Exploring Natalie Wood's life and career through the unique perspective of her daughter, Natasha Gregson Wagner, and others who knew her best.Exploring Natalie Wood's life and career through the unique perspective of her daughter, Natasha Gregson Wagner, and others who knew her best.Exploring Natalie Wood's life and career through the unique perspective of her daughter, Natasha Gregson Wagner, and others who knew her best.
- Awards
- 1 nomination total
- Self
- (archive footage)
- Self - Natalie's Personal Assistant 1977 - 1981
- (as Liz Applegate)
Featured reviews
Couple of comments: this documentary is from the French director Laurent Bouzereau, best known for his dozens and dozens "making of" documentaries,. More importantly, the movie is produced by Natasha Gregson Wagner, Natalie's oldest daughter. From the interviews with/by Natasha and also her younger sister (Natalie's youngest daughter Courtney who was 7 when Natalie died), it is clear that both have been haunted for years about the early passing of their mother. There is of course some irony in the fact that the movie opens with the very thing that Natasha is complaining about (her death overshadowing Natalie's work and the person she was). Roughly speaking the first half of the movie deals with the person that Natalie was, and the second half presents a closer look at Natalie's incredible Hollywood career. You can sense the love and the respect for Natalie throughout, as one might expect from a film produced by Natalie's daughter, but the movie does also address the tumultuous personal life and relationships that Natalie went through.
"Natalie Wood: What Remains Behind" premiered on HBO earlier this week and is now available on HBO On Demand and other streaming services. If you have any interest in a slice of Hollywood history or are simply a fan of Natalie Wood, I'd readily suggest you check this out and draw your own conclusion.
The film is composed of old video and audio clips of Natalie Wood as well as multiple interviews, some of which are conducted by Wood's daughter, Natasha. The clips follow in somewhat of a chronological order, but the film doesn't start off at the beginning of her life. It covers details and facts about her entire life, but skips around, going to different parts. It focuses on her success as a child, her family's struggles, her love life, and the drama surrounding her death. The documentary also highlights all of her achievements in her film career.
The people featured in the documentary represent Natalie Wood's extensive circle of family and friends. Their interviews tell their perspectives of Natalie and her life. Included are her daughters, the family nanny, her husband and people who worked with her.
I thought it was interesting the way that they decided to skip around to different phases in her life. Normally documentaries pursue a chronological order, starting from the beginning and following through to the end. In contrast, this documentary is really effective in the way it skips around, because it gives the audience a bit of background information before returning to explain some aspect in deeper detail. I liked this because it allowed me to get a general idea first of what Natalie Wood was like and then what she experienced. I could see how people viewed her from the outside and then, the film delves deeper into a closer perspective by her friends and family.
My favorite parts are the home videos of Natalie Wood with her children. These clips make you realize that, even though she was under the pressure of the spotlight all the time and looks perfect, she is a human being with a life too.
The purpose of this documentary is to honor Natalie Wood and show people how great a life she lived. Some people focus more on the tragedy of her death and overlook her legacy in the film industry.
I loved watching and learning more about Natalie Wood's wonderful story. I give Natalie Wood: What Remains Behind 5 out of 5 stars and recommend it for ages 10 to 18. Even adults will enjoy learning from this documentary.
Reviewed by Jolleen M., KIDS FIRST! Reporter
This film takes two passes at her life, the first taking about 40 minutes to get to the first mention of her demise and then investigating in detail her somewhat mysterious and some might say suspicious death. It's a pity that these seemingly spurious allegations, led by her obsessed younger sister who claims that Wagner had something to do with it, come to dominate the narrative and running time as Wood's achievements were considerable and worth recounting, no matter how she passed.
The child of Russian immigrant parents, her mother is described as eccentric and demanding, the classic showbiz mom in fact. When she married Wagner, both were in demand as young and photogenic high-profile stars, the Brad and Angelina of their day with their faces on the front of every movie magazine. However the marriage didn't last and both remarried and had daughters with other partners, both remarrying in the process before they got back together in the 70 's, remarrying and this time having a baby girl of their own. This second marriage appears to have been a happy one with Wood revelling in her role as mother to the three girls between her and Wagner, to the extent that she took a career break to bring up their kids, but was just returning to Hollywood in parts befitting her maturiy when she met her end.
I must admit the woman I encountered here, I liked and admired. She was a good actress, certainly beautiful but was also business-smart and apparently a good wife and devoted mother. Her story is told with lots of library interview footage of Wood as well as extensive interviews with all her surviving family members, especially Wagner, although unsurprisingly there's no input at all from the accusatory sister or Walken, apart from a brief historical clip of him denying any involvement in her death. I do think though this was the right course to take with the narrative as it seems clear to me that Wagner felt and still feels genuine remorse and clearly has the support of the three girls in the family and close friends.
With other admiring contributions by notable co-stars such as Robert Redford, Dyan Cannon and Elliott Gould, what emerged was a picture of a well-rounded woman with a strong idea of her own worth and determined to live her life her way.
Just a postscript to say that it's a bit of a shame to hear so many of the participants talking about their reliance on therapy. It seems that the lifestyles of the rich and famous aren't to be envied after all.
Did you know
- TriviaThe documentary premiered on May 5, 2020 on the HBO channel. That day is also a special day for Natasha Gregson Wagner - it would have been her father Richard Gregson's 90th birthday. Richard was married to Natalie Wood from 1969 to 1972.
- Quotes
Self - Actor, Filmmaker: The business she was in is a tough business and to survive in that business, you had to have a tough side to you, and so I think she had to develop that. But it wasn't comfortable. What she really wanted to do was to laugh and have fun and just be a regular person But mainly, she had a big heart, and that showed up in her work.
- ConnectionsFeatures Happy Land (1943)
- SoundtracksThis House
Written by Cyril J. Mockridge (as Cyril Mockridge)
Performed by Edward B. Powell (as Edward Powell) and Cyril J. Mockridge (as Cyril Mockridge)
Courtesy of Twentieth Century Fox Film Corporation
Details
- Release date
- Country of origin
- Language
- Also known as
- Натали Вуд: Она што останува
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 40 minutes
Contribute to this page
