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1-50 of 114
- A day in the life of Richard Linklater, taking in a conference call with some young studio executives and a session with a psychologist.
- Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about the creative process and ponders the relationship between cities, identity and the cinema in the digital age.
- Following the migration of the Monarch butterfly, fleeing the North American's cold to spend Winter in the pleasant mountains of Michoacán in Mexico.
- Pieces of film are randomly composited together via computer to create unique short films that can be seen once and never again.
- Four girls and four boys tell their stories with lyricism and passion, between Earth and Cosmos on their way to their metamorphosis.
- Light-hearted, social comedy about the house guest from Hell. A modern remake of Renoir's classic film about a vagabond saved from drowning.
- A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.
- Paris, in the early 21st century. Edouard is a painter, Charles is a poet. The two artists are friends but their adverse circumstances are beginning to weigh on them. Gulcan, a foreigner, suddenly appears. An idea dawns on him.
- French artist Yves Klein had a love affair with the color blue. He was so intensely passionate about it, he invented his own shade, International Klein Blue, known as IKB, a glowing radiance somewhere between lapis lazuli and ultramarine.
- The artist ruminates on being in a new place, Los Angeles, and the feelings it brings up, over static shots of her environment.
- Jenny, a friend of Man Ray's, performs an energetic dance, which is followed by a couple scenes of the artist himself.
- A screen test for the role of Surrealist muse.
- Placing the art of design in its sociological and technological context, this series tells the story of the 20th century through the industrial objects that have made their mark on it.
- Majid Berzegar, a friend of fellow filmmaker Jafar Panahi, joins him at his Tehran home. Both are on their way to an unspecified destination. Jafar is driving. During the journey, the dialogue between the two creators, occasionally interrupted by a call on Jafar's cell phone, is sustained. Among other things, Jafar Panahi talks about the clandestine situation to which the regime has forced him, his state of mind and his determination to resist in spite of all the pressure. When they arrive at their destination, the cemetery where their mentor, the great director Abbas Kiarostami, is buried, Jafar Panahi, deeply moved, lets Majid enter alone to put flowers on his grave. Going to his master's grave would mean admitting that he would never see him again, which is beyond his strength.
- The film covers the preparation of one of the last exhibitions by French visual artist and co-founder of The New Realists (Nouveau Réalisme) art movement in the 60s, Raymond Hains, at the Serralves Foundation in Porto, Portugal, in 2001.
- An autobiographical midfielder in which the Catalan filmmaker Isaki Lacuesta explains himself from some of the different places in the world he has visited. The film is part of the film collection that the Center Pompidou in Paris commissioned those filmmakers who want to make known.
- A lone man walking across the video screen is the starting point for this dynamic formal exercise.