In Fraserburgh, young men dream of escapism through late-night drag races. Finnie used to be one, but now he works at the fish factory and it's his son's turn to race. Until one night he steals the boy's car for one last joyride.
Colm, mid-40s has a comfortable life: a managerial job in Dublin's docks, two teenage children, and a kind, loyal wife in Claire. After the death of his father, a destructive figure, Colm's emotional life cracks open, and his downward spiral continues when he is made redundant. Drinking heavily and unable to confide in Claire, Colm finds himself drawn to Jay, a 19-year-old who dabbles in ... See full summary »
Peter Mackie Burns
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To run away from your home, because your brother stole the money you collect to buy a camera. To let in your car the first person with trouble on the road, to kiss his girlfriend and to ... See full summary »
In the Northern Scottish town of Fraserburgh, young men dream of escapism through late-night drag races. Finnie used to be one such lad, but now he works at the fish factory and it's his son's turn to dream and race. Until one night when Finnie steals the boy's car for one last joyride.Written by
Tribeca Film Festival
This is quite an interesting observational piece that goes some way to illustrating the lack of opportunities and activities in small, one-industry, towns. This film is based around Fraserburgh - a town of 13,000-odd folk in the north of Scotland that is home to a fishing fleet but very little else. Mark Stanley is "Finnie" a Fraserburgh lifer who works in a fish processing factory. His son does too, at least until the start of this 24 hour dip into their family lives. His wife works in a hairdressers and they have another younger schoolboy child. Late at night, after a fairly "lively" attempt at a family dinner, "Finnie" borrows his son's car and goes for a bit of a joyride - picking up his son's pregnant ex-girlfriend en route and they race a few local youths then the breakers on the sea wall... anything for an adrenalin rush, it would seem. Unfortunately, we only really get a superficial look at the characters; the frustrations and mundanity of their existence is writ large, but therein lies the film's problem - it is a bit like watching goldfish in a dirty bowl; we see but cannot empathise or really engage. There is lots of pent up anger amongst the family; but also some affection - which neither "Finnie" nor his son "Kid" (Anders Hayward) have a clue how to demonstrate. It is worth watching, but is remarkably unfulfilling and empty.
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