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The Shawshank Redemption (1994)
One of the best movie ever
This movie is based on a novella by Stephen King, but don't let that put you off. It's not a horror film, rather a thumpingly good ode to friendship, hope, wit, wiles and wisdom, brimming with crackling characters and topped with the most twisteroo of twists since The Crying Game. Found guilty of killing his unfaithful wife and her lover in a fit of passion, sullen accountant Andy Dufresne (Robbins, casting off his goofball image to display more layers than the proverbial onion) is shipped to the gothic wind-swept corridors of the Shawshank State Prison for life. It is here the movie gracefully unfolds. With a beautifully rounded script, writer/director Darabont conjures up a spellbinding personal odyssey stretching through the years from 1946 to 1967.
Dufresne, all the while protesting his innocence, slowly overcomes the hellfire tortures of the prison system - an unblinking range of beatings, rapings and abject humiliations - while managing to inspire his fellow inmates to lift their degraded horizons. Among them is Red (Freeman, in a matchless supporting role), the lifer who can, given time, provide virtually anything. And for reasons best known to himself, Dufresne requires 40s starlet Rita Hayworth, provisioned in poster form.
This movie is based on a novella by Stephen King, but don't let that put you off. It's not a horror film, rather a thumpingly good ode to friendship, hope, wit, wiles and wisdom, brimming with crackling characters and topped with the most twisteroo of twists since The Crying Game. Found guilty of killing his unfaithful wife and her lover in a fit of passion, sullen accountant Andy Dufresne (Robbins, casting off his goofball image to display more layers than the proverbial onion) is shipped to the gothic wind-swept corridors of the Shawshank State Prison for life. It is here the movie gracefully unfolds. With a beautifully rounded script, writer/director Darabont conjures up a spellbinding personal odyssey stretching through the years from 1946 to 1967.
Dufresne, all the while protesting his innocence, slowly overcomes the hellfire tortures of the prison system - an unblinking range of beatings, rapings and abject humiliations - while managing to inspire his fellow inmates to lift their degraded horizons. Among them is Red (Freeman, in a matchless supporting role), the lifer who can, given time, provide virtually anything. And for reasons best known to himself, Dufresne requires 40s starlet Rita Hayworth, provisioned in poster form.