Three actresses at different stages of their career. One from before the 1979 Islamic Revolution, one popular star of today known throughout the country and a young girl longing to attend a drama conservatory.
Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.
Alicja suffers from memory loss and has rebuilt her own free spirited way of life. Two years later, she returns to her former family to assume against her will her role as wife, mother and ... See full summary »
On the steppes of Kazakhstan, Asa lives in a yurt with his sister Samal, her husband Ondas, and their three children. Ondas is a herdsman, tough and strong. It's dry, dusty, and windy; too ... See full summary »
Sofia, 20, lives with her parents in Casablanca. Following a denial of pregnancy, she finds herself illegally giving birth to a baby out of wedlock. The hospital leaves him 24h to provide ... See full summary »
During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.
"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.
After her father's untimely death, Saltanat is forced to trade her idyllic countryside life for the cruel city. She has to find money to pay off the large family debt that her father left ... See full summary »
19th century rural Vietnam, fourteen-year-old May is ready to become the third wife of a wealthy landowner. Little did she know that her hidden desires will take her by surprise and force ... See full summary »
Long Le Vu,
Mai Thu Huong Maya,
Nguyen Phuong Tra My
We see a film that makes love to questions our souls seldom ask. The pain of attachment whispers to those of us finding love sacred, until we are all alone screaming in torment's silence.
A woman in Moscow attempting the forbidden, crossing the bridge of survival in the ice and snow of human apathy. As we are there with her, helplessness unflowering
shock, the garden of our selfishness wants us to leave this immersion, are we drowning or escaping...Although we are the prisoner of our own denial, we would beg to lose the shackles of the woman in this film. Samal graces the river of my senses with a waterfall of paralysis. A rainbow of emotion awaits you. Become the fire of the sunrise. Or the darkness before the dawn. Fire does not burn. It illuminates. A film that blinds, that you may truly see and feel. Close to home...
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