Black Mirror: Bandersnatch (2018)
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- TV-MA
- 1h 30min
- Drama, Fantasy
- 28 Dec 2018 (USA)
- Movie
- Won 1 Primetime Emmy. Another 5 wins & 11 nominations.
- See more »
Photos and Videos
Cast
Fionn Whitehead | ... |
Stefan Butler
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Craig Parkinson | ... |
Peter Butler
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Alice Lowe | ... |
Dr. Haynes
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Asim Chaudhry | ... |
Mohan Thakur
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Will Poulter | ... |
Colin Ritman
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Tallulah Haddon | ... |
Kitty
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Catriona Knox | ... |
Leslie
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Paul Michael Bradley | ... |
Robin
(as Paul Bradley)
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Jonathan Aris | ... |
Crispin
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A.J. Houghton | ... |
Young Stefan
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Fleur Keith | ... |
Mum
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Laura Evelyn | ... |
Pearl Ritman
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Alan Asaad | ... |
Satpal
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Suzanne Burden | ... |
Judith Mulligan
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Jeff Minter | ... |
Jerome F. Davies
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Sandra Teles | ... |
Reporter
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Rochenda Sandall | ... |
Pippa 1st AD
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Ellie Piercy | ... |
Receptionist
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Tom McCall | ... |
Paramedic
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Jon-Jo Inkpen | ... |
Pax
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Stephen Rashbrook | ... |
Narrator
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Rest of cast listed alphabetically: | |||
Marie Hamm | ... |
Girl on bus (uncredited)
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Henny Hardy | ... |
Receptionist (uncredited)
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Abdul Hakim Joy | ... |
Tucker worker (uncredited)
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Jackson Kai | ... |
Programmer (uncredited)
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Directed by
David Slade |
Written by
Charlie Brooker | ... | (written by) |
Produced by
Charlie Brooker | ... | executive producer |
Annabel Jones | ... | executive producer |
Mark Kinsella | ... | co-producer |
Marshall Leviten | ... | line producer |
Russell McLean | ... | producer |
Music by
Brian Reitzell |
Cinematography by
Aaron Morton | ||
Jake Polonsky |
Editing by
Tony Kearns |
Editorial Department
Tatiane Alencar | ... | second assistant editor |
Tom Alexander | ... | digital intermediate editor |
Simon Dunne | ... | Technicolor PULSE: Senior Producer |
Greg Elston | ... | post-production |
Judith Fleeton | ... | dailies manager |
Shuna Frood | ... | post-production supervisor |
Alex Gascoigne | ... | digital intermediate manager |
Simon Giblin | ... | on-line editor |
Anil Griffin | ... | assistant editor |
Dexter Kong | ... | pulse picture operator |
Charlotte Laing | ... | post-production |
Sam Margaritis | ... | dailies producer |
Aileen McIntosh | ... | post-production |
Kitty McWilliams | ... | post-production coordinator |
Tom Mitchell | ... | pulse conform operator |
John Weeks | ... | first assistant editor |
Casting By
Jina Jay |
Production Design by
Catrin Meredydd | ... | (production design) |
Art Direction by
Phil Noall | ... | standby art director |
Fabrice Spelta | ... | supervising art director |
Damian Léon Watts |
Set Decoration by
Maggie Musial |
Costume Design by
Caroline Harris |
Makeup Department
Oonagh Bagley | ... | hair stylist / makeup artist |
Martina Byrne | ... | additional hair stylist / additional makeup artist |
Kirstin Chalmers | ... | makeup & hair designer |
Mark Coulier | ... | prosthetic makeup designer |
Lizzie Davies | ... | hair supervisor / makeup supervisor |
Adam Keith Edwards | ... | mold maker |
