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Cast verified as complete
Adrien Brody | ... |
László Tóth
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Felicity Jones | ... |
Erzsébet Tóth
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Guy Pearce | ... |
Harrison Lee Van Buren Sr.
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Joe Alwyn | ... |
Harry Lee
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Raffey Cassidy | ... |
Zsófia
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Stacy Martin | ... |
Maggie Lee
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Isaach De Bankolé | ... |
Gordon
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Alessandro Nivola | ... |
Attila
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Ariane Labed | ... |
Older Zsofia
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Michael Epp | ... |
Jim Simpson
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Emma Laird | ... |
Audrey
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Jonathan Hyde | ... |
Leslie Woodrow
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Peter Polycarpou | ... |
Michael Hoffman
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Maria Sand | ... |
Michelle Hoffman
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Salvatore Sansone | ... |
Orazio
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Zephan Hanson Amissah | ... |
Teenage William
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Charlie Esoko | ... |
Young William
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Levente Orbán | ... |
Hungarian Refugee
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Benett Vilmányi | ... |
Binyamin
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Peter Deutsch | ... |
Habbi Zuniz
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Abigél Szõke | ... |
Nun
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Daniel Washington | ... |
HIAS Representative 1
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András Borgula | ... |
HIAS Representative 2
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Zsolt Páll | ... |
Border Officer
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Anna Mészöly | ... |
Prostitute 1
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Mariann Hermányi | ... |
Servant
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Nick Wittman | ... |
Volunteer at Church
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Robert Jackson | ... |
Townsperson 1
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Peter Linka | ... |
Townsperson 2
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Jeremy Wheeler | ... |
Party Guest
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Stephen Saracco | ... |
Construction Supervisor
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Jaymes Butler | ... |
Bar Manager
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David Puskas | ... |
Hired Man
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Laurent Winkler | ... |
Guest
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Hermina Fátyol | ... |
Madame
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Dóra Sztarenki | ... |
Woman Dancing with Laszlo
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Natalie Shinnick | ... |
Receptionist
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Directed by
Brady Corbet |
Written by
Brady Corbet | ... | (written by) and |
Mona Fastvold | ... | (written by) |
Produced by
Maddie Browning | ... | associate producer |
Brady Corbet | ... | producer |
Ron Curtis | ... | executive producer |
Saskia Gigi Duff | ... | co-producer |
Mona Fastvold | ... | executive producer |
Mark Gillespie | ... | executive producer |
Alexa Goldberg | ... | associate producer |
Nick Gordon | ... | producer |
D.J. Gugenheim | ... | producer |
Jiarui Guo | ... | executive producer |
Aaron Himmel | ... | executive producer |
David Hinojosa | ... | executive producer |
Joshua Horsfield | ... | executive producer |
Pamela Koffler | ... | executive producer |
Max Kondziolka | ... | executive producer |
Scott Lake | ... | executive producer |
Mark Lampert | ... | executive producer |
