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Not interested to become a Critic, just want to become a Smart Viewer.
LUSTFULLY ENTERTAINING AND MAKES SENSE IN NON SENSE WAY !
TAKATAK REVIEW :-
Takatak gathered attention of youth audience because of attractional content but at the same time it hinted family audience to stay away. Just like the statement came from makers, yes "Takatak" is the Hottest and Boldest Marathi Film ever. The lust is there, funky double meaning dialogues are there, hotness, boldness, Vulgarity and what not? Everything is there. But most importantly it has that needed feature film melodrama portion and also tries to throw a mesaage on lost minded people of society.
There are 2 paths on which the ride Takatak walks, one goes to Village and other one is set in Mumbai. In village, we have Ganya and Meenu's Lovestory and in City we see just married life of Chomeshwar and Kamakshi. Ganya loves Meenu since childhood but Meenu is in relationship with some other guy. Will Ganya win Meenu or will he always be her Best Friend? The story revolves around these 2 questions while Prathamesh Parab looks Typical Villager teenager and Ritika Shrotri is sweet but definitely not an innocent girl. On the other side, Chomeshwar (Abhijit Amkar) is sex addict who expect his Wife Kamakshi (Pranali Bhalerao) to come out of Villager girl behaviour and become free minded, bold urban wife. Comparison wise, Ganya and Meenu story is more engaging and connectable whereas Chomeshwar and Kamakshi story is more Sexy and Bold. Takatak is blessed with double meaning and rhyming dialogues which are surely enough to bring laughter. Watch out the scene just after the interval where Prathamesh Parab totally aquires dialogue delivery system. Music section too is blessed with couple of good songs, 'Aapla Haath Jaggnath' sounds perfectly party song in rural area and 'Ye Chandrala' works like a Sweetness to ears & hotness to eyes. Screenplay has plenty of mistakes, the link is lost sometimes, loo breaks irritates but thankfully enjoyable dose of adult comedy keeps it floating.
Milind Kavde as director attempts an untouchable subject but the fashion used in film is outdated. Even though he deserves appreciation for the gutsy theme, he also deserves to be bashed for those cinematic mistakes seen on screen. In a nutshell, Takatak offers Lustfully Entertainment, Youthful Dialogues, never seen before Boldness in Marathi Cinema and at last tries to make some sense in Non Sense Way. If all of these makes you excited enough and you are happy with an Average Product then Takatak should be in your watchlist.
Super 30 (2019)
SUPER 30 IS GOOD BUT SLIGHTLY LESS THAN SUPER !
SUPER 30 REVIEW :-
Some film usually makes it to your watchlist so easily just because you know the content has a potential to come out as Very Good feature film product. Super 30 could be one of those awaited films having a Brilliant story and Strong content, but does it deliver? Yes it does. But not completely still enough satisfying for medium level expectations. An extraordinary story told in ordinary manners leaves Super 30 as a Good Film.
Coming towards the story, we all have read something about Anand Kumar and his life, so the script might be predictable but the actual scenes deserves to be watched as we haven't seen or read it before. A story of a Genius teacher who struggled a lot for his own career then enjoyed a fame and then again quit all the lavishness just to bring the change in Business minded educational system of our country. Anand Kumar has done so much for the poor students and we can connect with his Passion quickly, and Fully unless some over-dramatic sequences force you to lose the interest. There were so many things in story such as Passion, Struggle, success story, political propaganda and Social awareness etc. all these things could have been explored and crafted in proper Cinematic manners but unfortunately the opportunity is lost now. May be this is the only reason why Super 30 never connects you throughout. You really feel and want to connect with it but it keeps losing the grip on alternate occasions.
Talking about the acting, Hrithik Roshan delives a fine performance breaking his greek god image and moulding himself into a regional, local villager character. Mrunal Thakur has less screen-space but she looks deliberately cute on screen. Pankaj Tripathi is Hilarious, he eats up the entire scene whenever he comes on screen. Child artists and other cast members are decent. Ajay Atul have given a proper situational music to keep the pace intact. Removing Typical Filmy scenes and being more realistic, simple would have helped the screenplay but let it be. Direction is the weakest part here, any other intelligeent director would have connected the emotions more deeply.
Overall, Super 30 is a story which deserves to be told and the message has reached safely. Some things are missing though, one can still call it a Good watchable film. That long time impact might have not been there but the it will be remembered as an honest attempt to aware society on educational issues. Super 30 should taste a Critical and Commercial success and people should be happy after watching it unless expectations are damn too high which is unlikely to happen with everyone.
RATING - 6/10*
A CONVINCING DECENT LOVESTORY WITH OUTDATED ENDING
MALAAL REVIEW :
Malaal was never there in my watch list for some reasons but somehow i managed to catch the film with zero expectations. Thank god those Low expectations are surpassed, unexpectedly though. Malaal may have convincing plot from the start but loses that conviction in the last portion of the film. Out-dated fashion of ending this Love saga hurt it badly to reduce quality of one good enough, and certainly watchable film. Although I expected some political propagandas to spoil the film, which were never found and i am happy for that.
Coming to the story, Shiva More (Meezaan Jafri) is a Ruffian guy from a lower middle class family who has no ambitions in life falls in love with a an Intelligent, educated girl called Aastha Pandey (Sharmin Segal). Since we know the typical plot of Bollywood Movies where Hero-heroin have problems at first 2 or 3 meetings but later that hatred turns into Love, the same happens here. A Maharashtrian Falls in for a North Indian girl, now this is something copied from regional films but luckily not so regular in Mainstream Bollywood cinema. Overall Plot is convincing and it is convincing fully, i mean, one can connect with the characters quickly because of local flavour. Screenplay is realistic and it is presented in realisic manner with the help of Perfect production design. A smoothly going love story almost win the heart but then old fashioned climax with a flavour of sacrifice (accidentally) arrives to kill entire atmosphere and interest built over 120 minutes.
What works in the film? It is Acting of Meezaan and Sharmin, Characterisation of Shiva and Aastha, Production design, Mixed and suitable Music, localism in dialogues and behaviour, realistic screenplay and incompleteness. What goes wrong is outdated Climax, slow pace in 2nd half and director's vision to end the story. As a whole, Malaal is a good looking, fully convincing sweet tale of love but the same goodness doesn't last till the end. With better climax i mean something different other than mainstream 90's decade lovestories would have made Malaal a Good Film, however it is still a one time watch. It is not that bad either if i am not being too harsh.
