Hoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of this modern-day form of labour exploitation.
In a popular suburb of Dakar, workers on the construction site of a futuristic tower, without pay for months, decide to leave the country by the ocean for a better future. Among them is Souleiman, the lover of Ada, promised to another.
1945, Leningrad. WWII has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Two young women search for meaning and hope in the struggle to rebuild their lives amongst the ruins.
Daniel experiences a spiritual transformation in a detention center. Although his criminal record prevents him from applying to the seminary, he has no intention of giving up his dream and decides to minister a small-town parish.
This movie was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival, where it eventually won the Best Director Award. If it had won the Palme d'Or, it would have been the first time a director (or team of directors in this case) won three times the prestigious award. See more »
The Dardenne brothers linger, during 80 minutes, to a subject as cleaving as delicate: obscurantism and radicalization. Although the atmosphere is neat, the psychology of the characters is not elaborate enough. Thus, the character of Ahmed interpreted by Idir Ben Addi is definitely not credible: he looks like a harmless kid with a baby face. I can not believe such a child might fool adults so easily. As a matter of fact, the film is essentially based on this character who may then be considered as the keystone of a cinematographic structure. This keystone being defective, the structure collapses! Moreover, the rhythm of the film is a bit sluggish, even if this feeling is possibly due to my global lack of interest for the movie. In short: disappointing! 4/5 of 10.
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