A woman discovers she has a new relationship with time after surviving a car accident that almost killed her.
Did You Know?
Pre-animation filming was done entirely on a black 12 ft by 12 ft soundstage with minimal set design or props; for example, what would later become a car scene featured an actor sitting on a car seat with a steering wheel on a C-stand, but not much else. Rosa Salazar
loved filming this way because the minimal set-ups meant shooting scenes could happen much more quickly and her energy wouldn't be wasted waiting for set-ups. See more