Takkar

Average. Decent storyline. Screenplay has a million loopholes despite all of that Siddharth horrible perm is laughable dude it's time to give up the chocolate boy look and the silver stud that was even more hilarious. Overall worth a watch I mean I watched it on Netflix you would have to pay me to watch this in the cinemas. They blur out cleavage yet they have a one night stand go figure right. Overall Siddharth looked cute can watch for that other then that give it a miss unless u literally have nothing to watch on netflix. Boring and poor take on rom com with a twist of action. It was a cringe fest.

I am a huge fan of Siddharth, and I have enjoyed most of his movies as they generally have a lot of substance. However, I was disappointed to see him in this particular film. I couldn't understand why such a talented actor like Siddharth would choose to act in a movie of this quality.

I came across this movie on Netflix, and initially, I was intrigued because it was released in multiple languages and seemed to have a high budget. I had hoped for something along the lines of "Pushpa" or "KGF" with a perfect blend of entertainment and commercial elements. Unfortunately, this movie fell short of my expectations. It was filled with unnecessary and excessive elements that didn't contribute to the story.

The only redeeming factor in the film was the comedy provided by Yogi Babu. However, everything else, including the plot, characters, and execution, was disappointing and felt like a waste of time.

RATED 4/10 Language: Tamil Source: Netflix

Started to watch this movie on the big screen, especially for the Nira song and Sidharth's performance. However, it turned out to be a huge disappointment in every aspect and ended in laptop watch. I couldn't buy into Sidharth's portrayal of a middle-class struggler; his mannerisms and appearance didn't seem convincing.

Adding to my disappointment was the love track, which I found to be utterly unimpressive. The final reunion scene between the lovers was particularly poorly executed, making it one of the worst I've seen in any movie. Additionally, the hero's sidekick was an irritating character that often made me want to skip ahead in the film.

The comedy track was outdated, and even the terror villain ended up joining the comedy brigade, which didn't sit well with me. The international human trafficking mafia could be brought down with just a single car hit, and the hero's fight to retrieve the heroine felt like the icing on the cake of implausibility.

If there's any upside, it's that you might find some good time pass moments while watching this movie with friends.

This movie is what's wrong with Tamil Cinema. I can't imagine this movie was pitched to a producer and then to the actors and the thought that they all thought this was a good idea and agreed to make this abomination just blows my mind. The music tells you whether the scene is a comedy but not the actors of the dialogues. Pathetic! This is an all time low for Siddharth. I saw his recent interview with Bharadwaj Rangan where he boasts like he had made a masterpiece. Also it looked like he stayed in character even for the interview.

There is no writing. There is no arc. Everything is so random and boring and unfunny. I don't know why they cast Yogi Babu anymore. He has zero comic skills. Villain has the IQ of a potato.

At the outset this film sets sail for artistic catastrophe with a plot as elusive as a mirage and characters as shallow as a sunbaked puddle. At the helm of this cinematic misadventure is the lead protagonist, whose performance is as soulless and mechanical as a malfunctioning automaton.

His portrayal of the hero is as disconcerting as it is disappointing. Emotional scenes are met with a stone-cold visage, where attempts at tears feel as forced as a square peg in a round hole. His dialogue delivery, rather than drawing audiences into the narrative, feels jarringly unnatural and scripted. Moments that should inspire empathy or passion instead incite a sense of detached bewilderment.

The film's haphazard visual style and disjointed sound design further mar the lead's performance, with the spotlight often thrown into dimly lit corners or drowned in an erratic score. However, these issues seem minuscule compared to the protagonist's staggering inability to breathe life into his role.

In giving 'Takkar' a very generous 0.5 out of 5 stars, one must lament the squandered opportunity for compelling character portrayal. It serves as a stark reminder that a lead actor's commitment to authentic emotion and convincing delivery is paramount in ensuring a film's success. In 'Takkar's case, the lack thereof leads to a cinematic voyage best left uncharted.