, when she played "Anna Anderson" in Anastasia: The Mystery of Anna (1986) and "Isabelle Grossman" in the romantic comedy, Crossing Delancey (1988); she received a Golden Globe nomination for each movie.
Amy was married to director Steven Spielberg from 1985 to 1989 and she has a son with him, Max Spielberg. And, in 1990, after her divorce, she met Brazilian director Bruno Barreto while they were working on A Show of Force (1990). They wed a few years later and they have a son (Gabriel). In 1997, Irving made a guest appearance on Woody Allen's Deconstructing Harry (1997) and, in 1999, she came back in the sequel of Carrie (1976), The Rage: Carrie 2 (1999).
Unfortunately, her film opportunities narrowed in the 90s. However, in the year 2000, she surprised the whole world again when she performed as "Mary Ann Simpson", a very funny and sensual, at the same time, English teacher in the film, Bossa Nova (2000). She managed to capture this peculiar character very well. After this romantic comedy, Amy had a great opportunity, playing "Barbara Wakefield", Michael Douglas' wife in Traffic (2000), the film was a huge success and she won an Actor Award, shared with the rest of the cast. Then, this beautiful and talented actress continued working in remarkable films such as 13 Conversations About One Thing (2001), with her Carrie (1976) co-star, Sissy Spacek, in the Walt Disney production, Tuck Everlasting (2002) and in the horror film, Hide and Seek (2005), along with Robert De Niro. Recently, she had an important part as "Emily Sloane" in the very-known show, Alias (2001).
In addition to her talents as an actress, she is a great dancer and also showed off her vocal talents, singing in films such as Who Framed Roger Rabbit (1988), Honeysuckle Rose (1980), Rumpelstiltskin (1987) and An American Tail: Fievel Goes West (1991).
Nowadays, Amy Irving continues working on stage in Broadway productions and spends most of her time with her friends and family, especially with her two children.1953 -
OSCARS:
Nominations:
Best Supporting Actress - Yentl (1983)
RAZZIES:
Wins:
Worst Supporting Actress - Honeysuckle Rose (1980)
Nominations:
Worst Supporting Actress - Yentl (1983)- Cinematographer
- Director
- Camera and Electrical Department
Gordon Willis was an American cinematographer. He's best known for his work on Francis Ford Coppola's Godfather films, as well asWoody Allen's Annie Hall (1977) and Manhattan (1979).
His work on the first two Godfather films turned out to be groundbreaking in its use of low-light photography and underexposed film, as well as in his control of lighting and exposure to create the sepia tones that denoted period scenes in The Godfather Part II (1974).
In the seven-year period up to 1977, Willis was the director of photography on six films that received among them 39 Academy Award nominations, winning 19 times, including three awards for Best Picture. During this time he did not receive a single nomination for Best Cinematography.
He directed one film of his own, Windows (1980). His last film as a cinematographer was The Devil's Own (1997), directed by Alan J. Pakula.
Willis died of cancer on May 18, 2014, ten days before his 83rd birthday, at the age of 82.1931 - 2014 (aged 82)
OSCARS:
Wins:
Academy Honorary Award (2009)
Nominations:
Best Cinematography - Zelig (1983)
Best Cinematography - The Godfather Part III (1990)
RAZZIES:
Nominations:
Worst Director - Windows (1980)- Producer
- Writer
- Director
Menahem Golan was born Menahem Globus to parents of Polish decent in Tiberias, Israel, in May 1929. In his early years, he was a pilot for the fledgling Israeli Air Force, changing his surname to Golan for patriotic reasons in 1948. A few years later, he took the first step towards his future career by attending the Old Vic Theatre School in London. After returning to Israel, he produced for theater, until joining producer Roger Corman as an assistant on The Young Racers (1963). Golan's debut film in partnership with his younger cousin Yoram Globus was El Dorado (1963). The two cousins set up Noah Films to produce for the Israeli market. Golan's role was as producer and the creative partner, with Globus as the financial expert. The company was first recognized overseas when its production Sallah Shabati (1964) won an Oscar nomination for Best Foreign Language Film and then won the Golden Globe in the same category in 1965. However, the cousins were desperate to break into the international market. Some of their films had been picked up for distribution in America, such as Kazablan (1973) by MGM, but this was not enough.
In 1979 the pair bought control of a failing production company, The Cannon Group Inc., from Dennis Friedland and Christopher C. Dewey, and it was this company that gave them international renown. Under their control, the Cannon Group grew from a small company making a few obscure pictures a year to a studio that produced 35 pictures in 1987 alone. They developed a large, independent, and international empire, with production, distribution, and exhibition interests across Europe. Golan and Globus hit their peak with Cannon in the mid-1980s, signing Sylvester Stallone for a record US$13 million in 1983 for Over the Top (1987) and purchasing the UK's Thorn-EMI Screen Entertainment in 1986. This last deal led to their ownership of the ABC cinema circuit and Elstree Studios in Britain. However, by 1987, the money was starting to run out. Many of their movies were not making enough at the box office despite the cousins' wide cinema ownership, and they had taken on a lot of debt during their rapid growth, making more expensive pictures in the process. They were initially rescued by Warner Bros., which took distribution rights to Cannon's better films--for example, Superman IV: The Quest for Peace (1987), based on a character that Warner already owned--and also took an interest in some of its assets. The end of Cannon came in 1989 when, virtually bankrupt, the company was bought by the now-disgraced financier Giancarlo Parretti and renamed Pathé Communications (after the new MGM-Pathé collapsed in 1992, Globus produced pictures with Christopher Pearce, which were released under a resurrected Cannon Pictures label. The last of these was American Cyborg: Steel Warrior (1993) before the company folded for good).
Golan fell out with Parretti and Globus, leaving Pathé, and starting 21st Century Pictures. He produced a number of films that received widespread distribution, such as Death Wish: The Face of Death (1994) and Captain America (1990), but by the mid-1990s this company had folded, too. Golan's name was later linked with other new companies, such as International Dynamic Pictures and Magic Entertainment, and he rejoined cousin Yoram for both. However, the two soon fell out again and went their separate ways, with Golan writing and directing for other producers in the interim. Golan's latest company is New Cannon Inc., and his recent works include Crime and Punishment (2002) and Return from India (2002). Unfortunately for his fans, it now seems unlikely that Golan will recreate the success of his heyday. Menahem Golan has long been criticized (sometimes unfairly) for an emphasis on quantity rather than quality. It's true that some of the movies he has produced have been laughable or unwatchable. However, now out of the limelight of a critical industry, some of his company's once-derided films have achieved cult status, such as Mona Lisa (1986), Godfrey Reggio's Powaqqatsi (1988), and the "Lemon Popsicle" series. Golan's ongoing drive, energy, and past contribution to the world of cinema will undoubtedly and belatedly be recognized for the achievement this represents.1929 - 2014 (aged 85)
OSCARS:
Nominations:
Best International Feature Film - Operation Thunderbolt (1977)
RAZZIES:
Nominations:
Worst Picture - Hercules (1983)
Worst Picture - Cobra (1986)
Worst Picture - Tough Guys Don't Dance (1987)- Art Director
- Production Designer
- Art Department
Joe Alves was born on 21 May 1936 in San Leandro, California, USA. He is an art director and production designer, known for Close Encounters of the Third Kind (1977), Jaws 3-D (1983) and Escape from New York (1981). He has been married to Jerri Lauridsen since 29 April 1990. They have two children.1936 -
OSCARS:
Nominations:
Best Production Design - Close Encounters of the Third Kind (1977)
RAZZIES:
Nominations:
Worst Director - Jaws 3-D (1983)- Actor
- Producer
- Music Department
John Joseph Travolta was born in Englewood, New Jersey, one of six children of Helen Travolta (née Helen Cecilia Burke) and Salvatore/Samuel J. Travolta. His father was of Italian descent and his mother was of Irish ancestry. His father owned a tire repair shop called Travolta Tires in Hillsdale, NJ. Travolta started acting appearing in a local production of "Who'll Save the Plowboy?". His mother, herself an actress and dancer, enrolled him in a drama school in New York, where he studied voice, dancing and acting. He decided to combine all three of these skills and become a musical comedy performer. At 16 he landed his first professional job in a summer stock production of the musical "Bye Bye Birdie". He quit school at 16 and moved to New York, and worked regularly in summer stock and on television commercials. When work became scarce in New York, he went to Hollywood and appeared in minor roles in several series. A role in the national touring company of the hit 1950s musical "Grease" brought him back to New York. An opening in the New York production of "Grease" gave him his first Broadway role at age 18. After "Grease", he became a member of the company of the Broadway show "Over Here", which starred The Andrews Sisters. After ten months in "Over Here", he decided to try Hollywood once again. Once back in Hollywood, he had little trouble getting roles in numerous television shows. He was seen on The Rookies (1972), Emergency! (1972) and Medical Center (1969) and also made a movie, The Devil's Rain (1975), which was shot in New Mexico. The day he returned to Hollywood from New Mexico, he was called to an audition for a new situation comedy series ABC was planning to produce called Welcome Back, Kotter (1975). He got the part of Vinnie Barbarino and the series went on the air during the 1975 fall season.
He starred in a number of monumental films, earning his first Oscar and Golden Globe nominations for his role in the blockbuster Saturday Night Fever (1977), which launched the disco phenomenon in the 1970s. He went on to star in the big-screen version of the long-running musical Grease (1978) and the wildly successful Urban Cowboy (1980), which also influenced trends in popular culture. Additional film credits include the Brian De Palma thrillers Carrie (1976) and Blow Out (1981), as well as Amy Heckerling's hit comedy Look Who's Talking (1989) and Nora Ephron's comic hit Michael (1996). Travolta starred in Phenomenon (1996) and took an equally distinctive turn as an action star in John Woo's top-grossing Broken Arrow (1996). He also starred in the classic Face/Off (1997) opposite Nicolas Cage, and The General's Daughter (1999), co-starring Madeleine Stowe. In 2005, Travolta reprised the role of ultra cool Chili Palmer in the Get Shorty (1995) sequel Be Cool (2005). In addition, he starred opposite Scarlett Johansson in the critically-acclaimed independent feature film A Love Song for Bobby Long (2004), which was screened at the Venice Film Festival, where both Travolta and the films won rave reviews. In February 2011, John was honored by Europe's leading weekly program magazine HORZU, with the prestigious Golden Camera Award for "Best Actor International" in Berlin, Germany. Other recent feature film credits include box-office hit-comedy "Wild Hogs", the action-thriller Ladder 49 (2004), the movie version of the successful comic book The Punisher (2004), the drama Basic (2003), the psychological thriller Domestic Disturbance (2001), the hit action picture Swordfish (2001), the infamous sci-fi movie Battlefield Earth (2000), based upon the best-selling novel by L. Ron Hubbard, and Lonely Hearts (2006).
Travolta has been honored twice with Academy Award nominations, the latest for his riveting portrayal of a philosophical hit-man in Quentin Tarantino's Pulp Fiction (1994). He also received BAFTA and Golden Globe nominations for this highly-acclaimed role and was named Best Actor by the Los Angeles Film Critics Association, among other distinguished awards. Travolta garnered further praise as a Mafioso-turned-movie producer in the comedy sensation Get Shorty (1995), winning the Golden Globe Award for Best Actor in a Motion Picture, Musical or Comedy. In 1998, Travolta was honored by the British Academy of Film and Television Arts with the Britanna Award: and in that same year he received the Lifetime Achievement Award at the Chicago Film Festival. Travolta also won the prestigious Alan J. Pakula Award from the US Broadcast Critics Association for his performance in A Civil Action (1998), based on the best-selling book and directed by Steven Zaillian. He was nominated again for a Golden Globe for his performance in Primary Colors (1998), directed by Mike Nichols and co-starring Emma Thompson and Billy Bob Thornton, and in 2008, he received his sixth Golden Globe nomination for his role as "Edna Turnblad" in the big-screen, box-office hit, Hairspray (2007). As a result of this performance, the Chicago Film Critics and the Santa Barbara Film Festival decided to recognize Travolta with a Lifetime Achievement Award for his role.
In addition, Travolta starred opposite Denzel Washington in Tony Scott's remake The Taking of Pelham 123 (2009), and he provided the voice of the lead character in Walt Disney Pictures' animated hit Bolt (2008), which was nominated for a 2009 Academy Award for Best Animated Feature Film and a Golden Globe for Best Animated Film, in addition to Best Song for John and Miley Cyrus' duet titled, "I Thought I Lost You".
Next, Travolta starred in Walt Disney Pictures' Old Dogs (2009), along with Robin Williams, Kelly Preston and Ella Bleu Travolta, followed by the action thriller From Paris with Love (2010), starring opposite Jonathan Rhys Meyers. In 2012, John starred alongside Taylor Kitsch, Blake Lively, Aaron Taylor-Johnson, Benicio Del Toro, Salma Hayek, Emile Hirsch and Demián Bichir in Oliver Stone's, Savages (2012). The film was based on Don Winslow's best-selling crime novel that was named one of The New York Times' Top 10 Books of 2010. John was most recently seen in Killing Season (2013), co-starring Robert De Niro, and directed by Mark Steven Johnson. John recently completed production on the Boston-based film, The Forger (2014), alongside Academy Award winner Christopher Plummer and Critic's Choice nominee Tye Sheridan. John plays a second-generation petty thief who arranges to get out of prison to spend time with his ailing son (Sheridan) by taking on a job with his father (Plummer) to pay back the syndicate that arranged his release. John has received 2 prestigious aviation awards: in 2003, the American Institute of Aeronautics and Astronautics Foundation Award for Excellence for his efforts to promote commercial flying, and, in 2007, The Living Legends Ambassador of Aviation award.
John holds 11 jet licenses: 747, 707, Gulfstream II, Lear 24, Hawker 1251A, Eclipse Jet, Vampire Jet, Canadair CL-141 Jet, Soko Jet, Citation ISP and Challenger. Travolta is the Qantas Airways Global Goodwill "Ambassador-at-Large" and piloted the original Qantas 707 during "Spirit of Friendship" global tour in July/August 2002. John is also a business aircraft brand ambassador for Learjet, Challenger and Global jets for the world's leading business aircraft manufacturer, Bombardier. John flew the 707 to New Orleans after the 2005 hurricane disaster bringing food and medical supplies, and in 2010, again flew the 707, this time to Haiti after the earthquake, carrying supplies, doctors and volunteers.