Spider-Man: Far from Home (2019)
BY FAR BEST SPIDEY FILM IN NEW MCEU FRANCHISE !
SPIDER MAN FAR FROM HOME REVIEW :
It's been more than 12 years to the end of Best Spiderman Trilogy made by Sam Raimii and we are yet to see a better spidey film. Let it remain Best and i am happy with it. Spiderman Into the Spider verse made it look better than forgettable The Amazing Spider-Man series hence standing as Best Spidey Film of this decade. Here comes Spiderman Far From Home as the Biggest Competitor to the Spider Verse for the Best Spidey Film recently. Spider Man Homecoming introduced Tom Holland as beloved Peter Parker in MCU and the Sequel has surpassed the introduction film by far.
This Spiderman film was different because it was coming just after the Global Phenomena called Avenger End Game, so the pressure was there. That burden was heavy to carry especially after knowing the possibility that Spidey could be the alternative replacement of Iron Man, and Director Jon Watts porteraged the burden on his shoulder successfully. World needs Next Iron Man but ypu know No one can be Next Iron, so just be a Spider Man. The formula has worked. Far From Home tells the story of Spiderman who is chosen by Tony Stark to carry forward his Superhero legacy but a teenage guy doesn't seems to be prepared for this. As we meet Mr. Beck, how some mistakes of Spidey cost him to put his friends in danger and make him realise his responsibilities takes the plot forward. More details and the spoilers will kill your watching experience, so stop, i can't be doing this. A good writing meets the breathtaking action sequences, brilliant cinematography and excellent visual effects to make this one a Perfect Entertainment package. As far as acting is concerned, Tom Holland and Jake Gyllenhaal are damn impressive.
Most importantly Far From Home doesn't leave goofs in the narrative and that intelligence should be admired. Ultimately, that makes it even better film than End Game logically. Those much needed conflicts are there, comedy is there, slight bit of romance, emotions and what not. If you want surprises then you will get that too, watch out for intermission scene and then End Credit scene which promises a bright guture for the franchise. Film doesn't leave any chapter incomplete or in halfway. This is why Spiderman Far From Home is a Complete film. Overall, Spiderman Far From Home delivers every freaking thing promised, actually more than expected to end up as Best Spidey Film in MCU franchise. Do Watch it and there can't be any disappointment for sure.
One Day: Justice Delivered (2019)
HARDLY DELIVERS JUSTICE TO THE IMPORTANT SUBJECT
ONE DAY JUSTICE DELIVERED REVIEW :
The stories based on Justice have been tried so may times in Bollywood and we hardly remember some of them. So, the motto while attempting the same story should be different or something new to connect it with us. One Day Justice Delivered based on same story hardly delivers anything to watch. If you look at the script then potential was definitely there but sadly it wasn't used in good way by the team.
The movie focuses on the investigation and strategies followed by a crime branch special officer to solve the mystery of missing high profile persons. Anupam Kher plays a Retired Judge Tyagi who wants to correct mistakes done by him under the books of law, so he kidnaps those criminals and tortures them as hell. Esha Gupta is that Crime Branch officer who is appointed to find the kidnapper and she give her all time to the case but does she succedd? And what happens next? Watch the film to find the answers. Coming to the acting one must accept that Anupam Kher has used all of his experience to put soul in this half dead script. But how long a film can survive on one actor's shoulder if the screenplay is like said before, half dead? If there is not that much space or impact available from the writer then how he is supposed to convince the audience? Esha Gupta tries to be that Rowdy and hardcore officer but never succeeds although her local accent was well uttered. Kumud Mishra is decent and so does rest of the cast. Screenplay has lots of mistakes and lacks tight moments which is unacceptable when the film is promised to be a Thriller. That atmosphere is never built because of so many goofs and too simple theories in the writing. An outdated fashion of storytelling works like an irritation when the loud songs and BGM appears for no reason. Music is a big let down here. Director Ashok Nanda should have tried something different to tell this important story cause we have seen the same theme so many times before and that too with freshness of that old time.
Those last 20 minutes at the End lifts the tempo of the film Up and therefore One Day Justice Delivered somehow manages to end up as a Below Average Film. If you can be happy for 20 minutes in 124 minutes feature film despite knowing the Predictable plot then One Day Justice Delivered is One Time Watchble film for you. Apart from that the other reason to watch the film could be Anupam Kher's brilliant performance, and nothing else.
Article 15 (2019)
LOUDEST AND BRAVEST CINEMATIC SHOUT BREAKS THE SILENCE ON CAST ISSUES
ARTICLE 15 REVIEW :-
It's been almost 70 years that India accepted the Constitution and all the articles of it but do we really see Right to Equality lense clear? Especially in rural areas? NO. Article 15 was created by Dr. Babasaheb Ambedkar on one of the Most important and sensitive issue of our traditional society, giving everyone the Right to Equality regardless of what cast, state or religion person it is. Rarely any Filmmaker tried to focus on this subject, don't know why, may be because of fear of controversies or some other threats. Just forget it, we can't say it anymore as Article 15 has just become the Pioneer Film on that subject.
The Plot of Article 15 is realistic as we see 2 Lower Cast underage girls are raped & hanged for the sake of 3 rupees and the 3rd girl is missing. An honest IPS officer Ayan (Ayushmann Khurana) gets his 1st posting in Lalgaon, exactly a day after the Girls are missing. He tries to find the rapist and murderers but the conflicts doesn't let him catch them that easily. Later on predictable things like Political pressure, resistance in investigation, suspension and ofcourse conspiracy takes over the scenes. It is very important to have diffrent things in screenplay and quality in execution when it comes to a predictable plot where we already know that Protagonist gonna win at the end, and fortunately that something different and Quality is Found here. Anubhav Sinha had tried gutsy script before, he might have missed that quality with Mulk but he improvised himself as a Storyteller this time. Watch out for the Realistic execution, Ayan's intelligent explaination against CBI officer and the Ending scene when the Truck passes and that Frame, that Voice note is used with Excellent direction skill. Without any doubt Mr. Anubhav Sinha, Article 15 is your Best Work till date.
