In the suburbs of Buenos Aires, Gabriel has just moved in with his colleague, Juan. Shy and reserved, Gabo is reluctant to follow Juan's wandering hands and meaningful looks. With a ... See full summary »
Antonia De Michelis
Walter is a 60-year-old removal man for forced evictions. He recognizes in one of the tenants about to be evicted his estranged son, Jan. In order to help Jan, Walter has to confront not only his crooked boss but also his own past.
After being sent to a youth detention centre, 18-year-old Andrej has to fight for his place within the group of inmates while getting closer to Zeljko, their informal leader, and struggling to keep his repressed secret in the dark.
José (19 years old) lives with his Mother (50s) in Guatemala City - a typical lower-class existence in one of the world's most dangerous, religious, and impoverished countries. She never ... See full summary »
Ana Cecilia Mota
Set in 1825, Clare, a young Irish convict woman, chases a British officer through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. On the way she enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.
I was lucky enough to see the European premiere of 'Papi Chulo' at the London Film Festival. And what a wonderful movie this is. On its face, the tale of a lonely weatherman and the connection he develops with the Latino day laborer he hires to do some painting, on a deeper level it is a moving exploration of loneliness. Do not let that put you off, however. This is not a depressing movie; it has moments of true, laugh-out-loud comedy as well as moments of real tragedy that lead finally to a warm, hopeful ending.
All the performances work. Alejandro Patiño is very good as a man of basic decency and honesty who finds himself in some awkward situations and reacts in the best way he knows how - or, frankly, anyone could be expected to. But the movie hangs on Bomer's performance - he is in almost every scene - and he delivers and then some. Everything about the performance hits the mark, from heartwarming comedy to heartbreaking tragedy, Bomer clearly went all in, but avoids histrionics to bring to the screen a visceral, moving, touching portrayal of a man struggling to deal with grief and immense loss the best way he knows how. In a more mainstream movie (and a fairer world), I honestly believe this performance would garner awards attention.
John Butler's writing and direction are all thoroughly accomplished, exploring big themes via his main character's contained, personal story. The screenplay is beautifully paced, never rushing but never slow. There are highlight scenes both at the comedic end of the spectrum (the 'singing Madonna in the taxi' scene manages to be both moving and funny) and at the tragic (some of Bomer's finest moments in the film).
There is nothing showy about this movie - there's no big budget or effects - but it does what it sets out to do perfectly. I very rarely give a 10 to anything, but I give one to this because I honestly can't think of anything that could be improved within the scope of this film's ambitions. It is a thoroughly satisfying movie-going experience: it provides laughter and tears, gives food for thought on multiple fronts, and finds its way to a satisfying, but not trite, ending.
Congratulations to all involved. I hope this movie finds distribution deals that allow as many people as possible to see it in theatres, and fingers crossed for streaming distribution that will allow the millions of people to see it that it deserves.
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