Solomon and Sheba 1959 premiere
Tuesday October 27th, Astoria Theatre
157 Charing Cross Road, London, WC2 8EN
157 Charing Cross Road, London, WC2 8EN
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- Actress
- Director
- Writer
Gina Lollobrigida was born on July 4, 1927 in Subiaco, Italy. Destined to be called "The Most Beautiful Woman in the World", Gina possibly had St. Brigid as part of her surname. She was the daughter of a furniture manufacturer, and grew up in the pictorial mountain village. The young Gina did some modeling and, from there, went on to participate successfully in several beauty contests. In 1947, she entered a beauty competition for Miss Italy, but came in third. The winner was Lucia Bosè (born 1931), who would go on to appear in over 50 movies, and the first runner-up was Gianna Maria Canale (born 1927), who would appear in almost 50 films. After appearing in a half-dozen films in Italy, it was rumored that, in 1947, film tycoon Howard Hughes had her flown to Hollywood; however, this did not result in her staying in America, and she returned to Italy (her Hollywood breakout movie would not come until six years later in the John Huston film Beat the Devil (1953)).
Back in Italy, in 1949, Gina married Milko Skofic, a Slovenian (at the time, "Yugoslavian") doctor, by whom she had a son, Milko Skofic Jr. They would be married for 22 years, until their divorce in 1971. As her film roles and national popularity increased, Gina was tagged "The Most Beautiful Woman in the World", after her signature movie Beautiful But Dangerous (1955). Gina was nicknamed "La Lollo", as she embodied the prototype of Italian beauty. Her earthy looks and short "tossed salad" hairdo were especially influential and, in fact, there's a type of curly lettuce named "Lollo" in honor of her cute hairdo. Her film Come September (1961), co-starring Rock Hudson, won the Golden Globe Award as the World's Film Favorite. In the 1970s, Gina was seen in only a few films, as she took a break from acting and concentrated on another career: photography. Among her subjects were Paul Newman, Salvador Dalí and the German national soccer team.
A skilled photographer, Gina had a collection of her work "Italia Mia", published in 1973. Immersed in her other passions (sculpting and photography), it would be 1984 before Gina would grace American television on Falcon Crest (1981). Although Gina was always active, she only appeared in a few films in the 1990s. She retired from acting in 1997 after 50 years in the motion picture industry. In June 1999, she turned to politics and ran, unsuccessfully, for one of Italy's 87 European Parliament seats, from her hometown of Subiaco. Gina was also a corporate executive for fashion and cosmetics companies. As she told Parade magazine in April 2000: "I studied painting and sculpting at school and became an actress by mistake". (We're glad she made that mistake). Gina went on to say: "I've had many lovers and still have romances. I am very spoiled. All my life, I've had too many admirers."- Actor
- Director
- Producer
Exotic leading man of American films, famed as much for his completely bald head as for his performances, Yul Brynner masked much of his life in mystery and outright lies designed to tease people he considered gullible. It was not until the publication of the books "Yul: The Man Who Would Be King" and "Empire and Odyssey" by his son, Yul "Rock" Brynner, that many of the details of Brynner's early life became clear.
Yul sometimes claimed to be a half-Swiss, half-Japanese named Taidje Khan, born on the island of Sakhalin; in reality, he was the son of Marousia Dimitrievna (Blagovidova), the Russian daughter of a doctor, and Boris Yuliyevich Bryner, an engineer and inventor of Swiss-German and Russian descent. He was born in their home town of Vladivostok on 11 July 1920 and named Yuli after his grandfather, Jules Bryner. When Yuli's father abandoned the family, his mother took him and his sister Vera to Harbin, Manchuria, where they attended a YMCA school. In 1934 Yuli's mother took her children to Paris. Her son was sent to the exclusive Lycée Moncelle, but his attendance was spotty. He dropped out and became a musician, playing guitar in the nightclubs among the Russian gypsies who gave him his first real sense of family. He met luminaries such as Jean Cocteau and became an apprentice at the Theatre des Mathurins. He worked as a trapeze artist with the famed Cirque d'Hiver company.