Talking about Ayushmann Khurana, this guy is in different league altogether now. The Kind of films he chose in last couple of years has put him in different league and Article 15 adds another good work in his pocket. Manoj Pahwa and Kumud Mishra have shined equally good in the film. Sayani Gupta and Mohammad Zeeshan Ayyub were there for little time yet both of them managed to leave an impact. The screenplay has something new to offer and the runtime never make it look boring. Although couple of moments looked unnecessary for this hard-hitting narrative, ot is still okay, those are forgiven for that tight convincing climax. Let's keep minuses aside, because we have majority of plus points such as Strong Script, Brilliant Performance, Engaging Narrative, Excellent Direction and last but not the least, That Socially Important Content.
As a whole, Article 15 breaks the silence on Very Sensitive issue in Loudest and Bravest Cinematic Shout. At one moment it looks like Bimal Roy kind of cinema but Bimal Roy was more focused towards connecting Human emotions rather than using Law books. Although Anubhav Sinha made it more regional, more Filmy and used Constitution at his Level Best, the perspective of both of the cinematic minds remains same. Article 15 will go down in Memory lane as One of those Socially Important films which we don't see oftenly whereas it stands as one of the finest made in 2019 so far. If you are that Quality Cinema lover who is always ready to watch Content Driven Film with less or no Entertaining elements then you can't really afford to miss Article 15.
Toy Story 4 (2019)
4th CLASSIC IN A ROW FOR THE FRANCHISE, CRY AGAIN FOR TOYS.
TOY STORY 4 REVIEW :-
Toy Story is one of those rare Franchise which can be considered as complete series. We had few other franchises too but Toy Story has that 'One Complete Film' every freaking time, that's something brilliant. I remember how hard i cried after watching Toy Story 3 and since then i always felt like this is the Perfect End, Pixar shouldn't take it further. There were many reasons for that such as Emotional Connect, Heart touching End and one of the Most Important reason was matching the high level phenomena is Impossible. Others might have failed but Pixar does it again. Toy Story 4 is 4th Classic in a Row for the Franchise and if i am not wrong then this is the First and only Franchise to achieve this feat.
The way Toy Story 3 ended i couldn't imagine any sequel and if i had to imagine then it has to be a Classy as hell. That time it was about Human's Emotions for the toys and this time Toy Story 4 deals with Toys emotions towards Humans. I hope everyone here is friendly with every character of the film and may be that's why Pixar tried connecting our emotions with the Toys. Fortunately they succeeded. Toy Story 4 has perfect mixture of Entertainment, Freshness in the Script, Sacrifice, Friendship values and last but not the least That Emotional Connect. You may not cry for the Goodbye this time, because this Goodbye has vibes of New Beginning hence making Toy Story a Franchise to remember to the Infinity and Beyond.
Taking the story forward since Toy Story 3, this film has some new entries and also some old friends reuniting. The conflicts remain same but the emotions and the perspective is changed. You feel for New Toys, Old friends, thier Friendship, thier sacrifiece and most importantly you feel for Woody and that's what Pixar wanted. At the very next moment the race of Classic Film is won by Toy Story 4. Although it failed to match it's predecessor but you know Toy Story 3 is unmatchable therefore going somewhere close to that film is a Big Achievement and that is done in soul stirring way here. In final words, Toy Story 4 adds another glorious Chapter in Toy Story Franchise and Pixar's basket. If you connect with the Toys of these franchise then believe me you can't to miss Toy Story 4.
AN ABSOLUTE BRILLIANT WRITING MEETS OUTSTANDING PERFORMANCES IN THIS HEART TOUCHING PRODUCT
KAAFIR REVIEW :-
Webseries nowdays, have been too much unrealistic, vulgar and attention seeker for no reason at all. Few of them had quality but mostly webseries were sold on non-quality Content. Here comes Kaafir which sets an Example of Quality writing and socially important content. If this is not enough then Outstanding performances and Emotional connect are two more strong reasons that makes Kaafir a Must Watch Film.
Kaafir is a story of a Central character Kainaaz who is Pakistani but accidentally crosses the Border and entered in India. The expected circumstances under the cover called National security issues puts her in more problems and she goes on to have worst incidents of her life in Jail. The 2nd most important character is Vedant, an Indian Lawyer and Journalist who fights for Kainaaz's rescuel but has some unforgivable and unforgettable past that makes these 2 characters full fledged. The 3rd one is Cute yet powerful and mandatory character called Sehar, obviously Daughter of Kainaaz. Bhavani Iyer as writer has written every character very smartly, realistically and relatable mind. Apart from these 3 the other characters are too equality important in this narrative no matter how long they stay on screen they got that much importance on screen. Bhavani not only wrote the characters Beautifully but also crafted them with genius mind as you can see not a single character looks unrelated or immature, every character had that backstory and much needed conflicts. If this is an Exam paper then undoubtedly Bhavani Iyer has topped the charts with Full marks.
It is very difficult to keep people engaged for 7 hours throughout the narrative with the Performances and that Very Difficult fort has been breached by Actors. Dia Mirza is Explored like never before in Kainaaz role, she delivered The Best Act of her career. No more words can describe it, just Hats off to her. The same story is followed by Mohit Raina who again delivered most Matured Performance of his life. The cute little girl Dishita Jain portrayed Sehar with Zero acting knowledge and Full Natural skils. Rest of the Cast members have supported them with full passion and each of them deserves special mention.
Director Sonam Nair will be remembered for directing this Universally important subject with 100% conviction. She has made a gem and shown us that she is a Genius storyteller. Kaafir could have been a Fisco or an average affair without Sonam Nair. There are so many Cinematic nuances to learn, there's so much to take home and keep it with you forever.
What works in Kaafir? Almost everything. The script, the acting, the cinematography, the execution, the direction, the emotional connect, the love story, the quality phenomena and what not. What doesn't work? There are quite few scenes which pokes like a hard rocks in this Smooth flowing river but one can forgive them saying it humanary natural mistake. Overall Kaafir is Brilliant Writing meeting the Outstanding performances and Class direction to deliver a Must See Product. Make a list of films made on India-Pakistan border affairs and i bet Kaafir will stand tallest in the list. Yes, you read it again, Kaafir is that much High level experience. If we believe India doesn't produce good writers then give a watch to Kaafir and you will apologize for the above statement. This India-Pakistan human emotions story with full of conflicts is Strongly Recommended for Quality lovers. A CLASSIC !
