Six friends want to become popular by recording their adventures to be uploaded to social media accounts. They choose to go to the abandoned apartment and suddenly open a portal to the magical world and infuriate the portal guardian.
Mamet obeyed Milly's request to stop working at a banker bank to raise their children, to work in his in-laws factory to meet Alexandra who again invited her to become a chef at the restaurant of her second dream while in college.
Suzzanna and Satria have been married for seven years but have not been blessed with children. They live with three assistants: Mia, Tohir, and Rojali. Suzzanna's long-awaited pregnancy finally happens, but unfortunately it is coincided with Satria's official plan abroad. This opportunity is utilized by four Satria employees: Jonal, Umar, Dudun, and Gino, who hold grudges against Satria and intend to rob Satria's house when his house is empty. But unlucky, their robbery plan turns into the murder of Suzzanna who is supposed to go out with her assistants but to return home by herself due to a weak body condition. Because of panic, they then burry Suzzanna's body in the house's backyard. Strangely, the next day, Suzzanna continues to act as usual at home, as if nothing has happened.Written by
Films that remind of the glory of 80s national films
This horror film is not a film that is compared with serious horror films such as MATA BATIN, or MEREKA YANG TAK TERLIHAT, or Jailangkung. This Suzzana film is aimed at selling the nostalgia of the past in 1980 era.
In this movie, setting items ranging from cars, kitchen utensils, extinct President Taxi, all reminded of the past of the 80 era that triumphed with national films.
Honestly, I watched with family because of the star Luna Maya. Then, hope this film evokes memories of the 80th era national comedy horror film. Unfortunately, the director did not use the momentum of smart comedy in the middle of the film. When the helpers left the village due to fear, the acting of Asri Welas and Opi Kumis was actually good. The director should dig deeper into this intelligent situation comedy by exploring the appearance of Suzzana in front of the villagers, for example by buying raw Sate 200 with raw, or appearing to villagers with slapstick comedy cuteness before going back into the serious and scary scenes.
The director is carelesst and less able to take advantage of the spooky and comedy momentum that became the mainstay of Suzzana films and Indonesian horror films in the era of the 80s.
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