Shortly after Muzamil was born, the village's holy man predicts that he will die at age 20. Muzamil's father can't stand the curse and leaves home. Sakina raises her son as a single mother, overly protective. One day, Muzamil turns 19.
Veronica wants to remain in jail for a sexual assault she knows she's been wrongfully indicted for. She and her father, Jim, find themselves acting out of the bounds of good behavior as the past haunts them.
Haiti, 1962. A man is brought back from the dead to work in the hell of sugar cane plantations. 55 years later, a Haitian teenager tells her friends her family secret - not suspecting that ... See full summary »
Dominick Brassan has the power to turn invisible, but he keeps it a shameful secret. Then, when his ability to control his gift gets out of hand, his life, friendships and relationships will be forever turned inside out.
After 10 years of living in Paris, Selma (Golshifteh Farahani) has returned to Tunis. Back home, her younger cousin can't figure out why she'd leave the French capital, her aunt is overbearing, and her uncle is only giving her a matter of weeks to crash in the apartment above their house. Selma, nonetheless, is steadfast in her resolve: she wants to open up a psychotherapy practice. So begins the first feature directed and written by Manele Labidi Labbé, an incisive comedy about coming home, breaking taboos, and building community. As Selma tries to settle in, she's faced with increasing complications that she couldn't have predicted. There isn't just the matter of finding interested psychotherapy patients in a locale that's not keen on the talking cure, but she also needs to navigate a confusing bureaucratic circus in order to get the right papers to run her practice. On top of all that, a strapping cop, Naim (Majd Mastoura), is keeping a close eye on her every move.Written by
Toronto International Film Festival