Helena Jopling | ... | trainee hair stylist / trainee make-up artist |
David Malinowski | ... | prosthetic painter |
Colum Mangan | ... | mold maker |
Polly Mossman | ... | hair stylist / makeup artist |
Stephen Murphy | ... | prosthetic makeup artist |
Brogan Sharp | ... | special makeup effects artist |
Laurie Wallaker | ... | prosthetic technician |
Sarah Welsman | ... | prosthetic workshop technician |
Josh Weston | ... | prosthetics sculptor |
Kate Laura Woodhead | ... | silicone runner |
Lucy Willis | ... | crowd hair and make-up artist (uncredited) |
Production Management
Charlotte Dean | ... | post-production supervisor |
Kelly Duffell | ... | production manager |
Shuna Frood | ... | post-production supervisor |
Hamish Gray | ... | unit manager |
Ian Hewitt | ... | unit manager |
Jo Kay | ... | head of production |
Second Unit Director or Assistant Director
Jay Arthur | ... | first assistant director |
Michael Chapman | ... | third assistant director |
Mike Chapman | ... | third assistant director |
Lizzie Maxwell | ... | assistant director |
Hannah O'Donnell | ... | floor runner |
Nick Simmonds | ... | second assistant director |
Michael Llewellyn Williams | ... | crowd 3rd assistant director |
Art Department
Marc Ashmore | ... | carpenter |
Jasmin Backshall | ... | assistant art director |
Rebecca Barker-McLean | ... | art department assistant |
Wayne D. Barlowe | ... | concept artist |
George Bettles | ... | standby carpenter |
Mark Bevan | ... | dressing props |
Jamie Brown | ... | carpenter |
Aimee Bunyard | ... | standby painter |
Steve Clark | ... | carpenter/stand-by: dailies |
Garry Dawson | ... | prop master |
Josh Field | ... | standby props |
Jason Fitzpatrick | ... | technical props |
Chris Foss | ... | concept artist |
Terence Harrington | ... | props: dailies |
Richard Hawkyard | ... | standby props |
Joey Hodges | ... | greens stand-by |
Dougie Lankston | ... | props storeman |
Isobel Mackenzie | ... | graphic assistant |
Bea L. Manzanara | ... | lead painter |
Hannah Marti-Level | ... | set dresser |
Carly Mason | ... | graphic designer |
Sarah McClarence | ... | assistant production buyer |
Jono Moles | ... | construction manager |
Rose Noble | ... | clearence assistant |
Greg Page | ... | props |
Barnaby Papworth | ... | charge hand |
Ben Pearson | ... | props |
Natalie Preston | ... | graphic designer |
Maisie Robinson | ... | graphic assistant |
Cassie Smith | ... | Petty Cash Buyer |
Ian Taylor | ... | hod construction |
Tim Timmington | ... | scenic painter |
Dale Walters | ... | props: dailies |
Steve Wheeler | ... | dressing props |
Alice Wigley | ... | production buyer |
Lisa Williams | ... | lead graphic designer |
Louis Wilson | ... | dressing props |
Chloe Wood | ... | production buyer |
Sound Department
Dale Anchor | ... | adr assistant |
Tim Barker | ... | sound recordist |
Daniel Bodsworth | ... | sound mix technician |
Scott Cannizzaro | ... | adr mixer |
Doug Cooper | ... | re-recording mixer |
Davide Favargiotti | ... | dialogue editor |
Michael Hamilton | ... | sound mix facility producer |
Serin Kucuk | ... | 2nd assistant sound |
Michael Maroussas | ... | dialogue editor |
Christer Melén | ... | sound effects editor |
Markus Moll | ... | assistant re-recording mixer |
Keith Partridge | ... | foley mixer |
Nick Roberts | ... | adr mixer |
Mathias Schuster | ... | foley editor |
Ken Sluiter | ... | sound mixer |
Barnaby Smyth | ... | foley artist |
Joakim Sundström | ... | supervising sound editor |
Adrienne Taylor | ... | 1st assistant sound |
Adrienne Taylor | ... | 1st assistant sound |
Mark Timms | ... | sound mix assistant |
Sacha Walker | ... | adr editor |
Michael Griggs | ... | mix engineer (uncredited) |
Special Effects by
Andy Adam | ... | senior special effects technician |
Colin Gorry | ... | special effects |
Samuel Mcgrath | ... | special effects assistant |
Mark White | ... | senior special effects technician |
Visual Effects by
Joe Billington | ... | visual effects line producer |
Duncan Cook | ... | visual effects producer |
Sacha Danjou | ... | compositor |
Carl Edlund | ... | digital matte painter |
Mark Epstein | ... | visual effects artist |
Matthew Fletcher | ... | lead cg supervisor |
Mark Harris | ... | compositor (as Mark Holman Harris) |
