- 5 wins & 29 nominations.
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Complete, Cast awaiting verification
Robyn Nevin | ... |
Edna
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Emily Mortimer | ... |
Kay
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Bella Heathcote | ... |
Sam
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Steve Rodgers | ... |
Constable Mike Adler
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Chris Bunton | ... |
Jamie
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Robin Northover | ... |
Elderly Man
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Catherine Glavicic | ... |
Doctor Stanley
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Christina O'Neill | ... |
Grace
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John Browning | ... |
Nursing Home Man
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Jeremy Stanford | ... |
Alex
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Ellie Dewhurst | ... |
Figure
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Isabella Clegg | ... |
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Alex Cotterell | ... |
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Charly Thorn | ... |
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Rest of cast listed alphabetically: | |||
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Obada Adnan | ... |
(uncredited)
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Directed by
Natalie Erika James |
Written by
Natalie Erika James | ... | (written by) & |
Christian White | ... | (written by) |
Produced by
Bruce Wayne Gillies | ... | line producer: additional photography, LA |
Jake Gyllenhaal | ... | producer |
Junyi Hu | ... | executive producer (as Hu Junyi) |
Mike Larocca | ... | executive producer |
Todd Makurath | ... | executive producer |
Riva Marker | ... | producer |
Annie Marter | ... | associate producer: Nine Stories |
Anna McLeish | ... | producer |
Lesley Parker | ... | line producer |
Anthony Russo | ... | executive producer |
Joe Russo | ... | executive producer |
Angela Russo-Otstot | ... | executive producer |
Sarah Shaw | ... | producer |
Andrew Stamm | ... | associate producer: AGBO Films |
Zhongjun Wang | ... | executive producer (as Wang Zhongjun) |
Zhonglei Wang | ... | executive producer (as Wang Zhonglei) |
Music by
Brian Reitzell |
Cinematography by
Charlie Sarroff |
Editing by
Denise Haratzis | ||
Sean Lahiff |
Editorial Department
Cj Dobson | ... | colorist |
Alexandra Doering | ... | post producer |
Haley Gillies | ... | digital intermediate post producer |
Gemila Iezzi | ... | post producer |
John Kerron | ... | on-line editor |
Sean Courtney Lewis | ... | assistant editor |
Rui Li | ... | dailies operator |
Buck Mason | ... | post producer: LA |
Tim Morton | ... | conform editor |
Lucy Paplinska | ... | assistant editor |
Jessica Perry | ... | assistant editor |
Jeremy Weinstein | ... | assistant editor: LA |
Casting By
Avy Kaufman | ||
Allison Meadows |
Production Design by
Steven Jones-Evans |
Art Direction by
Loretta Cosgrove | ||
Marianne Evans | ||
Timothy Stuart Hildebrandt | ... | (additional photography: Los Angeles) |
Set Decoration by
Vanessa Cerne |
Costume Design by
Louise McCarthy |
Makeup Department
Camilla Camelot Bassi | ... | prosthetic workshop artist (as Camilla Bassi) |
Angela Conte | ... | hair designer / makeup designer |
Julian Dimase | ... | prosthetic assistant / prosthetics assistant: additional photography, Melbourne |
Gab Facchinei | ... | prosthetic workshop supervisor |
Aline Joyce | ... | prosthetic artist |
Seth Justus | ... | concept artist |
Tristan Lucas | ... | prosthetic workshop technician |
Adeline-Faye Petz | ... | special makeup effects artist |
Liz Rule | ... | prosthetic workshop artist |
Danielle Ruth | ... | prosthetic makeup artist / prosthetics assistant: additional photography, Melbourne |
Ashley Rutter | ... | key hair stylist: additional photography, LA / key makeup artist: additional photography, LA |
Galaxy San Juan | ... | hair department head: additional photography, LA / makeup department head: additional photography, LA |
Rachel Scane | ... | assistant makeup artist |