John, along with his late wife, actress Kelly Preston (1962-2020), were very involved in their charity, The Jett Travolta Foundation, which raises money for children with educational needs.1954 -
OSCARS:
Nominations:
Best Actor - Saturday Night Fever (1977)
Best Actor - Pulp Fiction (1994)
RAZZIES:
Wins:
Worst Picture - Battlefield Earth (2000)
Worst Actor - Battlefield Earth (2000) and Lucky Numbers (2000)
Worst Screen Combo - Battlefield Earth (2000)
Worst Actor - The Fanatic (2019) and Trading Paint (2019)
Nominations:
Worst Actor - Staying Alive (1983) and Two of a Kind (1983)
Worst Actor - Perfect (1985)
Worst Actor of the Decade (1989)
Worst Supporting Actor - Shout (1991)
Worst Actor - Domestic Disturbance (2001) and Swordfish (2001)
Worst Actor - Old Dogs (2009)
Worst Actor of the Decade (2009)
Worst Actor - Gotti (2018)
Worst Screen Combo - Gotti (2018)
Worst Picture - The Fanatic (2019)
Worst Screen Combo - The Fanatic (2019) and Trading Paint (2019)- Actor
- Producer
- Director
Louis Gossett Jr. was one of the most respected and beloved actors on stage, screen and television and was also an accomplished writer, producer and director. Off-screen, he was a social activist, educator, and author dedicated to enriching the lives of others. He was the first African-American to win the Academy Award for Best Supporting Actor for his unforgettable performance as drill Sergeant Emil Foley in "An Officer and a Gentleman".
Among his other awards were an Emmy for Outstanding Lead Actor for his portrayal of Fiddler in the groundbreaking ABC series "Roots", a Golden Globe for Best Performance by an Actor in a Supporting Role for "The Josephine Baker Story" and a Golden Globe for "An Officer and a Gentleman". He was nominated for seven Primetime Emmy Awards, three Golden Globes, one Academy Award, five Images Awards, two Daytime Emmy Awards and in 1992 received a star on the Hollywood Walk of Fame. He received numerous other honors throughout his illustrious career.
His film debut was in the 1961 classic movie "A Raisin in the Sun" with Sidney Poitier. Other film credits include "The Deep," "Blue Chips," "Daddy's Little Girls," Tyler Perry's "Why Did I Get Married Too?," "Firewalker," "Jaws-3D," "Enemy Mine" and "Iron Eagle" 1-4, among many others. Television credits include "Extant," "Madam Secretary," "Boardwalk Empire," "Family Guy", and "ER", among dozens of others.
Gossett authored the bestselling autobiography "An Actor and a Gentleman", recounting the challenges and triumphs of his 50+ year career. Gossett was recognized as much for his humanitarian efforts as for his accomplishments as an actor. In 2006, he founded The Eracism Foundation which is a 501(c)(3) nonprofit organization dedicated to eradicating racism. The foundation provides young adults with tools to live a racially diverse and culturally inclusive life. Programs focus on fostering cultural diversity, historical enrichment, education and anti-violence initiatives.
Gossett was born and raised in Brooklyn, New York, and made his stage debut when he was 17 years old in "Take a Giant Step", which was selected as one of the 10 best Broadway shows of 1953 by the New York Times. He had two sons and resided in Malibu until his death in Santa Monica, California, in 2024, aged 87.1936 - 2024 (aged 87)
OSCARS:
Wins:
Best Supporting Actor - An Officer and a Gentleman (1982)
RAZZIES:
Nominations:
Worst Supporting Actor - Jaws 3-D (1983)- Music Department
- Composer
- Actor
Giorgio Moroder was born on 26 April 1940 in Urtijëi, Trentino-Alto Adige, Italy. He is a composer and actor, known for Top Gun (1986), Flashdance (1983) and Over the Top (1987).1940 -
OSCARS:
Wins:
Best Original Score - Midnight Express (1978)
Best Original Song - Flashdance (1983), "Flashdance... What a Feeling"
Best Original Song - Top Gun (1986), "Take My Breath Away"
RAZZIES:
Nominations:
Worst Musical Score - Superman III (1983)
Worst Original Song - Metropolis (1927) (1984 re-release), "Love Kills"
Worst Musical Score - Metropolis (1927) (1984 re-release) and Thief of Hearts (1984)- Composer
- Music Department
- Actor
Michel Legrand is a three-time Academy Award-winning French composer, conductor and pianist who composed over 200 film and television scores as well as recorded over a hundred albums of jazz, popular and classical music.
He was born on February 24, 1932, in Becon-les-Bruyeres, in the Paris suburbs, France. His father, Raymond Legrand, was a French composer and actor. His mother, Marcelle der Mikaelian, was descended from the Armenian bourgeousie. From 1942 - 1949 young Legrand studied piano at the Paris Conservatoire. There his teachers were Nadia Boulanger and Henri Challan among other renown musicians. He received numerous awards for his skills in composition and piano and mastered a dozen other instruments. In 1947 he attended a concert by Dizzy Gillespie and caught a jazz bug. He started working as a pianist for major French singers. He eventually collaborated with Dizzy Gillespie on several albums and film scores.
In 1954 Legrand became an overnight star after his album "I Love Paris" became a hit, it went on selling over 8 million copies. He followed the success with such albums as "Holiday in Rome" (1955) and "Michel Legrand Plays Cole Porter" (1957). In 1958 he was invited to play at Moscow Festival of Students and Youth. There, in Moscow, he met his future wife, a young French model with who he went on to have three children.
In the late 1950s and 1960s Legrand was caught up in the French New Wave. He scored seven films for jean-Luc Godard, he also made ten films with Jacques Demy, and became responsible for creating the genre of musical in the French Cinema. In 1963 Legrand did The Umbrellas of Cherbourg (1964), the first film musical that was entirely sung. For that film score he received three Oscar nominations. His beautiful, haunting melody, "I Will Wait For You", received nomination for Best Original Song.
In 1966 Legrand decided to take his chances in Hollywood, and moved to Los Angeles with his wife and three children. His friendship with Quincy Jones and Hank Mancini helped him a great deal, especially in meeting the lyricists Alan and Marilyn Bergman. In 1969 Legrand won his first Oscar for Best Music, Original Song for "The Windmills of Your Mind" and was also nominated for Best Music, Original score for a Motion Picture for The Thomas Crown Affair (1968). Eventually Legrand went on to become a star in the US, he received twelve nominations for Academy Awards, and won two more Oscars. He was also nominated for a Grammy 27 times and received 5 Grammys in the 1970s.
In the 1980s and 1990s Legrand continued giving live concerts with his own jazz trio. He also led his big band which he took on several international tours, accompanying such stars as Ray Charles , Diana Ross , Björk , and Stéphane Grappelli who celebrated his 85th birthday in 1992. He also recorded several classical albums, including an album with cross-genre hits entitled "Kiri Sings Michel Legrand" with the opera singer Kiri te Kanawa. During the 2000s Legrand has been working mainly in the studio, and also made several international tours.
In 2005 a compilation of Legrand's best known film soundtracks was released under the title "Le Cinema de Michel Legrand", featuring 90 songs composed in the course of his career.1932 - 2019 (aged 86)
OSCARS:
Wins:
Best Original Song - The Thomas Crown Affair (1968), "The Windmills of Your Mind"
Best Original Score - Summer of '42 (1971)
Best Original Score - Yentl (1983)
Nominations:
Best Original Score - The Umbrellas of Cherbourg (1964)
Best Original Song - The Umbrellas of Cherbourg (1964), "I Will Wait for You"
Best Original Score - The Young Girls of Rochefort (1967)
Best Original Score - The Thomas Crown Affair (1968)
Best Original Song - The Happy Ending (1969), "What Are You Doing for the Rest of Your Life?"
Best Original Song - Pieces of Dreams (1970), "Pieces of Dreams"
Best Original Song - Best Friends (1982), "How Do You Keep the Music Playing?"
Best Original Song - Yes, Giorgio (1982), "If I Were in Love"
Best Original Song - Tootsie (1982), "It Might Be You"
Best Original Song - Yentl (1983), "Papa, Can You Hear Me?"
Best Original Song - Yentl (1983), "The Way He Makes Me Feel"
RAZZIES:
Nominations:
Worst Musical Score - Yentl (1983)- Music Artist
- Composer
- Actor
Prince Rogers Nelson was born in Minneapolis, Minnesota, to Mattie Shaw, a jazz singer and social worker, and John L. Nelson, a lyricist and pianist. His father's stage name was "Prince Rogers". His parents were both from African-American families from Louisiana. They separated during his youth, which lead him to move back and forth. Prince had a troubled relationship with his step-father which lead him to run away from home. Prince was adopted by a family called the Andersons. Prince soon after became friends with the Anderson's son, Andre Anderson (Cymone) together along with Charles Smith they joined a band called Grand Central. The band later renamed themselves Champagne and were a fairly successful live band, however soon diminished.
Prince at the age of eighteen started working on high-quality demo tracks with Chris Moon. With these demo tracks Prince eventually ended up signing a recording contract with Warner Brothers Records and was the youngest producer associated with the label. Prince made his debut on the record label with his 1978 album, For You. It wasn't a strong successful album, however it was fair for a beginning artist and ranked 163 on the U.S. Pop Charts. Prince's next releases would tend to do much better on the charts with his singles, "Why You Wanna Treat Me So Bad?" and I Wanna Be Your Lover in 1979. This would start to introduce Prince as a person who presented sexually explicit material into the music industry. However Prince didn't begin to attract mainstream artists until he release his single, 1999. This single began to be noticed by M.T.V. viewers and this would make him a part of the main-stream music media. Prince released two more singles called Little Red Corvette and Delirious. The album featured Prince's new band, The Revolution. In 1984 Prince would release what would be seen as an admired and profound masterpiece the feature film/sound-track album, Purple Rain in 1984. Prince's father contributed to this album, by cowriting the chord sequence for a couple of his songs. Prince continued to give cowriting credit to his father on several other albums, as his famous chord sequence would be used in several of Prince's singles and albums.
A lot of Prince's songs did not agree with listeners and one of his songs, Darling Nikki prompted a group of people to start a censorship organization called, Parents Music Resource Center (P.M.R.C.) as the track implemented grinding ludicrous acts such as masturbating, which stunned listeners. Prince however continued to release various other singles with the same platform his memorable releases being, Around The World In A Day, Parade, Love Sexy, and Batman.
Prince released a sequel to Purple Rain in 1990 called Graffiti Bridge, a soundtrack album accompanied this movie entitled, Graffiti Bridge. The film did terrible in box-office and was nominated for several Razzie awards. Many people saw the sound-track album, as the high point of the film.
In 1991, Prince assembled a new band called, The New Power Generation with this band he would release singles such as Diamond And Pearls, Cream, and Gett Off. Prince eventually changed his stage name from Prince to a symbol, which lead people to call him, "The Artist Formerly Known As Prince". Prince soon took back his old stage name.
In the 1990s, Prince continued to release singles such as Came, The Gold Experience, Chaos And Disorder, and Emancipation. With the rise of the new millennium, Prince released material such as a religious album called The Rainbow Children,One Nite Alone,The Chocolate Invasion,The Slaughter House, and had a collaboration with Stevie Wonder on Stevie's single called, What The Fuss in 2005.
Prince died on April 21, 2016 in Chanhassen, Minnesota, at his Paisley Park recording studio complex. He was 57.
Prince will be remembered as a musician and artist who inspired millions through his music, and set an inspirational platform which others still abide by.1958 - 2016 (aged 57)
OSCARS:
Wins:
Best Original Score - Purple Rain (1984)
RAZZIES:
Wins:
Worst Director - Under the Cherry Moon (1986)
Worst Actor - Under the Cherry Moon (1986)
Worst Original Song - Under the Cherry Moon (1986), "Love or Money"
Nominations:
Worst Original Song - Purple Rain (1984), "Sex Shooter"
Worst Actor of the Decade (1989)
Worst New Star of the Decade (1989)
Worst Director - Graffiti Bridge (1990)
Worst Actor - Graffiti Bridge (1990)
Worst Screenplay - Graffiti Bridge (1990)
Worst Actor of the Century (1999)- Music Artist
- Actor
- Composer
Kris Kristofferson was born in Brownsville, Texas, to Mary Ann (Ashbrook) and Lars Henry Kristofferson. His paternal grandparents were Swedish, and his father was a United States Air Force general who pushed his son to a military career. Kris was a Golden Gloves boxer and went to Pomona College in California. From there, he earned a Rhodes scholarship to study literature at Oxford University. He ultimately joined the United States Army and achieved the rank of captain. He became a helicopter pilot, which served him well later. In 1965, he resigned his commission to pursue songwriting. He had just been assigned to become a teacher at USMA West Point. He got a job sweeping floors in Nashville studios. There he met Johnny Cash, who initially took some of his songs but ignored them. He was also working as a commercial helicopter pilot at the time. He got Cash's attention when he landed his helicopter in Cash's yard and gave him some more tapes. Cash then recorded Kristofferson's "Sunday Morning Coming Down", which was voted the 1970 Song of the Year by the Country Music Association. Kris was noted for his heavy boozing. He lost his helicopter pilot job when he passed out at the controls, and his drinking ruined his marriage to singer Rita Coolidge, when he was reaching a bottle and half of Jack Daniels daily. He gave up alcohol in 1976. His acting career nose-dived after making Heaven's Gate (1980). In recent years, he has made a comeback with his musical and acting careers. He does say that he prefers his music, but says his children are his true legacy.1936 -
OSCARS:
Nominations:
Best Original Score - Songwriter (1984)
RAZZIES:
Nominations:
Worst Actor - Heaven's Gate (1980) and Rollover (1981)- Writer
- Producer
- Additional Crew
Marvin Worth was born on 6 June 1925 in Brooklyn, New York, USA. He was a writer and producer, known for Malcolm X (1992), See No Evil, Hear No Evil (1989) and Lenny (1974). He was married to Joan Worth. He died on 22 April 1998 in Los Angeles, California, USA.1925 - 1998 (aged 72)
OSCARS:
Nominations:
Best Documentary Feature - Malcolm X (1972)
Best Picture - Lenny (1974)
RAZZIES:
Nominations:
Worst Picture - Rhinestone (1984)- Actor
- Writer
- Producer
Sylvester Stallone is an athletically built, dark-haired American actor/screenwriter/director/producer, the movie fans worldwide have been flocking to see Stallone's films for over 40 years, making "Sly" one of Hollywood's biggest-ever box office draws.
Sylvester Stallone was born on July 6, 1946, in New York's gritty Hell's Kitchen, to Jackie Stallone (née Labofish), an astrologer, and Frank Stallone, a beautician and hairdresser. His father was an Italian immigrant, and his mother's heritage is half French (from Brittany) and half German. The young Stallone attended the American College of Switzerland and The University of Miami, eventually obtaining a B.A. degree. Initially, he struggled in small parts in films such as the soft-core The Party at Kitty and Stud's (1970), the thriller Klute (1971) and the comedy Bananas (1971). He got a crucial career break alongside fellow young actor Henry Winkler, sharing lead billing in the effectively written teen gang film The Lords of Flatbush (1974). Further film and television roles followed, most of them in uninspiring productions except for the opportunity to play a megalomaniac, bloodthirsty race driver named "Machine Gun Joe Viterbo" in the Roger Corman-produced Death Race 2000 (1975). However, Stallone was also keen to be recognized as a screenwriter, not just an actor, and, inspired by the 1975 Muhammad Ali-Chuck Wepner fight in Cleveland, Stallone wrote a film script about a nobody fighter given the "million to one opportunity" to challenge for the heavyweight title. Rocky (1976) became the stuff of cinematic legends, scoring ten Academy Award nominations, winning the Best Picture Award of 1976 and triggering one of the most financially successful movie series in history! Whilst full credit is wholly deserved by Stallone, he was duly supported by tremendous acting from fellow cast members Talia Shire, Burgess Meredith and Burt Young, and director John G. Avildsen gave the film an emotive, earthy appeal from start to finish. Stallone had truly arrived on his terms, and offers poured in from various studios eager to secure Hollywood's hottest new star.
