This particular version of Naples is home to Antonio Barracano, the young, vigorous and tattooed Mayor of Rione Sanità who plays by his own rules; a paternal figure who oversees the licit and illicit activities unfolding within the city.
Director:
Mario Martone
Stars:
Francesco Di Leva,
Adriano Pantaleo,
Roberto De Francesco
When seriously ill teenager Milla falls madly in love with smalltime drug dealer Moses, it's her parents' worst nightmare. But as Milla's first brush with love brings her a new lust for ... See full summary »
A stormy reunion between a daughter and her actress mother, Catherine, against the backdrop of Catherine's latest role in a sci-fi picture as a mother who never grows old.
On the 25th anniversary of Capaci and via D'Amelio bombings, Franco Maresco wonders what's left of their ideals and struggles in contemporary Sicily, dwelling on its relationship with the Mafia.
With ABOUT ENDLESSNESS, Roy Andersson adds to his cinematic oeuvre with a reflection on human life in all its beauty and cruelty, its splendour and banality.
Martin Eden struggles to rise above his destitute, proletarian circumstances through an intense and passionate pursuit of self-education, hoping to achieve a place among the literary elite.
Veronica wants to remain in jail for a sexual assault she knows she's been wrongfully indicted for. She and her father, Jim, find themselves acting out of the bounds of good behavior as the past haunts them.
Director:
Atom Egoyan
Stars:
David Thewlis,
Luke Wilson,
Laysla De Oliveira
Three friends are part of an opposition group in the chaotic Chile of the early 70's and together commit a political crime that changes the history of the country and incidentally involves them in a betrayal that separates them forever.
Larrain's movie Ema is very difficult to rate. It does have the potential of being an absolute masterpiece, it has its distinct voice, but somehow it did not convince me.
Ema has a wonderful technical style, it must be said. The photography is astounding, as is the coerography and the music that is featured in the movie. Larrain's crew definitely achieved something outstanding from that point of view.
The cast was also wonderful. Bothe the lead actress and the veteran actor Gael Garcia Bernal gave us wonderful performances. It was particularly refreshing for me to see Bernal as a more mature character rather than the youngster he is well known for in Cuaron and Inarritu's movies.
It is hard to describe Ema's plot without spoiling the whole movie. What I can say is that Ema is about a woman, a modern dancer with a rebellious soul, which leads her to destructive tendencies (not self-destructive, I think this must be underlined). The film is literally mostly a portrayal of an unique female character, which is something undeniably positive, but it also has a very thin plot, that at the middle of the film seems to lead nowhere (although the action does have an ending of sorts). Ema is mostly a character study, but from a distance (the stoic approach of the performances doesn't allow the viewer to enter Ema's or the other character's thoughts). There is a touch of symbolism (pointed to by the beginning and ending scenes), but it felt either too evident, simple or too enigmatic to grasp.
It wouldn't surprise me if Ema ends up receiving a nomination in the Foreign Films category in the Oscars or any other award, because it most definitely is outstanding, but somehow, for once, I have to say that it wasn't exactly my cup of tea.
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Larrain's movie Ema is very difficult to rate. It does have the potential of being an absolute masterpiece, it has its distinct voice, but somehow it did not convince me.
Ema has a wonderful technical style, it must be said. The photography is astounding, as is the coerography and the music that is featured in the movie. Larrain's crew definitely achieved something outstanding from that point of view. The cast was also wonderful. Bothe the lead actress and the veteran actor Gael Garcia Bernal gave us wonderful performances. It was particularly refreshing for me to see Bernal as a more mature character rather than the youngster he is well known for in Cuaron and Inarritu's movies.
It is hard to describe Ema's plot without spoiling the whole movie. What I can say is that Ema is about a woman, a modern dancer with a rebellious soul, which leads her to destructive tendencies (not self-destructive, I think this must be underlined). The film is literally mostly a portrayal of an unique female character, which is something undeniably positive, but it also has a very thin plot, that at the middle of the film seems to lead nowhere (although the action does have an ending of sorts). Ema is mostly a character study, but from a distance (the stoic approach of the performances doesn't allow the viewer to enter Ema's or the other character's thoughts). There is a touch of symbolism (pointed to by the beginning and ending scenes), but it felt either too evident, simple or too enigmatic to grasp.
It wouldn't surprise me if Ema ends up receiving a nomination in the Foreign Films category in the Oscars or any other award, because it most definitely is outstanding, but somehow, for once, I have to say that it wasn't exactly my cup of tea.