Earthquake Bird

Earthquake Bird is a very different film, it's not exactly what I was expecting having seen a trailer, but I enjoyed it. You will question events and reality as you watch Lucy plunged into a series of bizarre events, as you watch you'll ask if events were real, and if those around her did indeed exist. Alicia Vikander is absolutely terrific in the lead, so convincing. Naoki Kobayashi and Riley Keough also impress in supporting roles. The first forty minutes or so were a bit of a challenge, it took a long time to open up, but when it does it becomes a very absorbing watch. The pace won't suit everyone, some may find it a little slow, but I enjoy this type of psychological thriller.

A thumbs up from me, just stick with it, it's worth it.

First of all, as a 50 something Japanese who experienced what is was like living in Tokyo back in the late 80's, I was really surprised the authenticity of the depiction of the period. They recreated the era so perfectly, it was easy for me to get into the story and take them seriously. That's not always happens when hollywood pictures try to portay my country. Good start.

And yes, as other reviewers points out, the story goes very slow, and they reveal the bare bones much much later, so sometimes it's a little difficult to follow and understand what's happening. But we will come to know the loneliness and anxiety of this caucasian woman from Sweden who lives in Tokyo bit by bit, and what happened to her life in the past, our patience will be nicely rewarded. This film is like a kind of psycological charachter study which disguises as a murder mystery. Maybe not for everyone's taste but I'm sure some people may find it interesting and fascinating.

Alicia Vikander's performance is wonderful as always and she speaks Japanese language maybe not so perfectly but beautifully. Naoki Kobayashi also did a fine job considering his low experiences as an actor which I'm looking forward more to come.

And nice surprise was a brief appearance of Yoshiko Sakuma who was one of the most popular beauty queens from the golden age of Japanese cinema and also one of the two divas (the other was Junko Fuji) of Toei Studio in the 60's.

I must agree with another reviewer on this film. The people leaving low reviews must be fan-boys of action flicks. This is quality filmmaking and storytelling. If you're not willing to think, then please, just keep your sophomoric opinions to yourself.

Another title in the never-ending churn of book to film adaptations from the Netflix studios, this is a fine performance from Alicia Vikander who is captivating throughout as an emotionally vulnerable Swede living in Japan, with a decent supporting cast.

The film promotes the Japanese setting well including a good showcase of culture, attitudes and landscape but the film has pacing issues which aren't helped by the random mixture of flashback and psychosis nor the unsatisfying ending.

A decent watch, but fails to deliver any real impact.

Yes, it's a slow movie - so be prepared. However it kept me captivated until the very end and never felt boring or dry.

Alicia Vikander's performance of a guilt-ridden protagonist is outstanding. The cinematography is great, the soundtrack haunting, the setting in Japan just beautiful.

The end could've been a little bit more creative/original especially with how the narrative was building up beforehand and questioning reality, but I nevertheless didn't see it coming in the particular way.

I can't understand anyone who gives this movie a rating below 7, and I couldn't even give the worst movies I watched 1 star. However, I also wouldn't say it's the "best movie" on Netflix or give it a 10. I'm sorry, but only Joker/Interstellar and Blade Runner deserve a 10 from my side. Definitely recommend giving it a shot if you are into plots that are driven by character development.