He traveled to the U.S. in 1941 to study with acting teacher Michael Chekhov and toured the country with Chekhov's theatrical troupe. That same year, he debuted in New York as Fabian in "Twelfth Night" (billed as Youl Bryner). After working in a very early TV series, Mr. Jones and His Neighbors (1944), he played on Broadway in "Lute Song" with Mary Martin, winning awards and mild acclaim. He and his wife, actress Virginia Gilmore, starred in the first TV talk show, Mr. and Mrs. (1948). Brynner then joined CBS as a television director. He made his film debut in Port of New York (1949). Two years later Mary Martin recommended him for the part he would forever be known for: the King in Richard Rodgers' and Oscar Hammerstein II's musical "The King and I". Brynner became an immediate sensation in the role, repeating it for film (The King and I (1956)) and winning the Oscar for Best Actor.
For the next two decades, he maintained a starring film career despite the exotic nature of his persona, performing in a wide range of roles from Egyptian pharaohs to Western gunfighters, almost all with the same shaved head and indefinable accent. In the 1970s he returned to the role that had made him a star, and spent most of the rest of his life touring the world in "The King and I". When he developed lung cancer in the mid 1980s, he left a powerful public service announcement denouncing smoking as the cause, for broadcast after his death. The cancer and its complications, after a long illness, ended his life. Brynner was cremated and his ashes buried in a remote part of France, on the grounds of the Abbey of Saint-Michel de Bois Aubry, a short distance outside the village of Luzé. He remains one of the most fascinating, unusual and beloved stars of his time.- Actress
- Soundtrack
Maria Luisa Pierangeli and her twin sister Anna Maria were born in Sardinia, Italy. They were fraternal twins with different personalities as well. Anna Maria was dreamy and innocent; Maria Luisa was independent and studious. They moved to Rome in the late 1940s. In 1948 their lives changed when director Vittorio De Sica cast Anna in Tomorrow Is Too Late (1950). In 1950 the family moved to Hollywood, where Anna Maria changed her name to Pier Angeli.
Marisa was not interested in acting, but was cast by John Ford in What Price Glory (1952) starring James Cagney. She changed her last name to Pavan, the name of a Jewish officer her family had hidden from the Nazis during World War 2. Marisa signed a contract with Fox, but was relieved when it was broken. She wanted a wider choice of roles than her sister. Pavan's performance in The Rose Tattoo (1955) supporting Italian icon Anna Magnani, earned her a nomination for Best Supporting Actress.
She lost interest in Hollywood while filming Solomon and Sheba (1959). She remembered it as a bad experience, and not just because costar Tyrone Power died during the filming. Pavan turned her attention to television in the 1960s. She and husband Jean-Pierre Aumont toured America and Europe in plays and musicals, including "Gigi". Later in France, she returned to film.
As of 2018, Pavan lives in the South of France. Marisa is the founder and director of URMA (Unis pour la Recherche sur la Maladie d'Alzheimer), an organization she created to support research working to find treatments for Alzheimer's.- Actor
- Additional Crew
London-born David Farrar dropped out of school at 14 and became a writer for the Morning Advertiser newspaper; but it wasn't long before he decided to change careers and become an actor. He started out on the stage in 1932, and five years later made his film debut. Appearing at first in low-budget thrillers, such as Sexton Blake and the Hooded Terror (1938),he worked his way up to more prestigious projects, such as Ealing's Went the Day Well? (1942). Farrar hit his stride in a series of films for renowned directors Michael Powell and Emeric Pressburger, most notably the classic Black Narcissus (1947).
