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Emma. (2020)

PG | | Comedy, Drama | 6 March 2020 (USA)
1:42 | Trailer
In 1800s England, a well meaning but selfish young woman meddles in the love lives of her friends.


Autumn de Wilde


Eleanor Catton (screenplay by), Jane Austen (based on the novel by)
50 ( 95)





Cast overview, first billed only:
Anya Taylor-Joy ... Emma Woodhouse
Angus Imrie ... Bartholomew
Letty Thomas ... Biddy
Gemma Whelan ... Miss Taylor / Mrs. Weston
Bill Nighy ... Mr. Woodhouse
Aidan White Aidan White ... Hartfield Butler
Edward Davis ... Charles
Chris White Chris White ... James, Hartfield Coachman
Rupert Graves ... Mr. Weston
Miranda Hart ... Miss Bates
Myra McFadyen ... Mrs. Bates
Esther Coles ... Mrs. Cox
Suzy Bloom ... Miss Gilbert
Suzanne Toase Suzanne Toase ... Mrs. Cole (as Suzie Toase)
Nicholas Burns Nicholas Burns ... Mr. Cole
Learn more

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Jane Austen's beloved comedy about finding your equal and earning your happy ending, is reimagined in this. Handsome, clever, and rich, Emma Woodhouse is a restless queen bee without rivals in her sleepy little town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along. Written by Focus Features

Plot Summary | Plot Synopsis


Love knows best. See more »


Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG for brief partial nudity | See all certifications »

Parents Guide:

View content advisory »

Did You Know?


All of the music performances in the film are real, played by the actors in character. None are staged. See more »


When Emma and Harriet first take tea together, the ringlet in front of Emma's left ear alternates between being snagged in her earring and hanging free. See more »


Mr. Knightley: She is known only as a parlor boarder at a common school. She is pretty and she is good-tempered, and that is all.
Emma Woodhouse: That is all? These are not trivial recommendations, Mr. Knightley. 'Til men do fall in love with well-informed minds instead of handsome faces, a girl with such loveliness as Harriet has a certainty of being admired and sought after wherever she goes. I am very much mistaken if your sex, in general, would not find these qualities the highest claims a woman could possess.
Mr. Knightley: Upon my ...
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Version of Emma (1972) See more »


'II. Andante con moto' from Piano Concerto No. 4 in G Major, Op. 58
Composed by Ludwig van Beethoven
Performed by Glenn Gould, Leonard Bernstein and New York Philharmonic (as New York Philharmonic Orchestra)
Courtesy of Sony Classical by arrangement with Sony Music Entertainment
See more »

User Reviews

Can't get the basics right
20 March 2020 | by verna-aSee all my reviews

Some fatal attraction means I must watch new Jane Austen screen adaptations although I find them invariably less than satisfying. This version of Emma is no exception as its faults are egregious. I could tell almost straight away it was going to be gimmicky in the way that filmmakers of dubious merit think they can add bits of business to wonderful classics, or distort things completely, as an "improvement". I fantasize that, in a better world, there might be some court to hear applications to make screen adaptations, to determine whether the filmmaker actually understands what it is about the story and the characters that give these works of literature their timeless appeal. So often they don't, as they change and destroy what is so fundamental to the success of the original. Somebody give them a "Cliff's Notes" to read, at the very least! Emma Woodhouse, the heroine of "Emma" is a likeable, open-natured young woman, who has faults but learns to become a better person. That's in the novel, anyway. The Emma depicted in this film wears alternately an arrogant or sulky expression, seems to have selfish and nasty motives and thoroughly deserves to be taken down a peg, which more or less happens. Newsflash to the filmmaker - she is such an unpleasant person that I don't care. Mr Knightley is a calm, confident sophisticated man of the world, someone of deep and genuine feelings - and dead sexy with it. Johnny Flynn's version is a nice young man but something of a klutz. How does he even like this hardfaced Emma? - again you've lost me. I have to contrast the failure of the lead characters to pull their weight in delivering the story, with the Romola Garai/Jonny Lee Miller version where they got it so right. To carry on with the catalogue of "wrongness" in this version, Frank Churchill, an important and attractive character in the story, is presented by an actor lacking in looks and charm, a complete nonentity. To mention some minor characters, I fully expected Bill Nighy to ham it up with the Mr Woodhouse character, and he does. But why oh why do they have to make Emma's sister Isabella and brother-in-law John Knightley unpleasant and unhappy people - it's so wrong! While not a major theme, their domestic happiness is a beacon to Emma and Mr Knightley to follow their example, and recognize their destiny. I could go on - Harriet Smith isn't pretty, Miss Bates isn't talkative enough, and Mr Elton is a grinning gargoyle. If I pull myself up with an effort to acknowledge the positives of the film, there are beautiful landscapes and house interiors, and great costumes and hairstyles, real eye candy. The dialogue is reasonably respectful of the original. But I wasn't happy for a minute watching the film. I am entitled to have high expectations of a Jane Austen adaptation, and was majorly disappointed, so only a 4/10.

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Release Date:

6 March 2020 (USA) See more »

Also Known As:

Emma. See more »


Box Office

Opening Weekend USA:

$234,482, 23 February 2020

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

1.85 : 1
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