Still Human

STILL HUMAN Hong Kong newcomer director Oliver Siu Kuen Chan proves to be a natural master of storytelling with his award-winning debut, a dramedy about the cultural clash between a cranky man confined to a wheelchair and his Filipina maid. Named Best New Director at both Asian and Hong Kong Film Awards, the director brilliantly exercises precise levels of entertainment, with a delicate, humorous and heartfelt story of humanitarian values. Pointing to immigration issues, loneliness, unsolved family matters, struggles of the minority and the motivational power of oneself's dreams, it delivers top-notch performances from the entire cast, in a special blend of good laughs and heartbreaking moments.

A poignant reminder that even the most down-trodden, marginalized or discriminated peoples among us are still a part of humanity, and have the right to respect, dignity, love, as well as hopes and dreams for their future.

I thought I would have felt bored at some point because of the genre of the film. Taking care of a handicapped old man cannot develops sopfisdicated plot that attracts audience.

To my surprise I feel not even a moment of boredness and the movie successfully captures my full and unbroken attention. And I can hardly explain why. It is just like the movie has magic power.

I will try analysing this magic power later on when I have time.

An emotional movie doesn't need intense conflicts, stimulating special effects, or pretentious casting. A story that came from my heart was so refreshing. May god bless HK, Wish the brave Hong Kong people to kill the evil dragon.

The director is too green. Lots of major parts are being ignored . For some parts , it's like the Chinese saying " draw a snake but add the legs ".