Farrar's brooding good looks and deep, rich baritone won him legions of female fans in the US and Europe, and soon Hollywood came a-calling. He journeyed to Universal as a contract player, but the studio put him in a succession of second-tier action pictures and costume dramas as a villain. He returned to England somewhat embittered by his Hollywood experiences and determined to do better in his own country's film industry, but he couldn't regain the momentum he had before he left for Hollywood. After a small role as King Xerxes of Persia in the Greek-shot The 300 Spartans (1962), he left film acting and turned to television. When his wife died in 1976 he retired from acting altogether, and with his daughter Barbara moved to the Natal coast in South Africa, where he passed away in 1995 at age 87.- Actor
- Soundtrack
British character actor Harry Andrews had the sort of massive granite face and square jaw that would stamp that career, but he set himself apart with brilliant stage and screen work. He had graduated from Wrekin College in Shropshire and then moved on to the stage, appearing with Liverpool Repertory in 1933 and focusing on Shakespearean roles. He was befriended by stage star John Gielgud who invited him to New York and Broadway as part of the cast of "Hamlet" in 1935. On the return to London, Andrews did a run of plays in the West End. Then Gielgud invited him into his own stage company. Soon after he was asked into the Old Vic Company by its director Laurence Olivier. His roles were becoming increasingly substantial, authoritative parts to match his sharp and forceful, through-the-teeth delivery of lines. Next he did not pass up the opportunity to join the Stratford Memorial Theatre in Stratford-upon-Avon, where he spent a decade honing himself into an established, fine, versatile actor, described by the controversial London theater critic Kenneth Tynan as "the backbone of British theater."
He came to the small screen before the large, having debuted in British experimental television in 1939, followed over a decade later with his debut on the ever expanding and fecund American playhouse TV in 1952. His big screen debut came the next year in a character part which would accent his career-from ancient to modern-the disciplined military man in Paratrooper (1953). From there the roles came his way - three or four per year - well into 1979, when TV took up most of his time. His movie making was spent either before American or British cameras. And the military roles were always masterly done, whether a roughed out sergeant or a more dignified officer. Though his most famous noncom may be Sergeant Major Tom Pugh alongside John Mills in J. Lee Thompson's classic adventure Ice Cold in Alex (1958), his achievement as Sergeant Major Bert Wilson, the near psychotic martinet, opposite Sean Connery and Ian Bannen, in The Hill (1965) was an over-the-top tour de force. That same year he was back in costume - having played many an ancient and medieval noble role through the 1950s - in something different - playing the great Renaissance architect Donato Bramante against Charlton Heston as rival Michelangelo in The Agony and the Ecstasy (1965). Not a big part, nevertheless Andrews gave the role a subdued and matter-of-fact strength that well fit the ambitious architect of the fiery Pope Julius II (played with great verve by Rex Harrison). While Andrews was also excellent with a tongue-in-cheek style for comedic roles, as in the send up, The Ruling Class (1972), he excelled against type as a flamboyant homosexual in the black comedy Entertaining Mr Sloane (1970). He had said something like: "I don't want to be a star -- I want to be a good actor in good parts" - but his presence always made him standout. It was ironic that he had difficulty in memorizing lines. Sometime later co-star Alan Bates thought him very courageous for his obvious triumph over this impediment. Bates further remarked that Andrews' great sense of humor and no-nonsense personable character made him a favorite with younger actors as a continuous well of encouragement and learning experiences. Though his parts were smaller as he grew older, he filled each of his roles, big or small - over 100 of them - with a giant's footsteps.- Actor
- Writer
- Director
Burly, handsome and rugged character actor John Crawford appeared in over 200 movies and TV shows combined in a career that spanned over 40 years, usually cast as tough and/or villainous characters.