Eden Small | ... | sculptor |
Bec Taylor | ... | hair designer: additional photography, Melbourne / key hair stylist / key makeup artist / makeup designer: additional photography, Melbourne |
Larry Van Duynhoven | ... | creature designer / prosthetic makeup designer / prosthetics supervisor: additional photography, Melbourne |
Natalie Vincentich | ... | key hair stylist: additional photography, Melbourne (as Natalie Vincetich) |
Edward Yates | ... | prosthetic workshop artist |
Production Management
Rachel McKellar | ... | post-production supervisor (as Rachel McKellar-Harding) |
Katia Nizic | ... | production manager: Additional Photography, Melbourne |
Steve Yandrich | ... | production supervisor |
Second Unit Director or Assistant Director
Breeze Callahan | ... | second assistant director |
Nathan Croft | ... | first assistant director |
Mimi Gillies | ... | first assistant director: additional photography, Los Angeles |
Ben Morgan | ... | second unit director |
Benjamin Morgan | ... | second unit director |
Jordan Pert | ... | second assistant director: additional photography, Melbourne |
Elisha Rashleigh | ... | third assistant director |
Neil Sharma | ... | second assistant director: day player |
Art Department
Raffaella Caluzzi | ... | standby props |
Carlo Crescini | ... | set designer |
Eliza Fawcett | ... | set finisher |
Denise Goudy | ... | property master |
Greg Hajdu | ... | construction coordinator |
Xavier Irvine | ... | concept artist |
Johanna B. Kelly | ... | set designer |
Alex Potter | ... | set dresser |
Kate Rawlins | ... | set designer |
Anna Russell | ... | set dresser |
Luke Rynderman | ... | assistant props / graphic designer |
Brendan Tolley | ... | storyboard artist |
Shelley Williams | ... | (segment " ") buyer/set dresser |
Maddy Worthington | ... | set dresser |
Melanie Young | ... | scenic artist |
Sound Department
James Andrews | ... | adr recordist |
Tristan Baylis | ... | adr mixer |
Mick Boraso | ... | sound effects editor |
Steve Burgess | ... | re-recording mixer |
Will Carroll | ... | adr mixer |
Dane Cody | ... | additional sound recordist: pickups |
Alex Francis | ... | foley artist / foley engineer |
Chris Goodes | ... | re-recording mixer |
Ryan Granger | ... | sound effects editor |
Owen Grieve | ... | mix assistant |
Adam Hunt | ... | sound effects editor |
Matthew Kabby Kabakoff | ... | adr engineer (as Matthew Kabakoff) |
Ed Killmond | ... | post audio assist |
Marvin Lormel | ... | french dubbing dialogue editor / french dubbing mixer |
Robert Mackenzie | ... | sound designer / supervising sound editor |
Glenn Newnham | ... | supervising dialogue editor |
Lewis O'Brien | ... | boom operator |
Mario Vaccaro | ... | foley artist |
John Wilkinson | ... | sound recordist |
Michael Zachariou | ... | foley editor (uncredited) |
Special Effects by
Dave Everett | ... | special effects foreman (as David Everett) |
Grant Lehmann | ... | Animatronics / animatronic designer |
Ceri Nicholls | ... | special effects senior technician |
Hauk Olafsson | ... | senior special effects technician |
David Trethewey | ... | special effects supervisor |
Visual Effects by
Murray Curtis | ... | visual effects supervisor |
Julia Egerton | ... | digital compositor |
Goldy | ... | creative director: end titles (as Andrew Goldsmith) / creative director: opening title (as Andrew Goldsmith) |
Gene Hammond-Lewis | ... | visual effects supervisor |
John Kerron | ... | visual effects artist |
Amanda Novak-Knight | ... | compositor |
Stunts
Chris Anderson | ... | stunt coordinator |
Philli Anderson | ... | assistant stunt coordinator |
Rosco Campbell | ... | stunt rigger |
Michael M. Foster | ... | stunt assistant (as Michael Foster) |
Zoe Eloise Martin | ... | stunt rigger |
Laura Sutton | ... | stunt double: Emily Mortimer |
Mark Wickham | ... | key stunt rigger |
Zoë Amanda Wilson | ... | stunt double: Robyn Nevin |
Camera and Electrical Department
Nick Forster | ... | additional first assistant camera |
Breo Freeman | ... | key grip: additional photography: LA |
Thomas Hayes | ... | second assistant camera |
Adam Hunter | ... | gaffer |
Matthew Jenkins | ... | first assistant camera |
