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Midsommar (2019)

Trailer
2:25 | Trailer
A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.

Director:

Ari Aster

Writer:

Ari Aster
Popularity
51 ( 9)

'Midsommar' Director Breaks Down the Trailer

Writer/director Ari Aster breaks down genre expectations, The Wicker Man influences, and how he wants audiences to feel after his "break-up film," Midsommar.

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2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Florence Pugh ... Dani
Jack Reynor ... Christian
Vilhelm Blomgren ... Pelle
William Jackson Harper ... Josh
Will Poulter ... Mark
Ellora Torchia ... Connie
Archie Madekwe ... Simon
Henrik Norlén ... Ulf
Gunnel Fred ... Siv
Isabelle Grill ... Maja
Agnes Westerlund Rase Agnes Westerlund Rase ... Dagny (as Agnes Rase)
Julia Ragnarsson ... Inga
Mats Blomgren ... Odd
Lars Väringer ... Stev
Anna Åström ... Karin
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Storyline

Dani (Florence Pugh) and Christian (Jack Reynor) are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in a land of eternal sunlight takes a sinister turn when the insular villagers invite their guests to partake in festivities that render the pastoral paradise increasingly unnerving and viscerally disturbing. Written by A24 Releasing

Plot Summary | Plot Synopsis

Taglines:

Let the festivities begin


Motion Picture Rating (MPAA)

Rated R for disturbing ritualistic violence and grisly images, strong sexual content, graphic nudity, drug use and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Sweden | Hungary

Language:

English | Swedish

Release Date:

3 July 2019 (USA) See more »

Also Known As:

Midsommar See more »

Filming Locations:

Budapest, Hungary See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$6,560,030, 7 July 2019

Gross USA:

$27,426,361

Cumulative Worldwide Gross:

$41,123,770
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Director's Cut)

Sound Mix:

Dolby Digital (Dolby 7.1)

Color:

Color

Aspect Ratio:

2.00 : 1
See full technical specs »
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Did You Know?

Trivia

Jack Reynor and Will Poulter also starred together in Glassland (2014) and Detroit (2017). See more »

Goofs

The Americans react to the sun being up late at night. The sun doesn't set until after 10.30 PM in the area around midsummer, but the lack of long shadows reveals that the scene does not take place in the late evening at 61° North but rather around noon at 47° North (Hungary). The film appears to be filmed in Utah which is around 42 degree N - instead of Sweden (which is 61 degree N) that would explain this discrepancy. See more »

Quotes

Arne: [laughs] No. No, no. Uh Ruben was - a product of inbreeding. All of our oracles are deliberate products of inbreeding.
See more »

Alternate Versions

A 171-minute long director's cut premiered at the Scary Movies XII film festival at the Lincoln Film Center. This version adds more graphic violence and extends many pre-existing scenes. See more »

Connections

Featured in WatchMojo: Top 10 Best Horror Movies of 2019 (2019) See more »

Soundtracks

I.O.U
Performed by Freeez
Written by John Robie and Arthur Baker
Produced by John Robie
Additional Production & Remix by Jellybean Benítez
Courtesy of Beggars Banquet
By arrangement with Beggars Group Media Limited
See more »

Frequently Asked Questions

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User Reviews

 
One bad trip.
7 July 2019 | by Pjtaylor-96-138044See all my reviews

'Midsommar (2019)' takes a very long time to get to a very predictable and, frankly, uninteresting point. It's just so slow and, honestly, boring. There's nothing all that engaging about the story, and perhaps its most - or, maybe, only - intriguing thematic aspect is reserved until the very end - the final shot, even. This seems to be as spur-of-the-moment for the film as the decision that leads to it does for the central character. The general theming of the feature isn't all that strong or cohesive and its events don't act as an 'allegory' for the theme, either. This leads to an aimless vibe, a sense of almost making things up as they go along. This creates some issues when everything starts tying together, especially in terms of overall motivation. I mean, some things in here just aren't believable. Plus there's no actual mystery driving the plot, so there's never any tension or suspense. I will say that one sequence is properly horrifying, punctuated by gruesome imagery not for the faint of heart, but it stands as the sole example of something that comes close to getting under your skin and, as such, feels sort of out of place, in a way. It's also brushed off quite quickly, despite being revisited a few times. Still, the film isn't scary. It's not disturbing, either. Most of the 'horror' just comes from the unfamiliarity of the situation - that being a foreign festival presented as a long-held, normalised tradition - from an outside perspective. On top of that, you don't care about the characters - who often make odd, audience-distancing decisions - enough to be affected when things inevitably take a darker turn. That's a bit of an issue. Obviously, the piece is well made, no-one's debating that. It has an effective, if slightly obnoxious, score and makes some distinct visual choices. However, technical competence cannot make up for narrative failure. The opposite of this seems to be the erroneous basis for most of the movie's somehow glowing reviews. Of course, if you really like it, then you like it and that's good for you. I'm just saying that there comes a point where you have to stop awarding, essentially, participation points to well-made but empty fare; most pictures are at least competently constructed and even those that aren't can be enjoyable - or more enjoyable than something like this, at least. The film isn't engaging, entertaining or even close to terrifying, despite its undeniable technical competence. Also, the influences of 'The Wicker Man (1973)' are unmistakable - it actually has quite a bit in common with 'The Wicker Man (2006)', as well. Look, horror doesn't have to scare, as such, but it should do something. This doesn't really do anything and it takes a very long time to do it, too. 4/10


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