Discard the root in the soil and connect the tradition to the future. The story of Shimonchu, with Okinawa main island · Yomitan village potter · Matsuda Yoneshi. There are infinite charm in the burning of Okinawa. Potters face nature, make full use of the body, and the soil of the island becomes a photograph. I do not need an individual. If you move your hands, you will become the color, pattern and shape of Okinawa. It will be something to raise our living. After returning to the mainland of Okinawa in 1972, Okinawa main island and Yomitan village which regenerated culture as a flag. The old misfire bulletproof place was reborn as "Okinawa no Sato" symbolizing Okinawa culture. And in '92, the North kiln where the four young people entrusted their dreams, such as Yoneshii Matsuda, was born over five years. The kiln that keeps the good old Okinawa figure is strongly "strongly" beating beating powerfully.