Andrew Lauren | ... | producer |
Annamária Ligosztájeva | ... | line producer |
Trevor Matthews | ... | producer |
Sarah Meyohas | ... | executive producer |
Andrew Morrison | ... | producer |
Oleg Nodelman | ... | executive producer |
Michael Orcutt | ... | executive producer |
Jesse Ozeri | ... | executive producer |
Kelly Peck | ... | executive producer |
Viktória Petrányi | ... | co-producer |
Thomas Pierce | ... | executive producer |
Sire Ramos | ... | executive producer |
Emily Richardson | ... | executive producer |
Ronald Richardson | ... | executive producer |
Joseph King Salwen | ... | associate producer |
Matthew Sippel | ... | executive producer (as Matt Sippel) |
Klaudia Smieja | ... | executive producer |
Carter Stanton | ... | executive producer |
Kyle Stroud | ... | executive producer |
Christine Vachon | ... | executive producer |
Peter Vaughan | ... | development producer |
Ruby Walden | ... | executive producer |
Scott Weber | ... | executive producer |
Brian Young | ... | producer |
Music by
Daniel Blumberg |
Cinematography by
Lol Crawley |
Editing by
Dávid Jancsó |
Editorial Department
Éva Haraszin | ... | post-production coordinator: Hungarian Filmlab |
Albert Máté | ... | scanning: Hungarian Filmlab |
Ilka Janka Nagy | ... | additional editor |
Milán Nagy | ... | Dailies Operator |
János Polyák | ... | scanning: Hungarian Filmlab |
Máté Ternyik | ... | colorist |
Casting By
Kristina Erdely | ||
Cassandra Kulukundis |
Production Design by
Judy Becker |
Art Direction by
Csenge Jóvári | ||
Alexander Linde | ||
Csaba Lodi | ... | supervising art director |
Virág Tyekvicska | ||
Sári Weichinger |
Set Decoration by
Patricia Cuccia | ||
Mercédesz Nagyváradi |
Costume Design by
Kate Forbes |
Makeup Department
Liz Ann Bowden | ... | Hair and Makeup supervisor |
Judit Halász | ... | Key hair stylist |
Gemma Hoff | ... | hair and makeup designer |
Nikolett Kerselits | ... | hairdresser |
Sebastian Lochmann | ... | Prosthetic Sculptor |
David Malinowski | ... | Prosthetics Designer |
Emese Mettler | ... | make up artist crowd |
Gábor Molnár | ... | lens technician supervisor |
Production Management
Hashim Alsaraf | ... | post-production supervisor |
Andrea Poli | ... | Italian unit production manager |
Marianna Tusják | ... | assistant production manager |
Gábor Téni | ... | production manager |
Second Unit Director or Assistant Director
Marcell Bajor | ... | second assistant director: second unit |
Andor Berényi | ... | second assistant director |
Maddie Browning | ... | additional second unit director |
Mona Fastvold | ... | second unit director |
Edina Galgócz | ... | Key Second Assistant Director |
András Hárskúti | ... | second assistant director |
Márk Katona | ... | second assistant director |
István Kolos | ... | first assistant director |
Eniko Szamosközi | ... | assistant director |
Szody Szilard | ... | additional on set production assistant |
Zsolt Sógor | ... | third assistant director |
Célie Valdenaire | ... | first assistant director |
Art Department
Balázs Bakró | ... | standby props |
Viktor Belágyi | ... | property master |
Griffin Frazen | ... | illustrator |
Juhász Judit | ... | assistant art director |
Anna Korolovszky | ... | graphic designer |
Kata Károly | ... | painter |
Krisztina D. Nagy | ... | assistant set decorator |
Barna Sandor | ... | 24 fr video playback technical coordinator |
Balázs Szender | ... | Props Buyer |
Ákos Sógor | ... | hand drawing |
Vera Várszegi | ... | standby art director |
Sound Department
Nevan Brothers | ... | adr recordist |
Dylan Burgess | ... | foley artist |
Steve Burgess | ... | foley mixer |
Alessio Corda | ... | boom operator: Italian unit |
Sam Cousins | ... | 1st assistant sound |
Botond Csizmadia | ... | 2nd unit sound mixer |
Yann Fadanelli | ... | sound mixer: italian unit |
Michael Frost | ... | junior mix tech |
Szabolcs Gáspár | ... | sound mixer |
Áron Havasi | ... | boom operator |
Declan Ilett | ... | sound mix technician |
Roisin King | ... | ADR recordist |
Sámuel Lehoczki | ... | sound assistant (as Samuel Lehoczki) |
Frank Lipson | ... | sound effects recordist |
György Mohai | ... | ADR recordist |