Alastair Hearsum | ... | cg supervisor |
Will Howden | ... | visual effects assistant editor |
Zybrand Jacobs | ... | cg artist |
Julian Johnson | ... | cg artist |
Duncan Malcolm | ... | visual effects supervisor |
Clayton McDermott | ... | motion graphics artist |
Kyle Obley | ... | compositor |
Leanne Pletersky | ... | compositor |
Richard Stretch Russell | ... | compositor (as Richard Russell) |
Aaron Smith | ... | cg artist |
Jean-Clement Soret | ... | digital colourist |
Andriy Toloshny | ... | visual effects artist |
Saskia Vaneveld | ... | visual effects line producer |
Hazel Weatherall | ... | 3d scanning digital artist |
Lilles Whitby | ... | visual effects coordinator |
Ivan Ertlov | ... | consulting video game footage (uncredited) |
Stunts
Gary Arthurs | ... | stunt rigger |
Andy Bennett | ... | stunt coordinator |
Chloé Bruce | ... | stunt double: Alice Lowe |
Paul Ginns | ... | stunt performer |
Luke Gomes | ... | stunt double: Fionn Whitehead |
Dan Griffiths | ... | stunt performer |
Camera and Electrical Department
Alessio David Ciattini | ... | data wrangler |
Rob Collins | ... | 2nd unit gaffer |
Rob Collins | ... | second unit: gaffer |
Oliver Curtis | ... | second unit cinematographer |
Matt Grace | ... | best boy |
Adam Green | ... | camera trainee |
Julia Green | ... | first assistant camera b camera |
Russell Hall | ... | standby rigger |
Gareth Harfoot | ... | aerial camera operator |
Dan Henderson | ... | second assistant camera |
Dan Henderson | ... | second assistant camera |
Joe Hewitt | ... | electrician |
Tommy Holman | ... | first assistant camera: "b" camera |
Jac Hopkins | ... | second unit: grip |
Charlie Hughes | ... | second unit: second assistant camera |
Jack Jackson | ... | grip trainee |
Mark Johnson | ... | electrician (nm13161322) |
Tony Kay | ... | camera operator |
Ed Lancaster | ... | key grip |
Tom Lane | ... | second assistant camera: "a" camera |
Nathan Lloyd | ... | camera trainee: dailies |
James Malamatinas | ... | 2nd Assistant Camera: B Cam |
Shaun Mone | ... | gaffer |
Elliott Polley | ... | key grip |
Luis Reggiardo | ... | digital imaging technician |
Pete Scott | ... | desk operator |
Hilda Sealy | ... | first assistant camera: second unit |
Mike Sherno | ... | generator operator |
Richard Simpson | ... | Digital Imaging Technician: Dailies |
Philip A.T. Smith | ... | first assistant camera: "a" camera |
James Starr | ... | "B" dolly grip |
Sam Taylor | ... | camera trainee |
Nick C. Teulon | ... | grip: "b" camera |
Jacob Ward | ... | video assistant dailies / video playback operator |
Leo Winslow | ... | 2nd AC: Dailies |
Elisa Spigariol | ... | camera trainee (uncredited) |
Casting Department
Olivia Brittain | ... | casting associate |
Catherine Garlick | ... | casting assistant |
Eliza Heslop | ... | casting assistant |
Costume and Wardrobe Department
Ferial Davids | ... | costumer |
Jen Davies | ... | costume supervisor |
Jules Hindess | ... | daily costume standby |
Rebecca Jempson | ... | assistant costume designer |
Zoe Longbottom | ... | costume trainee |
Hannah Elizabeth Richards | ... | ager/dyer |
Claire Tremlett | ... | costume standby / principal costume standby |
Helen Vines | ... | costume standby: daily |
Location Management
James Brodie | ... | assistant location manager / key assistant location manager |
Emily Hoy | ... | location scout |
Jennifer Kinnear | ... | assistant location manager |
Charlotte Peters | ... | assistant location manager |
Charlie Somers | ... | supervising location manager |
Anna Watson | ... | location coordinator (as Anna Walker) |
Harry Wyeth | ... | location assistant |
Music Department
Amelia Hartley | ... | music supervisor |
Lee Scott | ... | music editor |
Ken Sluiter | ... | score mixer |
Cecile Tournesac | ... | music editor |
Script and Continuity Department
Lola Dauda | ... | assistant script supervisor |
David Girvan | ... | assistant script editor |
Marilyn Kirby | ... | script supervisor |
Transportation Department
Aidan Keating | ... | transportation captain |
Bohdan Stoklasa | ... | facilities captain |
Alan Tribe | ... | unit driver |
Ian Tuite | ... | unit driver |
Additional Crew
Dalida Carew | ... | cashier |
Priya Chavda | ... | assistant production coordinator |
Sophie Cook | ... | senior lawyer |
