During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.
In an interview in the March 8, 2019 New York Times, documentary filmmaker Todd Douglas Miller stated that his crew had their own mission rules regarding the footage used in the film: ""We did have kind of our own mission rules. We said, if it didn't happen on that day at that specific time, we're not using it."
He did say that he did break this rule on several occasions, using shots from Apollo 8's propulsive push rather than Apollo 11's but that he would document where he used different clips from other launches. See more »
When the returning Apollo 11 blasts away from moon orbit, there is a dual visual display showing elapsed rocket burn time and spacecraft speed. The speed rapidly increases to just over 5500 mph during the rocket burn, and then the rocket cuts off. But the speed continues to increase for a few more moments. In reality, the speed would have stopped increasing the instant the rocket cut off. This is not an error as the residual bleed of the engine slowly being shut off will result in a slight continuation of acceleration. See more »
In 2019, an edited version of the film, cut down to 45 minutes for exhibition in museum IMAX theaters, was released as Apollo 11: First Steps. See more »
A half-century ago, Neil Armstrong stepped off the ladder of the Lunar Module Eagle and into the history books. In the decades since, that moment and the flights of NASA's Apollo program have been chronicled in seemingly countless documentaries. At the top of that list remains 1989's For All Mankind from the late Al Reinert and 2007's In The Shadow Of The Moon from British filmmakers David Sington and Christopher Riley. Up there with them now is 2019's Apollo 11, an exciting new film from Todd Douglas Miller that is begging for you to see it on the biggest screen possible.
In part because of Miller who, like those other great filmmakers of Apollo before him, wasn't content to merely do a rehash of what had come before. Miller's Apollo 11 is in part a deep dive into the NASA archives, uncovering things that even the most seasoned space enthusiast has likely never seen before. There's a wealth of pre-launch footage, for example, tracing the preparations from the rollout of the massive Saturn V rocket to the launch pad to multiple perspectives of the launch itself. Even when events move into space, there's still a wealth of rare material to experience including conversations between the astronauts themselves as well as between them and Mission Control in Houston. Even where footage that has become synonymous with the mission and the era such as the stage separations of the rocket or the Lunar Module's descent to the surface of the Moon, it's presented with clarity and scale rarely seen elsewhere. For that alone, the film renders excellent service.
It does so in other ways, as well. Unlike those two documentaries I mentioned at the top of this review, Miller doesn't use astronaut interviews (either aural or visual) to help tell the story. Instead, Apollo 11 unfolds entirely through archival sources ranging from the transmissions to the voice of NASA's public affairs or well-known TV commentators like Walter Cronkite. To help aid visually for parts of the mission where there isn't much or anything to show, the film employees simple animation alongside such commentaries. The film also makes effective use of split-screen and captions to portray mission control or to show events such as the actual walk on the Moon from multiple perspectives. As much as the footage itself on a cinema screen does, it presents the sheer scale of the endeavor but without losing the viewer in the technicalities involved in spaceflight.
In some ways, that's the greatest triumph of Apollo 11 the documentary. It's a film keen to present Apollo 11 the mission in awe-inspiring yet understandable terms, one that emphasizes how incredible in scope and achievement that flight five decades ago this July was. It's also a reminder, at a time when cinema screens find themselves increasingly dominated by would-be blockbusters and superhero flicks, of the raw power of cinema to present stories. Both of those are things we need reminding of, it seems, and the film does a superb job of both.
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