A policeman intent on freeing a crooked businessman from a prison on Gomera, an island in the Canaries. However, he must first learn the difficult local dialect, a language which includes hissing and spitting.
In a popular suburb of Dakar, workers on the construction site of a futuristic tower, without pay for months, decide to leave the country by the ocean for a better future. Among them is Suleiman, the lover of Ada, promised to another.
The Dardenne brothers linger, during 80 minutes, to a subject as cleaving as delicate: obscurantism and radicalization. Although the atmosphere is neat, the psychology of the characters is not elaborate enough. Thus, the character of Ahmed interpreted by Idir Ben Addi is definitely not credible: he looks like a harmless kid with a baby face. I can not believe such a child might fool adults so easily. As a matter of fact, the film is essentially based on this character who may then be considered as the keystone of a cinematographic structure. This keystone being defective, the structure collapses! Moreover, the rhythm of the film is a bit sluggish, even if this feeling is possibly due to my global lack of interest for the movie. In short: disappointing!
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