Daniel Finley, a mentally-ill Native American of mixed race, struggles to reconcile love versus inner trauma, as do a storytelling female inmate, and a prostitute and car thief in a hotel suite.
Director:
Writer:
Stars:
Awards:
- 10 wins & 10 nominations.
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Reviews:
Photos and Videos
Cast
Directed by
| Al Mertens | ||
Written by
| Al Mertens | ... | () |
Produced by
| Delno Ebie | ... | producer |
| David Jurney | ... | executive producer |
| Ben Richardson | ... | producer |
Music by
| Miro Kepinski | ||
Cinematography by
| John Burton | ||
Film Editing by
| Attila Gyula Balázs | ||
Editorial Department
| Brady Foster | ... | colorist |
| Jake Kelley | ... | assistant editor |
Casting By
| Ben Richardson | ||
Production Design by
| Meghin Elizabeth | ||
Set Decoration by
| Victoria Ventura | ||
Costume Design by
| Andrea M. Jones | ... | (Wardrobe Supervisor) |
Makeup Department
| Heather Appel-Bailey | ... | hair stylist |
| Nicole Brainard-Gorham | ... | assistant makeup artist |
| Katie Reich | ... | key hair stylist |
| Candie Renee | ... | makeup department head |
Production Management
| Jill Sanchez | ... | unit production manager |
Second Unit Director or Assistant Director
| Crissie Kennedye | ... | second assistant director |
| Jill Sanchez | ... | first assistant director |
Art Department
| Shawnee Brittan | ... | props |
| Meghin Elizabeth | ... | props |
| Brady Foster | ... | graphic designer |
| Andrea M. Jones | ... | props |
| Marshall Virden | ... | props |
Sound Department
| Attila Gyula Balázs | ... | sound mixer |
| Adam Chamberlain | ... | sound editor |
| Caleb Holmes | ... | foley artist |
| Jacob Jackson | ... | boom operator |
| Aaron Michael | ... | a.d.r recordist (as Aaron Bushong) |
| Ben Richardson | ... | a.d.r recordist / foley artist |
Visual Effects by
| Attila Gyula Balázs | ... | visual effects |
| Brady Foster | ... | digital effects |
Stunts
| Brian Lindsay | ... | stunt coordinator |
Camera and Electrical Department
| Attila Gyula Balázs | ... | additional b-roll footage |
| C. Royce Collins | ... | grip |
| James Frazier | ... | grip |
| Jacob Jackson | ... | digital image technician |
| Jake Kelley | ... | camera operator |
| Fran Kozakowski | ... | behind the scenes photographer |
| Eric Kuritz | ... | gaffer |
| Eduardo Martinez | ... | grip |
| Richard Rowe | ... | drone camera operator |
| Angie Steedman | ... | behind the scenes photographer |
| Ryan Rockwell Thomas | ... | first assistant camera / grip |
| Andrew Wagner | ... | grip |
| Elizabeth Wolfe | ... | second assistant camera |
Casting Department
| Michaelene Stephenson | ... | casting assistant |
Costume and Wardrobe Department
| Dillon Pierce | ... | wardrobe assistant |
Music Department
| Shalev Alon | ... | score mixer |
| Radoslaw Bukowski | ... | recording engineer |
| Robert Gajewski | ... | executive producer |
| Miro Kepinski | ... | piano / producer |
| Lukasz Korybalski | ... | trumpet |
| Jan Roszkowski | ... | cello |
Script and Continuity Department
| Crissie Kennedye | ... | script supervisor |
Additional Crew
| Bobby Delk | ... | security |
| LaWanda Huff | ... | catering & craft services |
| Kayla Lockhart | ... | unit production assistant |
| Vickey Malone Kennedy | ... | production assistant |
| Ben Richardson | ... | production coordinator |
| Jessi Sanchez | ... | production assistant |
| Keely Sanchez | ... | production assistant |
| Andrew Wagner | ... | production assistant |
Production Companies
- BRI Productions
- BRI Productions (in association with)
- Kaleidoscope Pictures - Oklahoma
Distributors
Special Effects
Other Companies
Storyline
| Plot Summary |
Daniel Finley, the free-spirited son of a Native American tribal councilman and Irish mother, attempts to navigate his worlds while hobbled by mental issues and staggering contempt for compromise. His storyline weaves amidst those of the volatile Cheer, a self-medicating female inmate prone to reliving her past through her stories; and the hapless Warren during a reluctant hotel stay with a familiar young prostitute, Jasmine. A non-linear and often darkly humorous meditation on familial love, forgiveness, and ultimate redemption. |
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Additional Details
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