Balázs Necz | ... | boom operator: second unit |
Andy Neil | ... | re-recording mixer / sound designer |
Sabrina Salome | ... | sound post producer |
Steve Single | ... | dialogue editor / re-recording mixer / supervising sound editor |
Tom Stringer | ... | re-recording mix technician & adr mixer |
Marie Valentino | ... | Sound Post Producer |
Special Effects by
Endre Korda | ... | special effects supervisor |
Visual Effects by
Jean-Michel Boublil | ... | client side |
Gavin Digby | ... | senior compositor |
Paul Driver | ... | visual effects producer: Lipsync Post Ltd |
David Fowler | ... | VFX Executive Supervisor |
Annie Gordon | ... | visual effects coordinator |
Alasdair MacCuish | ... | Visual Effects Head of Production: Lipsync Post |
Gareth Repton | ... | visual effects supervisor: Lipsync Post Ltd |
Jesse Spielman | ... | visual effects pipeline: Lipsync Post |
István Vajda | ... | on-set visual effects supervisor |
Stunts
Balázs Bölkény | ... | stunt performer |
Krisztián Czirják | ... | stunt double: cast #1 |
László Demény | ... | stunt performer |
Imre Ferenczi | ... | key stunt rigger |
Krisztián Földvári-Nagy | ... | stunt performer (as Krisztián Földvári Nagy) |
Daniel Gerzsenyi | ... | stunt performer (as Daniel Csaba Gerzsenyi) |
Máté Gyöngyösi | ... | stunt performer |
Norbert Kovács | ... | stunt performer |
Cseperke Mach | ... | stunt double: cast #3 |
Attila Paldeak | ... | stunt performer |
István Rubóczki | ... | stunt performer |
Máté Rácz | ... | stunt performer (as Bendeguz Racz Mate) |
Viktor Szabados | ... | assistant stunt coordinator (as Szabados Viktor Henrik) |
Gáspár Szabó | ... | stunt coordinator |
Csaba Süveges | ... | stunt performer |
Gábor Tóth | ... | stunt performer (as Gabor Toth) |
László Ujvári | ... | stunt performer (as Laszlo Zoltan Ujvari) |
Camera and Electrical Department
Antoine Berchane | ... | still photographer |
Gergely Csepregi | ... | main unit first assistant camera |
Ákos Csepregi | ... | camera trainee (as Csepregi Ákos) |
Krisztián Demeter | ... | key grip |
Péter Faludi | ... | first assistant camera: c camera |
Péter Fedor | ... | video assist operator |
Ádám Fillenz | ... | camera operator: b camera |
Bence Finok | ... | electrician |
Gordon Garancsy | ... | grip |
Ákos Gulyás | ... | film loader 2nd unit |
Peter Horvath | ... | dolly grip: Italian unit / grip |
György Horváth | ... | first assistant camera |
Marton Losonci | ... | c 2nd assistant camera |
Csaba Mecseki | ... | second assistant camera: "b" camera |
Attila Pfeffer | ... | steadicam operator |
András Pozsár | ... | dolly grip |
Gábor Pápai | ... | crane technician |
Bálint Seress | ... | second assistant camera: Vistavision |
János Szabados | ... | video operator |
Bence Szemerey | ... | still photographer |
Viktória Szendi | ... | additional rigger |
András Szõke | ... | 1st Assistant Camera |
Ádám Sütö | ... | Camera Trainee |
Máté Takács | ... | Camera Crew |
Máté Tibai | ... | auto grip |
Dávid Vidács | ... | second assistant camera "B" camera |
Ádám Wallner | ... | loader |
Casting Department
Erik Gyercán | ... | casting coordinator |
Veronika Gál | ... | casting coordinator |
Beatrix Nemesházi | ... | casting: Hungary / local casting director |
Daniel Washington | ... | casting coordinator |
Costume and Wardrobe Department
Bori Battai | ... | crowd supervisor |
Fanni Dukát | ... | costume supervisor |
Klaudia Fenes | ... | crowd dresser (as Fenes Klaudia) |
Andrea Kalmár | ... | Seamstress |
Hanna Megyeri | ... | set costumer (as Megyeri Hanna) |
Katalin Merksz | ... | key costumer |
Sára Szalai | ... | assistant costume designer hu |
Emma Kate Wood | ... | assistant costume designer |
Lili Zátonyi | ... | principal dresser |
Location Management
Gergö Bakos | ... | location supervisor |
Bence Fehér | ... | 2nd unit location manager |
Zsolt Ficsor | ... | assistant location manager |
Michal Korynek | ... | location scout: Poland |
Kornél Kódor | ... | location manager |
Rafal Orlicki | ... | location manager |
András Recski | ... | location assistant |
Dávid Surányi | ... | supervising location manager (as Surányi Dávid) |
Bence Sági | ... | Key Location Manager |
