After Blackthorne survives a brazen assassination attempt, Toranaga realizes he must ferry his allies out of Osaka or risk certain defeat.After Blackthorne survives a brazen assassination attempt, Toranaga realizes he must ferry his allies out of Osaka or risk certain defeat.After Blackthorne survives a brazen assassination attempt, Toranaga realizes he must ferry his allies out of Osaka or risk certain defeat.
Storyline
Did you know
- Trivia"Clouds and Rain" is a Chinese euphemism for sex. "The Bringer of Clouds and Rain" is a lady of the night, a prostitute. Clouds are thought to be the blending of the male and female, the sky and the earth, and the rain, the climax of the union. It comes from an old Chinese creation story in which heaven or sky, the Great Father, and earth, the Great Mother, are thought of as a conjugal couple engaged in sexual congress which is never ending.
- Quotes
Vasco Rodrigues: Ahoy, Ingés!
[chuckles]
Vasco Rodrigues: Still alive I see!
John Blackthorne: How's your leg?
Vasco Rodrigues: Fine. How's your mother?
John Blackthorne: Dead!
Vasco Rodrigues: Aww...
- SoundtracksLand of Tears
performed by Atticus Ross, Leopold Ross & Nick Chuba
Featured review
Episode 3 of Shogun, titled "Tomorrow Is Tomorrow," continues to develop the intricate web of political intrigue and cultural clash between East and West. At this point in the series, John Blackthorne is becoming more accustomed to Japanese customs, though he remains an outsider struggling to find his place. The episode focuses on the growing relationship between Blackthorne and Lord Toranaga, who continues to use the Englishman for his own political gains. Meanwhile, Blackthorne's own internal conflict deepens as he confronts the reality that survival in Japan may require him to compromise his European identity.
The episode opens with Blackthorne being further drawn into the service of Lord Toranaga, as the samurai lord begins to test Blackthorne's loyalty. The tension between the two is palpable, and the script does an excellent job of highlighting their mutual reliance on each other. Toranaga sees Blackthorne as a tool for gaining leverage over his political rivals, while Blackthorne is starting to realize that aligning himself with Toranaga may be the only way to ensure the survival of his crew. This power dynamic makes for compelling viewing, and both Richard Chamberlain (Blackthorne) and Toshiro Mifune (Toranaga) continue to deliver powerful performances, embodying the complex emotions and strategies at play.
One of the standout elements of this episode is the direction. Jerry London, the series director, continues to use visual storytelling to reinforce the thematic contrasts between the two cultures. This is particularly evident in the juxtaposition between the rigid formality of the Japanese court and the chaos and violence that lie just beneath the surface of Japanese society. The use of close-ups during intense conversations creates a sense of intimacy, allowing the audience to see every flicker of doubt or suspicion in the characters' faces. The tension is further enhanced by the score, which remains subtle but effective in heightening the emotional stakes.
However, while the episode excels in its depiction of political maneuvering, it does slow down in the middle portion. Certain scenes, particularly those focused on Blackthorne's continued learning of Japanese customs, feel slightly repetitive. The show's dedication to historical accuracy is commendable, but in this case, the detailed exploration of Japanese etiquette slows the pacing, and some viewers may find themselves eager for the plot to progress. This is a minor flaw in an otherwise well-crafted episode, as the slower pace ultimately allows for deeper character development and a greater understanding of the world Blackthorne now inhabits.
The cinematography in "Tomorrow Is Tomorrow" remains top-notch. The sweeping shots of the Japanese countryside are breathtaking, contrasting beautifully with the claustrophobic interiors of Toranaga's court. The episode also makes effective use of lighting, particularly in scenes where Blackthorne interacts with other Westerners. These scenes are often lit in a stark, almost harsh manner, highlighting the alienation and fear that Blackthorne feels as he navigates an unfamiliar and often dangerous world. The attention to detail in the set design, from the elaborate kimonos to the precise arrangement of a tea ceremony, immerses the viewer in the world of feudal Japan, lending authenticity to every scene.
One of the episode's most memorable moments comes during a tense confrontation between Blackthorne and Lady Mariko, played by Yoko Shimada. The scene takes place during a formal dinner, and the tension between the two is thick with unspoken words. Mariko, who has begun to respect Blackthorne, warns him of the dangers that lie ahead if he cannot fully adapt to Japanese society. Their exchange is a brilliant example of the show's ability to convey deep emotions through subtle dialogue and body language. This moment serves as a turning point for Blackthorne, who begins to realize that his survival depends not just on his wits, but on his ability to understand and navigate the complex social hierarchy of Japan.