Rainer Kelly | ... | b camera operator |
Erica Keong | ... | second assistant camera: additional photography: L |
Josh Labita | ... | drone operator |
Chris Lansell | ... | camera drone |
Scott McAulay | ... | stills photographer |
Shane Mowday | ... | best boy electric |
Harry Panagiotidis | ... | steadicam operator |
Daniel Puodziunas | ... | grip (as Dan Puodziunas) |
Charlie Sarroff | ... | cinematographer: additional photography, Los Angeles |
Matt Tompkins | ... | first assistant camera: additional photography: LA |
Justin Van Zyl | ... | best boy grip |
Blair Walker | ... | grip |
Max Walter | ... | director of photography: additional photography, Melbourne |
Charles Wibert | ... | gaffer: additional photography: LA |
Matt Wood | ... | cinematographer: additional photography / director of photography: splinter unit |
Casting Department
Gabrielle Healy | ... | extras casting director |
Keziah Morgan | ... | casting assistant (as Kizzie Morgan) |
Costume and Wardrobe Department
Isabella Foran | ... | key costumer: additional photography Melbourne |
Alistair Johns | ... | costume supervisor |
Yolanda Peart-Smith | ... | key costumer |
Olivia Smythe | ... | costume assistant |
Location Management
Remmi Aloni | ... | location manager |
Matthew Maguire | ... | location manager |
Marcia Robinson | ... | location scout |
Music Department
Jemma Burns | ... | music supervisor |
Ken Sluiter | ... | music editor / score mixer |
Script and Continuity Department
Nicole Binnall Abbott | ... | script supervisor (as Nicole Binnall) |
Mim Green | ... | script supervisor: additional photography |
Paul Kiely | ... | script supervisor |
Lynne Vincent McCarthy | ... | script editor |
Additional Crew
Eddie Atkin | ... | chef: Stars Catering |
Robert Beveridge | ... | titles designer: trailer: Zealot Inc |
André Devantier | ... | caterer |
Denise Farrell | ... | production accountant |
Glenn D. Feig | ... | production legal counsel |
Sarah Glancy | ... | additional unit nurse |
Pip Kennedy | ... | production secretary (as Philippa Kennedy) |
Grant Lehmann | ... | puppeteer |
Anna McCrossin-Owen | ... | dialect coach |
Rhiannon Moller-Trotter | ... | stand-in |
Benjamin Morgan | ... | director's assistant |
Edward Parodi | ... | international sales: Film Constellation |
Frank Pelluchon | ... | head chef |
Rachel Ross | ... | production coordinator |
Puneet Sagar | ... | chef: Stars Catering |
Bec Speakman | ... | producer's assistant |
Stuart Talman | ... | foreign currency hedging: Xe Money |
Leo Teste | ... | international sales agent |
Laura Jane Turner | ... | assistant dialect coach |
Thanks
Jeremy Barber | ... | thanks |
Ralph Berrill | ... | thanks: Central Highlands Water |
Jill Bilcock | ... | thanks |
Alicia Brown | ... | thanks |
Ann Churchill Brown | ... | thanks (as Ann Churchill-Brown) |
Todd Brown | ... | thanks |
Helen Cerne | ... | thanks |
Esther Chang | ... | thanks |
Alden Dalia | ... | thanks |
Summer DeRoche | ... | special thanks |
Lesley Donelan | ... | thanks |
Cameron Edgar | ... | special thanks |
Dorothy Evans | ... | special thanks: to our own mothers and grandmothers |
Wendy Evans | ... | special thanks: to our own mothers and grandmothers |
Jackie Fish | ... | thanks |
Roger Green | ... | thanks |
James Griffin | ... | special thanks |
Emma Haarburger | ... | thanks |
Ari Harrison | ... | special thanks |
Jeff Harrison | ... | special thanks |
Sasha Heath | ... | thanks |
Elaine Hedgcock | ... | special thanks: to our own mothers and grandmothers |
Nick Hoagland | ... | thanks |
Florence Holmes | ... | thanks |
Ross Hutchens | ... | thanks |
Masako Iida | ... | special thanks: to our own mothers and grandmothers |
Chris James | ... | thanks |
Hiroko Iida James | ... | special thanks: to our own mothers and grandmothers |
Michelle James | ... | thanks |
Stephen James | ... | thanks |
Shana Levine | ... | thanks |
Ella Marker | ... | special thanks: to our own mothers and grandmothers |
Deborah McIntosh | ... | thanks |
Jocy McLeish | ... | special thanks: to our own mothers and grandmothers |
Brian Medavoy | ... | thanks |
Sharon Menzies | ... | thanks |
Joanna Milosz | ... | thanks |