Stallone followed Rocky (1976) with F.I.S.T. (1978), loosely based on the life of Teamsters boss "Jimmy Hoffa", and Paradise Alley (1978) before pulling on the boxing gloves again to resurrect Rocky Balboa in the sequel Rocky II (1979). The second outing for the "Italian Stallion" wasn't as powerful or successful as the first "Rocky", however, it still produced strong box office. Subsequent films Nighthawks (1981) and Victory (1981) failed to ignite with audiences, so Stallone was once again lured back to familiar territory with Rocky III (1982) and a fearsome opponent in "Clubber Lang" played by muscular ex-bodyguard Mr. T. The third "Rocky" installment far outperformed the first sequel in box office takings, but Stallone retired his prizefighter for a couple of years as another series was about to commence for the busy actor.
The character of Green Beret "John Rambo" was the creation of Canadian-born writer David Morrell, and his novel was adapted to the screen with Stallone in the lead role in First Blood (1982), also starring Richard Crenna and Brian Dennehy. The movie was a surprise hit that polarized audiences because of its commentary about the Vietnam war, which was still relatively fresh in the American public's psyche. Political viewpoints aside, the film was a worldwide smash, and a sequel soon followed with Rambo: First Blood Part II (1985), which drew even stronger criticism from several quarters owing to the film's plot line about American MIAs allegedly being held in Vietnam. But they say there is no such thing as bad publicity, and "John Rambo's" second adventure was a major money spinner for Stallone and cemented him as one of the top male stars of the 1980s. Riding a wave of amazing popularity, Stallone called on old sparring partner Rocky Balboa to climb back into the ring to defend American pride against a Soviet threat in the form of a towering Russian boxer named "Ivan Drago" played by curt Dolph Lundgren in Rocky IV (1985). The fourth outing was somewhat controversial with "Rocky" fans, as violence levels seemed excessive compared to previous "Rocky" films, especially with the savage beating suffered by Apollo Creed, played by Carl Weathers, at the hands of the unstoppable "Siberian Express".
Stallone continued forward with a slew of macho character-themed films that met with a mixed reception from his fans. Cobra (1986) was a clumsy mess, Over the Top (1987) was equally mediocre, Rambo III (1988) saw Rambo take on the Russians in Afghanistan, and cop buddy film Tango & Cash (1989) just did not quite hit the mark, although it did feature a top-notch cast and there was chemistry between Stallone and co-star Kurt Russell.
Philadelphia's favorite mythical boxer moved out of the shadows for his fifth screen outing in Rocky V (1990) tackling Tommy "Machine" Gunn played by real-life heavyweight fighter Tommy Morrison, the great-nephew of screen legend John Wayne. Sly quickly followed with the lukewarm comedy Oscar (1991), the painfully unfunny Stop! Or My Mom Will Shoot (1992), the futuristic action film Demolition Man (1993), and the comic book-inspired Judge Dredd (1995). Interestingly, Stallone then took a departure from the gung-ho steely characters he had been portraying to stack on a few extra pounds and tackle a more dramatically challenging role in the intriguing Cop Land (1997), also starring Robert De Niro and Ray Liotta. It isn't a classic of the genre, but Cop Land (1997) certainly surprised many critics with Stallone's understated performance. Stallone then lent his vocal talents to the animated adventure story Antz (1998), reprised the role made famous by Michael Caine in a terrible remake of Get Carter (2000), climbed back into a race car for Driven (2001), and guest-starred as the "Toymaker" in the third chapter of the immensely popular "Spy Kids" film series, Spy Kids 3: Game Over (2003). Showing that age had not wearied his two most popular series, Stallone has most recently brought back never-say-die boxer Rocky Balboa to star in, well, what else but Rocky Balboa (2006), and Vietnam veteran Rambo (2008) will reappear after a 20-year hiatus to once again right wrongs in the jungles of Thailand.
Love him or loathe him, Sylvester Stallone has built an enviable and highly respected career in Hollywood, plus, he has considerably influenced modern popular culture through several of his iconic film characters.1946 -
OSCARS:
Nominations:
Best Actor - Rocky (1976)
Best Original Screenplay - Rocky (1976)
Best Supporting Actor - Creed (2015)
RAZZIES:
Wins:
Worst Actor - Rhinestone (1984)
Worst Director - Rocky IV (1985)
Worst Actor - Rambo: First Blood Part II (1985) and Rocky IV (1985)
Worst Screenplay - Rambo: First Blood Part II (1985)
Worst Actor - Rambo III (1988)
Worst Actor of the Decade (1989)
Worst Actor - Stop! Or My Mom Will Shoot (1992)
Worst Screen Combo - The Specialist (1994)
Worst Actor of the Century (1999)
Worst Supporting Actor - Spy Kids 3: Game Over (2003)
Redeemer Award - Creed (2015)
Worst Supporting Actor - The Expendables 4 (2023)
Nominations:
Worst Screenplay - Rhinestone (1984)
Worst Screenplay - Rocky IV (1985)
Worst Actor - Cobra (1986)
Worst Screenplay - Cobra (1986)
Worst Actor - Over the Top (1987)
Worst Screenplay - Rambo III (1988)
Worst Actor - Lock Up (1989) and Tango & Cash (1989)
Worst Actor - Rocky V (1990)
Worst Screenplay - Rocky V (1990)
Worst Actor - Oscar (1991)
Worst Screenplay - Cliffhanger (1993)
Worst Actor - The Specialist (1994)
Worst Actor - Assassins (1995) and Judge Dredd (1995)
Worst Actor - Daylight (1996)
Worst Supporting Actor - An Alan Smithee Film: Burn Hollywood Burn (1997)
Worst Screen Combo - An Alan Smithee Film: Burn Hollywood Burn (1997)
Worst Actor - Get Carter (2000)
Worst Picture - Driven (2001)
Worst Supporting Actor - Driven (2001)
Worst Screen Combo - Driven (2001)
Worst Screenplay - Driven (2001)
Worst Director - The Expendables (2010)
Worst Actor - Bullet to the Head (2012), Escape Plan (2013), and Grudge Match (2013)
Worst Actor - Rambo: Last Blood (2019)
Worst Screen Combo - Rambo: Last Blood (2019)
Worst Screenplay - Rambo: Last Blood (2019)
Worst Actor - Samaritan (2022)- Actor
- Producer
- Director
A leading man of prodigious talents, Peter O'Toole was born and raised in Leeds, Yorkshire, England, the son of Constance Jane Eliot (Ferguson), a Scottish nurse, and Patrick Joseph O'Toole, an Irish metal plater, football player and racecourse bookmaker. Upon leaving school, he decided to become a journalist, beginning as a newspaper copy boy. Although he succeeded in becoming a reporter, he discovered the theater and made his stage debut at age 17. He served as a radioman in the Royal Navy for two years, then attended the Royal Academy of Dramatic Arts, where his classmates included Albert Finney, Alan Bates and Richard Harris.
O'Toole spent several years on-stage at the Bristol Old Vic, then made an inconspicuous film debut in the Disney classic Kidnapped (1960). In 1962, he was chosen by David Lean to play T.E. Lawrence in Lean's epic drama Lawrence of Arabia (1962). The role made O'Toole an international superstar and received him his first Academy Award nomination for Best Actor in a Leading Role. In 1963, he played Hamlet under Laurence Olivier's direction in the premiere production of the Royal National Theater. He continued successfully in artistically rich films as well as less artistic but commercially rewarding projects. He received Academy Award nominations (but no Oscar) for seven different films.
However, medical problems (originally thought to have been brought on by his drinking but which turned out to be stomach cancer) threatened to destroy his career and life in the 1970s. He survived by giving up alcohol and, after serious medical treatment, returned to films with triumphant performances in The Stunt Man (1980) and My Favorite Year (1982). His youthful beauty lost to time and drink, O'Toole has found meaningful roles increasingly difficult to come by, though he remained one of the greatest actors of his generation. He had two daughters, Pat and Kate O'Toole, from his marriage to actress Siân Phillips. He also had a son, Lorcan O'Toole, by model Karen Brown.
On December 14, 2013, Peter O'Toole died at age 81 in London, England.1932 - 2013 (aged 81)
OSCARS:
Wins:
Academy Honorary Award (2002)
Nominations:
Best Actor - Lawrence of Arabia (1962)
Best Actor - Becket (1964)
Best Actor - The Lion in Winter (1968)
Best Actor - Goodbye, Mr. Chips (1969)
Best Actor - The Ruling Class (1972)
Best Actor - The Stunt Man (1980)
Best Actor - My Favorite Year (1982)
Best Actor - Venus (2006)
RAZZIES:
Nominations:
Worst Actor - Supergirl (1984)
Worst Supporting Actor - Club Paradise (1986)- Actress
- Writer
- Producer
Shirley MacLaine was born Shirley MacLean Beaty in Richmond, Virginia. Her mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and her father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. Her brother, Warren Beatty, was born on March 30, 1937. Her ancestry includes English and Scottish.
Shirley was the tallest in her ballet classes at the Washington School of Ballet. Just after she graduated from Washington-Lee High School, she packed her bags and headed for New York. While auditioning for Richard Rodgers and Oscar Hammerstein II's "Me and Juliet", the producer kept mispronouncing her name. She then changed her name from Shirley MacLean Beaty to Shirley MacLaine. She later had a role in "The Pajama Game", as a member of the chorus and understudy to Carol Haney. A few months into the run, Shirley was going to leave the show for the lead role in "Can-Can" but ended up filling in for Haney, who had broken her ankle and could not perform. She would fill in for Carol, again, three months later, following another injury, the very night that movie producer Hal B. Wallis was in the audience. Wallis signed MacLaine to a five-year contract to Paramount Pictures. Three months later, she was off to shoot The Trouble with Harry (1955). She then took roles in Hot Spell (1958) and Around the World in 80 Days (1956), completed not too long before her daughter, Sachi Parker (born Stephanie), was born. With Shirley's career on track, she played one of her most challenging roles: "Ginny Moorhead" in Some Came Running (1958), for which she received her first Academy Award nomination for Best Actress. She went on to do The Sheepman (1958) and The Matchmaker (1958). In 1960, she got her second Academy Award nomination for The Apartment (1960). Three years later, she received a third nomination for Irma la Douce (1963). In 1969, she brought her friend Bob Fosse from Broadway to direct her in Sweet Charity (1969), from which she got her "signature" song, "If My Friends Could See Me Now". After a five-year hiatus, Shirley made a documentary on China called The Other Half of the Sky: A China Memoir (1975), for which she received an Oscar nomination for best documentary.
In 1977, she got her fourth Best Actress Oscar nomination for The Turning Point (1977). In 1979, she worked with Peter Sellers in Being There (1979), made shortly before his death. After 20 years in the film industry, she finally took home the Best Actress Oscar for Terms of Endearment (1983). After a five-year hiatus, Shirley made Madame Sousatzka (1988), a critical and financial hit that took top prize at the Venice Film Festival. In 1989, she starred with Dolly Parton, Sally Field and Julia Roberts in Steel Magnolias (1989). She received rave reviews playing Meryl Streep's mother in Postcards from the Edge (1990) and for Guarding Tess (1994). In 1996, she reprised her role from "Terms of Endearment" as "Aurora Greenway" in The Evening Star (1996), which didn't repeat its predecessor's success at the box office. In mid-1998, she directed Bruno (2000), which starred Alex D. Linz. In February 2001, Shirley worked with close friends once again in These Old Broads (2001), and co-starred with Julia Stiles in Carolina (2003) and with Kirstie Alley in Salem Witch Trials (2002).
MacLaine as her own website which includes her own radio show and interviews, the Encounter Board, and Independent Expression, a members-only section of the site. In the past few years, Shirley starred in a CBS miniseries based on the life of cosmetics queen Mary Kay Ash--Hell on Heels: The Battle of Mary Kay (2002), and wrote two more books, "The Camino" in 2001, and "Out On A Leash" in 2003. After taking a slight hiatus from motion pictures, Shirley returned with roles in the movies that were small, but wonderfully scene-stealing: Bewitched (2005) with Nicole Kidman and Will Ferrell, In Her Shoes (2005) with Cameron Diaz and Toni Collette, in which Shirley was nominated for a Golden Globe in the best supporting actress category, and Rumor Has It... (2005) with Jennifer Aniston and Kevin Costner. Shirley completed filming of Closing the Ring (2007), directed by Sir Richard Attenborough, in 2007. Her latest book is entitled "Sage-ing While Ag-ing"; Shirley's latest film is Valentine's Day (2010), which debuted in theaters on February 12, 2010.1934 -
OSCARS:
Wins:
Best Actress - Terms of Endearment (1983)
Nominations:
Best Actress - Some Came Running (1958)
Best Actress - The Apartment (1960)
Best Actress - Irma la Douce (1963)
Best Documentary Feature - The Other Half of the Sky: A China Memoir (1975)
Best Actress - The Turning Point (1977)
RAZZIES:
Nominations:
Worst Actress - Cannonball Run II (1984)- Actor
- Additional Crew
- Soundtrack
George Harris Kennedy, Jr. was born on February 18, 1925 in New York City, to Helen (Kieselbach), a ballet dancer, and George Harris Kennedy, an orchestra leader and musician. Following high school graduation, Kennedy enlisted in the United States Army in 1943 with the hope to become a fighter pilot in the Army Air Corps. Instead, he wound up in the infantry, served under General George S. Patton and distinguished himself with valor. He won two Bronze Stars and four rows of combat and service ribbons.
A World War II veteran, Kennedy at one stage in his career cornered the market at playing tough, no-nonsense characters who were either quite crooked or possessed hearts of gold. Kennedy notched up an impressive 200+ appearances in both television and films, and was well respected within the Hollywood community. He started out on television Westerns in the late 1950s and early 1960s (Have Gun - Will Travel (1957), Rawhide (1959), Maverick (1957), Colt .45 (1957), among others) before scoring minor roles in films including Lonely Are the Brave (1962), The Sons of Katie Elder (1965) and The Flight of the Phoenix (1965).
The late 1960s was a very busy period for Kennedy, and he was strongly in favor with casting agents, appearing in Hurry Sundown (1967), The Dirty Dozen (1967) and scoring an Oscar win as Best Supporting Actor for his performance in Cool Hand Luke (1967). The disaster film boom of the 1970s was also kind to Kennedy and his talents were in demand for Airport (1970) and the three subsequent sequels, as a grizzled police officer in Earthquake (1974), plus the buddy/road film Thunderbolt and Lightfoot (1974) as vicious bank robber Red Leary.