Crawford was born Cleve Richardson on September 13, 1920, in Colfax, Washington. He was discovered by a Warner Bros. scout while attending the University of Washington's School of Drama. Although he failed his screen test, Crawford nonetheless joined RKO as a laborer. He then got a job building sets at Circle Theater in Los Angeles, and eventually persuaded the producers to cast him in some of their plays. He was soon signed to Columbia Pictures to act in secondary roles in westerns. In the late 1950s he graduated to bigger parts in such films as Orders to Kill (1958), The Key (1958) and Hell Is a City (1960), all of which were made in the UK. Crawford returned to America in the early 1960s and began a prolific career in both movies and TV series, up until 1986. His most memorable film roles include the ill-fated chief engineer in The Poseidon Adventure (1972), the hearty Tom Iverson in Night Moves (1975), the bumbling mayor of San Francisco in The Enforcer (1976), hard-nosed police chief Buzz Cavanaugh in Outlaw Blues (1977) and amiable old mine hand Brian Deerling in The Boogens (1981). John had recurring parts as Sheriff Ep Bridges in The Waltons (1972) and Capt. Parks on Police Woman (1974). Among the many TV shows he made guest appearances in are The Lone Ranger (1949), Adventures of Superman (1952), I Spy (1965), The Twilight Zone (1959), The Untouchables (1959), Wagon Train (1957), The Fugitive (1963), Star Trek (1966), Lost in Space (1965), Bonanza (1959), Hogan's Heroes (1965), Mission: Impossible (1966), Gunsmoke (1955), The Bionic Woman (1976), Dallas (1978) and Dynasty (1981). Crawford died at age 90 following complications from a stroke on September 21, 2010, in Thousand Oaks, California. He's survived by his ex-wife Ann Wakefield, four daughters and two grandchildren.- Actor
- Soundtrack
The British character actor Laurence Naismith was a Merchant Marine seaman before becoming an actor. He made his London stage debut in 1927 in the chorus of the musical "Oh, Boy." Three years later, he joined the Bristol Repertory and remained with them until the outbreak of World War II. After serving nine years in the Royal Artillery (with the final rank of Acting Battery Commander), Naismith returned to the stage and also made his film debut. His seafaring background came in handy in a number of film roles, including the steamboat captain in Mogambo (1953), Dr. Hawkins in Boy on a Dolphin (1957), the captain of the Titanic in A Night to Remember (1958), and the First Sea Lord in Sink the Bismarck! (1960). Naismith also made numerous television appearances, including the recurring roles of Judge Fulton on The Persuaders! (1971) and Father Harris on Oh, Father! (1973).- Scottish-born Finlay Currie was a former church organist and choirmaster, who made his stage debut at 20 years of age. It took him 34 more years before making his first film, but he worked steadily for another 30 years after that. Although he was a large, imposing figure, with a rich, deep voice and somewhat authoritarian demeanor, he was seldom cast in villainous parts. He received great acclaim for his role as Magwitch in Great Expectations (1946), and one of his best remembered roles was that of Balthazar in Ben-Hur (1959). He was also Shunderson, Cary Grant's devoted servant with a secret past in People Will Talk (1951). Later in his life he became a much respected antiques dealer, specializing in coins and precious metals (coinage). He died in England at age 90. While his biggest Academy Award-winning film, Ben-Hur (1959) was in its final four+ months of filming, he became a widower when his only wife, Maude Courtney, passed away.
- Gaunt Sussex-born actress of Scottish descent whose dignified manner and plain, but expressive features qualified her for a wide range of character parts, from austere nurses and long-suffering mothers to overbearing dowagers and nosy gossips; from meddlesome chaperones to authoritarian aunts and intransigent spinsters. She rarely gave an indifferent performance and was often quite brilliant, particularly on the small screen.
Jean Anderson was the daughter of a well-to-do cloth merchant specialising in muslin. As she grew up, she aspired to become a violinist, later a tennis player. Though she did make a junior Wimbledon appearance in the 1920's, her road eventually led to training at RADA, where her acting skills were first discovered. In 1931, she joined the Richmond Repertory Company and soon found herself in a leading role opposite Robert Morley. By decade's end, she had a three year spell at Dublin's Gate Theatre as the lead in Eugene O'Neill's "Ah, Wilderness!". During the succeeding decade she regularly appeared at the West End and acted with a touring repertory company alongside Jack Hawkins in "Hamlet" and "Othello".