Alastair Crees | ... | production secretary |
Paresh Dayalji | ... | floor runner |
Ryan Derrick | ... | production accountant |
Rob Done | ... | EPK Producer |
Josh Harris | ... | production assistant / rushes runner |
Nick Irving | ... | legal & business affairs |
Josie Kelly | ... | financial controller |
Sean Kenneally | ... | production finance manager |
Tim Leach | ... | production coordinator |
Hannah Lewis | ... | production accountant |
Garry Marriott | ... | unit medic |
Bo Ponomari | ... | stand-in (as Bogdan Ponomari) |
Laura Renton | ... | rushes runner |
Claudia Selby | ... | production assistant |
Emmanuelle Stannard | ... | assistant production coordinator |
Adam Survay | ... | runner |
Jack Wooley | ... | production runner |
Production Companies
Distributors
- Netflix (2018) (Chile) (tv) (Internet only - Netflix)
- Netflix (2018) (Singapore) (video)
- Netflix (2018) (United States) (video) (VOD)
- Netflix (2018) (World-wide) (video)
Special Effects
- Glassworks (visual effects)
Other Companies
- ARRI Rental (camera equipment provided by)
- Painting Practice (main titles)
- Revolver AV (computer & tv playback)
- The Centre for Computing History (prop rentals) (computers)
- Warner Bros. De Lane Lea (sound re-recording)
Storyline
Plot Summary |
In 1984. Stefan is developing a computer game based on the book 'Bandersnatch', a novel where you get to make choices that determine the story. He has an opportunity to take his game to Tuckersoft, a software company, and have them release it. However, the more he works on the game the more his life emulates the game, with choices being made that are out of his control. Stefan appears to be going insane. Written by . |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | A Black Mirror (2011) interactive film, in which the viewer chooses the plot direction multiple times. Although the listed running time is 90 minutes, this is approximate, depending how long the viewer decides to keep watching: most people can finish the story in one sitting of around 40 minutes, but this can be extended with 'do-overs', where an option is given to return to an earlier point in the story and make another choice. About 2.5 hours of footage divided into 250 segments was shot for the episode, with over a trillion unique permutations of the story (though many of those will be very similar). The total amount of footage included to make all of the film's possible variations work is 5 hours 12 minutes 13 seconds, as revealed by the film's BBFC classification. See more » |
Goofs | Both of the programmers are seen to be working exclusively in ZX BASIC. By 1984, very few established software houses used BASIC as a coding language - most worked in Z80 assembler. Colin Ritman's games in particular showed a fluidity and responsiveness that would be very hard to achieve without the use of assembly language. See more » |
Movie Connections | Featured in Episode #2.9 (2019). See more » |
Soundtracks | Relax See more » |
Crazy Credits | In a few endings, once you finish the credits, a post-credits scene will play. Stefan would be seen on the same bus from the beginning, and plays a cassette called "BANDERSNATCH DEMO". The audio would just be some beeps and bleeps, but when translated using a ZX Spectrum Emulator, it gives you a QR code leading to the Tuckersoft website, found here: https://www.tuckersoft.net/ealing20541/ See more » |
Quotes |
Colin Ritman:
There's messages in every game. Like Pac-Man. Do you know what "Pac" stands for? P-A-C: program and control. He's Program and Control Man. The whole thing's a metaphor. He thinks he's got free will, but really he's trapped in a maze, in a system. All he can do is consume, he's pursued by demons that are probably just in his own head and even if he does manage to escape by slipping out one side of the maze, what happens? He comes right back in the other side. People think it's a happy game. It's not a happy game, it's a fucking nightmare world and the worst thing is, it's real and we live in it. It's all code. If you listen closely, you can hear the numbers. There's a cosmic flowchart that dictates where you can and where you can't go. I've given you the knowledge. I've set you free. Do you understand? See more » |