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Capturing the life of German hip-hop rapper, entrepreneur, and ex-convict Giwar Hajabi.

With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.

Katja's life collapses after the deaths of her husband and son in a bomb attack. After a time of mourning and injustice, Katja seeks revenge.

A Turkish man travels to Istanbul to find the daughter of his father's former girlfriend.

In Hamburg, German-Greek chef Zinos unknowingly disturbs the peace in his locals-only restaurant by hiring a more talented chef.

In 1915 a man survives the Armenian genocide in the Ottoman Empire, but loses his family, speech and faith. One night he learns that his twin daughters may be alive, and goes on a quest to find them.

A promotion brings a Muslim's relationship with God into question.

Award-winning director Fatih Akin takes us on a journey through Istanbul, the city that bridges Europe and Asia, and challenges familiar notions of east and west. He looks at the vibrant musical scene which includes traditional Turkish music plus rock and hip-hop.

Loyalty between two friends is stretched to its limit by one's deception.

An anthology of short film projects by different directors, unified by the common theme of the European Union.

Diyarbakir, in the late nineties: Two young Kurdish children are forced to live on the street after their parents have been murdered by a member of a secret state security force.

Middle-age film projectionist still lives with his mother in Belgrade. he is also film aficionado and quite content to be in his mother company. NATO's 1999 bombing of Serbia starts and two of them become refugees. After quite surreal journey they end up in New York, of all places. That is were he realizes that he cannot do his old job any more, one he loved so much. While he and his mother were trying to survive, the new age of Cinema Digital Projection started. Some discarded projectors gave him an idea. His new mission in life will be to travel around and show people the magic of the real cinema, created by film strips, mechanical projectors, big screen and flickering light.

An inept music manager documents his attempt of bringing about a comeback of the 80s techno pioneers Fraktus, who in the past 30 years have disconnected both from each other and their music.

Villagers in Turkey's Black Sea village of Camburnu struggle with the government's decision to turn their community into a garbage dump.

Otis and Eddy are best friends who make rap music together. Their friendship is tested after a record label offers them a lucrative deal.

Much has been written and broadcast since a commando of the ndrangheta shot down six men in Duisburg in August 2007. Shedding true light on the issue, Men of Honour is the first documentary film to put the Calabrian Mafia bosses themselves in front of the camera. They not only explain why the Duisburg murders took place (as part of a vendetta between two feuding clans) but also reveal that the mafia is doing business in the midst of Germany with large-scale operations. We powder your noses and build your roads says the German adjutant of the ndrangheta, as the Mafia is known in Calabria. He blows the whistle on construction projects and financial transactions that the Calabrian Mafia has used to wash drug money. Today we are respected in higher political circles around the globe, he explains, particularly here in Germany. Film director Francesco Sbano, himself Calabrian, conducted years of research and was ultimately successful in penetrating to the very centre of the Onorata Società, or the honourable society. The Mafia godfathers show us their rituals, their traditions and their code of honour. Never before has a film been so successful in reporting directly and authentically from within this clandestine world. Men of Honour takes us to the Aspromonte Mountains, to the origins of the ndrangheta a journey that throws our picture of Italy out of focus. Filmed in quiet, wintery 16mm images by cameraman Marcus Jaeger, the film recounts the history of the Italian South as it has never been told before. In Men of Honour, the voices of day labourers and farming families are heard. Musicians sing about the deeds of the ndrangheta. And the residents of San Luca di Aspromonte stubbornly defend their villages name, fending off its reputation as a hub of organised crime. The film leads us deep into the hinterlands of Palermo and Naples, areas ridden with poverty and hopelessness. It tells of a culture alive between pride and desperation; a culture that wants social progress but needs the Mafia. The command is sacred, says a masked latitante, a man of honour who, having committed a bloody deed, is forced to live in the solitude of the mountains for several years. As a child, I had nothing. The honourable society raised me; it is the mother of all Calabrians. Men of Honour also recounts how the mafia has been continually used and endorsed by the powerful: how the Allied forces hired the Mafia to prepare the landing of US troops during World War II. How politicians profited from vote buying carried out by the local Mafiosi. How Mafia millions were fed into the nations financial system and how the Mafiosi advanced to become construction magnates, while their homeland was left behind as a social no man's land. Italys unity is a great deception, says the elderly historian Nicola Zitara, relegating the schoolbook version to the realm of legend. Under no circumstances had the rich North always maintained the upkeep of the impoverished South. During the 1860s, Piedmont was practically bankrupt. In the War of 1861, the Piedmonts secured the deposits of the Bank of Naples and then brutally crushed the subsequent insurgencies of the so-called brigands of rural Southern Italy. The streets of Calabria are still named after the Piedmont generals who introduced martial law. And the presence of the briganti, the rural guerrillas of the 19th century, is still ubiquitous. They live on in the traditions of the Mafia present in the tattoos of the old pastry baker, for instance, who is proud to be a man of honour. Were like snakes poisonous, he says, and shows the filmmaker a snakehead tattoo on his biceps. Above it, a wind rose is emblazoned, symbolizing Omertà, the conspiracy of silence. As long as I live, I will never fall into the filth is inscribed on his other arm.

A mysterious Chinese peasant woman one day claims she has seen a UFO, from that day the world turns to upside down. The film is a metaphoric political satire on post-Mao era China.