Following her screen debut in 1947, Anderson was able to balance both media successfully through the next half a century. Her formidable gallery of celluloid characters came to include the dependable nurses of White Corridors (1951) and Life in Her Hands (1951); the loyal maid Wilson of The Barretts of Wimpole Street (1957); the matriarch in two productions of The Railway Children (1951); the cold, manipulative Mary Hammond of The Brothers (1972); forthright Lady Jocelyn Holbrook, ever troublesome to her Japanese captors in Tenko (1981), plus diverse TV guest spots and cameos, from ABC's Armchair Mystery Theatre (1960) (a notably sinister role) to Keeping Up Appearances (1990) (as the posh aristocrat Mrs. Fortescue).
In her private life Anderson enjoyed collecting porcelain, going to the races and gardening at her home in Knightsbridge . - William Devlin was born on 5 December 1911 in Aberdeen, Aberdeenshire, Scotland, UK. He was an actor, known for Mutiny on the Elsinore (1937), Solomon and Sheba (1959) and The Mill on the Floss (1936). He was married to Meriel Moore (actress) and Mary Casson (actress/musician). He died on 25 January 1987 in Somerset, England, UK.
- Although he did not turn to the stage until middle age after two decades in the Royal Navy, Jack Gwillim was a notable actor on both sides of the Atlantic. During the 1950s he was a member of the Royal Shakespeare company in Stratford, England, for three years during Sir Anthony Quayle's stint as artistic director, and a member of the Old Vic Company for a further three years. His extensive theatre credits included many leading roles in the West End including "Sacred Flame" with Gladys Cooper and Wendy Hiller, "The Right Honourable Gentleman" with Quayle, "The Dark is Light Enough" with Dame Edith Evans, "Castle In Sweden" with Diane Cilento, "Portrait Of Murder", "A Kind Of Folly" with Dame Flora Robson, "You Never Can Tell" and "Merchant Of Venice" with Sir Ralph Richardson. In 1969 he emigrated to the United States, working in top regional theaters, off-Broadway and Broadway. His Broadway credits include the role of Col. Pickering in Rex Harrison revival of "My Fair Lady", and Ingrid Bergman's husband in "The Constant Wife" directed by Sir John Gielgud. Other Broadway shows included "Ari", "MacBeth" with Christopher Plummer and 'Glenda Jackson (I)', "Romeo and Juliet", "Lost in the Stars" with Brock Peters, "The Iceman Cometh" with James Earl Jones and with the Old Vic "MacBeth", "Romeo and Juliet" with Claire Bloom, "Richard II" and "Troilus and Cressida." He did numerous tours in the U.S including "Laurette" with Judy Holliday.
On stage he has worked with such actors as Sir Ralph Richardson, Sir Anthony Quayle, Dame Judith Anderson, Judi Dench, Sir Michael Redgrave and Richard Burton. He is also known for war films such as Pursuit of the Graf Spee (1956) with Peter Finch, The One That Got Away (1957), North West Frontier (1959) with Lauren Bacall and Sink the Bismarck! (1960). His work in epics includes Solomon and Sheba (1959) with Yul Brynner, Cromwell (1970) with Richard Harris, Oscar-winning films Lawrence of Arabia (1962), Patton (1970) and A Man for All Seasons (1966). His work in cult favorites includes Jason and the Argonauts (1963) and Clash of the Titans (1981) with Sir Laurence Olivier. His work in "Hammer" films includes Sword of Sherwood Forest (1960) with Peter Cushing, Circus of Horrors (1960) and The Curse of the Mummy's Tomb (1964). He also co-starred in the Disney hit In Search of the Castaways (1962) with Maurice Chevalier and Hayley Mills.