Game Over (2019)
IF YOU BELIEVE LIFE IS A GAME THEN GAME OVER IS A MUST WATCH THRILLER
GAME OVER REVIEW :-
Thriller is a genre which has been loved by all kind of audience and Critics. Mostly thrillers stay with us for more time than any regular entertaining film. Game Over is far away from Mainstream cinema not just because of content but also when you look at it's lay out in promos. And the final product is nothing different rather it is even more surprising. Game Iver is half heaven and half hell of cinematic experience, why so? Let's find out in details.
Game Over is a story of one Central female Character played by Taapsee Pannu who is stressed, tensed, confused and scared. You know how difficult it is to live with so much problems in life so you can imagine how she must be feeling. The side story of Fight for it spirit, never give up is also enthrilling but that basic Fictional Plot is.... Okay, Let me say it clear, you can either reject it for being unrealistic and get away or you can give it a chance, believe it and then Enjoy the Thrill generated soon after. The writer has tried something different this time, he mixed up Realistic thriller and fictional writing together to leave us quite confusing. Taapsee Pannu has given Amazing performance in this never seen before character of her life. She believed on those nuances, those expression, those screams and made us belive and feel her act. The background score is engaging and well supported by Cinematography. Couple of scenes are High Class examples where you might lose your control from comfortable seating, as those one or two scenes are scary as ghost.
Ashwin Saravanan directed this Thriller with full conviction and that conviction is fortunately seen on screen. He has worked on so many nuances and those nuances will work high time for you if you could notice them. The biggest USP here is the gripping second half after the Narrative being clueless in the first half. At Interval point you even question that is the Game Over? Then the tagline 'Game On' appears, you get excited for the later half and the real game begins. Overall Game Over is a Spellbounding Thriller with Realistic Execution and Fictional Gaming plot which deserves to be given one chance from viewers and after that you won't be disappointed, and you can trust me for that. Most of the one line review is divided by If and Had excuses because the Storyline forced to do so. So, If you believe Life is a Game then belive me Game Over is a Must Watch Thriller.
A JOURNEY OF BAD WRITING TURNING INTO WORST FILM
BHARAT REVIEW :-
Some films are bad when it comes to screen experience, some are bad when it comes to execution, some are bad at basic writing. Bharat is that film which is Bad in all the aspects mentioned but unfortunately as a film it turns even worse. Salman Khan has never been a guy who is expected to deliver Classic Films and even after keeping the Expectations low, Bharat does't even come close those expectations. The Worst thing about Bharat is even after you made up your mind for a Bad film, it still looks better in reverse or Worse case.
Bharat is a story of Bharat played by Salman Khan who is committed to his Father's promise of binding the Family together till his last breath. The partition riot separates Bharat from his Father and Sister and he keep hoping for their return for 5 Decades or something. The writing is total fiasco, the soulless script, clueless screenplay is nothing short of a Torture. The link between 2 scenes is missing, that connection of one long Platform is never built up. Ali Abbas has got Nothing, i mean absolutely Nothing in writing to show it on screen therefore a bad Director hits the Worst note in film-making. Why did he need 155 minutes runtime to show this weak script with Disater Climax? Countless childish moments are irritating as hell. Only that one emotional scene of Indo-Pak relatives Greet Meet is watchful but again debacle dialogue writing has killed that scene too. When it comes to Salman and Katrina's Film i like to keep Acting Paragraph empty so let be Blank again. Disha Patni has small cameo but she looks hot and additionally she got better entry scene and impactful role than all other female character in the film. Sunil Grover is watchable, rest others just does not act at all, seriously why were they there in film. Music is Good and probably the only good thing in this product but here too we have got a problem that Good Music arrives on Bad times.
Bharat is one of those films which you can leave at half time and you still don't wanna regret. Heartly Congratulations to Salman Khan for making Hat-trick of Crap films on Eid. Tubelight, Race 3 and now Bharat. The best thing about Bharat is, Salman Khan is coming after Crap film like Race 3 and he keeps the standard of thelat film intact. Overall, Bharat is a Film to Skip for many reasons. Watch it to only and only to find your reasons of skipping it.
PM Narendra Modi (2019)
A MODI-FIED BONAZA FOR MODI FANS. CAUTION- NOT FOR OTHER
PM NARENDRA MODI REVIEW :
The biopic fad is taking over the industry as the new joining is the biopic on a heavyweight name, Honourable PM Narendra Modi. One has to be a Modi fan or admirer or follower to make a film with such vision. The writers and Director of the film seems those Modi-Fanatics. Wait, Don't get it wrong, it is Just about the film. Biopics usually face the same problems of accuracy, fictitious changes and then going pathless into the cinematic liberty. The same happens with PM Narendra Modi here.
PM Narendra Modi is packed with inspiring tale of our Hon. Prime Minister who rised up from a small village of Gujrat and took the nation by storm. The film also showcases his childhood portion which is unknown to many people around the world. The incomplete thing is, Film ends with the historic moments of Modi's life when he took oath as a 14th Prime Minister of India. We have witnesses so many Cinematic things by Modi since he became PM and those occassions should have been added to make the film complete. Let it be.. Fortunately the heroism, the swag, the rowdyness of Modi is there and it is executed in massy way so that we can make some noise and whistles in theatre. Vivek Oberoi as Narendra Modi looks good, be it from looks or accent. He could have pulled it with more convinction in his acting though. Rest of the cast got not much to do and they are fine with thier minimal appearances. Music is a let down here, not a single song make it to the favourites, nor sounds good in the narrative. Writing is fully formed to glorify Modi like never before that at one stage you might question yourself, is he a God or what? Cinematography, Production design and rest of the Film-making fields are decent to average. Coming to the Direction of Omung Kumar may feel resistive. We have seen some good films coming from him and he had to keep the level similar at any cost unless he is trying something out of the box. This film wasn't that out of the box thing for sure. Then what goes wrong? The fear of keeping the standard of dignified name, yes it could be that.
As a whole, PM Narendra Modi fulfills the Modi fanatic expections in the way they wanted. It wins a Biopic of Big Brand Narendra Modi but as a feature Film it is lost in it's own cinematic liberty. If you are a Modi Lover then enjoy this Modi-fied bonanza inside theatre while you celebrate his victory outside theatre also. This one strictly made for Modi-Fans.
India's Most Wanted (2019)
AN AVERAGE LOOK OUT ON UNTOLD SURGICLE STRIKE
INDIA'S MOST WANTED REVIEW :
Surgical strike has became a trend since encultarative success of 'Uri : The Surgical Strike'. That film had everything to tell the story in commercial manner but here the case is different. Why? Because it is not direct Surgical Strike or an Attack, it is an estimated and unpredictable chase and capture mission. Although it is predictable for cine viewers who can clearly sense the coming events and like mentioned earlier that commercial package is missing too.
