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Midsommar (2019)

Trailer
2:25 | Trailer
A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.

Director:

Ari Aster

Writer:

Ari Aster
Reviews
Popularity
35 ( 8)

'Midsommar' Director Breaks Down the Trailer

Writer/director Ari Aster breaks down genre expectations, The Wicker Man influences, and how he wants audiences to feel after his "break-up film," Midsommar.

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Cast

Cast overview, first billed only:
Florence Pugh ... Dani
Jack Reynor ... Christian
Vilhelm Blomgren ... Pelle
William Jackson Harper ... Josh
Will Poulter ... Mark
Ellora Torchia ... Connie
Archie Madekwe ... Simon
Henrik Norlén ... Ulf
Gunnel Fred ... Siv
Isabelle Grill ... Maja
Agnes Westerlund Rase Agnes Westerlund Rase ... Dagny (as Agnes Rase)
Julia Ragnarsson ... Inga
Mats Blomgren ... Odd
Lars Väringer ... Stev
Anna Åström ... Karin
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Storyline

Dani (Florence Pugh) and Christian (Jack Reynor) are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in a land of eternal sunlight takes a sinister turn when the insular villagers invite their guests to partake in festivities that render the pastoral paradise increasingly unnerving and viscerally disturbing. Written by A24 Releasing

Plot Summary | Plot Synopsis

Taglines:

Let the festivities begin


Motion Picture Rating (MPAA)

Rated R for disturbing ritualistic violence and grisly images, strong sexual content, graphic nudity, drug use and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Sweden | Hungary

Language:

English | Swedish

Release Date:

3 July 2019 (USA) See more »

Also Known As:

Midsommar See more »

Filming Locations:

Budapest, Hungary See more »

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Box Office

Opening Weekend USA:

$6,560,030, 7 July 2019

Gross USA:

$27,389,794

Cumulative Worldwide Gross:

$36,013,245
See more on IMDbPro »

Company Credits

Production Co:

B-Reel Films, Square Peg See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (Director's Cut)

Sound Mix:

Dolby Digital (Dolby 7.1)

Color:

Color

Aspect Ratio:

2.00 : 1
See full technical specs »
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Did You Know?

Trivia

Besides one from the film's trailer, and despite the film taking place entirely in sunlight, there isn't one shot of the sun. See more »

Goofs

On the way home from the party Dani and Christian sit on the backseat of a cab, the rear window is frozen although in the movie it is already summer. See more »

Quotes

Maja: [in Swedish] I can feel it! I feel the baby!
See more »

Alternate Versions

The 171-minute Director's Cut restores 24 minutes of additional scenes that were not included in the original cut. The biggest chunk of new footage added, as director Ari Aster acknowledges, is the subplot of Christian researching for his anthropology thesis. The newly added footage is as follows:
  • 1) In the party scene, Dani learns of the scheduled trip to Sweden and questions Christian's intentions. Christian gaslights (suggesting that she was not in her right state of mind) her after she had indirectly ruined the surprise of a romantic invite. The gaslight moment is repeated again in the final additional scene later after the special ceremony. This new scene also shows that he is ill-prepared, which sets up his confrontation with Mark later.
  • 2) In the extended the car ride to Halsingland, Dani asks Josh about the book he's reading and she's told to ask Pelle. Pelle tells her that Christian was brainwashed when he found him. This hints the characteristics of the characters throughout the film: Mark (going along for the ride) ; Dani (tired and depressed); Pelle (manipulative and the mastermind of the secret plan); Josh (passive); Christian (naive)
  • 3) The subplot of Christian's anthropological research is put back and is evident in several scenes of him interacting with Pelle's commune. The subplot reveals two things: Pelle and his commune are well aware from the beginning that he can be easily be manipulated, proven by Maja's attempt to seduce him and his grisly fate at the end; it also reveals that his research is merely a self-serving and misguided attempt to make himself better.
  • 4) After the ritual suicide of the two 72 year-old natives (as to mark the end of the circle of life), Dani is invited to see a special ceremony of a young boy, dressed as tree, volunteered for another ritual. Declaring himself "what's brave is going home" the boy is about to be thrown into a body of water, which horrifies her again. At the last minute, he is let go, having proved his bravery.
  • 5) Immediately after the "special scene", Dani converses with Christian about what she saw. Christian, too focused on his anthropological research, gaslights her again. Soon thereafter, she asks for a sleeping pill before he is targeted by the natives.
See more »

Connections

References The Wicker Man (1973) See more »

Soundtracks

I.O.U
Performed by Freeez
Written by John Robie and Arthur Baker
Courtesy of Beggars Banquet
By arrangement with Beggars Group Media Limited
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Frequently Asked Questions

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User Reviews

 
Traumatic, Surreal, Bizarre Masterpiece

I'll start this off with a warning. If you're a mainstream horror fan, you will not like this. It is not The Conjuring, it does not have jump scares, it is a slow movie. It's not scary in the way that most horror films are scary. It doesn't frighten you. It felt traumatic. This is an artsy movie for sure. If you don't like that, don't see it.

Florence Pugh is absolutely phenomenal. She provides the heart for the film and is what keeps the audience emotionally invensted in such a disturbing film. It's one of the greatest horror performances that I have ever seen.

The cinematography is stunningly gorgeous. I've never seen a film look so gory and grotesque and yet absolutely beatiful at the same time. It's some of the best cinematography that I've seen in years. The art direction is also phenomenal in providing us with a floral, candy colored, nightmare world.

And Ari Aster's screenplay and direction is what makes this so special and separates it from other horror pieces. It's slow, methodical, eerie. But the characters are psychological and deep. The dialogue is real and colorful. The plot is surreal and disturbing. He let's the scares crawl at you as opposed to jump at you. He allows you to see what will happen, process it, feel the shock of what's about to happen, and then still shock you even more when it happens.

This film will be divisive. I have no doubt that many people here will hate this. However, while this is a challenging film, it's also a great film. Halfway through a character says something along the lines of "That was so messed up, but I'm trying to keep an open mind." I suggest that audiences take this advice.

PSA, this movie is extremely violent, bloody, and gory. It's pretty horrifying and it could have stuff that is triggering.


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