Haiti, 1962. A man is brought back from the dead to work in the hell of sugar cane plantations. 55 years later, a Haitian teenager tells her friends her family secret - not suspecting that ... See full summary »
When in 1996 Grateful Dead songwriter John Perry Barlow announced "a civilization of the spirit" with cyberspace - "may it be more humane and just than the world your governments have built... See full summary »
1945, Leningrad. WWII has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Two young women search for meaning and hope in the struggle to rebuild their lives amongst the ruins.
Modern retelling of Hansel and Gretel. After committing a murder, a young couple on the run find refuge in a remote cottage in the woods, where they become trapped by the perverse hermit who lives there.
Fictional film that simulates being a documentary about filmmakers who exploit the misery with mercantilist purposes. It is a scathing criticism "porno-misery" and the opportunism of the ... See full summary »
Luis Alfonso Londoño,
As imaginative as the creative process it documents, A DOG CALLED MONEY is a uniquely intimate journey through the inspiration, writing and recording of a PJ Harvey record. Writer and musician Harvey and award-winning photographer Seamus Murphy, hatched a collaboration. Seeking first-hand experience of the countries she wanted to write about, Harvey accompanied Murphy on some of his worldwide reporting trips, joining him in Afghanistan, Kosovo, and Washington DC. Harvey collected words, Murphy collected images. Back home, the words become poems, songs, then an album, which is recorded in an unprecedented art experiment in Somerset House, London. In a specially constructed room behind one-way glass, the public - all cameras surrendered - are invited to watch the 5 week process as a live sound-sculpture. Murphy exclusively documents the experiment with the same forensic vision and private access as their travels. By capturing the immediacy of their encounters with the people and places ...
Portrait of not just an artist, but the artist inside everyone....
With the bold decision of abruptly ending the film with no tacked on answer, or roundabout way of explicitly surmising the state of the world, the viewer is left to both peer into the empathetic and ponderous nature of Harvey's creative process regarding this album, and to reflect on their own life experiences. We are all lost spectators, and this film reminds us of the enriching but harrowing nature of finding ourselves, by listening to and finding a human connection with others.
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