The 1980s saw Kennedy appear in a mishmash of roles, playing various characters; however, Kennedy and Leslie Nielsen surprised everyone with their comedic talents in the hugely successful The Naked Gun: From the Files of Police Squad! (1988), and the two screen veterans exaggerate themselves again, in The Naked Gun 2½: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994). From 1988-1991, he also played Ewing family nemesis Carter McKay on the CBS prime-time soap opera Dallas (1978).
Kennedy also played President Warren G. Harding in the miniseries Backstairs at the White House (1979) and had a long standing role on the CBS daytime soap opera The Young and the Restless (1973). He remained busy in Hollywood and lent his distinctive voice to the animated Cats Don't Dance (1997) and the children's action film Small Soldiers (1998). A Hollywood stalwart for nearly 50 years, he is one of the most enjoyable actors to watch on screen. His last role was in the film The Gambler (2014), as Mark Wahlberg's character's grandfather.
George Kennedy died of natural causes in Middleton, Idaho on February 28, 2016, only ten days after his 91st birthday.1925 - 2016 (aged 91)
OSCARS:
Wins:
Best Supporting Actor - Cool Hand Luke (1967)
RAZZIES:
Nominations:
Worst Supporting Actor - Bolero (1984)- Producer
- Writer
- Additional Crew
Harvey was born as Harvey Skolnik. He grew up in Plainfield, New Jersey. Harvey started his career in New York City as comedian Sandy Baron's manager. Harvey furthered his career by working with his close longtime friends: Garry Marshall, Penny Marshall, Albert Brooks, James L. Brooks and Jerry Belson,
Harvey helped create Love American Style with Bill Idelson. Harvey also loved meeting celebrities so when he was head writer and director of TV's The Odd Couple, his invigoration of the show by introducing big name talent served dual purposes. Harvey was responsible for integrating the following people into the show: Howard Cosell, Bobby Riggs, Billie Jean King, Paul Williams, Betty White, Allen Ludden and many others.
Harvey first met Burt Reynolds on Cannonball Run. There is a very famous episode of The Dating Game whereby the bachelorette, due to her attraction to his charm and razor sharp humor, chooses Harvey over Burt Reynolds. When the bachelorette meets and sees that she didn't choose Burt, she is devastated. When the host announces her date as Harvey Skolnik from Plainfield, NJ she Is crestfallen. Harvey was a fairly attractive man, but the meet became enormously funny. From that day on when attending industry events or parties, he would always ask if Reynolds was going to be there, so that Reynolds couldn't vengefully express his embarrassment for losing to Harvey.
Harvey bought and lived in Harrison Ford's old house. Before he became a movie star, Harrison was a carpenter and built a lovely country style home in LA.
Harvey made classic cameos in The Odd Couple as the penguin in the bathtub in the nude off Broadway show episode whereby Felix secretly attends his girlfriend's only to embarrass her by covering her up when she appears naked. He also made classic cameo appearances in the Laverne and Shirley whereby he played a shyster producer who steals Laverne's heirloom earrings.
Since he was so close with Penny Marshall, Albert Brooks, Garry Marshall, Jerry Belson and others he always made brief mostly comedic appearances in their TV Shows and Movies. A few of them included: Young Doctors in Love, Beaches, Modern Romance, Awakenings, and Others.
Harvey was always the life of every party and set. He was a unique talent and irrepressible spirit. This world is now a far less interesting place without him. He will be sorely missed.1935 - 1999 (aged 63)
OSCARS:
Nominations:
Best Original Screenplay - Private Benjamin (1980)
RAZZIES:
Nominations:
Worst Screenplay - Cannonball Run II (1984)- Writer
- Director
- Producer
David Newman was born on 4 February 1937 in New York City, New York, USA. He was a writer and director, known for Bonnie and Clyde (1967), Superman (1978) and What's Up, Doc? (1972). He was married to Leslie Newman. He died on 27 June 2003 in New York City, New York, USA.1937 - 2003 (aged 66)
OSCARS:
Nominations:
Best Original Screenplay - Bonnie and Clyde (1967)
RAZZIES:
Nominations:
Worst Screenplay - Sheena (1984)- Music Artist
- Music Department
- Producer
Dolly Rebecca Parton was born on January 19, 1946 in Pittman Center, Tennessee and raised in Sevierville, Tennessee to Avie Lee Parton, a housewife & Robert Lee Parton, a tobacco farmer. At 12, she was appearing on Knoxville TV and at 13, she was already recording on a small label and appearing at the Grand Ole Opry. After graduating from high school in 1964, she moved to Nashville to launch her country-singing career. She fell in love with Carl Dean, who ran an asphalt-paving business; they married on May 30, 1966 and are still together. In 1967 her singing caught the attention of Porter Wagoner, who hired her to appear on his program, The Porter Wagoner Show (1961). She stayed with the show for 7 years, their duets became famous, and she appeared with his group at the Grand Ole Opry; she also toured and sold records. By the time her hit "Joshua" reached #1 in 1970, her fame had overshadowed his, and she struck out on her own, though still recording duets with him. She left him for good to become a solo artist in 1974. Dolly gained immense popularity as a singer/songwriter. Dolly won numerous Country Music Association awards (1968, 1970, 1971, 1975, 1976). This petite (5'0") beauty was a natural for television, and by the mid-1970s she was appearing frequently on TV specials and talk shows before getting her own, Dolly (1976). In 1977, Dolly got her first Grammy award: Best Female Country Vocal Performance for her song "Here You Come Again." Dolly's movie debut was in 9 to 5 (1980), where she got an Oscar nomination for writing the title tune, and also Grammy awards 2 and 3: Best Country Song, and Best Female Country Vocal Performance for the song "Nine to Five." She got more fame for appearing in The Best Little Whorehouse in Texas (1982), and in Rhinestone (1984) with the song "Tennessee Homesick Blues". She is the head of Dolly Parton Enterprises, a $100 million media empire, and in 1986 she founded Dollywood, a theme park in Pigeon Forge, Tennessee, celebrating her Smoky-Mountain upbringing. She appeared as herself in the Dolly (1987) TV series. In 1988, she won another Grammy: Best Country Performance Duo or Group with Vocals, for "Trio". Dolly was in the acclaimed picture Steel Magnolias (1989) with Julia Roberts, and went on to appear in 15 movies and TV-movies for the 1990s, and garnered more more Country Music Association awards. In 2000, Dolly received her 5th Grammy award: Best Country Collaboration with Vocals. She also released a Bluegrass Album. Dolly is known for beautiful songs such as "Coat of Many Colors," "Jolene," and "I Will Always Love You". Dolly said in an interview, "My music is what took me everywhere I've been and everywhere I will go. It's my greatest love. I can't abandon it. I'll always keep making records."1946 -
OSCARS:
Nominations:
Best Original Song - 9 to 5 (1980), "9 to 5"
Best Original Song - Transamerica (2005), "Travelin' Thru"
RAZZIES:
Wins:
Worst Original Song - Rhinestone (1984), "Drinkenstein"
Nominations:
Worst Original Song - Rhinestone (1984), "Sweet Lovin' Friends"
Worst Musical Score - Rhinestone (1984)- Music Department
- Composer
- Actor
Michael Sembello was born on 17 April 1954 in Philadelphia, Pennsylvania, USA. He is a composer and actor, known for Flashdance (1983), Virtuosity (1995) and Independence Day (1996).1954 -
OSCARS:
Nominations:
Best Original Song - Flashdance (1983), "Maniac"
RAZZIES:
Nominations:
Worst Original Song - Body Rock (1984), "Smooth Talker"- Music Department
- Composer
- Additional Crew
Elmer Bernstein was educated at the Walden School and New York University. He served in the US Army Air Corps in World War II, writing scores for the service radio unit. He also wrote and arranged musical numbers for Glenn Miller's Army Air Force Band. A prolific and respected film music composer, he was a protégé of Aaron Copland, who studied music with Roger Sessions and Stefan Wolpe. Bernstein worked in various artistic endeavors, including painting and the theatre and also performed as an actor and dancer. Among his early composition work were scores for United Nations radio programs and television and industrial documentaries. His original scores for films range over an enormous variety of styles, with his groundbreaking jazz score for The Man with the Golden Arm (1955), light musical comedies such as his Oscar-winning Thoroughly Modern Millie (1967) score, and perhaps his most familiar score, for the western The Magnificent Seven (1960). Between 1963 and 1969, Bernstein served as vice president of the Academy of Motion Picture Arts & Sciences.
A few years before before his death, he acquired something of a cult status among fans of English football when his familiar main theme for The Great Escape (1963) was adopted by them and hummed and played, lustily, during matches.1922 - 2004 (aged 82)
OSCARS:
Wins:
Best Original Score - Thoroughly Modern Millie (1967)
Nominations:
Best Original Score - The Man with the Golden Arm (1955)
Best Original Score - The Magnificent Seven (1960)
Best Original Score - Summer and Smoke (1961)
Best Original Score - To Kill a Mockingbird (1962)
Best Original Song - Walk on the Wild Side (1962), "Walk on the Wild Side"
Best Original Score - Hawaii (1966)
Best Original Score - Return of the Seven (1966)
Best Original Song - Hawaii (1966), "My Wishing Doll"
Best Original Song - True Grit (1969), "True Grit"
Best Original Song - Gold (1974), "Wherever Love Takes Me"
Best Original Score - Trading Places (1983)
Best Original Score - The Age of Innocence (1993)
Best Original Score - Far from Heaven (2002)
RAZZIES:
Wins:
Worst Musical Score - Bolero (1984)- Producer
- Writer
- Director
Irwin Winkler's career as a producer, director and writer encompasses popular and influential movies that have impacted contemporary culture. With a passion for big, bold, meaningful stories, his films include an array of true screen classics, garnering among them 12 Academy Awards and 52 Oscar nominations.
Among Winkler's multiple nominations include five Best Picture nominations, each for a pioneering film: the tale of underdog sports triumph, Rocky, which forged one of most globally recognizable movie characters and themes in history; Raging Bull, which turned the biopic into a gritty, lyrical work of art; the history-capturing look at the U.S. space program, The Right Stuff; the iconic gangster tale, Goodfellas; and the recent The Wolf of Wall Street. Winkler is the only producer honored with three films on the American Film Institute's list of the "Top 100 Films."
Winkler was recently honored by the Producers Guild of America with the prestigious David O. Selznick Achievement Award which recognized his lifetime body of work.
In April 2016, Winkler spoke at Harvard University's Kennedy School on the political and social influence his films have had on both the U.S. and international culture.
In December 2016 The American Cinematheque held a three-day retrospective to honor Winkler by showcasing such works as Goodfellas, New York, New York and Raging Bull, culminating with an onstage conversation alongside Martin Scorsese to discuss Winkler's storied career.
Winkler most recently produced the critically acclaimed Silence with longtime collaborator Martin Scorsese, written by Jay Cocks and starring Liam Neeson, Andrew Garfield and Adam Driver.
In 2016 Winkler produced Creed, the latest installment of his Academy Award winning franchise, Rocky Starring Sylvester Stallone and Michael B. Jordan, with Ryan Coogler directing, the film garnered both commercial and critical success; earning a Golden Globe nomination and Academy Award nomination for Sylvester Stallone. The film was named Outstanding Motion Picture from the NAACP Image Awards, the Black Film Critics Circle and named as one of the top films by the National Board of Review.
In 2013, Winkler Executive Produced the Academy Award and Golden Globe nominated The Wolf of Wall Street, directed by Martin Scorsese and starring Leonardo DiCaprio, illustrates his continual presence as one of Hollywood's most prolific producers making an indelible impact with his ability to showcase emotional storytelling with hard hitting relevance.
For Winkler, success has come from his constant instinctual draw to fresh, current, even controversial subjects and visionary talents. As a storyteller he has been fascinated by both the dangers of corruption and the beauty of courage and compassion.
Winkler first made a resounding impact producing a series of raw, edgy human dramas that helped to define the gritty landscape of 70s and 80s cinema. Thus the the fiercely original They Shoot Horses, Don't They?, about the desperate contenders in a Depression-era dance contest, starring Jane Fonda and Michael Sarrazin, which would seal Winkler's reputation with 9 Academy Award nominations and status as a Hollywood classic.
Other highlights from this period include New York, New York, starring Liza Minnelli and Robert De Niro, which produced one of the most recognizable songs in pop culture; the enduring masterpiece, Raging Bull, considered by many to be among the great cinematic works of the 20th Century and highlighted by DeNiro's Oscar winning performance; and Goodfellas, which was honored with numerous critics' awards and has become etched in filmgoers' consciousnesses as the paragon of the American crime drama.
In that era, Winkler also produced the Mafia comedy Jimmy Brolin's The Gang That Couldn't Shoot Straight starring Bob DeNiro ; Up The Sandbox a look at the women's movement starring Barbra Streisand; The Gambler a penetrating look at gambling addiction, starring James Caan; the stirring modern Western, Comes A Horseman teaming Caan with Jane Fonda, directed by Alan Pakula; True Confessions written by Joan Didion and John Dunne starring Robert DeNiro and Robert Duvall; the critically-acclaimed suspense thriller about a woman who discovers her father is an accused Nazi war criminal, Music Box, which earned an Oscar nomination for star Jessica Lange and the homage to the Jazz Era, Round Midnight, with Herbie Hancock winning an Academy Award for his musical composition and a Best Actor nomination for Dexter Gordon.
In 1989, Winkler made his directorial debut from his own screenplay, Guilty By Suspicion, hailed by the New York Times as "A stirring and tragic evocation of terrible times" about Hollywood's all-too-real blacklisting era. Starring Robert DeNiro as a prominent director asked to "name names" and Annette Bening as his wife, the film presaged a writing and directing career that would, like Winkler's producing career, be focused on taut human drama and politically-charged themes and nominated for the Palme d'Or at the Cannes Film Festival.
Winkler's next directorial outing reunited him with both Robert DeNiro and Jessica Lange in the noir crime drama, Night and the City, which would close the prestigious New York Film Festival in 1992 and become a rousing critical success. He went on to direct and produce At First Sight, a romantic drama based on a true story by Dr. Oliver Sacks, starring Val Kilmer, Mira Sorvino and Nathan Lane and the prescient cyber-crime thriller The Net, starring Sandra Bullock, one of the big box-office hits of 1995.
Winkler's directorial career would continue to take intriguing turns. He broached the thought-provoking question of what happens when a man suddenly faces his own mortality in the poignantly complex Life as a House, featuring a landmark performance by Kevin Kline.
Radically switching gears, Winkler next directed one of his most distinctive features, the musical biography of the legendary composer Cole Porter: De-Lovely. Featuring Golden Globe-nominated performances from Kevin Kline and Ashley Judd, as well as performances from pop and rock music talents, including Sheryl Crow, Alanis Morissette, Elvis Costello, Robbie Williams, Natalie Cole, and Diana Krall, all performing Porter's classic songs, the film was selected as the closing night gala event at the 2004 Cannes Film Festival.
