2 user 16 critic

Ghost Town Anthology (2019)

Répertoire des villes disparues (original title)
In a small and isolated town, Simon Dubé dies in a car accident. The stunned townspeople are reluctant to discuss the circumstances of the tragedy. From that point on time seems to lose all meaning, and the days stretch on without end.


Denis Côté


Denis Côté, Laurence Olivier (loosely based on novel by)
2 nominations. See more awards »


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Credited cast:
Robert Naylor ... Jimmy Dubé
Josée Deschênes ... Gisèle Dubé
Jean-Michel Anctil ... Romuald Dubé
Larissa Corriveau Larissa Corriveau ... Adèle
Diane Lavallée ... Simone Smallwood
Rémi Goulet Rémi Goulet ... André
Jocelyne Zucco ... Louise
Normand Carrière ... Richard
Hubert Proulx Hubert Proulx ... Pierre
Rachel Graton Rachel Graton ... Camille
Rest of cast listed alphabetically:
Irlande Côté ... Enfant Masqué
Eliott Plamondon Eliott Plamondon


In Irénée-les-Neiges, a small, isolated town with a population of 215, Simon Dubé dies in a car accident. The stunned townspeople are reluctant to discuss the circumstances of the tragedy. From that point on, for the Dubé family as well as for Mayor Smallwood and a handful of others, time seems to lose all meaning, and the days stretch on without end. Something descends slowly upon the area. In this period of mourning and in this fog, strangers start to appear. Who are they? What is happening?

Plot Summary | Add Synopsis


Drama | Fantasy







Release Date:

19 May 2019 (USA) See more »

Also Known As:

Ghost Town Anthology See more »

Filming Locations:

Saint-Michel, Québec, Canada See more »

Company Credits

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Technical Specs



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Did You Know?


Adèle is the only character to wear colorful clothing. See more »

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User Reviews

Uninviting plot but the atmosphere "got" me. Developed very well into a tense story. Not the downtrodden path horror movie with zombies that it initially seemed
1 March 2019 | by JvH48See all my reviews

Saw this at the Berlinale 2019, where it was part of the official Competition (but got no prize). Peculiarly, the venue was only half full, contrary to all other screenings in foregoing days in the Berlinale Competition with usually 1,750 viewers present in the same venue. I assume that many people thought this movie had all appearances of a downtrodder path Horror movie with zombies. That genre left traces by everyone, caused by bad B-movies we all sat through in the past but avoid them nowadays. However, this movie does not have any of the negative characteristics of said genre with a bad reputation. It is true that strange figures appear when the story progresses, but they stand still, make no sound and do not attack. They just stare from a safe distance.

The fatal car accident in the opening scene could have been a suicide or a real accident. We saw it happen and we can't tell either way, and neither has the police any idea. The dilemma casts a shadow over all daily tasks within the village. The uncertainty eats the villagers, and the topic returns several times in conversations. It is a closed community of 200 to 300 people, committed to support each other, to the extent that outside help is flatly refused by the mayor.

At first, we see nothing out of the ordinary. But strange things start happening, albeit innocent and harmless. Gradually, it gets stranger and stranger. The first time that we come to think there is more to it than just strangers wandering around, is when a "social worker lady" is locked up after one of the unknown figures outside a derilicted building slams the door while she is inside. No harm gets to her, she easily escapes and reports the incident. Without any witnesses she meets nothing but disbelief. Probably a "weak nerves" case is a common conclusion.

When more and more strange figures appear, we become gradually aware that something is really going on. The figures do not harm anyone. They maintain a safe distance from the villagers, they just stand there and make no sound. Nevertheless, their mere presence feels threatening. It is no use to describe what happens next. Suffice to say that situation and atmosphere "got" me. It became more intense by the minute. I have no explanation why, and also no idea how the film makers achieved the effect it had. For me a unique experience, as most "horror" movies have no effect on me at all.

I must confess to be slightly put off at first, due to the festival announcement talking about the 16 mm format intended to strengthen the admosphere, and that traditional celluloid was used for similar reasons. This sounded like a typical case of format-over-substance. In other words, conversation pieces for professional critics and film makers, but shooting over the heads of layman viewers like myself. But I stand corrected and my prejudice proved false. Despite the format and the cellulloid, or maybe even thanks to this, the atmosphere took me in and kept me interested all the time.

All in all, an intriguing movie by effectively letting a tense atmosphere grow on me, something I felt deep inside. I wonder how the film makers did it.

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