In conclusion, "Tomorrow Is Tomorrow" is a strong continuation of Shogun, maintaining the show's high level of quality while deepening the relationships between its key characters. The pacing issues in the middle of the episode are outweighed by the nuanced performances and the excellent direction, which keeps the tension simmering throughout. The episode's exploration of loyalty, identity, and survival is compelling, and it sets the stage for even more intense conflicts to come. While it may not be the most action-packed episode of the series, it is a thoughtful and well-executed chapter that further immerses the viewer in the world of Shogun.
The episode opens with Blackthorne being further drawn into the service of Lord Toranaga, as the samurai lord begins to test Blackthorne's loyalty. The tension between the two is palpable, and the script does an excellent job of highlighting their mutual reliance on each other. Toranaga sees Blackthorne as a tool for gaining leverage over his political rivals, while Blackthorne is starting to realize that aligning himself with Toranaga may be the only way to ensure the survival of his crew. This power dynamic makes for compelling viewing, and both Richard Chamberlain (Blackthorne) and Toshiro Mifune (Toranaga) continue to deliver powerful performances, embodying the complex emotions and strategies at play.
One of the standout elements of this episode is the direction. Jerry London, the series director, continues to use visual storytelling to reinforce the thematic contrasts between the two cultures. This is particularly evident in the juxtaposition between the rigid formality of the Japanese court and the chaos and violence that lie just beneath the surface of Japanese society. The use of close-ups during intense conversations creates a sense of intimacy, allowing the audience to see every flicker of doubt or suspicion in the characters' faces. The tension is further enhanced by the score, which remains subtle but effective in heightening the emotional stakes.
However, while the episode excels in its depiction of political maneuvering, it does slow down in the middle portion. Certain scenes, particularly those focused on Blackthorne's continued learning of Japanese customs, feel slightly repetitive. The show's dedication to historical accuracy is commendable, but in this case, the detailed exploration of Japanese etiquette slows the pacing, and some viewers may find themselves eager for the plot to progress. This is a minor flaw in an otherwise well-crafted episode, as the slower pace ultimately allows for deeper character development and a greater understanding of the world Blackthorne now inhabits.
The cinematography in "Tomorrow Is Tomorrow" remains top-notch. The sweeping shots of the Japanese countryside are breathtaking, contrasting beautifully with the claustrophobic interiors of Toranaga's court. The episode also makes effective use of lighting, particularly in scenes where Blackthorne interacts with other Westerners. These scenes are often lit in a stark, almost harsh manner, highlighting the alienation and fear that Blackthorne feels as he navigates an unfamiliar and often dangerous world. The attention to detail in the set design, from the elaborate kimonos to the precise arrangement of a tea ceremony, immerses the viewer in the world of feudal Japan, lending authenticity to every scene.
One of the episode's most memorable moments comes during a tense confrontation between Blackthorne and Lady Mariko, played by Yoko Shimada. The scene takes place during a formal dinner, and the tension between the two is thick with unspoken words. Mariko, who has begun to respect Blackthorne, warns him of the dangers that lie ahead if he cannot fully adapt to Japanese society. Their exchange is a brilliant example of the show's ability to convey deep emotions through subtle dialogue and body language. This moment serves as a turning point for Blackthorne, who begins to realize that his survival depends not just on his wits, but on his ability to understand and navigate the complex social hierarchy of Japan.
In conclusion, "Tomorrow Is Tomorrow" is a strong continuation of Shogun, maintaining the show's high level of quality while deepening the relationships between its key characters. The pacing issues in the middle of the episode are outweighed by the nuanced performances and the excellent direction, which keeps the tension simmering throughout. The episode's exploration of loyalty, identity, and survival is compelling, and it sets the stage for even more intense conflicts to come. While it may not be the most action-packed episode of the series, it is a thoughtful and well-executed chapter that further immerses the viewer in the world of Shogun.
- fernandoschiavi
- Oct 6, 2024
- Permalink
Details
- Runtime53 minutes
- Color
- Sound mix
- Aspect ratio
- 2.00 : 1
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