"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.
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Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives.
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Three actresses at different stages of their career. One from before the 1979 Islamic Revolution, one popular star of today known throughout the country and a young girl longing to attend a drama conservatory.
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A young artist is planning to reconstruct a historical event from 1941, during which the Romanian Army carried out ethnic cleansing on the Eastern Front. One of contemporary Europe's most distinctive creators has come out with an ingeniously conceived film. While it unfolds slowly and in detail, it hits the viewer with a singular emotional punch.Written by
I saw the movie at the Seattle Film Festival. The subject matter is relevant and intriguing from a social point of view - so the movie had the potential of being poignant and thought provoking. Instead, it feels as if the editor had been AWOL. The first hour and a half of the movie is peppered with irrelevant scenes, gratuitous coarse "humor" that is neither here nor there, and static shots with noise in the background (not unlike the time I accidentally hit record while pointing at the floor). Had it been a topic that I didn't have a personal interest in, I would have walked out of the theater after the first hour.
Surprisingly, the movie does end strongly. A good editing job could probably do wonders, producing a good 1 hour long movie. And that, in my book, would be preferable.
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