Chloe, a teenager who is confined to a wheelchair, is homeschooled by her mother, Diane. Chloe soon becomes suspicious of her mother and begins to suspect that she may be harboring a dark se... Read allChloe, a teenager who is confined to a wheelchair, is homeschooled by her mother, Diane. Chloe soon becomes suspicious of her mother and begins to suspect that she may be harboring a dark secret.Chloe, a teenager who is confined to a wheelchair, is homeschooled by her mother, Diane. Chloe soon becomes suspicious of her mother and begins to suspect that she may be harboring a dark secret.
- Awards
- 3 wins & 6 nominations total
Tony Revolori
- Brooklyn Boy
- (voice)
Carter Heintz
- Nivea Boy
- (uncredited)
Conan Hodgkinson
- Winner
- (uncredited)
Erica Jenkins
- Hannah
- (uncredited)
Emma Jonnz
- Elizabeth
- (uncredited)
Steve Pacaud
- Doctor
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
From the writer-director of Searching comes another neatly crafted, briskly paced & delightfully atmospheric mystery-thriller that makes fab use of its genre elements to deliver the chills. Run steadily ratchets up the tension & only gets more suspenseful as plot progresses but the story also loses its sure footing in the final act and fails to separate itself from the crowd.
Co-written & directed by Aneesh Chaganty, where his feature film debut dazzled us with its originality, unpredictability & edge-of-the-seat storytelling, this sophomore effort only gets bogged down by our own familiarity with the setup. Still, there are several tense & thrilling scenarios in store here and the plot sustains its grip on the viewers for the most part. However, the payoff isn't rewarding enough.
It doesn't take long for the main plot to surface. It actually does a tad too early when more time should've been devoted to make the mother-daughter bonding feel real & authentic before sowing the seeds of doubt & suspicion in our protagonist. Acting is impressive from both Sarah Paulson & Kiera Allen, for the former is believable as the crazy mom while the latter renders every facet of her character's physicality with precision to steal the show.
Overall, Run is a competently constructed example of its genre(s) that manages to keep us invested in the outcome despite the predictable storyline but unfortunately fails to stick the landing in the final moments to wrap up on a fulfilling note. The finale still works, albeit in a formulaic & generic way. Underwhelming when compared to Chaganty's previous feature, Run is still far from a disaster and a slight adjustment in expectations should yield a satisfying enough experience for most, if not all.
Co-written & directed by Aneesh Chaganty, where his feature film debut dazzled us with its originality, unpredictability & edge-of-the-seat storytelling, this sophomore effort only gets bogged down by our own familiarity with the setup. Still, there are several tense & thrilling scenarios in store here and the plot sustains its grip on the viewers for the most part. However, the payoff isn't rewarding enough.
It doesn't take long for the main plot to surface. It actually does a tad too early when more time should've been devoted to make the mother-daughter bonding feel real & authentic before sowing the seeds of doubt & suspicion in our protagonist. Acting is impressive from both Sarah Paulson & Kiera Allen, for the former is believable as the crazy mom while the latter renders every facet of her character's physicality with precision to steal the show.
Overall, Run is a competently constructed example of its genre(s) that manages to keep us invested in the outcome despite the predictable storyline but unfortunately fails to stick the landing in the final moments to wrap up on a fulfilling note. The finale still works, albeit in a formulaic & generic way. Underwhelming when compared to Chaganty's previous feature, Run is still far from a disaster and a slight adjustment in expectations should yield a satisfying enough experience for most, if not all.
Sarah Paulson and Kiera Allen (in her acting debut) provide us with great perfomances, a very special dynamic duo that for that alone is worth watching the movie. Both are the best of the film.
The script, by Aneesh Chaganty (also the director) and Sev Ohanian, is good enough to get to know and develop the two characters, find out what the problem is and reach the climax. It may be a simple story, but it is still excellent.
Finally, what every thriller needs, a good scoring, is achieved in this film thanks to the talented Torin Borrowdale. Without a doubt one of the high points of the film.
It's a light and exciting ride that will keep you on the edge of your seat.
This was such a good thriller. I think it was one of the most effective ones that i have seen this year.
It was defiantly a fun, hour and a half popcorn fun movie but i think it was just that little bit extra too. The filmmaking was above that for me. It just had that little bit of extra care put into it and i think it made all the difference.
The acting was really great from both of the leads. I was really impressed with Kiera Allen. This was her debut film and i think this will net her even more roles because she was fantastic.
I found the score really great too. It really worked together with the script and filmmaking to really get you into the film. I appreciated it.
You should definitely watch this, its really fun, supper quick and well made.
It was defiantly a fun, hour and a half popcorn fun movie but i think it was just that little bit extra too. The filmmaking was above that for me. It just had that little bit of extra care put into it and i think it made all the difference.
The acting was really great from both of the leads. I was really impressed with Kiera Allen. This was her debut film and i think this will net her even more roles because she was fantastic.
I found the score really great too. It really worked together with the script and filmmaking to really get you into the film. I appreciated it.
You should definitely watch this, its really fun, supper quick and well made.
I love Sara Paulson and she always delivers. Of course, it seems alot like Gyspy & DeeDee story, but it's not exactly the same. It's what also makes the movie that much more thrilling, to know it actually happened and happens more then we think.Either way, it's a very good and a definite must watch, especially during quarantine if you like thrillers! I am sure you will enjoy this movie, it doesn't get boring or leave you feeling as if the ending was missing something.
If you're looking for a thrilling and suspenseful experience, this is the right movie for you. The plot twist isn't that dramatic but the plot just keeps drawing you in. Sarah Paulson's acting is world class, and the actress who played the daughter was super convincing as well. I also loved how the scenery was complimenting the gloomy aura of this film. Highly reccommend.
Did you know
- TriviaKiera Allen (Chloe) has used a wheelchair since 2014. The filmmakers wanted to cast a disabled actress, stating that Hollywood rarely casts disabled actors for disabled roles. [Variety Magazine]
- GoofsAs a suicide risk, Chloe should have a 1:1 sitter at all times- a staff member, or at the least, a video monitor, to make sure she doesn't try to harm herself. The room should have been cleared of any sharp objects, as well as wires, ties, cords, hospital linens, etc, that could be used to make a noose. The nurse/doctor even acknowledges this risk by not allowing Chloe to use her pen, but commits a grave error leaving her alone in the room.
- Quotes
Chloe Sherman: I... don't... need you.
Diane Sherman: You will.
- SoundtracksDo Me Like
Performed by Beatnet
Written by Brandon Stewart
Courtesy of The Math Club
Details
Box office
- Gross worldwide
- $5,184,368
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 2.39 : 1
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