Rhiannon Moller-Trotter | ... | special thanks |
Ben Morgan | ... | special thanks |
Bob Morgan | ... | thanks |
Lyndsay Mountain | ... | special thanks: to our own mothers and grandmothers |
Louis Nikolovski | ... | thanks |
Vicki Nyin | ... | thanks |
Samantha Racanelli | ... | thanks |
Jake Robb | ... | thanks |
Cathy Rodda | ... | thanks |
Roger Savage | ... | thanks |
Josephine Wagstaff | ... | thanks |
Scott Wexler | ... | thanks |
Simon Whipp | ... | thanks |
Keera White | ... | special thanks: to our own mothers and grandmothers |
Production Companies
- Carver Films (a production of)
- Nine Stories Productions (a production of)
- AGBO (presented by)
- Screen Australia (presented by)
- Film Victoria (in association with)
- Huayi Brothers Pictures
Distributors
- Dutch FilmWorks (DFW) (2020) (Netherlands) (theatrical)
- IFC Midnight (2020) (United States) (theatrical)
- Star Invest Films (2020) (France) (theatrical)
- Transformer (2021) (Japan) (theatrical)
- Blue Swan Entertainment (2021) (Italy)
- British Broadcasting Corporation (BBC) (2023) (United Kingdom) (tv) (BBC One)
- Dutch FilmWorks (DFW) (2021) (Netherlands) (Blu-ray)
- Dutch FilmWorks (DFW) (2021) (Netherlands) (DVD)
- Falcon Films (2021) (Lebanon) (Middle East & North Africa)
- Film1 (2022) (Netherlands) (tv) (limited)
- Leonine Distribution (2020) (Germany) (Blu-ray)
- Leonine Distribution (2020) (Germany) (DVD)
- MockingBird Pictures (2020) (Vietnam)
- Netflix (2021) (Netherlands) (video) (VOD)
- Scream Factory (2020) (United States) (Blu-ray)
- Scream Factory (2020) (United States) (DVD)
- Selecta Visión (2021) (Spain)
- Signature Entertainment (2020) (United Kingdom)
- Star Invest Films (2020) (France)
- Tulip Pictures México (2020) (Mexico)
- Umbrella Entertainment (2020) (Australia)
- Umbrella Entertainment (2021) (Australia)
Special Effects
- Scarecrow Studios (prosthetic makeup)
- DTFX (special effects)
- UnityFX (visual effects)
Other Companies
- Allcreative Australia (construction)
- Create Media Access (closed captions and audio description)
- Docklands Studios Melbourne (production office)
- Film Star Lighting (lighting and grips equipment: additional photography, Melbourne)
- Freeway CAM B.V. (collection account management)
- Gigantic Studios (adr facilities)
- Gregsets (construction)
- IMN Creative (post-production facility: Los Angeles)
- Kabby Sound Studios (adr facilities)
- Level Two Music (music supervision)
- Panavision Woodland Hills (special thanks)
- Pixel (title design)
- Prime Rib Productions (adr facilities)
- Reder & Feig (production legal counsel)
- Reezy Miller Script Services (post-production script)
- Soundfirm (adr facilities)
- Soundfirm (post-production facility)
- South By Southwest Film Festival (SXSW) (festival)
- South Pacific Greens (greens)
- Stone (grips equipment)
- Sundance Film Festival (festival)
- Two Suns Lighting (lighting equipment)
- Vision House (camera equipment: additional photography, Melbourne)
Storyline
Plot Summary |
When elderly mother Edna inexplicably vanishes, her daughter Kay and granddaughter Sam rush to their family's decaying country home, finding clues of her increasing dementia scattered around the house in her absence. After Edna returns just as mysteriously as she disappeared, Kay's concern that her mother seems unwilling or unable to say where she's been clashes with Sam's unabashed enthusiasm to have her grandma back. As Edna's behavior turns increasingly volatile, both begin to sense that an insidious presence in the house might be taking control of her. With RELIC, first-time writer/director Natalie Erika James crafts an unforgettable new spin on the haunted-house movie. Written by IFC Midnight |
Plot Keywords | |
Taglines | Everything Decays See more » |
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Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
Trivia | Although they portray mother and daughter Emily Mortimer is only 16 years older than Bella Heathcote. See more » |
Goofs | The Victoria police car has no unit ID number. See more » |
Movie Connections | Featured in Relic (2020). See more » |
Soundtracks | These Are The Things I'd Do See more » |