Nathaniel Rich (based on The New York Times magazine article "The Lawyer Who Became DuPont's Worst Nightmare" by), Mario Correa (screenplay) |1 more credit »
American security guard Richard Jewell saves thousands of lives from an exploding bomb at the 1996 Olympics, but is vilified by journalists and the press who falsely reported that he was a terrorist.
Director:
Clint Eastwood
Stars:
Paul Walter Hauser,
Sam Rockwell,
Brandon Stanley
Consummate con man Roy Courtnay has set his sights on his latest mark: the recently widowed Betty McLeish, worth millions. But this time, what should have been a simple swindle escalates into a cat-and-mouse game with the ultimate stakes.
Idealistic Senate staffer Daniel J. Jones, tasked by his boss to lead an investigation into the CIA's post 9/11 Detention and Interrogation Program, uncovers shocking secrets.
Traces the journey of a suburban family - led by a well-intentioned but domineering father - as they navigate love, forgiveness, and coming together in the aftermath of a loss.
Director:
Trey Edward Shults
Stars:
Taylor Russell,
Kelvin Harrison Jr.,
Alexa Demie
The true story of a British whistleblower who leaked information to the press about an illegal NSA spy operation designed to push the UN Security Council into sanctioning the 2003 invasion of Iraq.
Early in the film, Rob is driving across a bridge, entering into West Virginia. The bridge he is on is actually the Daniel Carter Beard Bridge (also known as the "Big Mac Bridge" for it's distinctive yellow arches) which crosses the Ohio River between Newport, Kentucky and Downtown Cincinnati, Ohio. See more »
Quotes
Robert Bilott:
The system is rigged. The want us to believe that it'll protect us, but that's a lie. We protect us. We do. Nobody else. Not the companies, not the scientists, not the government. Us.
See more »
The Heart Is a Lonely Hunter
Written by Ed Hill (as Edward Monroe Hill), Mark D. Sanders (as Mark Daniel Saunders) and Kim Williams
Performed by Reba McEntire
Published by Universal Music - Careers, Universal Music Corp, WC Music Corp, Sony/ATV Cross Keys Publishing
Courtesy of MCA Nashville under license from Universal Music Enterprises See more »
There's nothing here that you have not seen. Go ahead and call it "Aaron Brockovich." But director Todd Haynes still makes it entirely engaging and painfully true that death is a number compared to liability and that is how you can sustain cold hearted industry. Made more gut wrenching is how they believed the ends justified the means.
Mark Ruffalo tackles the lawyer with the conscience wonderfully. Suffering under the weight of what he must do and what then envelops his small world. It's heroic in how much he does sacrifice and let's face it, these stories don't end well. What director Haynes does is put a face to the not-on-the-books crime. And though, it only is a civil case somehow you sense the frustration of the town. Not played as rubes but believing that a massive corporation who funded and gave perks to sustain the village wouldn't willingly destroy it. As we know now versus 1998, they knew...if not for simple morbid curiosity. Then sat on the information as it fed the machine decades later, we are now more informed and much more paranoid. Everything we eat or touch or...breathe we are closer to death.
I was in that area in 1998...and the news then spent less time on it then I recall. As a college bound student, I heard murmurs of DuPont and jokes were made of this. Now...it seems bitterly grim. How many lives were destroyed because of shady dealings. When you peel the onion, you do weep.
I love this flick. The flavor of that era is pitch perfect. The backroads of an industrial town, built under poor chemistry just sweats disease. And you walk out angered by it. The fight continues to this day.
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There's nothing here that you have not seen. Go ahead and call it "Aaron Brockovich." But director Todd Haynes still makes it entirely engaging and painfully true that death is a number compared to liability and that is how you can sustain cold hearted industry. Made more gut wrenching is how they believed the ends justified the means. Mark Ruffalo tackles the lawyer with the conscience wonderfully. Suffering under the weight of what he must do and what then envelops his small world. It's heroic in how much he does sacrifice and let's face it, these stories don't end well. What director Haynes does is put a face to the not-on-the-books crime. And though, it only is a civil case somehow you sense the frustration of the town. Not played as rubes but believing that a massive corporation who funded and gave perks to sustain the village wouldn't willingly destroy it. As we know now versus 1998, they knew...if not for simple morbid curiosity. Then sat on the information as it fed the machine decades later, we are now more informed and much more paranoid. Everything we eat or touch or...breathe we are closer to death. I was in that area in 1998...and the news then spent less time on it then I recall. As a college bound student, I heard murmurs of DuPont and jokes were made of this. Now...it seems bitterly grim. How many lives were destroyed because of shady dealings. When you peel the onion, you do weep. I love this flick. The flavor of that era is pitch perfect. The backroads of an industrial town, built under poor chemistry just sweats disease. And you walk out angered by it. The fight continues to this day.