Stealing Klimt recounts the struggle by 90-year-old Maria Altmann to recover five Gustav Klimt paintings stolen from her family by the Nazis in Vienna. From the end of the War up until last... See full summary »
Michael J. Bazyler,
A 90-minutes documentary that celebrates the 500th anniversary of the birth of the last great artist of the Italian Renaissance, the most unexpected mind that the art of painting has ever produced: Tintoretto.
Giuseppe Domingo Romano
Helena Bonham Carter,
Melania Gaia Mazzucco
The first cinematic journey through the rooms, stories and emotions of one of the most visited museums in the world. Its wealth of over 8000 art treasures is a spell-binding experience ... See full summary »
Egon Schiele is one of the most provocative artists in Vienna at the beginning of the 20th Century. His life and work are driven by beautiful women and an era that is coming to an end. Two ... See full summary »
A new look at Van Gogh, through the legacy of the largest private collector of artworks by the Dutch painter: Helene Kröller-Müller (1869-1939), who, in the early 20th Century, ended up buying nearly 300 of his works.
Valeria Bruni Tedeschi,
Klimt & Schiele - Eros and Psyche (2018) is a documentary directed by
Many people know the name Gustav Klimt because he was a great painter, and because of the movie Woman in Gold (2015), starring Helen Mirren. Klimt's contemporary, Egon Schiele is not as well known.
The movie somehow tries to weave their art into a tapestry of their era. New names appear and disappear, and it's hard to understand how person A relates to person B, or C, or D.
More exasperating is that Klimt and Schiele were painters in the Art Nouveau style. The film uses the German term, Jugendstil, but never defines it.
Art Nouveau or Jugendstil was a major artistic movement from 1890 until WW I Klimt and Schiele were key players. I find it bizarre that this isn't made apparent anywhere in the movie.
This is a film worth seeing if you're interested in art, and, especially Art Nouveau. It's not a terrible film, but not a great one either.
We saw the movie at a special showing at Rochester's wonderful Little Theatre. Because it's about art, it will work better on a large screen than on a small screen. Klimt and Schiele were great artists. I wish director Mally had made a great film about them.
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