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The Eastern Front (2020)

The Point of No Return (original title)
| War | 16 June 2020 (USA)
A dwindling group of German soldiers battle to return to their lines on the harsh Eastern Front.

Director:

Rick Roberts

Writers:

Cheryl Neve, Rick Roberts (story) | 1 more credit »
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Popularity
2,778 ( 1,106)

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Cast

Credited cast:
Mhairi Calvey ... Aliya
Chris Wilson ... German Officer
Laura Jean Marsh ... Rosa Alexandrova
Bethany Slater ... Nina Mariakina
Justin Hayward ... Aleksy
Megan Tremethick ... Anna
Jennifer Martin ... Valeriya
Samantha Loxley ... Russian Sniper
Neal Ward ... Sergeant Bruno Guize
Christopher Mulvin ... Private Walter Muckel
George Weightman ... Corporal Erich Fischer
Josh Harper Josh Harper ... Private Theo Weiss
Harry Palmer ... Private Rudolf Schmidt
Luke Maskell Luke Maskell ... Private Peter Leber
Joe Riley ... SS Corporal Zimmerman
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Storyline

A dwindling group of German soldiers battle to return to their lines on the harsh Eastern Front.

Plot Summary | Add Synopsis

Taglines:

1945 - "This is hell on Earth"

Genres:

War

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Did You Know?

Trivia

Truck at start of movie is a restored Citroen model T45 that were manufactured in 1943 in France. See more »

Goofs

The German soldiers are wearing shoulder patches of Unit Insignia, but of different units. See more »

User Reviews

 
Write what you know.......
30 June 2020 | by rasbenek-90610See all my reviews

There are far too many examples of writers putting pen to paper on subjects out of their comfort zone and failing to find the necessary 'heart' because they either don't have a real interest in what they're writing about but feel it is 'current' and they should, or they have no idea how to research and find the authenticity that is needed. Added to that producers who haven't a clue on the subject either and are not discerning enough to pull the script apart, and you are doomed to a very particular kind of failure. Of the 'we really didn't care enough' kind. Writers should write what they know, or are confident in researching. Neither occurred in this instance. There are many much more accomplished films, even short ones, than this where the filmmakers found the required passion in the short narratives they were trying to tell. Camera work in this overly long effort too is pointless - cameras express an observation, or a motivation, or something narratively that audiences are supposed to focus on. The use of the camera here was pretty aimless. Something down to both the director and the cinematographer. And the accents?! Well less said here the better. Completely pulled out of the viewing experience from minute one. World War 2 was the setting for so many exciting and mindblowingly brave stories the filmmakers could have chosen any number to tell utilising British actors and their distinctly British accents. Especially if going out to make a film with your mates. But no, they chose to represent Germans in the mid winter of retreat on the Eastern Front, without snow or landscape that was particularly European yet alone with the cold, bleak tones of winter and desolation. One only has to watch Stalingrad to get a real feel of what it was like for the ordinary German soldier. This felt like a story made for the sake of making a movie. Little or no script development, filmmakers without the necessary experience or knowledge to pull off a war-driven movie, a director who doesn't know how to elicit performance or to generate excitement through camera shot choices, and a cast just going through the motions of what they imagined they should be doing. This feels like a film school project Year 1 assignment piece drawn out to feature length. The Director really needs to hone his craft on shorter pieces, and the Screenwriter really should go back to basics and learn how to research properly, and then to tightly structure a purposeful story for a pleasing, focused, and multi-layered audience experience. War films by their very nature are pretty budget hefty affairs. It's impossible to do one any sort of justice on a short film budget or worse. And certainly not without the proper preparation, research, and development. For a job well done check out Sean Ellis's 'Anthropoid' - a story told at least four times cinematically over the decades, and here told well, even as a remake, with flair and a certain eye on narrative intensity, even though the outcome is known to all. And as tight as that was in terms of locations, set pieces are the production's biggest asset. Lessons needed here, are easily found elsewhere.


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Details

Country:

UK

Release Date:

16 June 2020 (USA) See more »

Also Known As:

The Eastern Front See more »

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