Winkler became one of the very first American filmmakers to turn his camera on the return of U.S. veterans from the war in Iraq - when he directed and produced the provocative drama Home of the Brave, starring Samuel L. Jackson, Curtis "50 Cent" Jackson, Jessica Biel and Brian Presley.
Winker's motion picture producing career began in the late 1960s when he produced his first film, the Elvis Presley movie Double Trouble, with the legendary director Norman Taurog. Soon after, he entered into a partnership with Robert Chartoff, producing such films as the classic revenge thriller Point Blank. In 1970, an eclectic trio of Winkler/Chartoff films each made a splash at the Cannes Film Festival: Leo the Last won the Best Director prize, the counter-culture cult film, The Strawberry Statement received the Jury Award They Shoot Horses, Don't They? garnered the closing night honors.
For his contributions to the popular culture, Winkler has been the recipient of numerous American and international honors, including the Commandeur des Arts et Lettres, the French government's highest decoration for contribution to the arts. In 1989, the British Film Institute saluted him with a retrospective of his work and in 1995, Winkler became the first producer to be honored with a showcase screening of ten of his films at the Deauville Film Festival. He has also received a Lifetime Achievement award from the Chicago Film Festival, a star on the Hollywood Boulevard Walk of Fame and retrospectives at the Museum of Modern Art in New York and the Los Angeles County Museum of Art, which had not honored a producer since their tribute to David O. Selznick in 1980. Winkler also received the National Board of Review's highest honor for Career Achievement in Producing, which Kevin Kline presented to him at their annual gala in January 2007 in New York. Winkler was a Governor of the New York City Ballet and is on the Board of Directors of the Los Angeles Philharmonic.1931 -
OSCARS:
Wins:
Best Picture - Rocky (1976)
Nominations:
Best Picture - Raging Bull (1980)
Best Picture - The Right Stuff (1983)
Best Picture - Goodfellas (1990)
RAZZIES:
Nominations:
Worst Picture - Revolution (1985)
Worst Picture - Rocky IV (1985)
Worst Picture - Rocky V (1990)- Producer
Robert Chartoff was born on 26 August 1933 in New York City, New York, USA. He was a producer, known for Creed (2015), Rocky (1976) and Raging Bull (1980). He was married to Jenny Weyman-Cockle, Vanessa Howard and Phyllis Raphael. He died on 10 June 2015 in Santa Monica, California, USA.1933 - 2015 (aged 81)
OSCARS:
Wins:
Best Picture - Rocky (1976)
Nominations:
Best Picture - Raging Bull (1980)
Best Picture - The Right Stuff (1983)
RAZZIES:
Nominations:
Worst Picture - Rocky IV (1985)
Worst Picture - Rocky V (1990)- Producer
- Additional Crew
- Production Manager
Dino De Laurentiis left home at age 17 to enrol in film school, supporting himself as an actor, extra, propman, or any other job he could get in the film industry. His persistence paid off, and by the time he reached his 20th birthday he already had one produced film under his belt. After serving in the Italian army during World War II, De Laurentiis went back into film production, and in 1946 scored a critical and commercial international hit with Bitter Rice (1949) ("Bitter Rice"). He later married its star, Silvana Mangano. De Laurentiis eventually formed a partnership with producer Carlo Ponti, and the team had a string of hits, including several by director Federico Fellini. After the partnership dissolved, De Laurentiis embarked on a plan to build his own studio facilities, which would enable him to make the kind of massive spectacles he wanted to make. The studio complex, called Dinocitta', eventually was forced to close down due to a combination of hard times in the Italian film industry and a string of flops by De Laurentiis himself. De Laurentiis eventually sold the property to the Italian government and moved his base of production to the United States. He again opened up a film production complex in Wilmington, North Carolina, called DEG Studios, but was eventually forced by economic conditions to sell that, too. De Laurentiis has had some critical successes since his move to the U.S. (Ragtime (1981)), but most of his U.S. productions have been critically lambasted, although several have been commercial successes.1919 - 2010 (aged 91)
OSCARS:
Wins:
Best International Feature Film - The Road (1954)
Irving G. Thalberg Memorial Award (2000)
RAZZIES:
Nominations:
Worst Picture - Year of the Dragon (1985)
Worst Picture - Body of Evidence (1992)
Worst Remake, Rip-off or Sequel - Hannibal Rising (2007)- Writer
- Director
- Producer
Richard Brooks was an Academy Award-winning film writer who also earned six Oscar nominations and achieved success as a film director and producer.
He was born Reuben Sax on May 18, 1912, in Philadelphia, Pennsylvania. His parents were Russian-Jewish immigrants. He graduated from West Philadelphia HS, attended Philadelphia's Temple University for two years, before dropping out and later working as a sports reporter and radio journalist in the 1930s. After a stint as a writer for the NBC network, he worked for one season as director of New York's Mill Pond Theatre, and then headed to Los Angeles. There he broke into films as a script writer of "B" movies, Maria Montez epics, serials, and did some radio writing. During the Second World War, he served with the US Marines for two years.
Richard Brooks made his directorial debut with MGM's Crisis (1950) starring Cary Grant. He scripted and directed The Brothers Karamazov (1958) and Cat on a Hot Tin Roof (1958) and two years later won the Academy Award for Best Screenplay for Elmer Gantry (1960). He had six Oscar nominations and 25 other nominations during his film career. Brooks was a writer and director of Chekhovian depth, who mastered the use of understatement, anticlimax and implied emotion. His films enjoyed lasting appeal and tended to be more serious than the usual mainstream productions. Brooks was regarded as "independent" even before he officially broke away from the studio system in 1965. In the 1980s, he had his own production company.
Richard Brooks died of a heart failure on March 11, 1992, in Beverly Hills, California, and was laid to rest in the Hillside Memorial Park Cemetery in Culver City, California. He has a star on the Hollywood Walk of Fame at 6422 Hollywood Blvd., for his contribution to the art of motion picture.1912 - 1992 (aged 79)
OSCARS:
Wins:
Best Adapted Screenplay - Elmer Gantry (1960)
Nominations:
Best Adapted Screenplay - Blackboard Jungle (1955)
Best Director - Cat on a Hot Tin Roof (1958)
Best Adapted Screenplay - Cat on a Hot Tin Roof (1958)
Best Director - The Professionals (1966)
Best Adapted Screenplay - The Professionals (1966)
Best Director - In Cold Blood (1967)
Best Adapted Screenplay - In Cold Blood (1967)
RAZZIES:
Nominations:
Worst Director - Fever Pitch (1985)
Worst Screenplay - Fever Pitch (1985)- Director
- Producer
- Writer
The old Etonian, after National Service in the British Army, wanted to get into films but found the doors were closed to him, so he worked on commercials for about 20 years. David Putnam gave him a chance to direct Chariots of Fire which was a hit, and he never looked back.
He met his second wife, actress Maryam d'Abo, when she came to see him about wanting to play the leading role of Jane in his film Greystoke: The Legend of Tarzan, Lord of the Apes (1984). They reconnected 15 years later at a dinner party. They wed four years later in 2003.1936 -
OSCARS:
Nominations:
Best Director - Chariots of Fire (1981)
RAZZIES:
Nominations:
Worst Director - Revolution (1985)- Actor
- Director
- Producer
Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.1940 -
OSCARS:
Wins:
Best Actor - Scent of a Woman (1992)
Nominations:
Best Supporting Actor - The Godfather (1972)
Best Actor - Serpico (1973)
Best Actor - The Godfather Part II (1974)
Best Actor - Dog Day Afternoon (1975)
Best Actor - And Justice for All (1979)
Best Supporting Actor - Dick Tracy (1990)
Best Supporting Actor - Glengarry Glen Ross (1992)
Best Supporting Actor - The Irishman (2019)
RAZZIES:
Wins:
Worst Supporting Actor - Jack and Jill (2011)
Worst Screen Combo - Jack and Jill (2011)
Nominations:
Worst Actor - Revolution (1985)
Worst Supporting Actor - Gigli (2003)
Worst Actor - 88 Minutes (2007) and Righteous Kill (2008)- Actor
- Writer
- Soundtrack
Burly, talented character actor who remained consistently busy playing "rough edged" or scary characters, often on the wrong side of the law. Young was born on April 30, 1940, in New York City, the son of a high school shop teacher. He is of Italian descent. Young received his dramatic arts training under acting coach Lee Strasberg at the Actors Studio.
Young first gathered notice playing tough thugs in such films as The Gang That Couldn't Shoot Straight (1971), Across 110th Street (1972), Chinatown (1974) and The Gambler (1974). Director Sam Peckinpah cast Young as the getaway driver/assassin, "Mac", in The Killer Elite (1975), and Young came to the attention of newcomer Sylvester Stallone, who cast him as future brother-in-law "Paulie" in the 1976 sleeper hit Rocky (1976).
Young was nominated for an Oscar, and has gone on to reprise the role in all five "Rocky" sequels to date! Peckinpah re-hired him to play renegade trucker "Pigpen" in the moderately successful Convoy (1978) (watch for "Pigpen's" Mack truck where the writing on the door states "Paulie Hauling"!).
Young also appeared in Once Upon a Time in America (1984), The Pope of Greenwich Village (1984), Last Exit to Brooklyn (1989), Mickey Blue Eyes (1999) and The Adventures of Pluto Nash (2002).1940 - 2023 (aged 83)
OSCARS:
Nominations:
Best Supporting Actor - Rocky (1976)
RAZZIES:
Nominations:
Worst Supporting Actor - Rocky IV (1985)
Worst Supporting Actor - Rocky V (1990)- Writer
- Actor
- Director
James Bridges was born on 3 February 1936 in Paris, Arkansas, USA. He was a writer and actor, known for The China Syndrome (1979), Perfect (1985) and The Paper Chase (1973). He died on 6 June 1993 in Los Angeles, California, USA.1936 - 1993 (aged 57)
OSCARS:
Nominations:
Best Adapted Screenplay - The Paper Chase (1973)
Best Original Screenplay - The China Syndrome (1979)
RAZZIES:
Nominations:
Worst Screenplay - Perfect (1985)- Director
- Producer
- Writer
Oliver Stone has become known as a master of controversial subjects and a legendary film maker. His films are filled with a variety of film angles and styles, he pushes his actors to give Oscar-worthy performances, and despite his failures, has always returned to success.
William Oliver Stone was born in New York City, to Jacqueline (Goddet) and Louis Stone, a stockbroker. His American father was from a Jewish family (from Germany and Eastern Europe), and his mother, a war bride, was French (and Catholic). After dropping out of Yale University, he became a soldier in the Vietnam War. Serving in two different regiments (including 1rst Cavalry), he was introduced to The Doors, drugs, Jefferson Airplane, and other things that defined the sixties. For his actions in the war, he was awarded a Bronze Star for Gallantry and a Purple Heart. Returning from the war, Stone did not return to graduate from Yale. His first film was a student film entitled Last Year in Viet Nam (1971), followed by the gritty horror film Seizure (1974) for which he also wrote the screenplay. The next seven years saw him direct two films: Mad Man of Martinique (1979) and The Hand (1981), starring Michael Caine. He also wrote many screenplays for films such as Midnight Express (1978), Conan the Barbarian (1982), and Scarface (1983). Stone won his first Oscar for Midnight Express (1978), but his fame was just beginning to show.
1986 was the year that brought him much fame to the U.S.A. and the world. He directed the political film Salvador (1986) starring Oscar-nominated James Woods. However, his big hit was the Vietnam war film Platoon (1986) starring Charlie Sheen,Willem Dafoe, Tom Berenger, and Francesco Quinn. Berenger and Dafoe received Oscar nominations for their roles as the polar opposite sergeants who each influence the tour of duty of Chris Taylor (Sheen). Stone won his first Oscar for directing this film, which won Best Picture and was a hit at the box office. After Platoon (1986), Stone followed up with the critically acclaimed Wall Street (1987). The movie, starring Charlie Sheen and Michael Douglas, focuses on the business world of tycoons and stock brokers. The film was well received and won an Oscar for Douglas' portrayal of the villainous Gordon Gekko. Stone returned immediately the following year with Talk Radio (1988), which talked of a foul-mouthed radio host (played by Eric Bogosian) who never fails to talk about the serious issues. Although it was not as successful as his last three films, Stone did not slow down at all. He directed Tom Cruise into an Oscar-nominated role in Born on the Fourth of July (1989).
The movie talked about the return of an embittered, crippled Vietnam soldier from the war. Although it failed to win Best Picture or Best Actor, Oliver Stone won an Academy Award for Directing, his third win to date. After Born on the Fourth of July (1989), Stone took a hand in producing several movies, including the Academy Award-winning film Reversal of Fortune (1990). He returned to the director's chair in 1991, once again with two films. Val Kilmer starred as the legendary and controversial Jim Morrison in Stone's psychedelic film The Doors (1991).
Despised by former Doors member Ray Manzarek, the film is nevertheless a wonderful achievement, with Kilmer pulling off an almost flawless impersonation of Morrison. Regardless of opinion, The Doors (1991) was overshadowed by Stone's colossal film JFK (1991), which Stone himself considers the best of his films. In Stone's movie, Jim Garrison tackles the conspiracy behind the murder of America's president John F. Kennedy. The large cast featured such well-known names as Kevin Costner, Tommy Lee Jones, John Candy, Joe Pesci, Donald Sutherland, and Walter Matthau. This film represented a change in Stone's works, because it was with this film that he really began to explore the different camera styles and combining them together to create a multi-dimensional way of showing a movie. JFK (1991), as with Platoon (1986) and Born on the Fourth of July (1989), earned eight Oscar nominations and was one of Stone's most successful films. However, he failed to win a third Oscar for Best Director.
After this film, Stone directed his third Vietnam film to date. Heaven & Earth (1993) was a film about the war from the viewpoint of a Vietnamese girl, and also co-starred Tommy Lee Jones (who had received an Oscar nomination for JFK (1991)). Despite its new woman's perspective and several positive reviews, it was a box office failure. Stone was unfazed; his next film is perhaps his most notorious film to date. Adapting a screenplay by Quentin Tarantino, Stone made Natural Born Killers (1994) starring Woody Harrelson, Juliette Lewis, Tom Sizemore and Rodney Dangerfield in his only dramatic performance. The film was received well at the box office, while review were very mixed. Because of the violence that people claimed was inspired by the film, it was compared to Stanley Kubrick's A Clockwork Orange (1971). As usual, Stone was at the center of controversial subjects; his next film Nixon (1995) was no exception. The film focused on the life of President Richard Nixon, played by Anthony Hopkins, while featuring another well-known cast, including Joan Allen in the role of Nixon's wife. Both went on to receive Oscar nominations, while Stone received his sixth Oscar nomination for Screenwriting. The film got mixed reviews, and failed to recoup its budget.