India's Most Wanted is an unbelievable story where 5 Unlikely heroes saves the billions and never gets the fame and credit for that. Five patriots from a small town team up to capture India's Most Wanted Terrorist and travels to Nepal without any official back-up. Can they manage to get him Or they fail? You get all the anwers in the film. Writing viz the film looks healthy but the Screenwriting seems outdated and melodramatic. As an Actor Arjun Kapoor finally gets a full-fledged acting role and does the Justice to his part by fair Margin than earlier ones. Supporting cast is impressive while Jeetendra Shashtri as 'Friend' steals the limelight. Amit Trivedi fails to give the needed musical support. Actually, the chase films which are more curved towards story-telling should not have mainstream music. Editing by Banerjee is pacy if you can exclude songs and unneeded portion. Cinematography and VFX Work is Good. Raj Kumar Gupta delivered a Fantastic film like Raid last year so the expectations level was higher this time and unfortunately he couldn't live upto them. When you have clear sense and focus on the film then you shouldn't be using the same old formula because the story is not regular, right? All What goes wrong has been sum up in one line, i guess.
In a nutshell, India's Most Wanted is much needed story for the Audience but the look out by the makers remains average. This script could have been told with better viewing experience, especially from the Director like Raj Kumar Gupta. Although he misses the main protocol, somehow he manages to keep something watchable in the narrative and saves the ship from the Crap stroke. The patriotic feeling and sympathy towards the untold and unknown heroes can be watched once.
De De Pyaar De (2019)
AN ORGANIC FUN RIDE WITH INTELLIGENT DIALOGUE WRITING !
DE DE PYAAR DE REVIEW :
De De Pyaar De was seeking attention from the trailer itself when we knew a successful name like Luv Ranjan is coming after Super Hit SKTKS. But one doubt was spoiling the mind that he's not the Director this time but just a producer, so were we supposed to trust New Director like Akiv Ali? No, we were not. Keeping the expectations Low for the valid reasons told, has worked on High note for De De Pyaar De as Akiv Ali manages to exceed the expectations by fair margin. DDPD can surely be called a Successful Debut for any Director in this genre. But how much successful? Let's find out.
De De Pyaar De is not a Love traingle but it is pretended to be a love triangle in urban style where sophistication doesn't stand for a long time. It is a story of Rich guy around 45 and a hot young girl of 26 falling in love of each other in London. The guy is Divorced (not actually) who decides that his Girlfriend should meet his Ex-wife and other family members in India before they get married. That Family visit creates fiasco and then lies, cover ups and relationship bond theories are explored. The narrative here is Funny, Entertaining and engaged especially in the first half while the ending portion is bit dragged and unexpectedly slow. The biggest USP of the film is it's Dialogue writing, you get into it at the beginning and you never go out of the Intelligent Conversations until the lukewarm ending arrives. You may remember the Flirting conversation of Ajay and Rakul for some time or might even use some of those dialogues in real life. As an Actor Ajay Devgn is decent, his acting talent deserves better roles indeed, this wasn't it. Rakul Preet looks Hot, Spicy and she is talkative as hell. The most sensible character is played by Tabu and she keeps the sensible act intact. Supporting cast along with Special appearance of Javed Jafferry and Jimmy Shergill will surely receive your love. Music department is fairly good, although some songs appear at the wrong occassions it can't be blamed fully because couple of situational songs lifts the screenplay up.
Coming to the main thing, the writer and the Director of the film Akiv Ali did leave an impact. As a debut Director he surely deserves the credit and therefore some mistakes can be forgiven. He makes sure you don't lose the interest, you don't lose the grin smile on your face, he keep you immersed with the narrative for 100 minutes and then last 20 minutes might not be that tall but again the last scene of the film hits it back to the tempo along with interesting hint on the Sequel. The only thing he lacked was, the Bang On Climax. Luv Ranjan Films had the Climax lifting it up and may be that's why the repeat value was there, here Akiv miss that but he still has guaranteed Hit material in hand. Overall, De De Pyaar De is an Organic Fun ride with special mention to dialogues writing and is surely watchable for the youths, couples and even family members (with lots of beeps). It could have been the 7/10 film but that not so intellectual climax made the difference.
A STRAIGHT FORWARD TAKE ON TRENDING SCAM...
We have seen plenty of films based on Scams having multiple stories included, and getting slightly away from the main content. Only few of them were stucked to the content and there also screenplay had some extra filmy material. Setters doesn't have it, not a rare case but one of the rare. Setters is a straight forward take on trending issue of setting it in Government Competitive exams and therefore much needed subject finds it's way on the silver screen. It lacks the top class film-making but is surely a decent and watchable attempt.
Having many twists and turnarounds, the script should not be revealed to spoil the fun but a brief can be told as, it's a tom and jerry stuff between Setters and Cops. Shreyas Talpade plays a negative character Apurva and the characterisation by the writer is smartly done job. Aftab Shivdasani is honest as honest cop Aditya. Others such as Pavan Malhotra, Vijay Raaz, Sonnalli Seygall, Jameel Khan, Ishita Dutt and rest of the cast members are composed and discliplined to thier characters. Setters has some good writing skills and the screenplay is well planned, not well executed though. Kartootien is the only song in the film and that is not useless. When most of the useless songs spoils the tempo in thriller films, this one is that rare situational theme song which doesn't scramble the content. Ashwini Chaudhary as director handled the subject sensibily but he lacked that wow moments from the writer itself. Will it be fair to blame him then? At least he didn't walk on a commercial film-making path, must thank him for that.
Government Competitive exams are deathless and so does the scams are ageless, it will just get better day by day as the technology is never ending. So the film-making on it must be updated, we might have to cross the boundaries of limited vision in coming days but for now just be happy with a decent attempt. Setters, overall is a well planned watchable thriller and a straight forward pinch on a realistic subject without losing time in typical filmy masala.
Avengers: Endgame (2019)
GIVE THE LOUDEST SCREAM FOR YOUR SUPERHEROES !
AVENGERS END GAME REVIEW :-
Marvel took a decade to set the "End Game" on high standard and that plan has worked big time. We can feel the buzz, the hype all around the globe. Finally the Final Chapter in Avengers saga is revealed and does it live upto the hype? Yes, it does. Avengers End Game has every freaking element of heavy Commercial entertainer along with moving climax for die hard Marvel lovers and a fulfill end to the journey.
