Bmore-Hero

Reef Builders wants to be a powerful environmental documentary, but it ends up feeling more like a glorified slideshow with a monotone voiceover. While the subject-restoring coral reefs and marine ecosystems-is undeniably important, the film's execution is surprisingly lackluster. The narration is dull, the pacing is glacial, and the lack of narrative structure makes it hard to stay engaged.

Visually, there are a few gorgeous underwater shots that briefly breathe life into the film, but even those are few and far between. The editing is choppy, often repeating footage or lingering too long on unimpressive scenes. Interviews with marine biologists and conservationists are scattered and underdeveloped, leaving you with more questions than answers.

There's passion behind the project, but it's buried under poor storytelling and a documentary style that feels more like a high school project than a professional production. In the end, Reef Builders is a missed opportunity-informative in spurts, but ultimately a slog to sit through.

"Mute" is a sci-fi noir thriller directed by Duncan Jones that tries to channel the eerie aesthetics of Blade Runner while weaving a story of love, loss, and cybernetic intrigue. Unfortunately, what could have been a bold, character-driven mystery turns into a murky, frustrating experience that never quite finds its voice.

The setting is visually rich - a futuristic Berlin bathed in neon shadows - but the plot is a mess. The film follows a mute bartender (Alexander Skarsgård) searching for his missing girlfriend, but the emotional weight of the story is undercut by slow pacing, poor character development, and an over-reliance on atmosphere instead of substance.

Paul Rudd and Justin Theroux give bizarrely off-tone performances, which, while committed, feel like they're from a different movie entirely. Skarsgård does his best with limited tools, but the film's clunky writing and confused tone drag him down.

Jones aimed for something personal and profound, but Mute ends up cold, convoluted, and ultimately forgettable - a silent scream in a crowded genre that needed to roar.

Havoc is a brutally intense, pulse-pounding action film that never lets up. From the first scene to the final frame, it grabs you by the throat and refuses to let go. Tom Hardy delivers yet another powerhouse performance, effortlessly blending raw emotion with explosive physicality. His portrayal of a detective navigating a spiraling web of corruption and chaos is both grounded and ferocious, anchoring the film with a gritty realism.

The fight choreography is absolutely jaw-dropping-bone-crunching, grounded, and refreshingly practical in an age of CGI overload. Gareth Evans (The Raid) brings his signature kinetic style to the screen, crafting visceral set pieces that are as exhausting to watch as they are thrilling. Each sequence builds on the last, ramping up the tension and stakes in ways that feel organic and brutal.

What makes Havoc more than just an action showcase, though, is its unflinching tone and noir-like atmosphere. It's grimy, unapologetic, and soaked in a sense of despair that makes the moments of hope and redemption hit even harder. The cinematography captures the decaying urban underworld with a bleak beauty, and the supporting cast adds layers to a story that could have easily leaned into cliché.

This is the kind of action movie fans dream about-intense, unrelenting, and intelligently crafted. Havoc isn't just a thrill ride; it's a gut-punch of a film that reminds you what true action cinema can look like.