Colin hires a lavish country manor for his extended family to celebrate New Year. Unfortunately for Colin his position of power in the family is under serious threat from the arrival of his estranged brother David.
33-years old Tamás Merthner is heartbroken, after his girlfriend Anna, who is on a scholarship in Paris, breaks up with him. While wallowing in self-pity, Tamás takes a trip down memory ... See full summary »
The story of a man who feels happy only when he is unhappy, a man addicted to sadness, who has such need for pity, he's willing to do everything to evoke it from others. This is the life of a man in a world not cruel enough for him.
In Fabric is a haunting ghost story set against the backdrop of a busy winter sales period in a department store and follows the life of a cursed dress as it passes from person to person, with devastating consequences..
When Lee Israel falls out of step with current tastes, she turns her art form to deception. An adaptation of the memoir Can You Ever Forgive Me?, the true story of best-selling celebrity biographer Lee Israel.
Richard E. Grant,
I was lucky enough to see the European premiere of 'Papi Chulo' at the London Film Festival. And what a wonderful movie this is. On its face, the tale of a lonely weatherman and the connection he develops with the Latino day laborer he hires to do some painting, on a deeper level it is a moving exploration of loneliness. Do not let that put you off, however. This is not a depressing movie; it has moments of true, laugh-out-loud comedy as well as moments of real tragedy that lead finally to a warm, hopeful ending.
All the performances work. Alejandro Patiño is very good as a man of basic decency and honesty who finds himself in some awkward situations and reacts in the best way he knows how - or, frankly, anyone could be expected to. But the movie hangs on Bomer's performance - he is in almost every scene - and he delivers and then some. Everything about the performance hits the mark, from heartwarming comedy to heartbreaking tragedy, Bomer clearly went all in, but avoids histrionics to bring to the screen a visceral, moving, touching portrayal of a man struggling to deal with grief and immense loss the best way he knows how. In a more mainstream movie (and a fairer world), I honestly believe this performance would garner awards attention.
John Butler's writing and direction are all thoroughly accomplished, exploring big themes via his main character's contained, personal story. The screenplay is beautifully paced, never rushing but never slow. There are highlight scenes both at the comedic end of the spectrum (the 'singing Madonna in the taxi' scene manages to be both moving and funny) and at the tragic (some of Bomer's finest moments in the film).
There is nothing showy about this movie - there's no big budget or effects - but it does what it sets out to do perfectly. I very rarely give a 10 to anything, but I give one to this because I honestly can't think of anything that could be improved within the scope of this film's ambitions. It is a thoroughly satisfying movie-going experience: it provides laughter and tears, gives food for thought on multiple fronts, and finds its way to a satisfying, but not trite, ending.
Congratulations to all involved. I hope this movie finds distribution deals that allow as many people as possible to see it in theatres, and fingers crossed for streaming distribution that will allow the millions of people to see it that it deserves.
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