End Game was awaited for the one final Slash on the deadliest villain who killed half the universe with just one snap. People were excited to see how remaining superheroes battles with Thanos and do they survive? The script is 180 minutes long which is perhaps the longest film in Marvel Cinematic Universe so as expected it takes time to settle the atmosphere. Unexpectedly, Russo tries some Intellectual kind of stuff to get it right but leaves so many goofs which remains unanswered. After getting it right, since 140 minutes are gone, finally you get to witness what you actually wanted to see in this film from the start. The visually stunning phenomena takes charge and you just can't stop screaming out loud for your favorite superheroes.
The climax fight is followed by bit of emotional portion where you have to say goodbye to your superheroes. Marvel ends it good, but is it good enough? Is there anything new to see? Answer is No. End Game is the same Marvel stuff we have been watching since a decade, except that one segment where all the Marvel Superheroes comes together for the first and last time. Russo tried thier ordinary version of Quantam Physics but doesn't explain the theory till the core, in addition they took so much time to set the plot. Overall, Avengers is a complete Winner package and will rule the box office but it is not that High level Cinematic Experience which can be remembered for years. If tou like all the previous films of Marvel Cinematic Universe then this is something more for you, so don't miss it.
LOVE STORY & POLITICAL CONSPIRACY STAYS AWAY FROM LOGIC
KAAGAR REVIEW :-
Makarand Mane was a name to remember for classic film 'Ringan'. Then he had forgettable project 'Youngraad' which can barely be called mediocre. Kaagar was that perfect opportunity to come back strongly where Production Value, Cast, Overall impression and almost everything falling at right place. The opportunity is missed and how? By far, actually. One would have never expected it to be such disaster but gotto move on now.
Kaagar lacks the basic ornaments of writing, and the logic as well. The writer seemed confused asking himself questions like whether is it a Love Story or a political drama or a what else? The script has a story to tell about Rani (Rinku Rajguru), Yuvraj (Shubhankar Tawde) and Guruji (Shashank Shende) changing thier basic perspective continuesly. At one moment it looks like a smooth going love story, suddenly it turns into a political drama and then again turns the genre to thriller/suspense (not exactly). And what do we get as a final output? A Clueless Film. Moving towards the acting zone, the trio Rinku Rajguru, Shubhankar Tawde and Shashank Shende easily sells it on thier acting. Even other cast members put thier best. Screenplay is not that long and thank God it's not, those 120 minutes passes without any boring moments if you can forgive the basic writing. Action and violent scenes are damn realistic and perhaps the best part of the film. Music too passes quickly keeping the pace intact. Decency of cinematography and locations is has been kept. Makarand Mane's Direction is completely Lost. One can still remember his Ringan and that class for some years but here you don't see a single glimpse of that class.
Too much of cinematic liberty and fictitious vision of writer+director has taken Kaagar far away from common sense. It does not really give you any reason to give it watch, neither it win as Love Story nor as Political Drama. The basics has to get right otherwise you never come in a race, Ringan is that Horse which never comes in a race yet fails. You keep searching for at least one reason to call it a Good film and the search never ends.
A LOVE SAGA TRAPPED IN LUKEWARM VISION AND TORTOISE SPEED SCREENPLAY
KALANK REVIEW :-
It's been a span of some years we have seen an Eternal Love Saga in Bollywood which can be called a Quality film. The last one i remember is Veer Zaara, although some good films came after that but couldn't match the quality level. Kalank was looking a film going somewhere half to that level but again the Fisco in writing didn't let it reach that mark. A rich production design goes in vain because of confused writing, lukewarm vision of ordinary Director and tortoise speed screenplay.
Kalank is set in Controversial Partition era and tells a tale of Love, Betrayal, Religious fights etc. ending up on a question that was it a Kalank or an Eternal Love? The same question appears in your mind as an audience that what the film actually was? Was it love story or was it a Love triangle or was it a sacrifice? And did that simole script need such a confused screenplay and long runtime? While we keep searching for answers, some good performances by actors and rich production design are delight to watch. Every song of the film is a theatrical cinematic experience, in which Audio, Video and Lyrics everything hits the right notes. Then what goes wrong? It is Writer, Screenwriter and the Director who deserved to be bashed for thier mistakes. Many scenes are left incomplete, plenty of unconventional moments, characters are not well written, they even used reference of Jinna for Religious fights but we never see that cruelty on screen, that "Bull Fight scene" has kiddish VXF and many more mistakes were found. Abhishek Verman couldn't even handle an ordinary film like "2 States" then how was he capable to handle this Big Budget film?
Dharma Production is on a dream run with thier recent films tasting a success but i fear this time Dharma will see their Biggest Commercial Underperformer in recent time. Kalank is a Musical and Visual Hit but a Cinematic Flop. May be the timing of the film has gone wrong, people nowadays don't expect Love Saga especially from the young actors and young Director. This script might have worked 20 years ago with the directors who were specialist in Love-traingle zone. A potential Eternal Love Saga has been spoiled by Lukewarm Vision of Director and it's slow paced screenplay.
The Tashkent Files (2019)
A MUCH NEEDED INTELLECTUAL MUST WATCH FILM IN BOLLYWOOD !
THE TASHKENT FILES REVIEW :-
A MUCH NEEDED INTELLECTUAL MUST WATCH FILM IN BOLLYWOOD !
How many of us knows that 2nd October is the Birth Anniversary of Lal Bahadur Shashtri as well? We call India as Country of Gandhiji and Nehruji, why not Shashtriji's? How strong was India's Position on Global Map when Lal Bahadur Shashtri was Prime Minister of India and how all of sudden India lost that strong position just after his mysterious death? These all are unsolved puzzles and we have had enough arguments and political propagandas over this, but Tashkent Files is just not about this, it is something more than that. It is about Secularism, socialism, terrorism, politics, our rights and bla bla but when all of these comes with a Great Cinematic Experience then believe me you just can't afford to miss this gem.