Przemyslaw Walocha | ... | location scout: Poland |
Braden King | ... | marine location scout (uncredited) |
Music Department
James A. Taylor | ... | music supervisor |
Peter Walsh | ... | Score Co-Producer / Score Recording and Mix Engineer |
Script and Continuity Department
Sandor Erdei | ... | second unit script supervisor |
Krisztina Szigeti | ... | script supervisor |
Transportation Department
Miklós Horvát | ... | picture car coordinator |
Dominika Koszó | ... | transportation coordinator |
Pal Szilárd Levente | ... | unit driver |
Additional Crew
Horváth Andrea | ... | production accountant |
András Angyal | ... | choreographer |
Kékesdy Annamária | ... | production accountant |
David Boyle | ... | Head of Business and Legal Affairs |
Sabrina Brewer | ... | Post production assistant |
Maddie Browning | ... | personal assistant to director |
Tom Chesover | ... | sales manager: protagonist pictures |
Dávid Csóka | ... | Legal Affairs (as Dr. Csóka Dávid) |
Helen de Winter | ... | Completion Guarantor |
Bálint Gacsal | ... | Covid Lead |
Emília Gacsályi | ... | assistant: Guy Pearce |
Páldi György | ... | second unit |
George Hamilton | ... | Chief Commercial Officer: Protagonist Pictures |
Emma Haw | ... | Archive Researcher |
Helena Henry | ... | Producer's Assistant |
Sári Herrer-Marchez | ... | assistant: Adrien Brody |
David Higgins | ... | personal trainer and nutritionist: Felicity Jones |
Paul Hillier | ... | insurance |
Jennifer Kertész | ... | production accountant |
Éva Magyar | ... | adr voice |
Tanera Marshall | ... | Dialect Coach |
Emily Moore | ... | Archival Researcher |
Ali Moshref | ... | Production Executive: Completion Guarantor |
Gabi Máté | ... | assistant unit manager |
Matteo Paci | ... | production coordinator |
Sebastian Pardo | ... | Title Design |
Tünde Pomikula | ... | safety & security |
Armand Prihoda | ... | immigration assistant |
János Prihoda | ... | immigration coordinator (as Janos Prihoda) |
Máté Prihoda | ... | immigration assistant |
Fári Péter | ... | Security Coordinator |
Natalia Rogowska | ... | production assistant |
Tara Sattler | ... | legal representation |
Natalie Shinnick | ... | assistant choreographer |
Olivér Soós | ... | security coordinator |
Isabelle Stewart | ... | Head of Acquisitions: Protagonist Pictures |
Boglárka Szabó | ... | Travel and Accommodation Coordinator |
Krisztina Szandi | ... | production accountant |
Viktória Szandi | ... | proton accountant |
Branko Tomovic | ... | adr voice |
Lipták Zita | ... | Supervising Production Coordinator |
Amarilla Árpás | ... | assistant: Felicity Jones |
Dean Sansovich | ... | Head of Finance: Pierce Capital Entertainment (uncredited) |
Thanks
Benedict Baldauff | ... | the producers wish to thank |
Sophia Melon | ... | the producers wish to thank |
Production Companies
- Brookstreet Pictures
- Kaplan Morrison
- Intake Films (in association with)
- Andrew Lauren Productions (in association with)
- Lip Sync (in association with)
- Richmond Pictures (in association with)
- Meyohas Studio (in association with)
- Carte Blanche (in association with)
- Pierce Capital Entertainment (in association with)
Distributors
- (UIP) Duna Film (2025) (Hungary) (theatrical)
- A24 (2024) (United States) (theatrical)
- Cinemundo (2025) (Portugal) (theatrical)
- Tanweer Alliances (2025) (Greece) (theatrical)
- United International Pictures (UIP) (2025) (Singapore) (theatrical)
- Universal Pictures Argentina (2025) (Argentina) (theatrical)
- Universal Pictures International (UPI) (2025) (Germany) (theatrical)
- Universal Pictures International (UPI) (2025) (France) (theatrical)
- Universal Pictures International (UPI) (2025) (Non-US) (theatrical)
- Universal Pictures Spain (2025) (Spain) (theatrical)
- Universal Pictures (2025) (United Kingdom) (theatrical)
- Elevation Pictures (2024) (Canada)
- Focus Features (2024) (Non-US)
Special Effects
Other Companies
- Bleat Post Production (post-production sound services)
- Elstree Script Services (post-production script)
- Freeway CAM B.V. (collection account management)
- Hungarian Filmlab / Magyar Filmlabor (post-production facilities)