His voice work can be heard on Caedmon Records in "Anthony & Cleopatra", "King John", "Macbeth", "Richard II", "Titus Andronicus", "Troilus and Cressida", "Hamlet", "A Midsummer Night's Dream", and "Henry IV" parts I and II and "Henry V". - Spanish actor. His debut in cinema was in 1925. He play Spanish versions for Fox's movies in Hollywood during the early 30s. He played as well in several of the American superproductions filmed in Spain in the 50s and 60s.
- Actor
- Writer
- Soundtrack
George Sanders was born of English parents in St. Petersburg, Russia. He worked in a Birmingham textile mill, in the tobacco business and as a writer in advertising. He entered show business in London as a chorus boy, going from there to cabaret, radio and theatrical understudy. His film debut, in 1936, was as Curly Randall in Find the Lady (1936). His U.S. debut, the same year, with Twentieth Century-Fox, was as Lord Everett Stacy in Lloyd's of London (1936). During the late 1930s and early 1940s he made a number of movies as Simon Templar--the Saint--and as Gay Lawrence, the Falcon. He played Nazis (Maj. Quive-Smith in Fritz Lang's Man Hunt (1941)), royalty (Charles II in Otto Preminger's Forever Amber (1947)), and biblical roles (Saran of Gaza in Cecil B. DeMille's Samson and Delilah (1949)). He won the 1950 Academy Award for Best Supporting Actor as theatre critic Addison De Witt in Joseph L. Mankiewicz's All About Eve (1950). In 1957 he hosted a TV series, The George Sanders Mystery Theater (1957). He continued to play mostly villains and charming heels until his suicide in 1972.- Maruchi Fresno was born on 14 February 1916 in Madrid, Madrid, Spain. She was an actress, known for Catalina de Inglaterra (1951), The Holy Queen (1947) and Solomon and Sheba (1959). She was married to Juan Guerrero Zamora. She died on 19 July 2003 in San Lorenzo del Escorial, Madrid, Spain.
- Actor
- Producer
Julio Peña was born on 18 June 1912 in Madrid, Spain. He was an actor and producer, known for Horror Express (1972), Solomon and Sheba (1959) and The Castilian (1963). He was married to Susana Canales. He died on 27 July 1972 in Marbella, Málaga, Andalucía, Spain.- Director
- Writer
- Producer
King Vidor was an American film director, film producer, and screenwriter of Hungarian descent. He was born in Galveston, Texas to lumberman Charles Shelton Vidor and his wife Kate Wallis. King's paternal grandfather Károly (Charles) Vidor had fled Hungary as a refugee following the failed Hungarian Revolution of 1848 (1849-1849). The Kingdom of Hungary had attempted to gain independence from the Austrian Empire, but the revolutionary troops failed against the allied armies of the Austrian Empire and the Russian Empire. After the restoration of Habsburg power, Hungary was placed under brutal martial law. Karoly fled the country and settled in Galveston, Texas by the early 1850s.
During his childhood, King Vidor was a witness of the 1900 Galveston hurricane, the deadliest natural disaster in United States history. The hurricane caused between 6,000 and 12,000 fatalities in the United States, based on varying estimates. Most of these deaths occurred in the vicinity of Galveston. Every house in the city sustained damage, about 3600 houses were completely destroyed, and an estimated 10,000 people were left homeless, out of a population of about 38,000. King Vidor would later give a somewhat fictionalized account of his hurricane experience in a 1935 interview.
By the early 1910s, Vidor was working as a freelance newsreel cameraman and cinema projectionist. In 1913, he directed the short film "The Grand Military Parade", his directing debut. In 1915, Vidor moved to Hollywood, California and was hired as a screenwriter and short-film director by Judge Willis Brown (1881-1931), owner of the Boy City Film Company in Culver City. Brown had gained fame as a judge of the Utah Juvenile Court and a progressive expert on boys' reformation, but had been kicked out of service when it was discovered that he did not actually have a law degree. Brown had established himself as a film producer in order to produce films depicting his main concerns about American society: juvenile delinquency and racial discrimination. Vidor served as a screenwriter and director of at least 10 films with these topics, while working for Brown.
