A stormy reunion between scriptwriter Lumir with her famous mother and actress, Fabienne, against the backdrop of Fabienne's autobiographic book and her latest role in a Sci-Fi picture as a mother who never grows old.
Not everything is as it seems for Cristi, a policeman who plays both sides of the law. Embarking with the beautiful Gilda on a high-stakes heist, both will have to navigate the twists and turns of corruption, treachery and deception.
Hoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of this modern-day form of labour exploitation.
Fabienne is a star; a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed.Written by
This film is not what one may expect. Trailers leave one to think it's dramatic, but it's mostly a dramedy (comedy/drama), leaning more towards comedy. Deneuve has impeccable comedic timing, and it's a surprising side of her that many don't get to see in her numerous other films. Some reviews describe her character, Fabienne, as a narcissist, but those are clearly people who don't know what true narcissists are like. One can say that Fabienne is somewhat self-absorbed, though given that she's an actress, she is rather self-aware and not as selfish as one would expect (if you know the entertainment industry). Binoche and Deneuve have excellent chemistry on screen, and the difficulty in their relationship plays off well: both stylistically and emotionally. The film is a gentle view of a mother-daughter relationship that has been built on misunderstandings from two people who are quite different in their approach to the world around them. There are many laughs, but a few tears, awaiting the audience. It's one of Deneuve's best roles in a few years and she gives it her all. Binoche provides the more tangible emotions of the film, but don't let Fabienne (Deneuve) fool you into thinking she doesn't care or feel much at all. And that is the Truth.
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