From a screenplay by Shia LaBeouf, based on his own experiences, filmmaker Alma Har'el brings to life a young actor's stormy childhood and early adult years as he struggles to reconcile with his father and deal with his mental health.
In a popular suburb of Dakar, workers on the construction site of a futuristic tower, without pay for months, decide to leave the country by the ocean for a better future. Among them is Suleiman, the lover of Ada, promised to another.
The film has an aspect ratio of 1.19:1, an almost-square frame that was used in the early sound years by filmmakers including Fritz Lang and G.W. Pabst. They choose the format because "the spaces in this movie are meant to feel confined, it's more of a close-up movie than The Witch. The idea of widescreen only came about in the 1950s - we wanted to take people back further than that." See more »