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1-29 of 29
- Years after leaving her Palestinian village to pursue an acting career in France, Hiam Abbass returns home with her daughter, in this intimate documentary about four generations of women and their shared legacy of separation.
- We love to watch her because I don't know what she's going to do next. A TV-documentary on French actress Isabelle Huppert.
- Korean cinema is currently experiencing one of its most exciting and troubled periods. Last Train to Seoul is a journey through the upheavals of the country and its politics, because Korean cinema dances with the society it depicts in each film. Actors, directors, producers and politicians take us on this exciting journey through contemporary Korean cinema.
- In the 1960s, the photographer Philippe Doumic, who died in 2013, took innumerable portrait photos of the rising stars French of cinema: Godard, Bardot, Truffaut, Moreau, Belmondo, Deneuve - Whilst some of the pictures became emblematic of the New Wave, others remained unused. Why? A private portrait of a little-known artist.
- Parasite by Bong Joon Ho is undoubtedly the film of this year. To explore what built this tidal wave, Memories Of Bong Joon Ho, offers the time of a documentary to return to the career and the filmography of one of the most interesting artists of the moment, one of those filmmakers who mark an era. Korean filmmaker Bong Joon Ho has achieved an impossible bet, a form of grand slam. Parasite, his latest film, received unanimous approval from the Cannes jury chaired by Mexican Alejandro Gonzalez Inárritu. On his way, he won all the awards, César, Bafta, Golden Globes, until the final and exceptional consecration: the Oscars: best film, director, screenwriter, foreign film. At the same time, it brought together spectators from all over the world in front of the same screen. First of all in Korea, with more than 10 million spectators; and almost 2 million in France. Parasite is sold in 200 countries, it brings in 50 million dollars in the United States, 250 worldwide; it only cost 12. Finally, third lift of the grand slam, the critics are enthusiastic. We propose to return, for the time of a documentary portrait, to the career and filmography of one of the most interesting artists of the moment, one of those filmmakers who mark an era.
- CINEMA, by... ALBERT DUPONTEL draws the unique and unique portrait of an extraordinary director who reveals himself through his tastes, his choices and his curiosity. It's a stroll through the artist's cinephilia, dotted with surprises and appearances, that Albert Dupontel offers by returning to the films, scenes, actors that left their mark on him. He thus invites into his ideal show some masters of the 7th art, such as William Friedkin, Terry Giliam, or from the series like Nick Pizzolatto (show runner of True Detective) and engages in an interview with Michel Simon.
- The documentary bridges the gap between fiction and reality. Telling the story of the psychopath in the cinema, often a man, sometimes a woman, is to look at the image of the real world, not so different. To guide us in this enigma, numerous film extracts and speakers from varied universes such as Cédric Anger (THE KILLER, NEXT TIME I WILL AIM FOR THE HEART), Leila Slimani (SWEET SONG adapted to the cinema) or even Patty Jenkins, the director by WONDER WOMAN, who tells us about her chilling MONSTER with Charlize Theron.
- Man has always confronted nature, exploiting its resources and trying to tame it. For cinema, it's a fascinating subject. From The Hunts of Count Zaroff directed in 1932 by Irving Pichel and Ernest B. Schoedsack, to The Revenant by Alejandro González Inarritu. For directors, beyond the genre and action film, Survival is an opportunity, unexpected in a very popular genre, to approach philosophical and existential questions. Indeed, the direct and frontal confrontation of a group of men with the savagery of nature, brings each person back to their nature as a fragile and vulnerable animal and to considerations as primary as survival. By imagining a documentary between visual exploration and cinephilic decryption, Sauvage wants to explore these cinema territories where man is not welcome.
- The director of OSS, The Artist and Redoubtable who, in his films, juggles with references and twists the great classics, has chosen to take us into cinephilo-comic territory, to discuss with the filmmakers on the different ways of making a film, a comedy. In Los Angeles, Judd Apatow tells him about his work as a producer and director, Mel Brooks receives him in his office at the famous Culver City studio. Michel Hazanavicius will also cross paths with Françis Veber or Éric Judor and Alain Chabat with whom he worked. Italian comedy will be in the spotlight in the exchanges between the Oscar-winning director and box office record-setters Olivier Nakache and Éric Toledano. And Bérénice Bejo, his wife, reveals some manufacturing secrets to us. Cinema by... Michel Hazanavicius offers, implicitly, a portrait of the filmmaker preparing to shoot Le Prince oublié with Omar Sy.
- Films, sometimes, are the subjects of real cults, with their churches, their apostles and the rites that accompany them. Spectators turn into fans, communities that come together and share their passions. However, most of the time these films are "nonsense", "Z" series which despite everything find their audience and forever mark the history of pop culture. So bad it's good, through documented interviews and numerous extracts from cult films such as The Room, The Rocky Horror Picture Show, including Showgirls, sets out to discover this singular cult for these films so bad that they become good. Nanars, masterpieces, or both? Through these unusual sociological demonstrations, which unfailingly bring together thousands of spectators around the world, all the unalterable power of cinema is revealed.
- "A Man in the City" could be the title of this film. "Cinéma par Yvan Attal" is a documentary about the "cinema city" as much as about the person who takes us there: Yvan Attal. With the actor and director of "My Wife is an Actress", "They Married and Had Many Children" and "My Stupid Dog", we dive into the heart of New York. Actor and filmmaker Yvan Attal's cinephile is almost exclusively focused on New York, a true cinema city. For as long as he can remember, Yvan Attal has been fascinated by the city/cinema. The filmmakers, the actors, the films that have forged his cinephilia, his cinematographic culture, his career, are all connected to this city which hosts the most filming in the world. At his side and guided by his landmarks, his wanderings and the images that fed his appetite for cinema, we enter an "open-air studio" city. From "Godfather" to "Dog Afternoon", from "Manhattan" to "Taxi Driver", Yvan Attal grew up with Al Pacino, Dustin Hoffman and Robert De Niro, he grew up with Francis Coppola, Sidney Lumet and Martin Scorsese. Through a stroll through the most filmed city in the world, Yvan Attal reconnects with his memories, revisits the images of the films that marked him, and meets cinema with Brad Mehldau, Griffin Dunne, Jack Garfein and Charlotte Gainsbourg. In return, Yvan Attal shares and transmits his passion for cinema.
- On July 12, 1998, France celebrated victory in the World Cup final. For some, happiness is also elsewhere: in a maternity ward. Yuna, Maël and Valentin were all born on July 12, 1998, during the match between France and Brazil. A doubly special evening for them and their loved ones, an evening engraved in their memory. 18 years later, we invite you to discover Yuna, Mael and Valentin, these young people from the 98 generation.
- The garden is a journey through the world, the seasons and the ages. Witness and expression of what man knows about nature, it appeals to all his senses. The arts have always captured this universal imagination. The gardens have been and are told, sung about, painted, filmed and magnified by artists of all nationalities and all media. Through the eyes and the work of some contemporary creators, and on the occasion of the Jardins exhibition at the Grand Palais, "Jardins, paradis des artistes" tells a story of the representation of gardens in art. Like Alice in her wonderland, the film is a stroll through a plant-like and dreamlike world taken from the imagination of creators of all origins and specialties. A trip to artists' paradise.
- Revealed on the big screen at the turn of the 2000s after his debut in television series, Laurent Lafitte has established himself as a leading actor, capable of shining in the cinema or on the stage, comfortable in all genres. Guest of honor on this episode of the show Cinéma par..., he has carte blanche to talk about his job, expose his tastes in cinema and thus tell his own story.