American car designer Carroll Shelby and driver Ken Miles battle corporate interference, the laws of physics and their own personal demons to build a revolutionary race car for Ford and challenge Ferrari at the 24 Hours of Le Mans in 1966.
Years following the events of "The Shining," a now-adult Dan Torrance must protect a young girl with similar powers from a cult known as The True Knot, who prey on children with powers to remain immortal.
Consummate con man Roy Courtnay has set his sights on his latest mark: the recently widowed Betty McLeish, worth millions. But this time, what should have been a simple swindle escalates into a cat-and-mouse game with the ultimate stakes.
Kate is a young woman subscribed to bad decisions. Working as an elf in a year round Christmas store is not good for the wannabe singer. However, she meets Tom there. Her life takes a new turn. For Kate, it seems too good to be true.
When renowned crime novelist Harlan Thrombey (Christopher Plummer) is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc (Daniel Craig) is mysteriously enlisted to investigate. From Harlan's dysfunctional family to his devoted staff, Blanc sifts through a web of red herrings and self-serving lies to uncover the truth behind Harlan's untimely death.Written by
"Rian Johnson successfully revives the "whodunnit" mystery subgenre with this perfectly cast fun time, even if it doesn't bring anything groundbreaking to the table."
Knives Out is the kind of "whodunnit" film that will never fail to entertain. As a progressive mystery, Knives Out is a very fashionable movie with it's grand ensemble of fresh and familiar faces. With some very snarky and slick writing, these characters are albeit memorable, most notably Daniel Craig's Detective Blanc and Chris Evan's Ransome, however, the film fails to make full use of the ensemble to the greatest extent. Of course that never takes away from what else Knives Out has to offer. The intensity of every moment that leaves you questioning the motive and action behind the titled crime scene is delivered with such glorious fashion, one could say Murder on the Orient Express had a beautiful baby, this being the result, showing Rian Johnson's strongholds. While the first two acts of the movie are quite strong and promising, the third act finds itself being a little rough around the edges but manages to find it's footing upon the conclusion; one for all and all for one.
Verdict: Knives Out not only proves to us that Rian Johnson is a strong director with the right material, but also displays a fashionable reiteration of what the mystery genre can do to keep us guessing what is left in store for us to see in all the right ways.
35 of 51 people found this review helpful.
Was this review helpful to you?
| Report this