Aside from directing, Stone has worked as a producer on several different films. There was, of course, the successful film Reversal of Fortune (1990), which won Jeremy Irons an Oscar and also nominated the director for an Oscar. There was also the highly praised and successful emotional drama The Joy Luck Club (1993) which centered around four Chinese immigrant women whose relationships with their daughters is affected by their own lives. Another highly praised Oscar nominated film was Milos Forman's classic film The People vs. Larry Flynt (1996) starring Woody Harrelson, Edward Norton, and Courtney Love. Whether the crime/action film The Corruptor (1999) or the brilliant war epic Savior (1998), Stone has worked in a variety of film genres.
Stone had directed ten films in nine years; now however, he began to slow down. He directed the film U Turn (1997) starring Sean Penn and Jennifer Lopez. As with Natural Born Killers (1994), it was a dark and twisted satire on violence, but did not have the same success as the former. Stone was set to direct several projects in the late 90's but they fell through and were not made. However, success came back to Stone in the Al Pacino film Any Given Sunday (1999). This sports movie centered on the life behind the game of football, and it starred an impressive cast that included frequent Stone collaborators James Woods and John C. McGinley. This film was one of his most successful box office films, and put him back on track.
The following years brought Stone no new theatrical films, though he did make three fascinating TV documentaries. Two of them, 'Looking for Fidel' and Comandante (2003) were interviews of Cuban dictator Fidel Castro, while 'Persona Non Grata' was an interview of several Palestinian leaders. Stone was also set to direct American Psycho (2000) with Leonardo DiCaprio and Beyond Borders (2003), starring Angelina Jolie and at the time, Ralph Fiennes. However, Stone dropped out of both projects, as did a number of the actors mentioned. Finally, five years after Any Given Sunday (1999), Stone directed a film he'd long wanted to make; the colossal epic Alexander (2004). Starring Colin Farrell as the Macedonian leader, Stone attempted to capture the essence of Alexander the Great through his conquests of the known world. The film focused on Alexander's relationships with his parents (a brilliant performance by Val Kilmer and a less impressive one by Angelina Jolie) and his relationships with his wife and childhood friend/ gay lover (played by Rosario Dawson and Jared Leto respectively).
Alexander (2004) was a critical failure, and failed to win back its budget domestically. Despite being one of 2004's highest grossing films internationally, and recouping its budget through DVD sales, Stone's pet project was heavily criticized. Despite a far superior version (Alexander Revisited) being released on DVD, the film's reputation remains low by the majority. Stone was personally stung at these attacks, but managed to rebound, if mildly, with his hopeful film World Trade Center (2006). The film centers on two firefighters trapped in the rubble of the twin towers. It received good reviews, and allowed Oliver to step forward from his failure towards the possibility of more films.
In late 2007, besides a number of projects Stone was set to direct "Pinkville", which would have been his fourth Vietnam film to date. It was set to star a large number of well known actors such as Bruce Willis, Toby Jones, Channing Tatum, Michael Pitt, Woody Harrelson, and Michael Peña. However, a week before shooting was to begin, the Writer's Strike was started, and the finance for the film was cut, using the strike as an excuse. After Willis backed out of the project, it was eventually scuttled, much like Stone's early productions of Platoon (1986) and Born on the Fourth of July (1989). Stone turned to another project he had worked on with former Wall Street (1987) collaborator Stanley Weiser. The project was W. (2008), a biography on president George W. Bush. Stone initially cast Christian Bale in the role of Bush but the actor dropped out at the last minute. Josh Brolin was cast, and this followed with a large cast of well known Oscar nominated character actors such as Richard Dreyfuss, James Cromwell, and Ellen Burstyn. The film was made in a record four months, starting in June and released in October. The film opened to mixed reviews, and though film's budget was recouped, it was not a financial hit.
Stone then made the documentary South of the Border (2009), a documentary which focused on bringing to light the positive aspects of the left-wing governments in South America, particularly Hugo Chavez in Venezuela. Stone was much less critical than usual, instead making the documentary as a response to the harsh reputation that Chavez has in the States. The documentary was poorly received in the States. Stone also began work on Wall Street: Money Never Sleeps (2010). Starring Michael Douglas, Shia LaBeouf, Josh Brolin, Carey Mulligan, and Eli Wallach, the film focuses on the 2008 economic crisis, and the return of Gordon Gekko from prison. The film was screened at Cannes to positive reception, and hailed as Stone's triumphant return. After this, Stone made a film adaptation of "Savages", a novel by Don Winslow . The movie follows two highly successful marijuana growers (Taylor Kitsch and Aaron Taylor-Johnson ), whose shared girlfriend (Blake Lively) is kidnapped by a Mexican cartel and held for ransom. The movie also starred Salma Hayek, Benicio Del Toro, John Travolta, and Emile Hirsch. The film was a return to the tense action and violence of Stone's earlier films, though it polarized many audience members due to the colorful narrations of Lively's vapid and naive character, as well as the film's ending.
After completing the ambitious and well-received television project The Untold History of the United States (2012), as well as a documentary on Hugo Chavez, Stone finally returned to feature films with Snowden (2016). Based on the life of American whistle blower Edward Snowden, Stone's film depicted his awakening to the truth behind the massive surveillances conducted by the NSA, and his attempt to warn the general public of what they did not know. The film was done independently, financed by Europeans on a low budget. It was also a return to form for Stone in a way that had not been seen since "Alexander". Joseph Gordon-Levitt, delivered a very strong performance as Snowden, with the supporting cast including Shailene Woodley, Rhys Ifans, Melissa Leo, Timothy Olyphant, and Nicolas Cage. Sadly, the film received a mixed response from critics, and was a box office disappointment.
Since then, Stone has returned to television for his next two projects. One is a series of interviews with Russian leader Vladimir Putin, and the other is directing a new fictional series based on the abusive Guantanamo prison. It will be his first venture into fictional television.
Oliver Stone is a three-time Oscar winner, and although he has mostly been stung by critics of his films, he remains a well-known name today in the film industry. The films he directed have been nominated for 31 Academy Awards, including eight for acting, six for screen writing, and three for directing. There is no denying that Stone has cemented himself a position among the legends of Hollywood.1946 -
OSCARS:
Wins:
Best Adapted Screenplay - Midnight Express (1978)
Best Director - Platoon (1986)
Best Director - Born on the Fourth of July (1989)
Nominations:
Best Original Screenplay - Platoon (1986)
Best Original Screenplay - Salvador (1986)
Best Picture - Born on the Fourth of July (1989)
Best Adapted Screenplay - Born on the Fourth of July (1989)
Best Picture - JFK (1991)
Best Director - JFK (1991)
Best Adapted Screenplay - JFK (1991)
Best Original Screenplay - Nixon (1995)
RAZZIES:
Nominations:
Worst Screenplay - Year of the Dragon (1985)
Worst Director - U Turn (1997)
Worst Director - Alexander (2004)
Worst Screenplay - Alexander (2004)- Music Department
- Composer
- Additional Crew
Born on February 10, 1929, Jerry Goldsmith studied piano with Jakob Gimpel and composition, theory, and counterpoint with Mario Castelnuovo-Tedesco. He also attended classes in film composition given by Miklós Rózsa at the Univeristy of Southern California. In 1950, he was employed as a clerk typist in the music department at CBS. There, he was given his first embryonic assignments as a composer for radio shows such as "Romance" and "CBS Radio Workshop". He wrote one score a week for these shows, which were performed live on transmission. He stayed with CBS until 1960, having already scored The Twilight Zone (1959). He was hired by Revue Studios to score their series Thriller (1960). It was here that he met the influential film composer Alfred Newman who hired Goldsmith to score the film Lonely Are the Brave (1962), his first major feature film score. An experimentalist, Goldsmith constantly pushed forward the bounds of film music: Planet of the Apes (1968) included horns blown without mouthpieces and a bass clarinetist fingering the notes but not blowing. He was unafraid to use the wide variety of electronic sounds and instruments which had become available, although he did not use them for their own sake.
He rose rapidly to the top of his profession in the early to mid-1960s, with scores such as Freud (1962), A Patch of Blue (1965) and The Sand Pebbles (1966). In fact, he received Oscar nominations for all three and another in the 1960s for Planet of the Apes (1968). From then onwards, his career and reputation was secure and he scored an astonishing variety of films during the next 30 years or so, from Patton (1970) to Star Trek: The Motion Picture (1979) and from Chinatown (1974) to The Boys from Brazil (1978). He received 17 Oscar nominations but won only once, for The Omen (1976) in 1977 (Goldsmith himself dismissed the thought of even getting a nomination for work on a "horror show"). He enjoyed giving concerts of his music and performed all over the world, notably in London, where he built up a strong relationship with London Symphony Orchestra.
Jerry Goldsmith died at age 75 on July 21, 2004 after a long battle with cancer.1929 - 2004 (aged 75)
OSCARS:
Wins:
Best Original Score - The Omen (1976)
Nominations:
Best Original Score - Freud (1962)
Best Original Score - A Patch of Blue (1965)
Best Original Score - The Sand Pebbles (1966)
Best Original Score - Planet of the Apes (1968)
Best Original Score - Patton (1970)
Best Original Score - Papillon (1973)
Best Original Score - Chinatown (1974)
Best Original Score - The Wind and the Lion (1975)
Best Original Song - The Omen (1976), "Ave Satani"
Best Original Score - The Boys from Brazil (1978)
Best Original Score - Star Trek: The Motion Picture (1979)
Best Original Score - Poltergeist (1982)
Best Original Score - Under Fire (1983)
Best Original Score - Hoosiers (1986)
Best Original Score - Basic Instinct (1992)
Best Original Score - L.A. Confidential (1997)
Best Original Score - Mulan (1998)
RAZZIES:
Wins:
Worst Original Song - Rambo: First Blood Part II (1985), "Peace in Our Life"
Nominations:
Worst Musical Score - King Solomon's Mines (1985)
Worst Original Song - Congo (1995), "Spirit of Africa"- Additional Crew
- Composer
- Music Department
John Corigliano was born on 16 February 1938 in New York City, New York, USA. He is a composer, known for The Red Violin (1998), Altered States (1980) and Revolution (1985).1938 -
OSCARS:
Wins:
Best Original Score - The Red Violin (1998)
Nominations:
Best Original Score - Altered States (1980)
RAZZIES:
Nominations:
Worst Musical Score - Revolution (1985)- Hesper Anderson was born on 2 August 1934 in New York City, New York, USA. Hesper was a writer, known for Children of a Lesser God (1986), Touched by Love (1980) and The Deliberate Stranger (1986). Hesper was married to Earle H Levenstein. Hesper died on 17 October 2018 in Sherman Oaks, California, USA.1934 - 2018 (aged 84)
OSCARS:
Nominations:
Best Adapted Screenplay - Children of a Lesser God (1986)
RAZZIES:
Nominations:
Worst Screenplay - Touched by Love (1980) - Writer
- Producer
- Actress
Gloria Katz was born on 25 October 1942 in Los Angeles, California, USA. She was a writer and producer, known for Howard the Duck (1986), American Graffiti (1973) and Indiana Jones and the Temple of Doom (1984). She was married to Willard Huyck. She died on 25 November 2018 in Los Angeles, California, USA.1942 - 2018 (aged 76)
OSCARS:
Nominations:
Best Original Screenplay - American Graffiti (1973)
RAZZIES:
Wins:
Worst Picture - Howard the Duck (1986)
Worst Screenplay - Howard the Duck (1986)- Writer
- Producer
- Additional Crew
John Kohn was born on 7 November 1925 in New York City, New York, USA. He was a writer and producer, known for The Collector (1965), Shanghai Surprise (1986) and Theater of Blood (1973). He died on 4 May 2002 in Sherman Oaks, California, USA.1925 - 2002 (aged 76)
OSCARS:
Nominations:
Best Adapted Screenplay - The Collector (1965)
RAZZIES:
Nominations:
Worst Picture - Shanghai Surprise (1986)
Worst Screenplay - Shanghai Surprise (1986)- Writer
- Director
- Producer
Willard Huyck was born on 8 September 1945 in Los Angeles, California, USA. He is a writer and director, known for Howard the Duck (1986), American Graffiti (1973) and Indiana Jones and the Temple of Doom (1984). He was previously married to Gloria Katz.1945 -
OSCARS:
Nominations:
Best Original Screenplay - American Graffiti (1973)
RAZZIES:
Wins:
Worst Screenplay - Howard the Duck (1986)
Nominations:
Worst Director - Howard the Duck (1986)- Born in Birmingham, Alabama, to Episcopal minister Robert Fletcher and his wife Estelle, both of whom were deaf, Louise Fletcher was introduced to performing at a young age by the aunt who taught her to speak. After graduating from the University of North Carolina, she took a trip out west with her roommates, finding herself in Los Angeles without enough money to return home. She took a temporary job as a receptionist and signed up for acting classes at night. Soon she was working regularly in television and film, but after marrying producer Jerry Bick and having two sons, the actress took a long hiatus to raise her children.
Returning to work in 1974 in Robert Altman's Thieves Like Us (1974), Fletcher came to the attention of director Milos Forman, who was casting the difficult role of the nurse in One Flew Over the Cuckoo's Nest (1975). She won the role -- and then the Academy Award -- portraying deadly, inflexible Nurse Ratched, who has since become a cultural icon. Numerous film roles followed, including co-starring turns with Peter Falk in The Cheap Detective (1978) and with Richard Burton in Exorcist II: The Heretic (1977). Fletcher has appeared in a number of science fiction and horror classics such as Firestarter (1984), Brainstorm (1983), and Flowers in the Attic (1987).
