7.5/10
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4 user 4 critic

Mickey and the Bear (2019)

R | | Drama | 13 November 2019 (USA)
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Releases November 13, 2019
Faced with the responsibility to take care of her addict, veteran father, headstrong teen Mickey Peck keeps her household afloat.
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4 wins & 6 nominations. See more awards »

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Cast

Credited cast:
Camila Morrone ... Mickey Peck
James Badge Dale ... Hank Peck
Calvin Demba Calvin Demba ... Wyatt Hughes
Ben Rosenfield ... Aron Church
Rebecca Henderson ... Leslee Watkins
Rest of cast listed alphabetically:
Rob Grabow ... Photographer
Gabriel Vega Gabriel Vega ... Otis
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Storyline

Faced with the responsibility to take care of her addict, veteran father, headstrong teen Mickey Peck keeps her household afloat. When she has the opportunity to leave for good, she must choose between familial obligation and personal fulfillment. Written by SXSW

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for substance abuse, language throughout and some sexual material
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Details

Country:

USA

Language:

English

Release Date:

13 November 2019 (USA) See more »

Also Known As:

Микки и медведь See more »

Filming Locations:

Anaconda, Montana, USA

Company Credits

Show more on IMDbPro »

Technical Specs

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »

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User Reviews

Zero degrees of freedom
5 October 2019 | by lor_See all my reviews

First-time feature director Annabelle Attanasio gets excellent performances from her cast, led by the talented Camila Morrone and James Badge Dale, but her original screenplay fails to make the grade.

This is a real downer, a depressing slice of life film that injects numerous topical themes, ranging from the fate of damaged war vets, the nation's addiction crisis to problems of caregivers, while failing to develop them fully. Instead we have Morrone as an 18-year-old heroine faced with the difficult choice of staying to care for her hopelessly destructive father or escape to a new life away from him, but by the end of the movie the choice is virtually made for her by taking away all her other options.

Many red herrings are employed by Attanasio in this grim saga, which produces quite a bit of tension, never released for the viewer. There is an element of escapism in that the audience can feel relieved they are not suffering such awful circumstances as the characters endure, but that hardly makes for a recommendation.

As with so many other "film festival fodder" movies, it's designed for consumption by an elite audience of cinephiles. As a card carrying member of that unfortunate group, I wasn't pleased with the blatant visual reference to Truffaut's "400 Blows", not advisable if one wants his or her work to be taken seriously.


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