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Echo In the Canyon (2018)

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A look at the roots of the historic music scene in L.A.'s Laurel Canyon featuring the music of iconic music groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.

Director:

Andrew Slater
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1,691 ( 138)
1 nomination. See more awards »

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Cast

Credited cast:
Lou Adler ... Himself
Fiona Apple ... Herself
The Beach Boys ... Themselves (archive footage)
Beck ... Himself
Justine Bennett ... Herself
Jackson Browne ... Himself
Buffalo Springfield ... Themselves (archive footage)
The Byrds ... Themselves (archive footage)
Jade Castrinos ... Herself
Eric Clapton ... Himself
David Crosby ... Himself
Jakob Dylan ... Himself
Norah Jones ... Herself
The Mamas and the Papas ... Themselves (archive footage)
Roger McGuinn ... Himself
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Storyline

A look at the roots of the historic music scene in L.A.'s Laurel Canyon featuring the music of iconic music groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.

Plot Summary | Plot Synopsis

Genres:

Documentary | Music

Certificate:

PG-13 | See all certifications »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

20 September 2018 (USA) See more »

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Box Office

Opening Weekend USA:

$117,651, 26 May 2019, Limited Release

Gross USA:

$805,112, 16 June 2019
See more on IMDbPro »

Company Credits

Production Co:

Mirror Films See more »
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Technical Specs

Runtime:

Color:

Color
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Did You Know?

Trivia

Short clips from Model Shop (1969) are used throughout to help set the feeling of mid- to late-60's Los Angeles. See more »

Connections

References It's a Mad Mad Mad Mad World (1963) See more »

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User Reviews

 
Go where you wanna go
7 June 2019 | by ferguson-6See all my reviews

Greetings again from the darkness. "Go Where You Wanna Go", a catchy pop song by The Mamas and the Papas, always seemed a quintessential 1960's song, but now, thanks to an insightful interview with singer Michelle Phillips in this new documentary, it's a reminder that even the era's free love carried a price. Director Andrew Slater, the former President of Capital Records, combines the nostalgia associated with the California Sound with the contemporary staying power of the songs and the musicians.

Jakob Dylan of The Wallflowers (and Bob's son) is really the face of the film. Not only does he conduct most of the (many) interviews, he's also the driving force behind the 2015 concert at the Orpheum Theatre celebrating the 50th anniversary of The Byrds debut album ... an album we are told kicked off the fusion of folk and rock. Dylan's first interview is with the legendary Tom Petty (in one of his final interviews before suddenly passing away in 2017). The two are sitting in a guitar shop with Petty regaling the brilliance of a Rickenback, and how the music of 1965-67 influenced him as a songwriter and musician.

An aerial view of Laurel Canyon accompanies its description as the antithesis of the plastic TV world of the 1960's. It was an area that attracted bohemians - musicians, artists, and actors - and collaboration and community were the calling. Jackson Browne and Tom Petty both mention "cross-pollination" ... the "borrowing" of ideas from each other, as it's contrasted with outright theft. The concert at the Orpheum acts a bit as a framing device, and Jakob Dylan takes the lead and performs with other modern day acts such as Regina Spektor, Beck, Jade, Fiona Apple, Cat Power and Norah Jones. We cut to modern versions of the 60's classics after an interview with the original artist or clip of the original band is played. It's a way to connect the dots and show how the music still stands today.

Those interviewed include: Jackson Browne, music producer Lou Adler, David Crosby, Roger McGuinn, Michelle Phillips, Eric Clapton, Graham Nash, Stephen Stills, John Sebastian, and Ringo Starr. Each of these musical luminaries serves up a story or two, and takes a stab at defining the era and its influence. Roger McGuinn tells us how The Beatles influenced The Byrds, how The Beach Boys "Pet Sounds" influenced "Sgt Pepper", and how so many songs and bands are interlinked. Brian Wilson is compared to both Mozart and Bach, and Eric Clapton admits to taking a bit from Buffalo Springfield.

We see and hear Brian in the studio with Jakob, as well as Clapton riffing with Stills. It's fascinating to listen as Brian explains 4 different local studios were used to cut "Good Vibrations" because of the various sounds needed. A bit of artistic lunacy? Perhaps. But it makes for a great tale. It's a bit odd to have clips of Jacques Demy's MODEL SHOP, starring Gary Lockwood and Anouk Aimee, interspersed throughout, but Dylan explains how the film inspired the concert and film. Lastly, we can't help but chuckle since even Jakob couldn't coax his notoriously reclusive father into providing even a touch of recollection for the project. "Expecting to Fly" is offered as the end of the era.


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