Though she earned an Emmy Award nomination for her recurring role on Picket Fences (1992), Fletcher is perhaps best known to recent television audiences as Kai Winn from Star Trek: Deep Space Nine (1993) and as Nora Bloom from the cult classic VR.5 (1995).1934 - 2022 (aged 88)
OSCARS:
Wins:
Best Actress - One Flew Over the Cuckoo's Nest (1975)
RAZZIES:
Nominations:
Worst Supporting Actress - Invaders from Mars (1986) - In her long career, Beatrice Straight did quite a bit of work in the movies, despite plying her trade mostly onstage. When she did grace the silver screen, she did it with great skill. Her first love was theater, having debuted on Broadway in the 1935 "Bitter Oleander". Her work garnered her much acclaim, including laurels in her Tony-winning performance for which she won the award for best supporting actress as Elizabeth Proctor in the 1953 production of Arthur Miller's "The Crucible". In addition to theater and movies, she gave us notable work on television. In 1978, she won an Emmy nomination for her part as the matriarch Alice Dain Leggett in the miniseries The Dain Curse (1978). No less stately, she played the part of Lynda Carter's Queen Mother in the 1970s Wonder Woman (1975) series. Her life was touched by that same kind of elegance and stateliness that she often portrayed onstage and on-screen. She was born Beatrice Whitney Straight in Old Westbury on Long Island. Her father, banker and diplomat Willard Dickerman Straight, associated with the likes of J.P. Morgan. Her mother, Dorothy Payne Whitney Straight, was an heiress of the Whitneys, a dynastic (in the sense of TV's own "Dynasty"), moneyed family on the eastern seaboard. Beatrice went to the best schools and caught the acting bug while a student in Devonshire, England, rendering a critically acclaimed performance in a school production of Ibsen's "A Doll's House." Her studies subsequently turned to acting, and she studied under the tutelage of Michael Chekhov, nephew of Russian playwright Anton Chekhov and a member of the Moscow Art Theatre. Their relationship was somewhat symbiotic in that she persuaded him to start an acting school, later teaching there herself. It was through her work in the theater that she met her husband Peter Cookson, appearing opposite him as leading lady in "The Heiress" in 1948. She is perhaps best known for her achievement in the 1976 movie Network (1976); after only three days of work in that movie in just a few scenes that actually made it into the final cut, Beatrice Straight contributed such a stellar performance that she earned the Academy Award for the best performance by a supporting actress.1914 - 2001 (aged 86)
OSCARS:
Wins:
Best Supporting Actress - Network (1976)
RAZZIES:
Nominations:
Worst Supporting Actress - Power (1986) - Writer
- Director
- Producer
Sarah Kernochan was born in New York City. Educated at Rosemary Hall and Sarah Lawrence, she achieved early success by winning the Academy Award for Best Feature Documentary, at age 27, for her film "Marjoe." Her next move was to record two RCA albums as a singer-songwriter. Two years later her novel "Dry Hustle" was published. An original musical titled "Sleeparound Town" followed, with workshop productions at the New York Public Theater, and then Playwrights Horizons, where she met her future husband James Lapine. Their daughter Phoebe Lapine was born 1985, by which time Kernochan had settled into a career as a screenwriter and filmmaker. In 2002 she won a second Academy Award, this time for the 40-minute short "Thoth". She continues to compose songs for her website. She has taught advanced screenwriting as a Terry and Jane Semel Fellow at Emerson College in Boston. Her most recent accomplishments have been the publication of "Jane Was Here"(2011), a well-reviewed reincarnation mystery, and the release of her third album "Decades of Demos" for digital download in online stores. Her biog "At Home With a Ghost" is an ongoing chronicle of her lifelong encounters with ghosts and spirits.1947 -
OSCARS:
Wins:
Best Documentary Feature - Marjoe (1972)
Best Documentary Short Film - Thoth (2002)
RAZZIES:
Nominations:
Worst Screenplay - 9½ Weeks (1986)- Music Department
- Writer
- Composer
Leslie Bricusse was born on 29 January 1931 in Southfields, London, England, UK. He was a writer and composer, known for Doctor Dolittle (1967), Willy Wonka & the Chocolate Factory (1971) and Scrooge (1970). He was married to Yvonne Romain. He died on 19 October 2021 in Saint-Paul-de-Vence, Alpes-Maritime, France.1931 - 2021 (aged 90)
OSCARS:
Wins:
Best Original Song - Doctor Dolittle (1967), "Talk to the Animals"
Best Original Score - Victor/Victoria (1982)
Nominations:
Best Original Score - Doctor Dolittle (1967)
Best Original Score - Goodbye, Mr. Chips (1969)
Best Original Score - Scrooge (1970)
Best Original Song - Scrooge (1970), "Thank You Very Much"
Best Original Score - Willy Wonka & the Chocolate Factory (1971)
Best Original Song - That's Life! (1986), "Life in a Looking Glass"
Best Original Song - Hook (1991), "When You're Alone"
RAZZIES:
Nominations:
Worst Original Song - That's Life! (1986), "Life in a Looking Glass"- Music Artist
- Actor
- Producer
A master musician, a film producer and actor, best known as the lead guitarist and occasionally lead vocalist of The Beatles, George Harrison was born February 25, 1943, in Liverpool, Merseyside, England. He was also the youngest of four children, born to Harold Harrison and Louise Harrison.
Like his future band mates, Harrison was not born into wealth. Louise was largely a stay-at-home mom while her husband Harold drove a school bus for the Liverpool Institute, an acclaimed grammar school that George attended and where he first met a young classmate, Paul McCartney. By his own admission, Harrison was not much of a student and what little interest he did have for his studies washed away with his discovery of the electric guitar and American rock-'n'-roll.
There were a lot of harmonies in the Harrison household. He had a knack of sorts for it by age 12 or 13, while riding a bike around his neighborhood and hearing Elvis Presley's "Heartbreak Hotel", playing from a nearby house. By the age of 14 George--who was a fan of such legends as , Harrison, who grew up in the likes of listening to such rock legends Carl Perkins, Little Richard and Buddy Holly--had purchased his first guitar and taught himself a few chords.
McCartney', who had recently joined up with another Liverpool teenager, John Lennon, in a skiffle group known as The Quarrymen, invited Harrison to see the band perform. Harrison and Lennon had a few things in common, such as the fact that they both attended Dovedale Primary School but didn't know each other. Their paths finally crossed in early 1958. McCartney had been egging the 17-year-old Lennon to allow the 14-year-old Harrison to join the band, but Lennon was reluctant; as legend has it, after seeing McCartney and Lennon perform, George was granted an audition on the upper deck of a bus, where he wowed Lennon with his rendition of popular American rock riffs.
The 17-year-old Harrison's music career was in full swing by 1960. Lennon had renamed the band The Beatles and the young group began cutting its rock teeth in the small clubs and bars around Liverpool and Hamburg, Germany. Within two years, the group had a new drummer, Ringo Starr, and a manager, Brian Epstein, a young record store owner who eventually landed the group a record contract with EMI's Parlophone label.
Before the end of 1962, Harrison and The Beatles recorded a song, "Love Me Do", that landed in the UK Top 20 charts. Early that following year, another hit, "Please Please Me," was released, followed by an album by the same name. "Beatlemania" was in full swing across England, and by early 1964, with the release of their album in the US and an American tour, it had swept across the States as well.
Largely referred to as the "Quiet Beatle" Harrison took a back seat to McCartney, Lennon and, to a certain extent, Starr. Still, he could be quick-witted, even edgy. During the middle of one American tour, the group members were asked how they slept at night with long hair.
From the get-go, Lennon-McCartney were primary lead vocalists. While the two spent most of the time writing their own songs, Harrison had shown an early interest in creating his own work. In the summer of 1963 he spearheaded his first song, "Don't Bother Me," which made its way on to the group's second album. From there on out, Harrison's songs were a staple of all Beatle records. In fact, some of the group's more memorable songs--e.g., "While My Guitar Gently Weeps" and "Something," which was the only Beatle song ever recorded by Frank Sinatra--were penned by Harrison.
However, his influence on the group and pop music in general extended beyond just singles. In 1965, while on the set of The Beatles' second film, Help! (1965), Harrison took an interest in some of the Eastern instruments and their musical arrangements that were being used in the film. He soon developed a deep interest in Indian music. He taught himself the sitar, introducing the instrument to many western ears on Lennon's song, "Norwegian Wood"" He soon cultivated a close relationship with renowned sitar player Ravi Shankar. Other groups, including The Rolling Stones, began incorporating the sitar into some of their work. It could be argued that Harrison's experimentation with different kinds of instrumentation helped pave the way for such ground-breaking Beatle albums as "Revolver" and "Sgt. Pepper's Lonely Hearts Club Band".
Harrison's interest in Indian music soon extended into a yearning to learn more about eastern spiritual practices. In 1968 he led The Beatles on a journey to northern India to study transcendental meditation under Maharishi Mahesh Yogi.
Having grown spiritually and musically since the group first started, Harrison, who wanted to include more of his material on Beatle records, was clearly uneasy with the McCartney-Lennon dominance of the group. During the "Let It Be" recording sessions in 1969, Harrison walked out, staying away for several weeks before he was coaxed to come back with the promise that the band would use more of his songs on its records.
However, tensions in the group were clearly high. Lennon and McCartney had ceased writing together years before, and they, too, were feeling the need to go in a different direction. In January of 1970 the group recorded Harrison's "I Me Mine." It was the last song the four would ever record together. Three months later, McCartney announced he was leaving the band and The Beatles were officially over.
After the breakup of The Beatles, Harrison pursued a solo career. He immediately assembled a studio band consisting of ex-Beatle Starr, guitar legend Eric Clapton, keyboardist Billy Preston and others to record all the songs that had never made it on to The Beatles catalog. The result was a three-disc album, "All Things Must Pass". While one of its signature songs, "My Sweet Lord," was later deemed too similar in style to The Chiffons' 1963 hit "He's So Fine," forcing the guitarist to cough up nearly $600,000, the album as a whole remains Harrison's most acclaimed record.
Not long after the album's release, Harrison combined his charitable work and his continued passion for the east when he put together a series of ground-breaking benefit concerts at New York City's Madison Square Garden to raise money for refugees in Bangladesh. Known as the "Concert for Bangladesh", the shows, which featured Bob Dylan, Leon Russell, and Ravi Shankar, would go on to raise some $15 million for UNICEF, produced a Grammy-winning album, a successful documentary film (The Concert for Bangladesh (1972)) and laid the groundwork for future benefit shows like "Live Aid" and "Farm Aid".
Not everything about post-Beatle life went smoothly for Harrison, though. In 1974, his marriage to Pattie Boyd, whom he'd married eight years before, ended when she left him for Eric Clapton. His studio work struggled, too, from 1973-77, starting with, "Living in the Material World", "Extra Texture," and "33 1/3," all of which failed to meet sales expectations.
Following the release of that last album, Harrison took a short break from music, winding down his own label, Dark Horse Records--which he had started in 1974, and which had released albums by a number of other bands--and started his own film production company, Handmade Films. The company produced the successful Monty Python film Life of Brian (1979) and would go on to make 26 other films before Harrison sold his interest in the company in 1994.
In 1979, he returned to the studio to release his self-titled album. It was followed two years later by, "Somewhere in England," which was still being worked on at the time of John Lennon's assassination in December of 1980. The record eventually included the Lennon tribute track, "All Those Years Ago," a song that reunited ex-Beatles Paul McCartney and Ringo Starr, along with ex-Wings members Denny Laine and Linda McCartney. While the song was a hit, the album, its predecessor and its successor, "Gone Troppo," weren't. For Harrison the lack of commercial appeal and the constant battles with music executives proved draining and prompted another studio hiatus.
A comeback of sorts came in November 1987, however, with the release of the album "Cloud Nine," produced by Jeff Lynne (of Electric Light Orchestra). The album turned out several top-charting hits, including "Got My Mind Set On You"-- remake of the 1962 song by Rudy Clark--and "When We Was Fab," a song that reflected on the life of Beatlemania, with Ringo Starr and Paul McCartney, who was dressed up as a walrus, but was a camera shy, in February 1988. Later that year Harrison formed The Traveling Wilburys. The group consisted of Harrison, Lynne, Roy Orbison, Tom Petty and Bob Dylan, and spawned two successful albums. Buoyed by the group's commercial success, Harrison took to the road with his new bandmates in 1992, embarking on his first international tour in 18 years.
Not long afterwards he was reunited with McCartney and Starr for the creation of an exhaustive three-part release of a Beatles anthology--which featured alternative takes, rare tracks and a John Lennon demo called "Free as a Bird," that the three surviving Beatles completed in the studio. The song went on to become the group's 34th Top 10 single. After that, however, Harrison largely became a homebody, keeping himself busy with gardening and his cars at his expansive and restored home in Henley-on-Thames in south Oxfordshire, England.
Still, the ensuing years were not completely stress-free. In 1997, Harrison, a longtime smoker, was successfully treated for throat cancer. Eighteen months later, his life was again put on the line when a deranged 33-year-old Beatles fan somehow managed to circumvent Harrison's intricate security system and broke into his home, attacking the musician and his wife Olivia with a knife. Harrison was treated for a collapsed lung and minor stab wounds. Olivia suffered several cuts and bruises.
In May 2001, Harrison's cancer returned. There was lung surgery, but doctors soon discovered the cancer had spread to his brain. That autumn, he traveled to the US for treatment and was eventually hospitalized at the UCLA Medical Center in Los Angeles, CA. He died November 29, 2001, at ex-bandmate McCartney's house in Los Angeles, at aged 58, with his wife and son at his side.
Just one year after his death, Harrison's final studio album, "Brainwashed," was released. It was produced by Lynne, Harrison's son Dhani Harrison and Harrison himself, and featured a collection of songs he'd been working at the time of his death. Dhani finished putting the album together and it was released in November of 2002.1943 - 2001 (aged 58)
OSCARS:
Wins:
Best Original Score - Let It Be (1970)
RAZZIES:
Nominations:
Worst Original Song - Shanghai Surprise (1986), "Shanghai Surprise"- Visual Effects
- Producer
- Special Effects
John Dykstra was born on 3 June 1947 in Long Beach, California, USA. He is a producer, known for Spider-Man 2 (2004), Spider-Man (2002) and Star Wars: Episode IV - A New Hope (1977).1947 -
OSCARS:
Wins:
Best Visual Effects - Star Wars: Episode IV - A New Hope (1977)
Best Visual Effects - Spider-Man 2 (2004)
Nominations:
Best Visual Effects - Star Trek: The Motion Picture (1979)
Best Visual Effects - Stuart Little (1999)
Best Visual Effects - Spider-Man (2002)
RAZZIES:
Nominations:
Worst Visual Effects - Invaders from Mars (1986)- Make-Up Department
- Special Effects
- Additional Crew
Stan Winston was born on 7 April 1946 in Richmond, Virginia, USA. He is known for Terminator 2: Judgment Day (1991), Jurassic Park (1993) and Aliens (1986). He was married to Karen Winston. He died on 15 June 2008 in Malibu, California, USA.1946 - 2008 (aged 62)
OSCARS:
Wins:
Best Visual Effects - Aliens (1986)
Best Makeup and Hairstyling - Terminator 2: Judgment Day (1991)
Best Visual Effects - Terminator 2: Judgment Day (1991)
Best Visual Effects - Jurassic Park (1993)
Nominations:
Best Makeup and Hairstyling - Heartbeeps (1981)
Best Visual Effects - Predator (1987)
Best Makeup and Hairstyling - Edward Scissorhands (1990)
Best Makeup and Hairstyling - Batman Returns (1992)
Best Visual Effects - The Lost World: Jurassic Park (1997)
Best Visual Effects - A.I. Artificial Intelligence (2001)
RAZZIES:
Nominations:
Worst Visual Effects - Invaders from Mars (1986)- Special Effects
- Make-Up Department
- Visual Effects
Carlo Rambaldi was born on 15 September 1925 in Vigarano Mainarda, Emilia-Romagna, Italy. He is known for E.T. the Extra-Terrestrial (1982), King Kong (1976) and Alien (1979). He was married to Bruna Basso. He died on 10 August 2012 in Lamezia Terme, Calabria, Italy.1925 - 2012 (aged 86)
OSCARS:
Wins:
Special Achievement Academy Award - King Kong (1976)
Best Visual Effects - Alien (1979)
Best Visual Effects - E.T. the Extra-Terrestrial (1982)
RAZZIES:
Nominations:
Worst Visual Effects - King Kong Lives (1986)- Actor
- Producer
- Writer
Since starring in his first film, Splendor in the Grass (1961), Warren Beatty has been said to have demonstrated a greater longevity in movies than any actor of his generation. Few people have taken so many responsibilities for all phases of the production of films as producer, director, writer, and actor, and few have evidenced so high a level of integrity in a body of work.