In 1919, Vidor directed his first feature film: "The Turn in the Road". It was a silent drama film, depicting a businessman who loses his faith in God and any interest in industry, when his beloved wife dies in childbirth. Vidor's first major hit was the feature "Peg o' My Heart" (1922), an adaptation of a popular Broadway theatrical play. Following this success, Vidor was signed to a long-term contract for the studio Goldwyn Pictures. The studio was under the administration of Polish-American producer Samuel Goldwyn (1879-1974). In 1924, Goldwyn Pictures merged with Metro Pictures and Louis B. Mayer Pictures into a new company: Metro-Goldwyn-Mayer. Vidor remained on contract with this new company.
In the 1920s, Vidor's most famous silent feature films were the war film "The Big Parade" (1925), the Academy-Award nominated drama "The Crowd" (1928), the comedy "Show People"" (1928), and the comedy-drama "The Patsy" (1928). His first sound film was the drama "Hallelujah" (1929), about the life of sharecroppers. It was one of the first Hollywood films with a cast consisting fully of African-Americans. Vidor expressed an interest in "showing the Southern Negro as he is" and attempted to depict African-American life beyond the popular stereotypes of the era.
Vidor faced no problem in transitioning from silent film to sound film, and continued regularly working on feature films until the late 1950s. His last major film was the Biblical-romance "Solomon and Sheba" (1959), featuring love, court intrigues, and military invasions during the reign of legendary Solomon, King of Israel (estimated to the 10th century BC). Afterwards he worked on short films and documentaries, his last film being the documentary "The Metaphor" (1980). The 86-year-old Vidor chose to retire from filmmaking in 1980.
In 1982, Vidor died at his ranch in Paso Robles, California, from an unspecified heart disease. He was 88-years-old and well past his prime. His remains were cremated and his ashes were scattered in his ranch.
Vidor was nominated 5 times for the Academy Award for Best Director, without ever winning. He was nominated for the feature films "The Crowd" (1928), "Hallelujah" (1929), "The Champ" (1931), "The Citadel" (1938), and "War and Peace" (1956). He won an Academy Honorary Award in 1979. Part of his modern fame rests on an uncredited part as an assistant director. Vidor directed the scenes set in Kansas for the novel adaptation "The Wizard of Oz" (1939).- Producer
- Writer
- Second Unit Director or Assistant Director
Ted Richmond was born on 10 June 1910 in Norfolk, Virginia, USA. He was a producer and writer, known for Papillon (1973), Blonde Comet (1941) and Shakedown (1950). He died on 23 December 2013 in Paris, France.- Producer
- Writer
- Director
Anthony Veiller was born on 23 June 1903 in New York City, New York, USA. He was a producer and writer, known for The Killers (1946), The Stranger (1946) and The List of Adrian Messenger (1963). He was married to Ethel Grace (Rowley) Mellon Rose Hornburg, Laura Kerr and Elise LaRose. He died on 27 June 1965 in Hollywood, Los Angeles, California, USA.- Writer
- Producer
Paul Dudley was born on 26 November 1912 in Boston, Massachusetts, USA. He was a writer and producer, known for Timbuktu (1958), The Frank Sinatra Show (1950) and Monkey on My Back (1957). He was married to Joy Hodges, Myrtle Mae Dudley and Louise Fiske. He died on 18 May 1959 in Duarte, California, USA.- Writer
- Director
George Bruce was born on 15 September 1898 in Danville, Pennsylvania, USA. He was a writer and director, known for The Crowd Roars (1938), South of Pago Pago (1940) and Two Years Before the Mast (1946). He died on 6 September 1974 in Riverside County, California, USA.- Writer
- Actor
- Director
Actor, screenwriter and director Crane Wilbur was born Erwin Crane Wilbur on November 17, 1886, in Athens, NY. The nephew of the great stage actor Tyrone Power Sr., Wilbur first took to the boards as an actor, making his Broadway debut billed as Erwin Crane Wilbur on June 3, 1903, in a trilogy of William Butler Yeats plays, "A Pot of Broth" / "Kathleen ni Houlihan" / "The Land of Heart's Desire", put on by the Irish Literary Society at the Carnegie Lyceum.
