I am very subjective about Nina Cassian. I love her late poetry, I was fascinating about her life, from chameleon adaptation to the expectations of Communism regime to the love stories and forms of resistance. Obvious, she is more a character than a person and this character, a sort of comfortable and practical shield is the only significant, made in decades, with high care and good bricks of ingenious hypocrisy. The film is real well crafted. This is its basic virtue. In same measure, it is a seductive portrait, maybe too seductive. Short, a Romanian poet telling her story about herself. Subjective and silked. A personal truth, nice for new generations or foreigners, melancholic for the people knowing the large slices of of original tale.
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