The Tashkent Files deals with multiple issues at the same time keeping Shashtriji's death mystery at the center, rest phenomena of beneficial nature of people, types of terrorism, racism and the Fake Truth which has been accepted by our society etc. is created with Perfect mindset by the Writer and the Director Vivek Agnihotri. He finally comes out of his Adult Thrillers zome and delivers a Must See Experience. The entire cast does the justice to thier roles with thier own perfection. While Shweta Prasad showcases Best act of her career, Mithun Chakraborty, Mandira bedi and Pallavi Joshi stands out. Music was needless but there is one theme song "Sab Chalta Hai" which fails to impress, although Lyrics hits the Sharp aim on the subject. Dialogues are Knocky and you will utter 'Wow' for them at some occassions.
At one moment, The Tashkent Files feels like Bollywood version of Hollywood Cult Classic '12 Angry Men' due to those Arguments and conference scenes but the motive was different here. Apart from unrevealed Facts on Shashtri, it also focuses on few political agendas and propagandas in thrilling mode. Overall, The Tashkent Files is much needed Intellectual Must Watch Film for Bollywood in this year and is certainly the Most Intelligent+Thinkable product of the year so far. One must have some brilliant knowledge of History to judge this film, and that's the reason why I am not sure whether to call it a Classic or not, hence rating is 7/10*
Romeo Akbar Walter (2019)
A GRAND SALUTE TO UNKNOWN HARDCORE PATRIOTS
We have had some patriotic films in recent time, some of them were thrillers, some were inspiring and some were patriotic juggernauts. RAW doesn't really fit in any of these categories because it has it's own separate league. RAW is an attempt to give a grand Salute to some untold and unknown hardcore patriots who gave up thier entire life, sacrificed all they have for the nation but never got deserving recognisation. Although as a film it lacks the Quality, that Patriotism feel doesn't let it end on a disappointing note.
Romeo Akbar Walter is a tale of Romeo Ali (John Abraham) who had a dream to work for the nation just like his father but his mother doesn't allow him. After Becoming a Banker and living a regular life, he was chosen by RAW Chief (Jackie Shroff) to work as an Undercover RAW Agent. Later, he gets caught by Pakistan Government and how he manages to find his way on his own all these Interesting chapters are put in with perfect balance in this narrative. At some moments film looks so bad but later we get answers of all the queries but still that Useless Love Interest chapter irritates. RAW is thriller with less commercial elements which needs to be told without any other filmy elements but sadly Makers didn't realise that. Music, Love Interest, Family Drama and some other things are added uselessly.
Director with a straight forward vision could have made it a much a better film but fails. John Abraham finally gets a perfect role to explore an actor in him, except him nobody from the cast impresses. Overall, RAW can be watched once to know some unknown and untold stories of National Heroes who never got the fame and recognisation. Some may call it a dull film, some may call it a useless attempt but as a Citizen of India we all must realise that this stories like these needs to be told, otherwise we get useless Masala scrips every friday.
SAME OLD STORY IN THE NEW SET LOADED WITH ACTION MANIA
JUNGLEE REVIEW :
There are multiple films made on the same story of jungle where Human's hunger for money destroys forrest world. The Animal comes in mind in that story is most probably an Elephant who is more profitable for hunters. It's been almost 30 years we haven't seen a film on the same old story and here comes Junglee loaded with New Action Mania. The same old story does feel predictable but the action sequences and new set of storytelling makes it a decent watch.
Juglee is the same predictable story revolving around Eliphant hunting, and later turning into a Revenge drama. Vidyut Jammwal, Pooja Sawant, Asha Bhat, Atul Kulkarni, Makarand Deshpande and rest of the cast members plays thier roles fine on screen. A Writer should have tried to write something new so that film would have looked more interesting. Screenplay is Tight and that's why film never looks dull or boring. Action and stunts are eye pleasing and the Camera Work is well supporting. Chuck Russell as Director fails to bring some special product, but thank god he doesn't deliver a crap.
If you real feel for the animals then Junglee will hit your chords very well, apart from that it is still a very entertaining cinematic experience. But if you are looking for something more than a Decent product then wait, keep those expectations well in limit. The emotional touch of Animals may tug little rings in your heart and the Action mania towards the End works on high note. Overall, Junglee is a Good One Time Watch or rather a decent watch for all kind of Audiences, no matter what your taste is, no matter what your age is.
A BRAVE TALE ON BIG CANVAS BUT WITH SO MANY SMALL HOLES
KESARI REVIEW :-
There are countable Epic war films made in Bollywood that's why hardly one or two stayed in memory. Bahubali has to be that Historic Film to remember for years with Freaking Grand Canvas and Brilliant vision of Rajamouli. Sadly no other director in India has managed match that or even go close to that. Kesari was Promised to be that Mountain scale film with Terrific story to tell but unfortunately lacks that Vision. Excluding that, it is a Good Commercial Entertainer for regular Indian Audience.
Kesari tells the tale of Bravest battle ever fought by 21 Sikhs against 10, 000 afghans. We actually see those 10, 000 invaders on screen and that makes this film to look lavish in screen. But it was a Big responsibility to handle, where the Director couldn't stand tall. There are so many illogical moments and small small mistakes appearing continuously in the screenplay. The biggest question arises that if everyone was dead in the film then who the hell told this story to next generation? There has to be some logic behind this if you are making a historic film otherwise have to admit that your research is not that good. Acting department is fine and the cinematography is the best thing about the film. Music was unnecessarily added, when the film has taken the pace why do they need to spoil that with songs. Another problem is, the best song from the film 'Ajj Singh Garjega' which could have been one of the Best Cinematic portion in the Film doesn't even appear for a moment. The entire storytelling is fictionalised just to make the heroes shine brightly, no matter if it doesn't make any sense. The director wasn't capable to pull off this one.
Although Kesari is a good entertainer with enough commercial value and mass elements for Pan India audience, one might feel that this one was a potential gold converted into silver. In non commercial zone Akshay Kumar has delivered some Classic and Very Good films recently but the commercial zone is quite below the belt. He will taste the success again but that memorable stuff is missing this time. Why do we fail to match Hollywood? Because of that typical melodramatic and emotional propaganda by Indian directors. Kesari was a chance to make something close to "300" level but stays in limit for those typical audience of our nation so let them enjoy what they want.
A DEEP MEANING GENIUS FILM MISSES SOMETHING AT THE END
PHOTOGRAPH REVIEW :-
The Lunchbox was a Gem, by the Director called Ritesh Batra and this tagline was enough to create humongous expectations from Photograph. Additionally cast names like Nawazuddin Siddiqui & Sanya Malhotra and Brilliant Trailer upraised the bar. But in a Film it misses something at the end, even if lives upto to the expectations throughout the narrative. However, Photograph is the Confirmation that Director Ritesh Batra is a Genius and he will never come up with mainstream product.
