Algiers, 1997. Terrorist wanting an Islamic and archaic state are everywhere. Women are oppressed, in a seek to take control of their bodies, clothing and public space. Young student Nedjma is passionate about making a fashion show.
Abla runs a modest local bakery from her home in Casablanca where she lives alone with her 8-year-old daughter, Warda. When Samia, a young pregnant woman knocks on their door, Abla is far from imagining that her life will change forever.
After 20 years of marriage, Maria decides to leave. She moves to the room 212 of the hotel opposite her marital home. From there, Maria can scrutinize her apartment, her husband, her wedding. She wonders if she has made the right decision.
Summer 1998, Kabul in ruins is occupied by the Taliban. In love despite the daily violence and misery, Mohsen and Zunaira want to believe in the future. But a senseless act by Mohsen will upset their lives forever.
Milan (40) has three children and does construction work in Germany in order to provide for his family in Slovakia. While visiting his home over Christmas he discovers that his eldest son ... See full summary »
Algiers, 1997. The country is in the hands of terrorist groups, seeking to establish an Islamic and archaic state. Women are particularly affected and oppressed by primitive diktas, who seek to take control of their bodies and control their passage through the public space. While a frenzied hunt for women unveiled is launched, Nedjma, a young student passionate about fashion, is determined to federate the girls of her campus to organize a fashion show braving all the forbidden.
The first time I've heard about this movie, and the fact it was Algeria's submission to the Oscars, it caught my attention; the plot reminded me a bit of another amazing algerian movie (I still hide to smoke) and so we went.
And, ladies and gentlemen, what a movie! There is a fine balance between fun/light scenes with others which clearly showcase the political chaos of the time, but even the fun scenes carry at least a bit of anticipation in the back, something could go wrong at any moment, and this is not something this film let the viewer forget (at least, not me).
Despair, in fact, was a feeling I felt a lot of time during the movie. But even more than that clear and raw despair/terror, this film really excels in providing an atmosphere of apparent powerlessness; "everything is changing around me, what I can do?".
Not only the characters were all very realistic, but Papicha herself was the perfect protagonist to this story, and the acting here is superb.
All and all, one of my favorites movies of 2019.
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