A couple's first date takes an unexpected turn when a police officer pulls them over.A couple's first date takes an unexpected turn when a police officer pulls them over.A couple's first date takes an unexpected turn when a police officer pulls them over.A couple's first date takes an unexpected turn when a police officer pulls them over.A couple's first date takes an unexpected turn when a police officer pulls them over.
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Thom Gossom Jr.
- Slim's Fatheras Slim's Father
- (as Thomas Gossom Jr.)
Slim and Queen's first date takes an unexpected turn when a policeman pulls them over for a minor traffic violation. When the situation escalates, Slim takes the officer's gun and shoots him in self-defence. Now labelled cop killers in the media, Slim and Queen feel that they have no choice but to go on the run and evade the law. When a video of the incident goes viral, the unwitting outlaws soon become a symbol of trauma, terror, grief and pain for people all across the country —stmc-25959
Top review
A solid effort from two novice film makers.
Having seen this a few weeks ago, I was a blank slate going into it. Obviously I was familiar with Daniel Kaluuya, from Get Out and Black Panther and had read the film was a first time directorial effort (on this scale) but had no other preconceptions about it.
I was pleasantly surprised by just how accomplished it was. The film looks gorgeous. The cast all deliver on what feels like a fairly loose screenplay in keeping with the indie spirit of the film. Yes some plot points feel a little contrived in order to move the story on but nothing so bad that it derails the film.
The film very much reminds me of Badlands and to a lesser extent True Romance in its dreamier sequences, as the camera does an expert job of capturing the furtive glances and subconscious body language of the two protagonists deepening relationship. This is aided by an excellent soundtrack and the aforementioned top notch cinematography.
Special note to the landscape of Florida itself which as the film moves from the tight, dark confines of the city to the hot, wide open vistas serves as visual metaphor for the journey of the central characters.
It's hard enough (in 2020) to view anything outwith the prism of politics, and even harder with a film that touches on the tragedy of the black experience in modern America for some. If even the user reviews here are anything to go by, those of a caucasian persuasion (as i am) feel aggrieved at how white cops are portrayed. Forgetting that there are many incidents of "malpractice" every week and that this is a movie. Also there are plenty of films about honest, good police officers.
I would urge people to watch the film and see this is not the central point of the film. Nor does it make any strong judgement call one way or another. It simply uses what is a tragically all too common occurrence to light the spark of the story. Then holds up a lens to how that type of incident could play out. No real grandstanding, more a welcome subversion of the fugitive /romance genre from a different perspective.
It's a film that doesn't force its message or feel it has to show black people railing against injustice or overt oppression and overcoming all the odds. It just shows two people on the run, trying to survive.
As Slim says in one of the film's many great lines. "Why do black people have to be excellent, why can't we just be ourselves".
I was pleasantly surprised by just how accomplished it was. The film looks gorgeous. The cast all deliver on what feels like a fairly loose screenplay in keeping with the indie spirit of the film. Yes some plot points feel a little contrived in order to move the story on but nothing so bad that it derails the film.
The film very much reminds me of Badlands and to a lesser extent True Romance in its dreamier sequences, as the camera does an expert job of capturing the furtive glances and subconscious body language of the two protagonists deepening relationship. This is aided by an excellent soundtrack and the aforementioned top notch cinematography.
Special note to the landscape of Florida itself which as the film moves from the tight, dark confines of the city to the hot, wide open vistas serves as visual metaphor for the journey of the central characters.
It's hard enough (in 2020) to view anything outwith the prism of politics, and even harder with a film that touches on the tragedy of the black experience in modern America for some. If even the user reviews here are anything to go by, those of a caucasian persuasion (as i am) feel aggrieved at how white cops are portrayed. Forgetting that there are many incidents of "malpractice" every week and that this is a movie. Also there are plenty of films about honest, good police officers.
I would urge people to watch the film and see this is not the central point of the film. Nor does it make any strong judgement call one way or another. It simply uses what is a tragically all too common occurrence to light the spark of the story. Then holds up a lens to how that type of incident could play out. No real grandstanding, more a welcome subversion of the fugitive /romance genre from a different perspective.
It's a film that doesn't force its message or feel it has to show black people railing against injustice or overt oppression and overcoming all the odds. It just shows two people on the run, trying to survive.
As Slim says in one of the film's many great lines. "Why do black people have to be excellent, why can't we just be ourselves".
helpful•1813
- Belldogg81
- May 24, 2020
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