In Rules Don't Apply (2016), he writes, produces, directs and stars in. Only Beatty and Orson Welles (Citizen Kane) have been nominated by the Academy of Motion Picture Arts and Sciences as an actor, a director, a writer, and a producer for the same film. Beatty is the only person ever to have done it twice, for Heaven Can Wait (1978) and again for Reds (1981). Beatty has been nominated 15 times by the Academy of Motion Pictures Arts and Sciences, and 8 films he has produced have earned 53 Academy nominations. In 1982 he won the Academy Award for Directing and in 2000 was given the Academy's highest honor, the Irving G. Thalberg Award.
He was awarded Best Director from the Directors Guild of America and Best Writer three times from the Writers Guild of America. He has received the Milestone Award from the Producers Guild, the Board of Governors Award from the American Society of Cinematographers, the Directors Award from the Costume Designers Guild, the Life Achievement Award from the Publicists Guild, and the Outstanding Contribution to Cinematic Imagery Award from the Art Directors Guild. The National Association of Theater Owners has honored him as Director of the Year, as Producer of the Year and as Actor of the Year.
He has won 16 awards from the New York and Los Angeles Film Critics, the National Board of Review, and the Golden Globes. In 1992, he was made a Commander of the Order of Arts and Letters in France; in Italy he received the David di Donatello award in 1968 and again in 1981 and its Lifetime Achievement Award in 1998; in 2001, he received the Donostia Lifetime Achievement Award from the San Sebastian International Film Festival; in 2002, he received the British Academy Fellowship from BAFTA; and in 2011, he was awarded the Stanley Kubrick Britannia Award for Excellence in Film.
In December 2004, Beatty received The Kennedy Center Honor in Washington, D.C. In addition, he is the recipient of the American Film Institute's Lifetime Achievement Award, the HFPA Cecile B. DeMille Award and many others. Politically active since the 1960's, Beatty campaigned with Robert F. Kennedy in his 1968 presidential campaign. That same year he traveled throughout the United States speaking in favor of gun control and against the war in Vietnam. In 1972 he took a year off from motion pictures to campaign with George McGovern.
In 1981, Beatty was a founding board member of the Center for National Policy. He is a founding member of The Progressive Majority, a member of the Council on Foreign Relations, and has participated in the World Economic Forum at Davos, Switzerland.
Beatty serves on the Board of Directors of the Motion Picture and Television Fund Foundation. He previously served on the Board of Trustees of The Scripps Research Institute for several years. He has received the Eleanor Roosevelt Award from the Americans for Democratic Action, the Brennan Legacy Award from the Brennan Center for Justice at the New York University School of Law, and the Philip Burton Public Service Award from The Foundation for Taxpayer and Consumer Rights.
In multiple forums he has addressed campaign finance reform, the increasing disparity of wealth, universal health care and the need for the Democratic Party to return to its roots.
In March of 2013, he was inducted into the California Hall of Fame.
Beatty was born in Richmond, Virginia. He and his wife, Annette Bening, live in Los Angeles and have four children.
His mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and his father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. His sister is actress Shirley MacLaine (born Shirley MacLean Beaty). His ancestry is mostly English and Scottish.1937 -
OSCARS:
Wins:
Best Director - Reds (1981)
Irving G. Thalberg Memorial Award (1999)
Nominations:
Best Picture - Bonnie and Clyde (1967)
Best Actor - Bonnie and Clyde (1967)
Best Original Screenplay - Shampoo (1975)
Best Picture - Heaven Can Wait (1978)
Best Director - Heaven Can Wait (1978)
Best Actor - Heaven Can Wait (1978)
Best Adapted Screenplay - Heaven Can Wait (1978)
Best Picture - Reds (1981)
Best Actor - Reds (1981)
Best Original Screenplay - Reds (1981)
Best Picture - Bugsy (1991)
Best Actor - Bugsy (1991)
Best Original Screenplay - Bulworth (1998)
RAZZIES:
Nominations:
Worst Picture - Ishtar (1987)
Worst Remake, Rip-off or Sequel - Love Affair (1994)
Worst Director - Town & Country (2001)- Actress
- Writer
- Director
Elaine May (born under the name Elaine Iva Berlin) is an American actress, comedian, film director, playwright, and screenwriter from Philadelphia. Her professional career started in the 1950s and is still ongoing. She has twice been nominated for the Academy Award for Best Adapted Screenplay. She is best remembered for directing the Cold War-themed action comedy "Ishtar" (1987). She won the Golden Raspberry Award for Worst Director, but the film has had a vocal minority of critics who defend its quality.
In 1932, May was born to a Jewish-American family. Both her parents were theatrical actors. Her father Jack Berlin was also a theater director and led his own traveling Yiddish theater company. Her mother was actress Ida Aaron. May made her stage debut c. 1935, at the age of 3. Her father had decided to include her in his performances. As a a child actress, she was reportedly cast in the roles of boys.
The theater company toured extensively, and May was part of their tours. She kept changing schools, enrolling for a few weeks and then moving to another city. May reputedly hated school, but loved reading books on her own. Her favorite topics were fairy tales and mythology.
Jack Berlin died c. 1942, and May's career as a child actress consequently ended. She was left in the custody of her mother. The duo settled in Los Angeles, and May eventually enrolled in Hollywood High School. In 1946, May dropped out of school. In 1948, she married her her first husband, the toy inventor Marvin May. She was only 16-years-old at the time of her marriage. She would later keep her husband's surname as her professional name.
In 1949, May had her only child, Jeannie Brette May. Jeannie would later become a professional actress in her own right, under the name Jeannie Berlin. May and her husband separated c. 1950, and she received a divorce in 1960. She started supporting herself through a series of odd jobs.
In 1950, May was interested in attending college, but most colleges in California required applicants to have high school diplomas. As a high school dropout, she did not have the necessary diploma. Learning that the University of Chicago did not use this requirement, she hitch-hiked her way to Chicago, At the time her personal fortune consisted of 7 dollars.
Once she arrived in Chicago, May started informally taking classes at the university by auditing, sitting in without enrolling. She habitually engaged in discussions with her instructors. She once had a fight with a philosophy instructor because of their different interpretations of the motives behind Socrates' apology. May was introduced to aspiring actor Mike Nichols (1931-2014),who was also attending the University. They bonded over their shared passion for the theater.
In 1955, May became one of the charter members of the Compass Players, a Chicago-based improvisational theater group. Nichols joined the group shortly after. The two of them formed a working partnership, jointly developing improvised comedy sketches. May helped the Compass Players to become a highly popular comedy troupe, due to her talent for satire. She helped in the training of novice members of the group.
In 1957, Nichols was asked to leave the Compass Players. His popularity had outshone most members of the group, and had caused internal conflicts. May left the group with him. They then decided to form their own stand-up comedy team, "Nichols and May". Their improvisational skills, and ability to come up with fresh material allowed them to impress their audience.
In 1960, the comedy duo made their Broadway debut, with the show "An Evening with Mike Nichols and Elaine May". A recording of the show won the 1962 "Grammy Award for Best Comedy Album". "Nichols and May" became very popular in New York City, performing in sold-out shows. They also started making appearances in radio and television, and even recorded commercials.
May was reportedly surprised with her own success. She had spend much of her adult life in near-poverty, but she was now earning a regular income from show business. She joked in an interview that she was practically barefoot when she arrived in New York, and now had to get used to wearing high heels.
In 1961, the duo was at the height of their fame. But they decided to dissolve their partnership in order to pursue solo careers. Nichols started working as a Broadway stage director, while May started her new career as a playwright. Her most successful play was "Adaptation" (1969), which she also directed. For her work as a theatrical director, she won the 1969 "Outer Critics Circle Award, Best Director".
May made her debut as a film director with the black comedy "A New Leaf" (1971). It was an adaptation of a short story by Jack Ritchie (1922-1983), depicting the story of an impoverished patrician who marries a wealthy heiress for her money. The main character initially considers murdering his wife to inherit her wealth, but first he has to protect her from other predators who were after her money.
Her first film found little success at the box office, but was praised by critics and was nominated for the "Golden Globe Award for Best Motion Picture - Musical or Comedy". It later earned a reputation as a cult classic, and in 2019 it was selected for preservation by the National Film Registry.
Her second film was the romantic comedy "The Heartbreak Kid" (1972). It concerns a newlywed man who falls madly in love with a younger woman while on his honeymoon. He pursues his romantic interest obsessively despite all signs that his love is unrequited, and despite the disapproval of the woman's protective father. The film was critically acclaimed, and has at times been listed in retrospectives concerning the funniest American films.
In an unusual career move, her third film was not a comedy. It was the rather bleak gangster film "Mikey and Nicky" (1976). It depicts a small-time mobster whose life is in danger, resorting to asking for help from his childhood friend. While creating this film, May got involved in a legal dispute with the film studio Paramount Pictures. The studio eventually decided to only allow a limited release for the film. The film found a niche audience in the home video market, but May's career as a director suffered from this dispute. She was effectively blacklisted.
May decided to focus on her screenwriting career. She found success with the script to the fantasy-comedy "Heaven Can Wait" (1978), about the afterlife of a man who died prematurely. The film was based on a 1938 play by Harry Segall (1892-1975), and also served as a remake to the classic film "Here Comes Mr. Jordan" (1941) which was based on the same play. The film earned about 99 million dollars at the worldwide box office, and was a critical hit. May was nominated for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Oliver Stone (1946-).
During the early 1980s, May mainly worked as an uncredited script doctor. She "polished" scripts by other screenwriters. Her greatest success in this role was the romantic comedy "Tootsie" (1982), for which she wrote several additional scenes. She attempted her comeback as a director with the action comedy "Ishtar" (1987), which became a box office flop for the film studio Columbia Pictures. The film's failure reportedly convinced Columbia's parent company Coca-Cola to sell the under-performing studio to Sony.
"Ishtar" was derided at the time as the worst film of its era by many critics, but was also defended by a vocal minority of critics. It has since attracted a cult audience, who consider this to be a great film. However the film's failure ended May's career as a film director and damaged her reputation. She also ceased working as a screenwriter for several years, reduced to working as an actress again.
May made her comeback as a screenwriter with the comedy film "The Birdcage" (1996), a remake of the European comedy "La Cage aux Folles" (The Cage of Madwomen, 1978). In the film, the openly gay parents to a young man have to pretend to be straight in an attempt to impress their son's prospective in-laws. The film earned about 185 million dollars at the worldwide box office, the greatest hit in May's career up to that point. She was nominated for the "Writers Guild of America Award for Best Adapted Screenplay", but the award was instead won by rival screenwriter Billy Bob Thornton (1955-).
May found more critical success with her next screenplay, for the political film "Primary Colors" (1998). It was an adaptation of the roman à clef novel "Primary Colors: A Novel of Politics" (1996) by Joe Klein (1946-). The novel itself was a fictionalized version of Bill Clinton's 1992 presidential campaign, and depicts an idealistic campaign worker's disillusionment with the politician. The film's cast were nominated for several awards. May herself received her second nomination for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Bill Condon (1955-).
May largely retired from screenwriting since the end of the 1990s. As an actress, she had a supporting role in the crime-comedy "Small Time Crooks" (2000). The film concerned nouveau riche criminals, who attempt to socialize with the American upper class. For this role, she won the "Best Supporting Actress Award" at the National Society of Film Critics Awards.
May lived in retirement until joining the cast of the television mini-series "Crisis in Six Scenes" (2016), her first television role in several decades. The series was created by Woody Allen (1935-), who happened to be an old friend of May.
In 2018, May made a theatrical comeback in Broadway. She played the elderly gallery owner Gladys Green in a revival of the play "The Waverly Gallery" (2000) by Kenneth Lonergan (1962-). In the play, Gladys shows early signs of Alzheimer's disease, and her family has to deal with her mental decline. May received critical acclaim for this role. For this role, she won the 2019 Tony Award for Best Actress in a Play. At age 87, she was the second-oldest winner of a Tony Award for acting.
As of 2021, May is 89-years-old. She is no longer very active, but she reportedly has plans to direct another film. She remains a popular actress.1932 -
OSCARS:
Nominations:
Best Adapted Screenplay - Heaven Can Wait (1978)
Best Adapted Screenplay - Primary Colors (1998)
RAZZIES:
Wins:
Worst Director - Ishtar (1987)
Nominations:
Worst Screenplay - Ishtar (1987)- Actor
- Producer
- Soundtrack
Charles Patrick Ryan O'Neal was an American actor and former boxer. He trained as an amateur boxer before beginning his career in acting in 1960. In 1964, he landed the role of Rodney Harrington on the ABC nighttime soap opera Peyton Place. It was an instant hit and boosted O'Neal's career. He later found success in films, most notably Love Story (1970), for which he received Academy Award and Golden Globe nominations as Best Actor, Peter Bogdanovich's What's Up, Doc? (1972) and Paper Moon (1973), Stanley Kubrick's Barry Lyndon (1975), Richard Attenborough's A Bridge Too Far (1977), and Walter Hill's The Driver (1978). From 2005 to 2017, he had a recurring role in the Fox television series Bones as Max, the father of the show's protagonist.1941 - 2023 (aged 82)
OSCARS:
Nominations:
Best Actor - Love Story (1970)
RAZZIES:
Nominations:
Worst Actor - Tough Guys Don't Dance (1987)
Worst Actor of the Decade (1989)
Worst Actor - An Alan Smithee Film: Burn Hollywood Burn (1997)
Worst Razzie Loser of Our First 25 Years (2004)- Actress
- Producer
- Executive
Mariel Hemingway was born on 22 November 1961 in Mill Valley, California, USA. She is an actress and producer, known for Manhattan (1979), Superman IV: The Quest for Peace (1987) and The Sex Monster (1999). She was previously married to Stephen Crisman.1961 -
OSCARS:
Nominations:
Best Supporting Actress - Manhattan (1979)
RAZZIES:
Nominations:
Worst Supporting Actress - Superman IV: The Quest for Peace (1987)
Worst Supporting Actress - Sunset (1988)- Music Department
- Composer
- Producer
Barry Mann was born on 9 February 1939 in Brooklyn, New York City, New York, USA. He is a composer and producer, known for An American Tail (1986), Muppet Treasure Island (1996) and Top Gun (1986). He was previously married to Cynthia Weil.1939 -
OSCARS:
Nominations:
Best Original Song - An American Tail (1986), "Somewhere Out There"
RAZZIES:
Nominations:
Worst Original Song - Million Dollar Mystery (1987), "Million Dollar Mystery"