He began appearing in films in 1910, but he made his name as a cinema actor as the male lead in The Perils of Pauline (1914), the enormously popular serial starring Pearl White. A star during the 1910s, Wilbur's career as a movie actor began petering out after he appeared as the eponymous hero of Breezy Jim (1919). As the Roaring Twenties made their debut, Wilbur went back to the stage. Between 1920-34 he had seven plays presented on Broadway: "The Ouija Board" (1920); "The Monster" (1922; revived 1933); "Easy Terms" (1925); "The Song Wtiter" (1928); "Border-Land" (1932); "Halfway to Hell" (1933); and "Are You Decent" (1934). He also staged "Halfway to Hell" and directed Donald Kirkley and Howard Burman's "Happily Ever After" in 1945. Crane also performed in "The Ouija Board", "Easy Terms" and nine other Broadway shows from 1927-32, including "A Farewell to Arms" (1930) and "Mourning Becomes Electra" (1932).
Wilbur had directed several silent pictures, but he made his sound debut as a director with the controversial The Unborn (1935), touted as "The Most Daring, Sensational Drama Ever Filmed!" The movie is an expose of the "science" of eugenics, tied to a story about the attempted forced sterilization of a married couple by the Welfare Bureau. "Tomorrow's Children" exposed the fact that many people were sterilized against their will and even without recourse to due process of law. The movie was banned in New York state on the grounds that it was "immoral", that it would "tend to corrupt morals" and that it was an incitement to crime. The ban was challenged but was upheld in the courts and on appeal as it was found to disseminate information about birth control, which was illegal at the time.
After this controversy Wilbur went on to a long and productive career, particularly in the mystery-thriller genre, as both a director and a screenwriter. He had a hand in the production of such genre classics as House of Wax (1953), The Bat (1959) (which he also directed) and Mysterious Island (1961).
Wilbur died on October 18, 1973, in Toluca Lake, CA, of complications following a stroke.- Composer
- Music Department
- Actor
Mario Nascimbene was born on 28 November 1913 in Milan, Lombardy, Italy. He was a composer and actor, known for The French Dispatch (2021), Matchstick Men (2003) and Violent Summer (1959). He was married to Mara Caterina Ripari and Tamara Adrian. He died on 6 January 2002 in Rome, Lazio, Italy.- Cinematographer
- Camera and Electrical Department
- Director
Freddie Young was a British cinematographer. He is best known for his work on David Lean's films Lawrence of Arabia (1962), Doctor Zhivago (1965) and Ryan's Daughter (1970), all three of which won him Academy Awards for Best Cinematography.
Young was an cinematographer on 130 films, including Goodbye, Mr Chips (1939), 49th Parallel (1941), Ivanhoe (1952), Lust for Life (1956), The Inn of the Sixth Happiness (1958), Lord Jim (1965), You Only Live Twice (1967) and Nicholas and Alexandra (1971).
He was also the first British cinematographer to film in CinemaScope.
Young died from natural causes in 1998 at the age of 96.
In 2003, a survey conducted by the International Cinematographers Guild placed Young among the ten most influential cinematographers in history.- Editor
- Editorial Department
Otto Ludwig was born on 9 March 1903 in Orchard, California, USA. He was an editor, known for Saboteur (1942), The Moon Is Blue (1953) and Flying Cadets (1941). He died on 14 January 1983 in Los Angeles County, California, USA.