In the aftermath of the February shooting at Marjory Stoneman Douglas High School that left 17 dead, filmmakers Emily Taguchi and Jake Lefferman traveled to Parkland and began filming with ...
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Melody Maker Magazine's Chief Contributing Photographer(1965-1975), Barrie Wentzell tells the story of the rise and fall of the magazine, which marked the end to a style of rock n' roll journalism that no longer exit's today.
Leslie Ann Coles
Steve 'Abbo' Abbot,
Katy, a teenager, is force interned in a psychiatric facility after her mother died. She is a room with Nabila and Carole, two other teens with different problems than Katy. Since the ... See full summary »
Depicts unique perspectives on antisemitism from young and old alike, from Jew and non-Jew, from within historic Jewish neighborhoods in Europe, to the streets of Charlottesville and ... See full summary »
A late night knock at the door from an absent friend brings the question - "I need you to come with me, but I can't tell you where we're going or what we're going to do." How far would you go to help those you care about?
In the aftermath of the February shooting at Marjory Stoneman Douglas High School that left 17 dead, filmmakers Emily Taguchi and Jake Lefferman traveled to Parkland and began filming with students who endured gunfire and the parents who lost their children in the crosshairs. "After Parkland" is an intimate chronicle of families as they navigate their way through the unthinkable; reckoning with unexpected loss, journeying through grief, and searching for new meaning.
This documentary is a great example of what some documentaries are capable of doing. Many struggle to accomplish this feat because just finding enough pieces to create a movie that makes sense can be difficult when you are having to rustle up footage from years ago and splice it into interviews conducted later. For the team that made "After Parkland" they were fortunate to not only be covering a story which captivated millions and played on the news for weeks (meaning lots of footage to work with), they also were on the ball when it came to flying down within a day to start filming for the movie. With circumstances like that, they are able to be assured that the plot driven part of the film will come together more easily and focus on the truly rare find in documentaries, something that transcends plot.
I'll admit it. My expectation of this film would that it would primarily be political in nature and chronicle various efforts to pass gun control reform measures into law. I thought it would be primarily about activism. It is about those things but it does several things I did not expect and, I would argue, is not primarily about gun control.
First, this film is far more balanced than I thought it would be. Maybe balanced isn't the right word. Balance implies that there is a debate in the film about whether we should pass new gun laws or arm teachers or a million other things and they all get equal time and treatment. This is not the case. It does, however, present a holistic picture where the various viewpoints of many people are given. Some of the parents who lost kids are for stricter gun laws. Some are not. Some kids who lost friends want to march in the streets. Others do not. Some want to go into politics. Some just want to return to normal life.
This is actually how the film transcends. By not choosing to emphasize one side over the other we end up getting a window into people's hearts and lives that wouldn't be possible with a more propaganda style film. Because the choice was made to not make a propaganda film the film begins to feel sub-textually about grief. It's about loss. It's about the ways that people react to grief and loss differently.
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