Photograph is a deep meaning tale which begins with the Photograph and then Flows like a stable River. In between many situational laughters, realistic humour and unusual screenplay keeps this one engaged. Nawazuddin Siddiqui and Sanya Malhotra are totally amazing as lead pair. Their Expression, thier accent, thier decency is surely gonna fetch them many accolades. Cinematography is pure realistic and smartly done job which can be noticed through angles, zoom ins and blur moments. Director Ritesh Batra brings another offbeat and Loveable film but he fails to bring the same convinction in the climax. But the good news is, he never loses the Quality, he keeps it intact for 110 minutes.
Deep meaning films are hard to digest for massy audience and some classy audience too doesn't really reach to the core. Photograph could be one of those film where the Final Impact is not that powerful. Little bit more detailing in the Cliamx and Photograph would have been a Classic. Unfortunately it misses the Big mark by short distance, still doesn't fail to give you experience of watching something unusual stuff. Overall, Photograph is another Deep and Genius film by Ritesh Batra, only 1 mistake doesn't make it bad or Average, it is still a Very Good Film by far.
Ti and Ti (2019)
A LACKLUSTER ROM- COM WITH FRESHNESS OF CAST
TI AND TI REVIEW
Rom-Com is one of the most popular and audience friendly genre in not only Marathi Cinema but also in Bollywood. We easily see 10 or more Rom-Coms annually in both the Industries, hence the excitement of watching something new does not generate. How different can you make the film in this Genre, this question is never been answered. The potential for Content is very less in Rom-Coms and Ti And Ti is stucked with those limitations.
Ti And Ti has an Interesting story of 3 Fresh Looking Characters, Pushkar Jog, his wife Prarthana Behere and his Ex-girlfriend (Crush would be a better word) Sonalee Kulkarni. Pushkar and Prarthana are married and on thier Honeymoon trip Pushkar meets his Ex-Crush. This Crispy thing generates interest to some level and the songs coming one after another keeps the film pacy. Although we hardly get any Laugh Riots, the decency of the Screenplay keeps the ship floating. Again the same problem appears that how different or unique can you go in Rom-Coms, those Limitations spoils the built tempo and the Floating ship of Ti And Ti starts sinking. The musical department somehow keeps the head up but same typical Rom-Com storyline along with Love Triangle and Flirting moments remains ordinary. Acting wise, Siddharth Chandekar is a surprise package and his character relates you more than anyone else. Director's Vision is strictly Average so the Direction Skills.
As a whole, Ti and Ti is a Strictly Average or rather i would say a Decent one time watch and that too for couples. This one looks lavish on screen while everyone from the cast adds the much needed freshness. If you have limited expectations and wanna go for light Rom-Com then Ti and Ti might be a perfect choice for you.
RATING - 4/10*
A FINE THRILLER WITH MAGIC OF ILLUSIONAL TRUTH
BADLA REVIEW :-
Sujoy Ghosh was the name to look forward since he delivered Classic thriller Kahani. He went quite low with other films but the Expectations of his Comeback were always carried. Badla was looking like that Comeback Film from the Trailer, and the Cast made it look sure shot winner. Now the Final Product is out and it is nothing less that whatever promised. Sujoy Ghosh is Back with another Fine Thriller which should not be missed.
Badla is a Revenge Drama where Characters aren't set till the end, you keep getting shocks on alternate occassions asking yourself that who is Protagonist and who is Antagonist? Taapsee Pannu is showcased as Protagonist but is she really that? Amitabh Bachchan plays a Neutral Lawyer throughout the film untill the Brilliant Climax blows you away. Amrita Singh is a Pleasant Surprise as she plays one of the Most Important Role in this Maze. All of them Act with thier souls to make the Chatacters very much audience friendly. Background Music is Top Notch, it gives you that feel of Anger, Scare, Thrill etc. Writing is Perfect, and it was Expected due to Remake thing. Sujoy Ghosh as Director does an Excellent Job, he manages to keep you hooked till the End and forces you to Clap on the Very Last scene. The screenplay in the First half is Ordinary and it could have been much better compared to overall impact of the Film therefore this remains the only let down here.
As a Whole, Badla is one of the Finest Thriller made in Bollywood with Magic of Illusional Truth. You keep asking for turnaround moments and Film responds quickly to your requests. The Mahabharata Characters reference works on upper side, generating little bit more Interest. This one is a Sujoy Ghosh Trademark film and should not be missed if you like Quality Films, especially in Thriller Genre. This one would have been a Classic if the First half supported enough. Comparatively, it does not surpass Kahaani but fortunately goes very close to that level, nevertheless Badla is still a Must Watch.
RATING - 7/10*
Luka Chuppi (2019)
LIGHT COMEDY WITH OVERGENERAL VISION
LUKA CHUPPI REVIEW -
Luka Chupi wasn't looking convincing from the trailer itself, that actually helped to keep the expectations lower and not to feel much disappointed. A desi Film with Simple story and Light Comedy is always welcome but what if an Ordinary Script goes even more ordinary and then Light moments goes in vain because of unnecessary fiasco created in the screenplay? Not Good, huhhh. That's what Luka Chuppi is.
From the Trailer we got an idea that the Film tells the story of Live In Relationship and Marriage fiasco in Funny style, but in film there are some more factors like Politics, Emotions and Youth Generation thinking in addition. The basic conviction goes wrong here that what exactly Director wanted to say? Was he confused while focusing on multiple subjects in one script? It seems that, he was. Making sense is always important, no matter if you are telling big story or small one and that doesn't happen here. Kartik Aaryan and Kriti Sanon shows Good Chemistry on screen, the supporting cast is good too. Pankaj Tripathi is a Show stealer who brings Gauranteed Laughters whenever he is present on screen. Music is a Plus point but all are recreations therefore credit goes to the originals. Screenplay has many goofs, writing includes unnecessary elements, Dialogues are decent. Direction is Immature and confused which could have been much much better. The vision was Overgeneral.
As a whole, Luka Chuppi is a Below Average film, apart from some real, genuine Laughters there is nothing more in the dish. That USP thing is missing which gives an Identity to any film. Hit songs and Startcast might help but still Box Office Success of the Film is doubtful. A better director with better vision and this one would have been a Good Light Hearted Comedy, but for now it is less for sure.