- Milan Records (soundtrack)
- Polski Instytut Sztuki Filmowej (funding)
- Proton Cinema (production services)
- Respeecher (sound post-production)
- Zoom Casting (casting)
Storyline
Plot Summary |
When visionary architect László Toth and his wife Erzsébet flee Europe to rebuild their legacy and witness the birth of modern America, their lives are changed forever by a mysterious and wealthy client. The seemingly charming industrialist Harrison Van Buren offers László and his family the American Dream on a silver platter by commissioning him to design a grand modernist monument and help shape the landscape of the country he now calls home. It will be the most ambitious project of his career, one that will take László and Erzsébet to both monumental heights and devastating lows. Written by Ulf Kjell Gür |
Plot Keywords | |
Taglines | Welcome to America. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Box Office
Budget | $10,000,000 (estimated) |
Did You Know?
Trivia | The film was shot entirely in VistaVision, a widescreen format that runs 35mm film horizontally through the camera to create eight perforation film frames, twice the size and resolution of standard four perforation 35mm. The film was then released in theaters with 70mm film prints. This is the first American film in 61 years to be entirely shot in the format, the last being My Six Loves (1963). Director Brady Corbet explained: "It just seemed like the best way to access that period (1950s) was to shoot on something that was engineered in that same decade." Star Wars: Episode IV - A New Hope (1977) reintroduced VistaVision to create high resolution plates for visual effect shots. See more » |
Goofs | In a 1950s scene in Pennsylvania USA, during the card-playing, money put on the table includes US one-dollar bills with bright green ink, indicating they are Federal Reserve Notes, first issued in 1963. One-dollar Silver Certificates, having blue and black ink on the front, are appropriate for the era. See more » |
Movie Connections | Featured in Episode dated 10 December 2024 (2024). See more » |
Soundtracks | One for You, One for Me See more » |
Quotes |
[last lines]
Older Zsofia: My uncle is, above all, a principled artist. His lifelong ambition was not only to define an epoch but to transcend all time. In his memoirs, he described his designs as machines with no superfluous parts, that at their best, at his best, possessed an immoveable core; a "Hard Core of Beauty." A way of directing their inhabitant's perception to the world as it is. The inherent laws of concrete things such as mountains and rock define them. They indicate nothing. They tell nothing. They simply are. Born in 1911 in a small fishing village in Austria-Hungary, László Toth looked out upon the Adriatic Sea. He was a boy with eyes wide open, full of yearning. New borders would eventually rip this expanse of sea away from him but never did he cease to try and fill its void. Forty years later, he survived the camps at Buchenwald, as did his late wife, and myself, in Dachau. His first American masterpiece, the Van Buren institute outside of Philadelphia, remained unfinished until 1973. The building referenced his time at Buchenwald as well as the deeply felt absence of his wife, my Aunt Erzsébet. For this project, he re-imagined the camp's claustrophobic interior cells with precisely the same dimensions as his own place of imprisonment, save for one electrifying exception; when visitors looked 20 meters upwards, the dramatic heights of the glass above them invited free thought; freedom of identity. He further re-imagined Buchenwald and his wife's venue of imprisonment in Dachau on the same grounds, connected by a myriad of secret corridors re-writing their history and transcending space and time so that he and Erzsébet would never be apart again. Uncle, you and Aunt Erzsébet once spoke for me, I speak for you now, and I am honored. "Don't let anyone fool you, Zsófia" he would say to me as a struggling young mother raising my daughter during our first years in Jerusalem, "no matter what the others try and sell you, it is the destination, not the journey." Thank you. See more » |