As the wavering cry of the foghorn fills the air, the taciturn former lumberjack, Ephraim Winslow, and the grizzled lighthouse keeper, Thomas Wake, set foot in a secluded and perpetually grey islet off the coast of late-19th-century New England. For the following four weeks of back-breaking work and unfavourable conditions, the tight-lipped men will have no one else for company except for each other, forced to endure irritating idiosyncrasies, bottled-up resentment, and burgeoning hatred. Then, amid bad omens, a furious and unending squall maroons the pale beacon's keepers in the already inhospitable volcanic rock, paving the way for a prolonged period of feral hunger; excruciating agony; manic isolation, and horrible booze-addled visions. Now, the eerie stranglehold of insanity tightens. Is there an escape from the wall-less prison of the mind?Written by
For dialogue inspiration, the Eggers brothers read the works of Herman Melville, Robert Louis Stevenson, and more, consulting 19th century slang and nautical dictionaries for concise jargon. Willem Dafoe's character is prone to articulate soliloquies in the style of William Shakespeare and Milton. For naturalistic dialogue, the Eggers brothers turned to the works of Sarah Orne Jewett, a Maine-based poet and novelist best known for her works set on the Eastern seaboard, including 'Tales of New England' and 'Strangers and Wayfarers', both published in 1890. As research for her own work, Jewett interviewed old sailors and farmers, often writing in their dialect. See more »
And if I tells ye to yank out every single nail from every molderin' nail-hole and suck off every speck of rust till all them nails sparkle like a sperm whale's pecker, and then carpenter the whole light station back together from scrap, and then do it all over again, you'll do it! And by God and by golly, you'll do it smilin', lad, 'cause you'll like it. You'll like it 'cause I says you will! Contradict me again, and I'll dock your wages.
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Both characters have few if any redeeming qualities, which makes this mind twisting movie difficult to get behind. The cinematography was good, the acting was on point, the writing was quotable but I wanted in to be over half way through. I'm still confused as to what the point was, other than to convey discomfort.
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